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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 142 237 165 0.75 it is the complementary color RGBA 113 18 90 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 142 237 165 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 142 237 165 0.75 shade: RGBA 147 237 160 0.75, RGBA 164 255 179 0.75, RGBA 181 255 198 0.75, RGBA 198 255 217 0.75 and RGBA 215 255 236 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 142 237 165 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 142 237 165 0.75 shade: RGBA 142 237 165 0.75, RGBA 125 219 146 0.75, RGBA 108 201 127 0.75, RGBA 91 183 108 0.75 and RGBA 74 165 89 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 142 237 165 0.75 shade: RGB 140 237 164, RGB 143 237 140, RGB 169 237 140, RGB 195 237 140 and RGB 221 237 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 142 237 165 0.75 shade: RGB 140 237 164, RGB 140 237 190, RGB 140 237 216, RGB 140 232 237 and RGB 140 206 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 142 237 165 0.75 shade matches the following richer shades: RGB 140 237 164 and RGB 130 248 158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 142 237 165 0.75 shade: RGB 140 237 164, RGB 151 226 169, RGB 162 216 175, RGB 172 205 180 and RGB 183 194 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 142 237 165 0.75 shade: RGB 169 237 140, RGB 144 237 140, RGB 140 237 163, RGB 140 237 189 and RGB 140 237 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 142 237 165 0.75 shade: RGB 69 226 107, RGB 105 232 135, RGB 140 237 164, RGB 176 243 192 and RGB 212 248 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 142 237 165 0.75 shade: RGB 142 237 165, RGB 140 195 237 and RGB 237 140 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 142 237 165 0.75 shade: RGB 142 237 165, RGB 163 140 237 and RGB 237 163 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 142 237 165 0.75 shade: RGB 142 237 165, RGB 140 195 237, RGB 237 140 215 and RGB 237 182 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 142 237 165 0.75 shade: RGB 142 237 165, RGB 140 166 237, RGB 237 140 215 and RGB 237 211 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 23 / 5

HEX #8EEDA5BF

RGBA 142 237 165 0.75

HSLA 134.53, 0.73%, 0.74%, 0.75

LABA 86.52, -43.09, 26.28, 0.75

 

Complementary color

CMYK 0 / 63 / 15 / 42

HEX #71125ABF

RGBA 113 18 90 0.75

HSLA 314.53, 0.73%, 0.26%, 0.75

LABA 25.81, 46.61, -18.48, 0.75

 

CMYK 28 / 0 / 24 / 5

HEX #93EDA0BF

RGBA 147 237 160 0.75

HSLA 128.67, 0.71%, 0.75%, 0.75

LABA 86.66, -42.49, 29.05, 0.75

 

CMYK 27 / 0 / 22 / 0

HEX #A4FFB3BF

RGBA 164 255 179 0.75

HSLA 129.89, 1%, 0.82%, 0.75

LABA 92.87, -42.24, 27.96, 0.75

 

CMYK 22 / 0 / 17 / 0

HEX #B5FFC6BF

RGBA 181 255 198 0.75

HSLA 133.78, 1%, 0.85%, 0.75

LABA 94.06, -33.88, 20.09, 0.75

 

CMYK 17 / 0 / 11 / 0

HEX #C6FFD9BF

RGBA 198 255 217 0.75

HSLA 140, 1%, 0.89%, 0.75

LABA 95.39, -25.22, 12.36, 0.75

 

CMYK 12 / 0 / 6 / 0

HEX #D7FFECBF

RGBA 215 255 236 0.75

HSLA 151.5, 1%, 0.92%, 0.75

LABA 96.83, -16.37, 4.8, 0.75

 

CMYK 30 / 0 / 23 / 5

HEX #8EEDA5BF

RGBA 142 237 165 0.75

HSLA 134.53, 0.73%, 0.74%, 0.75

LABA 86.52, -43.09, 26.28, 0.75

 

CMYK 32 / 0 / 25 / 11

HEX #7DDB92BF

RGBA 125 219 146 0.75

HSLA 133.4, 0.57%, 0.67%, 0.75

LABA 80.23, -43.33, 27.42, 0.75

 

CMYK 35 / 0 / 28 / 16

HEX #6CC97FBF

RGBA 108 201 127 0.75

HSLA 132.26, 0.46%, 0.61%, 0.75

LABA 73.86, -43.54, 28.63, 0.75

 

CMYK 38 / 0 / 31 / 21

HEX #5BB76CBF

RGBA 91 183 108 0.75

HSLA 131.09, 0.39%, 0.54%, 0.75

LABA 67.41, -43.68, 29.93, 0.75

 

CMYK 41 / 0 / 35 / 26

HEX #4AA559BF

RGBA 74 165 89 0.75

HSLA 129.89, 0.38%, 0.47%, 0.75

LABA 60.86, -43.72, 31.3, 0.75

 

CMYK 41 / 0 / 31 / 7

HEX #8CEDA4

RGB 140 237 164

HSL 134.85, 0.73%, 0.74%

LAB 86.42, -43.83, 26.63

 

CMYK 40 / 0 / 41 / 7

HEX #8FED8C

RGB 143 237 140

HSL 118.14, 0.73%, 0.74%

LAB 86.16, -46.79, 38.41

 

CMYK 29 / 0 / 41 / 7

HEX #A9ED8C

RGB 169 237 140

HSL 102.06, 0.73%, 0.74%

LAB 87.43, -38.53, 40.31

 

CMYK 18 / 0 / 41 / 7

HEX #C3ED8C

RGB 195 237 140

HSL 85.98, 0.73%, 0.74%

LAB 88.95, -29.45, 42.56

 

CMYK 7 / 0 / 41 / 7

HEX #DDED8C

RGB 221 237 140

HSL 69.9, 0.73%, 0.74%

LAB 90.7, -19.78, 45.14

 

CMYK 41 / 0 / 31 / 7

HEX #8CEDA4

RGB 140 237 164

HSL 134.85, 0.73%, 0.74%

LAB 86.42, -43.83, 26.63

 

CMYK 41 / 0 / 20 / 7

HEX #8CEDBE

RGB 140 237 190

HSL 150.93, 0.73%, 0.74%

LAB 86.93, -38.98, 13.91

 

CMYK 41 / 0 / 9 / 7

HEX #8CEDD8

RGB 140 237 216

HSL 167.01, 0.73%, 0.74%

LAB 87.53, -33.45, 1.2

 

CMYK 41 / 2 / 0 / 7

HEX #8CE8ED

RGB 140 232 237

HSL 183.09, 0.73%, 0.74%

LAB 86.7, -26.14, -11.05

 

CMYK 41 / 13 / 0 / 7

HEX #8CCEED

RGB 140 206 237

HSL 199.18, 0.73%, 0.74%

LAB 79.52, -13.07, -21.86

 

CMYK 41 / 0 / 31 / 7

HEX #8CEDA4

RGB 140 237 164

HSL 134.85, 0.73%, 0.74%

LAB 86.42, -43.83, 26.63

 

CMYK 48 / 0 / 36 / 3

HEX #82F89E

RGB 130 248 158

HSL 134.24, 0.89%, 0.74%

LAB 89.09, -52.19, 33.19

 

CMYK 41 / 0 / 31 / 7

HEX #8CEDA4

RGB 140 237 164

HSL 134.85, 0.73%, 0.74%

LAB 86.42, -43.83, 26.63

 

CMYK 33 / 0 / 25 / 11

HEX #97E2A9

RGB 151 226 169

HSL 134.4, 0.56%, 0.74%

LAB 83.88, -34.8, 20.66

 

CMYK 25 / 0 / 19 / 15

HEX #A2D8AF

RGB 162 216 175

HSL 134.44, 0.41%, 0.74%

LAB 81.78, -25.52, 14.66

 

CMYK 16 / 0 / 12 / 20

HEX #ACCDB4

RGB 172 205 180

HSL 134.55, 0.25%, 0.74%

LAB 79.46, -15.84, 8.8

 

CMYK 6 / 0 / 4 / 24

HEX #B7C2BA

RGB 183 194 186

HSL 136.36, 0.08%, 0.74%

LAB 77.4, -5.28, 2.71

 

CMYK 29 / 0 / 41 / 7

HEX #A9ED8C

RGB 169 237 140

HSL 102.06, 0.73%, 0.74%

LAB 87.43, -38.53, 40.31

 

CMYK 39 / 0 / 41 / 7

HEX #90ED8C

RGB 144 237 140

HSL 117.53, 0.73%, 0.74%

LAB 86.2, -46.49, 38.48

 

CMYK 41 / 0 / 31 / 7

HEX #8CEDA3

RGB 140 237 163

HSL 134.23, 0.73%, 0.74%

LAB 86.4, -44.01, 27.12

 

CMYK 41 / 0 / 20 / 7

HEX #8CEDBD

RGB 140 237 189

HSL 150.31, 0.73%, 0.74%

LAB 86.91, -39.17, 14.4

 

CMYK 41 / 0 / 9 / 7

HEX #8CEDD7

RGB 140 237 215

HSL 166.39, 0.73%, 0.74%

LAB 87.51, -33.67, 1.68

 

CMYK 69 / 0 / 53 / 11

HEX #45E26B

RGB 69 226 107

HSL 134.52, 0.73%, 0.58%

LAB 80.02, -64.95, 46.18

 

CMYK 55 / 0 / 42 / 9

HEX #69E887

RGB 105 232 135

HSL 134.17, 0.73%, 0.66%

LAB 83.16, -55.69, 36.73

 

CMYK 41 / 0 / 31 / 7

HEX #8CEDA4

RGB 140 237 164

HSL 134.85, 0.73%, 0.74%

LAB 86.42, -43.83, 26.63

 

CMYK 28 / 0 / 21 / 5

HEX #B0F3C0

RGB 176 243 192

HSL 134.33, 0.74%, 0.82%

LAB 90.38, -30.9, 17.99

 

CMYK 15 / 0 / 11 / 3

HEX #D4F8DD

RGB 212 248 221

HSL 135, 0.72%, 0.9%

LAB 94.46, -16.63, 9.09

 

CMYK 40 / 0 / 30 / 7

HEX #8EEDA5

RGB 142 237 165

HSL 134.53, 0.73%, 0.74%

LAB 86.52, -43.09, 26.28

 

CMYK 41 / 18 / 0 / 7

HEX #8CC3ED

RGB 140 195 237

HSL 205.98, 0.73%, 0.74%

LAB 76.51, -7.28, -26.45

 

CMYK 0 / 41 / 34 / 7

HEX #ED8C9C

RGB 237 140 156

HSL 350.1, 0.73%, 0.74%

LAB 68.87, 38.63, 7.57

 

CMYK 40 / 0 / 30 / 7

HEX #8EEDA5

RGB 142 237 165

HSL 134.53, 0.73%, 0.74%

LAB 86.52, -43.09, 26.28

 

CMYK 31 / 41 / 0 / 7

HEX #A38CED

RGB 163 140 237

HSL 254.23, 0.73%, 0.74%

LAB 63.88, 29.65, -45.94

 

CMYK 0 / 31 / 41 / 7

HEX #EDA38C

RGB 237 163 140

HSL 14.23, 0.73%, 0.74%

LAB 73.61, 24.68, 23.02

 

CMYK 40 / 0 / 30 / 7

HEX #8EEDA5

RGB 142 237 165

HSL 134.53, 0.73%, 0.74%

LAB 86.52, -43.09, 26.28

 

CMYK 41 / 18 / 0 / 7

HEX #8CC3ED

RGB 140 195 237

HSL 205.98, 0.73%, 0.74%

LAB 76.51, -7.28, -26.45

 

CMYK 0 / 41 / 9 / 7

HEX #ED8CD7

RGB 237 140 215

HSL 313.61, 0.73%, 0.74%

LAB 70.64, 47.13, -22.7

 

CMYK 0 / 23 / 41 / 7

HEX #EDB68C

RGB 237 182 140

HSL 25.98, 0.73%, 0.74%

LAB 78.08, 14.6, 29.05

 

CMYK 40 / 0 / 30 / 7

HEX #8EEDA5

RGB 142 237 165

HSL 134.53, 0.73%, 0.74%

LAB 86.52, -43.09, 26.28

 

CMYK 41 / 30 / 0 / 7

HEX #8CA6ED

RGB 140 166 237

HSL 223.92, 0.73%, 0.74%

LAB 68.72, 8.68, -38.47

 

CMYK 0 / 41 / 9 / 7

HEX #ED8CD7

RGB 237 140 215

HSL 313.61, 0.73%, 0.74%

LAB 70.64, 47.13, -22.7

 

CMYK 0 / 11 / 41 / 7

HEX #EDD38C

RGB 237 211 140

HSL 43.92, 0.73%, 0.74%

LAB 85.24, -0.55, 38.44

 

Description

Color code: RGBA 142 237 165 0.75 | qconv.com Color code: RGBA 142 237 165 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 237 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 237 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 23 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 23% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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