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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 143 201 133 0.75 it is the complementary color RGBA 112 54 122 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 143 201 133 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 143 201 133 0.75 shade: RGBA 148 201 128 0.75, RGBA 165 219 147 0.75, RGBA 182 237 166 0.75, RGBA 199 255 185 0.75 and RGBA 216 255 204 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 143 201 133 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 143 201 133 0.75 shade: RGBA 143 201 133 0.75, RGBA 126 183 114 0.75, RGBA 109 165 95 0.75, RGBA 92 147 76 0.75 and RGBA 75 129 57 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 143 201 133 0.75 shade: RGB 141 201 131, RGB 160 201 131, RGB 179 201 131, RGB 197 201 131 and RGB 201 185 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 143 201 133 0.75 shade: RGB 141 201 131, RGB 131 201 139, RGB 131 201 158, RGB 131 201 177 and RGB 131 201 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 143 201 133 0.75 shade matches the following richer shades: RGB 141 201 131, RGB 131 215 117, RGB 121 229 102 and RGB 111 244 88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 143 201 133 0.75 shade: RGB 141 201 131, RGB 151 186 145, RGB 162 172 160, RGB 172 157 174 and RGB 182 143 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 143 201 133 0.75 shade: RGB 179 201 131, RGB 160 201 131, RGB 141 201 131, RGB 131 201 139 and RGB 131 201 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 143 201 133 0.75 shade: RGB 90 173 76, RGB 115 188 102, RGB 141 201 131, RGB 167 213 160 and RGB 194 226 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 143 201 133 0.75 shade: RGB 143 201 133, RGB 131 197 201 and RGB 201 131 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 143 201 133 0.75 shade: RGB 143 201 133, RGB 131 141 201 and RGB 201 131 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 143 201 133 0.75 shade: RGB 143 201 133, RGB 131 197 201, RGB 190 131 201 and RGB 201 134 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 143 201 133 0.75 shade: RGB 143 201 133, RGB 131 176 201, RGB 190 131 201 and RGB 201 155 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 25 / 16

HEX #8FC985BF

RGBA 143 201 133 0.75

HSLA 111.18, 0.39%, 0.65%, 0.75

LABA 75.64, -31.75, 28.17, 0.75

 

Complementary color

CMYK 6 / 42 / 0 / 39

HEX #70367ABF

RGBA 112 54 122 0.75

HSLA 291.18, 0.39%, 0.35%, 0.75

LABA 32.89, 36.65, -27.95, 0.75

 

CMYK 20 / 0 / 27 / 16

HEX #94C980BF

RGBA 148 201 128 0.75

HSLA 103.56, 0.4%, 0.65%, 0.75

LABA 75.84, -30.79, 31.08, 0.75

 

CMYK 18 / 0 / 25 / 11

HEX #A5DB93BF

RGBA 165 219 147 0.75

HSLA 105, 0.5%, 0.72%, 0.75

LABA 82.25, -30.62, 29.96, 0.75

 

CMYK 17 / 0 / 22 / 5

HEX #B6EDA6BF

RGBA 182 237 166 0.75

HSLA 106.48, 0.66%, 0.79%, 0.75

LABA 88.57, -30.45, 28.89, 0.75

 

CMYK 16 / 0 / 21 / 0

HEX #C7FFB9BF

RGBA 199 255 185 0.75

HSLA 108, 1%, 0.86%, 0.75

LABA 94.81, -30.28, 27.87, 0.75

 

CMYK 11 / 0 / 15 / 0

HEX #D8FFCCBF

RGBA 216 255 204 0.75

HSLA 105.88, 1%, 0.9%, 0.75

LABA 96.19, -21.61, 20.3, 0.75

 

CMYK 22 / 0 / 25 / 16

HEX #8FC985BF

RGBA 143 201 133 0.75

HSLA 111.18, 0.39%, 0.65%, 0.75

LABA 75.64, -31.75, 28.17, 0.75

 

CMYK 23 / 0 / 28 / 21

HEX #7EB772BF

RGBA 126 183 114 0.75

HSLA 109.57, 0.32%, 0.58%, 0.75

LABA 69.12, -31.96, 29.33, 0.75

 

CMYK 25 / 0 / 32 / 26

HEX #6DA55FBF

RGBA 109 165 95 0.75

HSLA 108, 0.28%, 0.51%, 0.75

LABA 62.5, -32.16, 30.56, 0.75

 

CMYK 28 / 0 / 36 / 32

HEX #5C934CBF

RGBA 92 147 76 0.75

HSLA 106.48, 0.32%, 0.44%, 0.75

LABA 55.75, -32.32, 31.84, 0.75

 

CMYK 31 / 0 / 42 / 37

HEX #4B8139BF

RGBA 75 129 57 0.75

HSLA 105, 0.39%, 0.36%, 0.75

LABA 48.87, -32.4, 33.12, 0.75

 

CMYK 30 / 0 / 35 / 21

HEX #8DC983

RGB 141 201 131

HSL 111.43, 0.39%, 0.65%

LAB 75.5, -32.73, 29

 

CMYK 20 / 0 / 35 / 21

HEX #A0C983

RGB 160 201 131

HSL 95.14, 0.39%, 0.65%

LAB 76.61, -26.11, 30.68

 

CMYK 11 / 0 / 35 / 21

HEX #B3C983

RGB 179 201 131

HSL 78.86, 0.39%, 0.65%

LAB 77.87, -19.09, 32.57

 

CMYK 2 / 0 / 35 / 21

HEX #C5C983

RGB 197 201 131

HSL 63.43, 0.39%, 0.65%

LAB 79.2, -12.16, 34.56

 

CMYK 0 / 8 / 35 / 21

HEX #C9B983

RGB 201 185 131

HSL 46.29, 0.39%, 0.65%

LAB 75.3, -2.3, 29.5

 

CMYK 30 / 0 / 35 / 21

HEX #8DC983

RGB 141 201 131

HSL 111.43, 0.39%, 0.65%

LAB 75.5, -32.73, 29

 

CMYK 35 / 0 / 31 / 21

HEX #83C98B

RGB 131 201 139

HSL 126.86, 0.39%, 0.65%

LAB 75.12, -34.68, 24.21

 

CMYK 35 / 0 / 21 / 21

HEX #83C99E

RGB 131 201 158

HSL 143.14, 0.39%, 0.65%

LAB 75.49, -31.21, 14.63

 

CMYK 35 / 0 / 12 / 21

HEX #83C9B1

RGB 131 201 177

HSL 159.43, 0.39%, 0.65%

LAB 75.93, -27.32, 5.04

 

CMYK 35 / 0 / 2 / 21

HEX #83C9C4

RGB 131 201 196

HSL 175.71, 0.39%, 0.65%

LAB 76.43, -23.04, -4.49

 

CMYK 30 / 0 / 35 / 21

HEX #8DC983

RGB 141 201 131

HSL 111.43, 0.39%, 0.65%

LAB 75.5, -32.73, 29

 

CMYK 39 / 0 / 46 / 16

HEX #83D775

RGB 131 215 117

HSL 111.43, 0.55%, 0.65%

LAB 78.87, -44.28, 40.38

 

CMYK 47 / 0 / 55 / 10

HEX #79E566

RGB 121 229 102

HSL 111.02, 0.71%, 0.65%

LAB 82.41, -54.87, 51.72

 

CMYK 55 / 0 / 64 / 4

HEX #6FF458

RGB 111 244 88

HSL 111.15, 0.88%, 0.65%

LAB 86.4, -64.6, 62.17

 

CMYK 30 / 0 / 35 / 21

HEX #8DC983

RGB 141 201 131

HSL 111.43, 0.39%, 0.65%

LAB 75.5, -32.73, 29

 

CMYK 19 / 0 / 22 / 27

HEX #97BA91

RGB 151 186 145

HSL 111.22, 0.23%, 0.65%

LAB 72.06, -19.7, 16.99

 

CMYK 6 / 0 / 7 / 33

HEX #A2ACA0

RGB 162 172 160

HSL 110, 0.07%, 0.65%

LAB 69.27, -5.8, 4.95

 

CMYK 1 / 10 / 0 / 32

HEX #AC9DAE

RGB 172 157 174

HSL 292.94, 0.09%, 0.65%

LAB 66.47, 8.63, -6.83

 

CMYK 4 / 24 / 0 / 26

HEX #B68FBD

RGB 182 143 189

HSL 290.87, 0.26%, 0.65%

LAB 64.37, 22.87, -18.3

 

CMYK 11 / 0 / 35 / 21

HEX #B3C983

RGB 179 201 131

HSL 78.86, 0.39%, 0.65%

LAB 77.87, -19.09, 32.57

 

CMYK 20 / 0 / 35 / 21

HEX #A0C983

RGB 160 201 131

HSL 95.14, 0.39%, 0.65%

LAB 76.61, -26.11, 30.68

 

CMYK 30 / 0 / 35 / 21

HEX #8DC983

RGB 141 201 131

HSL 111.43, 0.39%, 0.65%

LAB 75.5, -32.73, 29

 

CMYK 35 / 0 / 31 / 21

HEX #83C98B

RGB 131 201 139

HSL 126.86, 0.39%, 0.65%

LAB 75.12, -34.68, 24.21

 

CMYK 35 / 0 / 21 / 21

HEX #83C99E

RGB 131 201 158

HSL 143.14, 0.39%, 0.65%

LAB 75.49, -31.21, 14.63

 

CMYK 48 / 0 / 56 / 32

HEX #5AAD4C

RGB 90 173 76

HSL 111.34, 0.39%, 0.49%

LAB 63.82, -44.38, 41.61

 

CMYK 39 / 0 / 46 / 26

HEX #73BC66

RGB 115 188 102

HSL 110.93, 0.39%, 0.57%

LAB 69.87, -39.64, 36.39

 

CMYK 30 / 0 / 35 / 21

HEX #8DC983

RGB 141 201 131

HSL 111.43, 0.39%, 0.65%

LAB 75.5, -32.73, 29

 

CMYK 22 / 0 / 25 / 16

HEX #A7D5A0

RGB 167 213 160

HSL 112.08, 0.39%, 0.73%

LAB 80.93, -25.02, 21.43

 

CMYK 14 / 0 / 17 / 11

HEX #C2E2BC

RGB 194 226 188

HSL 110.53, 0.4%, 0.81%

LAB 86.75, -17.51, 15.11

 

CMYK 29 / 0 / 34 / 21

HEX #8FC985

RGB 143 201 133

HSL 111.18, 0.39%, 0.65%

LAB 75.64, -31.75, 28.17

 

CMYK 35 / 2 / 0 / 21

HEX #83C5C9

RGB 131 197 201

HSL 183.43, 0.39%, 0.65%

LAB 75.44, -19.83, -8.66

 

CMYK 0 / 35 / 16 / 21

HEX #C983A9

RGB 201 131 169

HSL 327.43, 0.39%, 0.65%

LAB 62.94, 32.44, -8.96

 

CMYK 29 / 0 / 34 / 21

HEX #8FC985

RGB 143 201 133

HSL 111.18, 0.39%, 0.65%

LAB 75.64, -31.75, 28.17

 

CMYK 35 / 30 / 0 / 21

HEX #838DC9

RGB 131 141 201

HSL 231.43, 0.39%, 0.65%

LAB 59.97, 10.79, -32.19

 

CMYK 0 / 35 / 30 / 21

HEX #C9838D

RGB 201 131 141

HSL 351.43, 0.39%, 0.65%

LAB 62.15, 28.29, 5.83

 

CMYK 29 / 0 / 34 / 21

HEX #8FC985

RGB 143 201 133

HSL 111.18, 0.39%, 0.65%

LAB 75.64, -31.75, 28.17

 

CMYK 35 / 2 / 0 / 21

HEX #83C5C9

RGB 131 197 201

HSL 183.43, 0.39%, 0.65%

LAB 75.44, -19.83, -8.66

 

CMYK 5 / 35 / 0 / 21

HEX #BE83C9

RGB 190 131 201

HSL 290.57, 0.39%, 0.65%

LAB 62.84, 34.53, -27.32

 

CMYK 0 / 33 / 35 / 21

HEX #C98683

RGB 201 134 131

HSL 2.57, 0.39%, 0.65%

LAB 62.6, 25.34, 12.17

 

CMYK 29 / 0 / 34 / 21

HEX #8FC985

RGB 143 201 133

HSL 111.18, 0.39%, 0.65%

LAB 75.64, -31.75, 28.17

 

CMYK 35 / 12 / 0 / 21

HEX #83B0C9

RGB 131 176 201

HSL 201.43, 0.39%, 0.65%

LAB 69.54, -8.85, -17.52

 

CMYK 5 / 35 / 0 / 21

HEX #BE83C9

RGB 190 131 201

HSL 290.57, 0.39%, 0.65%

LAB 62.84, 34.53, -27.32

 

CMYK 0 / 23 / 35 / 21

HEX #C99B83

RGB 201 155 131

HSL 20.57, 0.39%, 0.65%

LAB 67.65, 13.84, 19.18

 

Description

Color code: RGBA 143 201 133 0.75 | qconv.com Color code: RGBA 143 201 133 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 201 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 201 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 25 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 25% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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