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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 143 108 172 0.75 it is the complementary color RGBA 112 147 83 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 143 108 172 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 143 108 172 0.75 shade: RGBA 148 108 167 0.75, RGBA 165 126 186 0.75, RGBA 182 144 205 0.75, RGBA 199 162 224 0.75 and RGBA 216 180 243 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 143 108 172 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 143 108 172 0.75 shade: RGBA 143 108 172 0.75, RGBA 126 90 153 0.75, RGBA 109 72 134 0.75, RGBA 92 54 115 0.75 and RGBA 75 36 96 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 143 108 172 0.75 shade: RGB 143 108 172, RGB 161 108 172, RGB 172 108 167, RGB 172 108 150 and RGB 172 108 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 143 108 172 0.75 shade: RGB 143 108 172, RGB 126 108 172, RGB 109 108 172 and RGB 108 108 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 143 108 172 0.75 shade matches the following richer shades: RGB 143 108 172, RGB 145 90 191, RGB 147 71 210, RGB 148 52 228 and RGB 150 34 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 143 108 172 0.75 shade: RGB 143 108 172, RGB 142 127 154, RGB 140 145 135, RGB 138 164 117 and RGB 136 182 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 143 108 172 0.75 shade: RGB 108 108 172, RGB 125 108 172, RGB 142 108 172, RGB 160 108 172 and RGB 172 108 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 143 108 172 0.75 shade: RGB 102 71 127, RGB 123 86 153, RGB 143 108 172, RGB 163 135 187 and RGB 183 161 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 143 108 172 0.75 shade: RGB 143 108 172, RGB 172 108 125 and RGB 108 172 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 143 108 172 0.75 shade: RGB 143 108 172, RGB 172 142 108 and RGB 108 172 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 143 108 172 0.75 shade: RGB 143 108 172, RGB 172 108 125, RGB 138 172 108 and RGB 108 172 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 143 108 172 0.75 shade: RGB 143 108 172, RGB 172 110 108, RGB 138 172 108 and RGB 108 170 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 28 / 0 / 24

HEX #8F6CACBF

RGBA 143 108 172 0.75

HSLA 272.81, 0.28%, 0.55%, 0.75

LABA 51.32, 26.47, -28.98, 0.75

 

Complementary color

CMYK 18 / 0 / 33 / 32

HEX #709353BF

RGBA 112 147 83 0.75

HSLA 92.81, 0.28%, 0.45%, 0.75

LABA 57.01, -24.03, 29.96, 0.75

 

CMYK 9 / 26 / 0 / 26

HEX #946CA7BF

RGBA 148 108 167 0.75

HSLA 280.68, 0.25%, 0.54%, 0.75

LABA 51.62, 26.95, -25.55, 0.75

 

CMYK 8 / 24 / 0 / 20

HEX #A57EBABF

RGBA 165 126 186 0.75

HSLA 279, 0.3%, 0.61%, 0.75

LABA 58.48, 26.24, -25.77, 0.75

 

CMYK 8 / 22 / 0 / 15

HEX #B690CDBF

RGBA 182 144 205 0.75

HSLA 277.38, 0.38%, 0.68%, 0.75

LABA 65.2, 25.58, -26, 0.75

 

CMYK 8 / 21 / 0 / 9

HEX #C7A2E0BF

RGBA 199 162 224 0.75

HSLA 275.81, 0.5%, 0.76%, 0.75

LABA 71.8, 24.98, -26.23, 0.75

 

CMYK 8 / 19 / 0 / 4

HEX #D8B4F3BF

RGBA 216 180 243 0.75

HSLA 274.29, 0.72%, 0.83%, 0.75

LABA 78.29, 24.42, -26.47, 0.75

 

CMYK 13 / 28 / 0 / 24

HEX #8F6CACBF

RGBA 143 108 172 0.75

HSLA 272.81, 0.28%, 0.55%, 0.75

LABA 51.32, 26.47, -28.98, 0.75

 

CMYK 13 / 31 / 0 / 30

HEX #7E5A99BF

RGBA 126 90 153 0.75

HSLA 274.29, 0.26%, 0.48%, 0.75

LABA 44.3, 27.27, -28.86, 0.75

 

CMYK 14 / 35 / 0 / 36

HEX #6D4886BF

RGBA 109 72 134 0.75

HSLA 275.81, 0.3%, 0.4%, 0.75

LABA 37.13, 28.13, -28.75, 0.75

 

CMYK 15 / 40 / 0 / 41

HEX #5C3673BF

RGBA 92 54 115 0.75

HSLA 277.38, 0.36%, 0.33%, 0.75

LABA 29.79, 29.05, -28.62, 0.75

 

CMYK 16 / 47 / 0 / 47

HEX #4B2460BF

RGBA 75 36 96 0.75

HSLA 279, 0.45%, 0.26%, 0.75

LABA 22.31, 29.94, -28.39, 0.75

 

CMYK 17 / 37 / 0 / 33

HEX #8F6CAC

RGB 143 108 172

HSL 272.81, 0.28%, 0.55%

LAB 51.32, 26.47, -28.98

 

CMYK 6 / 37 / 0 / 33

HEX #A16CAC

RGB 161 108 172

HSL 289.69, 0.28%, 0.55%

LAB 53.26, 32.21, -25.82

 

CMYK 0 / 37 / 3 / 33

HEX #AC6CA7

RGB 172 108 167

HSL 304.69, 0.28%, 0.55%

LAB 54.33, 34.82, -21.16

 

CMYK 0 / 37 / 13 / 33

HEX #AC6C96

RGB 172 108 150

HSL 320.63, 0.28%, 0.55%

LAB 53.7, 31.77, -12.2

 

CMYK 0 / 37 / 23 / 33

HEX #AC6C84

RGB 172 108 132

HSL 337.5, 0.28%, 0.55%

LAB 53.13, 28.85, -2.49

 

CMYK 17 / 37 / 0 / 33

HEX #8F6CAC

RGB 143 108 172

HSL 272.81, 0.28%, 0.55%

LAB 51.32, 26.47, -28.98

 

CMYK 27 / 37 / 0 / 33

HEX #7E6CAC

RGB 126 108 172

HSL 256.88, 0.28%, 0.55%

LAB 49.66, 21.2, -31.68

 

CMYK 37 / 37 / 0 / 33

HEX #6D6CAC

RGB 109 108 172

HSL 240.94, 0.28%, 0.55%

LAB 48.2, 16.21, -34.07

 

CMYK 37 / 37 / 0 / 33

HEX #6C6CAC

RGB 108 108 172

HSL 240, 0.28%, 0.55%

LAB 48.12, 15.93, -34.2

 

CMYK 17 / 37 / 0 / 33

HEX #8F6CAC

RGB 143 108 172

HSL 272.81, 0.28%, 0.55%

LAB 51.32, 26.47, -28.98

 

CMYK 24 / 53 / 0 / 25

HEX #915ABF

RGB 145 90 191

HSL 272.67, 0.44%, 0.55%

LAB 48.38, 41.74, -44.62

 

CMYK 30 / 66 / 0 / 18

HEX #9347D2

RGB 147 71 210

HSL 272.81, 0.61%, 0.55%

LAB 46.13, 56.45, -59.16

 

CMYK 35 / 77 / 0 / 11

HEX #9434E4

RGB 148 52 228

HSL 272.73, 0.77%, 0.55%

LAB 44.74, 68.69, -71.7

 

CMYK 39 / 86 / 0 / 3

HEX #9622F7

RGB 150 34 247

HSL 272.68, 0.93%, 0.55%

LAB 44.72, 78.47, -82.44

 

CMYK 17 / 37 / 0 / 33

HEX #8F6CAC

RGB 143 108 172

HSL 272.81, 0.28%, 0.55%

LAB 51.32, 26.47, -28.98

 

CMYK 8 / 18 / 0 / 40

HEX #8E7F9A

RGB 142 127 154

HSL 273.33, 0.12%, 0.55%

LAB 55.34, 11.04, -12.37

 

CMYK 3 / 0 / 7 / 43

HEX #8C9187

RGB 140 145 135

HSL 90, 0.04%, 0.55%

LAB 59.5, -3.75, 4.67

 

CMYK 16 / 0 / 29 / 36

HEX #8AA475

RGB 138 164 117

HSL 93.19, 0.21%, 0.55%

LAB 64.35, -17.8, 21.5

 

CMYK 25 / 0 / 46 / 29

HEX #88B662

RGB 136 182 98

HSL 92.86, 0.37%, 0.55%

LAB 69.16, -30.15, 37.76

 

CMYK 37 / 37 / 0 / 33

HEX #6C6CAC

RGB 108 108 172

HSL 240, 0.28%, 0.55%

LAB 48.12, 15.93, -34.2

 

CMYK 27 / 37 / 0 / 33

HEX #7D6CAC

RGB 125 108 172

HSL 255.94, 0.28%, 0.55%

LAB 49.57, 20.9, -31.83

 

CMYK 17 / 37 / 0 / 33

HEX #8E6CAC

RGB 142 108 172

HSL 271.88, 0.28%, 0.55%

LAB 51.21, 26.15, -29.15

 

CMYK 7 / 37 / 0 / 33

HEX #A06CAC

RGB 160 108 172

HSL 288.75, 0.28%, 0.55%

LAB 53.14, 31.89, -26

 

CMYK 0 / 37 / 2 / 33

HEX #AC6CA8

RGB 172 108 168

HSL 303.75, 0.28%, 0.55%

LAB 54.37, 35, -21.68

 

CMYK 20 / 44 / 0 / 50

HEX #66477F

RGB 102 71 127

HSL 273.21, 0.28%, 0.39%

LAB 35.72, 24.82, -26.71

 

CMYK 20 / 44 / 0 / 40

HEX #7B5699

RGB 123 86 153

HSL 273.13, 0.28%, 0.47%

LAB 43.01, 28.7, -30.91

 

CMYK 17 / 37 / 0 / 33

HEX #8F6CAC

RGB 143 108 172

HSL 272.81, 0.28%, 0.55%

LAB 51.32, 26.47, -28.98

 

CMYK 13 / 28 / 0 / 27

HEX #A387BB

RGB 163 135 187

HSL 272.31, 0.28%, 0.63%

LAB 60.52, 20.67, -23.22

 

CMYK 9 / 20 / 0 / 21

HEX #B7A1CA

RGB 183 161 202

HSL 272.2, 0.28%, 0.71%

LAB 69.34, 15.79, -18

 

CMYK 17 / 37 / 0 / 33

HEX #8F6CAC

RGB 143 108 172

HSL 272.81, 0.28%, 0.55%

LAB 51.32, 26.47, -28.98

 

CMYK 0 / 37 / 27 / 33

HEX #AC6C7D

RGB 172 108 125

HSL 344.06, 0.28%, 0.55%

LAB 52.92, 27.81, 1.34

 

CMYK 37 / 0 / 32 / 33

HEX #6CAC75

RGB 108 172 117

HSL 128.44, 0.28%, 0.55%

LAB 64.94, -32.22, 22

 

CMYK 17 / 37 / 0 / 33

HEX #8F6CAC

RGB 143 108 172

HSL 272.81, 0.28%, 0.55%

LAB 51.32, 26.47, -28.98

 

CMYK 0 / 17 / 37 / 33

HEX #AC8E6C

RGB 172 142 108

HSL 31.88, 0.28%, 0.55%

LAB 60.96, 6.41, 22.36

 

CMYK 37 / 0 / 17 / 33

HEX #6CAC8E

RGB 108 172 142

HSL 151.88, 0.28%, 0.55%

LAB 65.47, -27.35, 9.01

 

CMYK 17 / 37 / 0 / 33

HEX #8F6CAC

RGB 143 108 172

HSL 272.81, 0.28%, 0.55%

LAB 51.32, 26.47, -28.98

 

CMYK 0 / 37 / 27 / 33

HEX #AC6C7D

RGB 172 108 125

HSL 344.06, 0.28%, 0.55%

LAB 52.92, 27.81, 1.34

 

CMYK 20 / 0 / 37 / 33

HEX #8AAC6C

RGB 138 172 108

HSL 91.88, 0.28%, 0.55%

LAB 66.51, -23.2, 29.22

 

CMYK 37 / 0 / 10 / 33

HEX #6CAC9B

RGB 108 172 155

HSL 164.06, 0.28%, 0.55%

LAB 65.8, -24.48, 2.27

 

CMYK 17 / 37 / 0 / 33

HEX #8F6CAC

RGB 143 108 172

HSL 272.81, 0.28%, 0.55%

LAB 51.32, 26.47, -28.98

 

CMYK 0 / 36 / 37 / 33

HEX #AC6E6C

RGB 172 110 108

HSL 1.88, 0.28%, 0.55%

LAB 52.96, 24.4, 11.39

 

CMYK 20 / 0 / 37 / 33

HEX #8AAC6C

RGB 138 172 108

HSL 91.88, 0.28%, 0.55%

LAB 66.51, -23.2, 29.22

 

CMYK 37 / 1 / 0 / 33

HEX #6CAAAC

RGB 108 170 172

HSL 181.88, 0.28%, 0.55%

LAB 65.68, -19.37, -7.36

 

Description

Color code: RGBA 143 108 172 0.75 | qconv.com Color code: RGBA 143 108 172 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 108 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 108 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 28 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 28% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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