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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 143 131 188 0.75 it is the complementary color RGBA 112 124 67 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 143 131 188 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 143 131 188 0.75 shade: RGBA 148 131 183 0.75, RGBA 165 149 202 0.75, RGBA 182 167 221 0.75, RGBA 199 185 240 0.75 and RGBA 216 203 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 143 131 188 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 143 131 188 0.75 shade: RGBA 143 131 188 0.75, RGBA 126 113 169 0.75, RGBA 109 95 150 0.75, RGBA 92 77 131 0.75 and RGBA 75 59 112 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 143 131 188 0.75 shade: RGB 144 132 189, RGB 160 132 189, RGB 175 132 189, RGB 189 132 188 and RGB 189 132 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 143 131 188 0.75 shade: RGB 144 132 189 and RGB 132 132 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 143 131 188 0.75 shade matches the following richer shades: RGB 144 132 189, RGB 135 117 204, RGB 127 102 219, RGB 118 87 235 and RGB 109 71 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 143 131 188 0.75 shade: RGB 144 132 189, RGB 153 148 174, RGB 162 163 158, RGB 171 178 143 and RGB 180 193 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 143 131 188 0.75 shade: RGB 132 151 189, RGB 132 136 189, RGB 144 132 189, RGB 159 132 189 and RGB 174 132 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 143 131 188 0.75 shade: RGB 99 84 155, RGB 120 106 175, RGB 144 132 189, RGB 168 159 203 and RGB 193 186 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 143 131 188 0.75 shade: RGB 143 131 188, RGB 189 132 166 and RGB 144 189 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 143 131 188 0.75 shade: RGB 143 131 188, RGB 189 144 132 and RGB 132 189 144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 143 131 188 0.75 shade: RGB 143 131 188, RGB 189 132 166, RGB 178 189 132 and RGB 132 189 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 143 131 188 0.75 shade: RGB 143 131 188, RGB 189 132 149, RGB 178 189 132 and RGB 132 189 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 23 / 0 / 20

HEX #8F83BCBF

RGBA 143 131 188 0.75

HSLA 252.63, 0.3%, 0.63%, 0.75

LABA 57.75, 16.84, -28.2, 0.75

 

Complementary color

CMYK 7 / 0 / 34 / 39

HEX #707C43BF

RGBA 112 124 67 0.75

HSLA 72.63, 0.3%, 0.37%, 0.75

LABA 49.82, -14.07, 29.53, 0.75

 

CMYK 14 / 21 / 0 / 21

HEX #9483B7BF

RGBA 148 131 183 0.75

HSLA 259.62, 0.27%, 0.62%, 0.75

LABA 57.99, 17.22, -24.95, 0.75

 

CMYK 14 / 20 / 0 / 16

HEX #A595CABF

RGBA 165 149 202 0.75

HSLA 258.11, 0.33%, 0.69%, 0.75

LABA 64.77, 16.69, -25.12, 0.75

 

CMYK 13 / 18 / 0 / 10

HEX #B6A7DDBF

RGBA 182 167 221 0.75

HSLA 256.67, 0.44%, 0.76%, 0.75

LABA 71.42, 16.21, -25.3, 0.75

 

CMYK 13 / 17 / 0 / 4

HEX #C7B9F0BF

RGBA 199 185 240 0.75

HSLA 255.27, 0.65%, 0.83%, 0.75

LABA 77.95, 15.77, -25.51, 0.75

 

CMYK 11 / 15 / 0 / 0

HEX #D8CBFFBF

RGBA 216 203 255 0.75

HSLA 255, 1%, 0.9%, 0.75

LABA 84.24, 14.51, -23.81, 0.75

 

CMYK 18 / 23 / 0 / 20

HEX #8F83BCBF

RGBA 143 131 188 0.75

HSLA 252.63, 0.3%, 0.63%, 0.75

LABA 57.75, 16.84, -28.2, 0.75

 

CMYK 19 / 25 / 0 / 25

HEX #7E71A9BF

RGBA 126 113 169 0.75

HSLA 253.93, 0.25%, 0.55%, 0.75

LABA 50.82, 17.46, -28.14, 0.75

 

CMYK 21 / 28 / 0 / 31

HEX #6D5F96BF

RGBA 109 95 150 0.75

HSLA 255.27, 0.22%, 0.48%, 0.75

LABA 43.71, 18.16, -28.13, 0.75

 

CMYK 22 / 31 / 0 / 36

HEX #5C4D83BF

RGBA 92 77 131 0.75

HSLA 256.67, 0.26%, 0.41%, 0.75

LABA 36.41, 18.97, -28.17, 0.75

 

CMYK 25 / 35 / 0 / 42

HEX #4B3B70BF

RGBA 75 59 112 0.75

HSLA 258.11, 0.31%, 0.34%, 0.75

LABA 28.89, 19.93, -28.28, 0.75

 

CMYK 24 / 30 / 0 / 26

HEX #9084BD

RGB 144 132 189

HSL 252.63, 0.3%, 0.63%

LAB 58.14, 16.81, -28.16

 

CMYK 15 / 30 / 0 / 26

HEX #A084BD

RGB 160 132 189

HSL 269.47, 0.3%, 0.63%

LAB 59.57, 21.86, -25.83

 

CMYK 7 / 30 / 0 / 26

HEX #AF84BD

RGB 175 132 189

HSL 285.26, 0.3%, 0.63%

LAB 61.04, 26.72, -23.45

 

CMYK 0 / 30 / 1 / 26

HEX #BD84BC

RGB 189 132 188

HSL 301.05, 0.3%, 0.63%

LAB 62.47, 31.14, -20.57

 

CMYK 0 / 30 / 8 / 26

HEX #BD84AD

RGB 189 132 173

HSL 316.84, 0.3%, 0.63%

LAB 61.95, 28.39, -12.86

 

CMYK 24 / 30 / 0 / 26

HEX #9084BD

RGB 144 132 189

HSL 252.63, 0.3%, 0.63%

LAB 58.14, 16.81, -28.16

 

CMYK 30 / 30 / 0 / 26

HEX #8484BD

RGB 132 132 189

HSL 240, 0.3%, 0.63%

LAB 57.16, 13.17, -29.76

 

CMYK 24 / 30 / 0 / 26

HEX #9084BD

RGB 144 132 189

HSL 252.63, 0.3%, 0.63%

LAB 58.14, 16.81, -28.16

 

CMYK 34 / 43 / 0 / 20

HEX #8775CC

RGB 135 117 204

HSL 252.41, 0.46%, 0.63%

LAB 54.27, 26.8, -42.79

 

CMYK 42 / 53 / 0 / 14

HEX #7F66DB

RGB 127 102 219

HSL 252.82, 0.62%, 0.63%

LAB 50.84, 37.68, -56.82

 

CMYK 50 / 63 / 0 / 8

HEX #7657EB

RGB 118 87 235

HSL 252.57, 0.79%, 0.63%

LAB 47.84, 48.9, -70.75

 

CMYK 56 / 72 / 0 / 2

HEX #6D47FA

RGB 109 71 250

HSL 252.74, 0.95%, 0.63%

LAB 45.16, 60.16, -83.56

 

CMYK 24 / 30 / 0 / 26

HEX #9084BD

RGB 144 132 189

HSL 252.63, 0.3%, 0.63%

LAB 58.14, 16.81, -28.16

 

CMYK 12 / 15 / 0 / 32

HEX #9994AE

RGB 153 148 174

HSL 251.54, 0.14%, 0.63%

LAB 62.51, 7.1, -12.91

 

CMYK 1 / 0 / 3 / 36

HEX #A2A39E

RGB 162 163 158

HSL 72, 0.03%, 0.63%

LAB 66.78, -1.3, 2.46

 

CMYK 4 / 0 / 20 / 30

HEX #ABB28F

RGB 171 178 143

HSL 72, 0.19%, 0.63%

LAB 71.2, -8.59, 17.1

 

CMYK 7 / 0 / 34 / 24

HEX #B4C180

RGB 180 193 128

HSL 72, 0.34%, 0.63%

LAB 75.7, -15.06, 31.29

 

CMYK 30 / 20 / 0 / 26

HEX #8497BD

RGB 132 151 189

HSL 220, 0.3%, 0.63%

LAB 62.26, 2.2, -21.89

 

CMYK 30 / 28 / 0 / 26

HEX #8488BD

RGB 132 136 189

HSL 235.79, 0.3%, 0.63%

LAB 58.22, 10.83, -28.12

 

CMYK 24 / 30 / 0 / 26

HEX #9084BD

RGB 144 132 189

HSL 252.63, 0.3%, 0.63%

LAB 58.14, 16.81, -28.16

 

CMYK 16 / 30 / 0 / 26

HEX #9F84BD

RGB 159 132 189

HSL 268.42, 0.3%, 0.63%

LAB 59.48, 21.54, -25.98

 

CMYK 8 / 30 / 0 / 26

HEX #AE84BD

RGB 174 132 189

HSL 284.21, 0.3%, 0.63%

LAB 60.94, 26.39, -23.62

 

CMYK 36 / 46 / 0 / 39

HEX #63549B

RGB 99 84 155

HSL 252.68, 0.3%, 0.47%

LAB 40.18, 23.36, -36.73

 

CMYK 31 / 39 / 0 / 31

HEX #786AAF

RGB 120 106 175

HSL 252.17, 0.3%, 0.55%

LAB 48.76, 21.4, -34.89

 

CMYK 24 / 30 / 0 / 26

HEX #9084BD

RGB 144 132 189

HSL 252.63, 0.3%, 0.63%

LAB 58.14, 16.81, -28.16

 

CMYK 17 / 22 / 0 / 20

HEX #A89FCB

RGB 168 159 203

HSL 252.27, 0.3%, 0.71%

LAB 67.6, 12.23, -21.32

 

CMYK 11 / 15 / 0 / 15

HEX #C1BADA

RGB 193 186 218

HSL 253.13, 0.3%, 0.79%

LAB 76.99, 8.65, -15.13

 

CMYK 24 / 30 / 0 / 26

HEX #8F83BC

RGB 143 131 188

HSL 252.63, 0.3%, 0.63%

LAB 57.75, 16.84, -28.2

 

CMYK 0 / 30 / 12 / 26

HEX #BD84A6

RGB 189 132 166

HSL 324.21, 0.3%, 0.63%

LAB 61.72, 27.17, -9.22

 

CMYK 24 / 0 / 30 / 26

HEX #90BD84

RGB 144 189 132

HSL 107.37, 0.3%, 0.63%

LAB 72.22, -25.81, 24.12

 

CMYK 24 / 30 / 0 / 26

HEX #8F83BC

RGB 143 131 188

HSL 252.63, 0.3%, 0.63%

LAB 57.75, 16.84, -28.2

 

CMYK 0 / 24 / 30 / 26

HEX #BD9084

RGB 189 144 132

HSL 12.63, 0.3%, 0.63%

LAB 63.7, 15.28, 12.95

 

CMYK 30 / 0 / 24 / 26

HEX #84BD90

RGB 132 189 144

HSL 132.63, 0.3%, 0.63%

LAB 71.77, -27.79, 16.95

 

CMYK 24 / 30 / 0 / 26

HEX #8F83BC

RGB 143 131 188

HSL 252.63, 0.3%, 0.63%

LAB 57.75, 16.84, -28.2

 

CMYK 0 / 30 / 12 / 26

HEX #BD84A6

RGB 189 132 166

HSL 324.21, 0.3%, 0.63%

LAB 61.72, 27.17, -9.22

 

CMYK 6 / 0 / 30 / 26

HEX #B2BD84

RGB 178 189 132

HSL 71.58, 0.3%, 0.63%

LAB 74.53, -13.26, 27.61

 

CMYK 30 / 0 / 18 / 26

HEX #84BD9B

RGB 132 189 155

HSL 144.21, 0.3%, 0.63%

LAB 72.01, -25.69, 11.34

 

CMYK 24 / 30 / 0 / 26

HEX #8F83BC

RGB 143 131 188

HSL 252.63, 0.3%, 0.63%

LAB 57.75, 16.84, -28.2

 

CMYK 0 / 30 / 21 / 26

HEX #BD8495

RGB 189 132 149

HSL 342.11, 0.3%, 0.63%

LAB 61.21, 24.41, -0.26

 

CMYK 6 / 0 / 30 / 26

HEX #B2BD84

RGB 178 189 132

HSL 71.58, 0.3%, 0.63%

LAB 74.53, -13.26, 27.61

 

CMYK 30 / 0 / 9 / 26

HEX #84BDAC

RGB 132 189 172

HSL 162.11, 0.3%, 0.63%

LAB 72.41, -22.17, 2.67

 

Description

Color code: RGBA 143 131 188 0.75 | qconv.com Color code: RGBA 143 131 188 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 131 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 131 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 23 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 23% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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