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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 143 160 141 0.75 it is the complementary color RGBA 112 95 114 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 143 160 141 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 143 160 141 0.75 shade: RGBA 148 160 136 0.75, RGBA 165 178 155 0.75, RGBA 182 196 174 0.75, RGBA 199 214 193 0.75 and RGBA 216 232 212 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 143 160 141 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 143 160 141 0.75 shade: RGBA 143 160 141 0.75, RGBA 126 142 122 0.75, RGBA 109 124 103 0.75, RGBA 92 106 84 0.75 and RGBA 75 88 65 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 143 160 141 0.75 shade: RGB 143 160 141, RGB 148 160 141, RGB 153 160 141, RGB 158 160 141 and RGB 160 156 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 143 160 141 0.75 shade: RGB 143 160 141, RGB 141 160 144, RGB 141 160 149, RGB 141 160 154 and RGB 141 160 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 143 160 141 0.75 shade matches the following richer shades: RGB 143 160 141, RGB 130 177 124, RGB 116 194 107, RGB 103 211 90 and RGB 90 228 73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 143 160 141 0.75 shade: RGB 143 160 141, RGB 156 143 158, RGB 170 126 175, RGB 183 109 192 and RGB 196 92 209

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 143 160 141 0.75 shade: RGB 153 160 141, RGB 148 160 141, RGB 143 160 141, RGB 141 160 144 and RGB 141 160 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 143 160 141 0.75 shade: RGB 101 119 99, RGB 121 141 119, RGB 143 160 141, RGB 165 179 164 and RGB 187 197 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 143 160 141 0.75 shade: RGB 143 160 141, RGB 141 158 160 and RGB 160 141 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 143 160 141 0.75 shade: RGB 143 160 141, RGB 141 143 160 and RGB 160 141 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 143 160 141 0.75 shade: RGB 143 160 141, RGB 141 158 160, RGB 158 141 160 and RGB 160 143 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 143 160 141 0.75 shade: RGB 143 160 141, RGB 141 153 160, RGB 158 141 160 and RGB 160 148 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 9 / 28

HEX #8FA08DBF

RGBA 143 160 141 0.75

HSLA 113.68, 0.09%, 0.59%, 0.75

LABA 64.08, -9.72, 7.88, 0.75

 

Complementary color

CMYK 1 / 13 / 0 / 41

HEX #705F72BF

RGBA 112 95 114 0.75

HSLA 293.68, 0.09%, 0.41%, 0.75

LABA 42.53, 10.6, -8.18, 0.75

 

CMYK 6 / 0 / 11 / 28

HEX #94A088BF

RGBA 148 160 136 0.75

HSLA 90, 0.11%, 0.58%, 0.75

LABA 64.33, -8.79, 11.08, 0.75

 

CMYK 5 / 0 / 10 / 23

HEX #A5B29BBF

RGBA 165 178 155 0.75

HSLA 93.91, 0.13%, 0.65%, 0.75

LABA 71.01, -8.81, 10.22, 0.75

 

CMYK 5 / 0 / 8 / 17

HEX #B6C4AEBF

RGBA 182 196 174 0.75

HSLA 98.18, 0.16%, 0.73%, 0.75

LABA 77.57, -8.84, 9.41, 0.75

 

CMYK 5 / 0 / 7 / 12

HEX #C7D6C1BF

RGBA 199 214 193 0.75

HSLA 102.86, 0.2%, 0.8%, 0.75

LABA 84.01, -8.88, 8.64, 0.75

 

CMYK 5 / 0 / 6 / 7

HEX #D8E8D4BF

RGBA 216 232 212 0.75

HSLA 108, 0.3%, 0.87%, 0.75

LABA 90.35, -8.91, 7.9, 0.75

 

CMYK 8 / 0 / 9 / 28

HEX #8FA08DBF

RGBA 143 160 141 0.75

HSLA 113.68, 0.09%, 0.59%, 0.75

LABA 64.08, -9.72, 7.88, 0.75

 

CMYK 8 / 0 / 11 / 33

HEX #7E8E7ABF

RGBA 126 142 122 0.75

HSLA 108, 0.08%, 0.52%, 0.75

LABA 57.26, -9.75, 8.72, 0.75

 

CMYK 9 / 0 / 13 / 39

HEX #6D7C67BF

RGBA 109 124 103 0.75

HSLA 102.86, 0.09%, 0.45%, 0.75

LABA 50.27, -9.79, 9.63, 0.75

 

CMYK 10 / 0 / 16 / 44

HEX #5C6A54BF

RGBA 92 106 84 0.75

HSLA 98.18, 0.12%, 0.37%, 0.75

LABA 43.1, -9.84, 10.61, 0.75

 

CMYK 11 / 0 / 20 / 49

HEX #4B5841BF

RGBA 75 88 65 0.75

HSLA 93.91, 0.15%, 0.3%, 0.75

LABA 35.71, -9.9, 11.7, 0.75

 

CMYK 11 / 0 / 12 / 37

HEX #8FA08D

RGB 143 160 141

HSL 113.68, 0.09%, 0.59%

LAB 64.08, -9.72, 7.88

 

CMYK 7 / 0 / 12 / 37

HEX #94A08D

RGB 148 160 141

HSL 97.89, 0.09%, 0.59%

LAB 64.45, -7.9, 8.45

 

CMYK 4 / 0 / 12 / 37

HEX #99A08D

RGB 153 160 141

HSL 82.11, 0.09%, 0.59%

LAB 64.83, -6.05, 9.05

 

CMYK 1 / 0 / 12 / 37

HEX #9EA08D

RGB 158 160 141

HSL 66.32, 0.09%, 0.59%

LAB 65.23, -4.18, 9.66

 

CMYK 0 / 2 / 12 / 37

HEX #A09C8D

RGB 160 156 141

HSL 47.37, 0.09%, 0.59%

LAB 64.3, -1.24, 8.37

 

CMYK 11 / 0 / 12 / 37

HEX #8FA08D

RGB 143 160 141

HSL 113.68, 0.09%, 0.59%

LAB 64.08, -9.72, 7.88

 

CMYK 12 / 0 / 10 / 37

HEX #8DA090

RGB 141 160 144

HSL 129.47, 0.09%, 0.59%

LAB 64.01, -9.87, 6.08

 

CMYK 12 / 0 / 7 / 37

HEX #8DA095

RGB 141 160 149

HSL 145.26, 0.09%, 0.59%

LAB 64.14, -8.9, 3.46

 

CMYK 12 / 0 / 4 / 37

HEX #8DA09A

RGB 141 160 154

HSL 161.05, 0.09%, 0.59%

LAB 64.27, -7.9, 0.85

 

CMYK 12 / 0 / 1 / 37

HEX #8DA09F

RGB 141 160 159

HSL 176.84, 0.09%, 0.59%

LAB 64.41, -6.87, -1.75

 

CMYK 11 / 0 / 12 / 37

HEX #8FA08D

RGB 143 160 141

HSL 113.68, 0.09%, 0.59%

LAB 64.08, -9.72, 7.88

 

CMYK 27 / 0 / 30 / 31

HEX #82B17C

RGB 130 177 124

HSL 113.21, 0.25%, 0.59%

LAB 67.76, -26.11, 22.22

 

CMYK 40 / 0 / 45 / 24

HEX #74C26B

RGB 116 194 107

HSL 113.79, 0.42%, 0.59%

LAB 71.8, -41.26, 36.3

 

CMYK 51 / 0 / 57 / 17

HEX #67D35A

RGB 103 211 90

HSL 113.55, 0.58%, 0.59%

LAB 76.2, -54.22, 49.72

 

CMYK 61 / 0 / 68 / 11

HEX #5AE449

RGB 90 228 73

HSL 113.42, 0.74%, 0.59%

LAB 80.82, -65.32, 61.88

 

CMYK 11 / 0 / 12 / 37

HEX #8FA08D

RGB 143 160 141

HSL 113.68, 0.09%, 0.59%

LAB 64.08, -9.72, 7.88

 

CMYK 1 / 9 / 0 / 38

HEX #9C8F9E

RGB 156 143 158

HSL 292, 0.07%, 0.59%

LAB 60.94, 7.67, -6.17

 

CMYK 3 / 28 / 0 / 31

HEX #AA7EAF

RGB 170 126 175

HSL 293.88, 0.23%, 0.59%

LAB 58.57, 25.61, -19.31

 

CMYK 5 / 43 / 0 / 25

HEX #B76DC0

RGB 183 109 192

HSL 293.49, 0.4%, 0.59%

LAB 56.89, 42.53, -31.49

 

CMYK 6 / 56 / 0 / 18

HEX #C45CD1

RGB 196 92 209

HSL 293.33, 0.56%, 0.59%

LAB 56.08, 57.97, -42.33

 

CMYK 4 / 0 / 12 / 37

HEX #99A08D

RGB 153 160 141

HSL 82.11, 0.09%, 0.59%

LAB 64.83, -6.05, 9.05

 

CMYK 7 / 0 / 12 / 37

HEX #94A08D

RGB 148 160 141

HSL 97.89, 0.09%, 0.59%

LAB 64.45, -7.9, 8.45

 

CMYK 11 / 0 / 12 / 37

HEX #8FA08D

RGB 143 160 141

HSL 113.68, 0.09%, 0.59%

LAB 64.08, -9.72, 7.88

 

CMYK 12 / 0 / 10 / 37

HEX #8DA090

RGB 141 160 144

HSL 129.47, 0.09%, 0.59%

LAB 64.01, -9.87, 6.08

 

CMYK 12 / 0 / 7 / 37

HEX #8DA095

RGB 141 160 149

HSL 145.26, 0.09%, 0.59%

LAB 64.14, -8.9, 3.46

 

CMYK 15 / 0 / 17 / 53

HEX #657763

RGB 101 119 99

HSL 114, 0.09%, 0.43%

LAB 48.08, -10.82, 8.81

 

CMYK 14 / 0 / 16 / 45

HEX #798D77

RGB 121 141 119

HSL 114.55, 0.09%, 0.51%

LAB 56.53, -11.62, 9.36

 

CMYK 11 / 0 / 12 / 37

HEX #8FA08D

RGB 143 160 141

HSL 113.68, 0.09%, 0.59%

LAB 64.08, -9.72, 7.88

 

CMYK 8 / 0 / 8 / 30

HEX #A5B3A4

RGB 165 179 164

HSL 116, 0.09%, 0.67%

LAB 71.5, -7.73, 5.99

 

CMYK 5 / 0 / 6 / 23

HEX #BBC5BA

RGB 187 197 186

HSL 114.55, 0.09%, 0.75%

LAB 78.49, -5.47, 4.32

 

CMYK 11 / 0 / 12 / 37

HEX #8FA08D

RGB 143 160 141

HSL 113.68, 0.09%, 0.59%

LAB 64.08, -9.72, 7.88

 

CMYK 12 / 1 / 0 / 37

HEX #8D9EA0

RGB 141 158 160

HSL 186.32, 0.09%, 0.59%

LAB 63.88, -5.56, -3.09

 

CMYK 0 / 12 / 6 / 37

HEX #A08D97

RGB 160 141 151

HSL 328.42, 0.09%, 0.59%

LAB 60.57, 8.91, -2.69

NCS® S4010-R30B

CMYK 11 / 0 / 12 / 37

HEX #8FA08D

RGB 143 160 141

HSL 113.68, 0.09%, 0.59%

LAB 64.08, -9.72, 7.88

 

CMYK 12 / 11 / 0 / 37

HEX #8D8FA0

RGB 141 143 160

HSL 233.68, 0.09%, 0.59%

LAB 59.75, 2.8, -9.22

 

CMYK 0 / 12 / 11 / 37

HEX #A08D8F

RGB 160 141 143

HSL 353.68, 0.09%, 0.59%

LAB 60.34, 7.46, 1.54

 

CMYK 11 / 0 / 12 / 37

HEX #8FA08D

RGB 143 160 141

HSL 113.68, 0.09%, 0.59%

LAB 64.08, -9.72, 7.88

 

CMYK 12 / 1 / 0 / 37

HEX #8D9EA0

RGB 141 158 160

HSL 186.32, 0.09%, 0.59%

LAB 63.88, -5.56, -3.09

 

CMYK 1 / 12 / 0 / 37

HEX #9E8DA0

RGB 158 141 160

HSL 293.68, 0.09%, 0.59%

LAB 60.66, 9.91, -7.71

 

CMYK 0 / 11 / 12 / 37

HEX #A08F8D

RGB 160 143 141

HSL 6.32, 0.09%, 0.59%

LAB 60.82, 5.99, 3.37

 

CMYK 11 / 0 / 12 / 37

HEX #8FA08D

RGB 143 160 141

HSL 113.68, 0.09%, 0.59%

LAB 64.08, -9.72, 7.88

 

CMYK 12 / 4 / 0 / 37

HEX #8D99A0

RGB 141 153 160

HSL 202.11, 0.09%, 0.59%

LAB 62.49, -2.81, -5.14

 

CMYK 1 / 12 / 0 / 37

HEX #9E8DA0

RGB 158 141 160

HSL 293.68, 0.09%, 0.59%

LAB 60.66, 9.91, -7.71

 

CMYK 0 / 7 / 12 / 37

HEX #A0948D

RGB 160 148 141

HSL 22.11, 0.09%, 0.59%

LAB 62.15, 3.19, 5.29

 

Description

Color code: RGBA 143 160 141 0.75 | qconv.com Color code: RGBA 143 160 141 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 160 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 160 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 9 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 9% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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