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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 142 165 24 0.75 it is the complementary color RGBA 113 90 231 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 142 165 24 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 142 165 24 0.75 shade: RGBA 147 165 19 0.75, RGBA 164 183 38 0.75, RGBA 181 201 57 0.75, RGBA 198 219 76 0.75 and RGBA 215 237 95 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 142 165 24 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 142 165 24 0.75 shade: RGBA 142 165 24 0.75, RGBA 125 147 5 0.75, RGBA 108 129 0 0.75, RGBA 91 111 0 0.75 and RGBA 74 93 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 142 165 24 0.75 shade: RGB 142 165 24, RGB 165 150 24, RGB 165 112 24, RGB 165 74 24 and RGB 165 36 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 142 165 24 0.75 shade: RGB 142 165 24, RGB 104 165 24, RGB 66 165 24, RGB 28 165 24 and RGB 24 165 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 142 165 24 0.75 shade matches the following richer shades: RGB 142 165 24 and RGB 152 180 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 142 165 24 0.75 shade: RGB 142 165 24, RGB 132 150 39, RGB 121 135 54, RGB 111 119 69 and RGB 101 104 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 142 165 24 0.75 shade: RGB 165 111 24, RGB 165 149 24, RGB 144 165 24, RGB 106 165 24 and RGB 68 165 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 142 165 24 0.75 shade: RGB 80 93 13, RGB 111 129 18, RGB 142 165 24, RGB 173 201 29 and RGB 196 225 46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 142 165 24 0.75 shade: RGB 142 165 24, RGB 24 165 73 and RGB 130 24 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 142 165 24 0.75 shade: RGB 142 165 24, RGB 24 144 165 and RGB 165 24 144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 142 165 24 0.75 shade: RGB 142 165 24, RGB 24 165 73, RGB 45 24 165 and RGB 165 24 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 142 165 24 0.75 shade: RGB 142 165 24, RGB 24 165 116, RGB 45 24 165 and RGB 165 24 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 64 / 26

HEX #8EA518BF

RGBA 142 165 24 0.75

HSLA 69.79, 0.75%, 0.37%, 0.75

LABA 63.94, -25.17, 62.25, 0.75

 

Complementary color

CMYK 38 / 46 / 0 / 7

HEX #715AE7BF

RGBA 113 90 231 0.75

HSLA 249.79, 0.75%, 0.63%, 0.75

LABA 47.74, 45.14, -68.66, 0.75

 

CMYK 8 / 0 / 66 / 26

HEX #93A513BF

RGBA 147 165 19 0.75

HSLA 67.4, 0.79%, 0.36%, 0.75

LABA 64.29, -23.16, 63.76, 0.75

 

CMYK 8 / 0 / 59 / 21

HEX #A4B726BF

RGBA 164 183 38 0.75

HSLA 67.86, 0.66%, 0.43%, 0.75

LABA 70.8, -24.17, 65.19, 0.75

 

CMYK 7 / 0 / 54 / 16

HEX #B5C939BF

RGBA 181 201 57 0.75

HSLA 68.33, 0.57%, 0.51%, 0.75

LABA 77.22, -24.99, 65.52, 0.75

 

CMYK 7 / 0 / 49 / 11

HEX #C6DB4CBF

RGBA 198 219 76 0.75

HSLA 68.81, 0.67%, 0.58%, 0.75

LABA 83.54, -25.64, 65.21, 0.75

 

CMYK 7 / 0 / 45 / 5

HEX #D7ED5FBF

RGBA 215 237 95 0.75

HSLA 69.3, 0.8%, 0.65%, 0.75

LABA 89.79, -26.17, 64.53, 0.75

 

CMYK 10 / 0 / 64 / 26

HEX #8EA518BF

RGBA 142 165 24 0.75

HSLA 69.79, 0.75%, 0.37%, 0.75

LABA 63.94, -25.17, 62.25, 0.75

 

CMYK 11 / 0 / 72 / 32

HEX #7D9305BF

RGBA 125 147 5 0.75

HSLA 69.3, 0.93%, 0.3%, 0.75

LABA 57.31, -24.04, 59.81, 0.75

 

CMYK 12 / 0 / 75 / 37

HEX #6C8100BF

RGBA 108 129 0 0.75

HSLA 69.77, 1%, 0.25%, 0.75

LABA 50.56, -22.61, 54.98, 0.75

 

CMYK 14 / 0 / 75 / 42

HEX #5B6F00BF

RGBA 91 111 0 0.75

HSLA 70.81, 1%, 0.22%, 0.75

LABA 43.64, -21.05, 49.23, 0.75

 

CMYK 15 / 0 / 75 / 48

HEX #4A5D00BF

RGBA 74 93 0 0.75

HSLA 72.26, 1%, 0.18%, 0.75

LABA 36.53, -19.47, 43.3, 0.75

 

CMYK 14 / 0 / 85 / 35

HEX #8EA518

RGB 142 165 24

HSL 69.79, 0.75%, 0.37%

LAB 63.94, -25.17, 62.25

 

CMYK 0 / 9 / 85 / 35

HEX #A59618

RGB 165 150 24

HSL 53.62, 0.75%, 0.37%

LAB 61.55, -7.26, 61

 

CMYK 0 / 32 / 85 / 35

HEX #A57018

RGB 165 112 24

HSL 37.45, 0.75%, 0.37%

LAB 51.44, 13.83, 52.53

 

CMYK 0 / 55 / 85 / 35

HEX #A54A18

RGB 165 74 24

HSL 21.28, 0.75%, 0.37%

LAB 42.71, 34.78, 45.06

 

CMYK 0 / 78 / 85 / 35

HEX #A52418

RGB 165 36 24

HSL 5.11, 0.75%, 0.37%

LAB 36.61, 51.11, 39.71

 

CMYK 14 / 0 / 85 / 35

HEX #8EA518

RGB 142 165 24

HSL 69.79, 0.75%, 0.37%

LAB 63.94, -25.17, 62.25

 

CMYK 37 / 0 / 85 / 35

HEX #68A518

RGB 104 165 24

HSL 85.96, 0.75%, 0.37%

LAB 61.58, -40.38, 59.3

 

CMYK 60 / 0 / 85 / 35

HEX #42A518

RGB 66 165 24

HSL 102.13, 0.75%, 0.37%

LAB 60.01, -52.32, 57.31

 

CMYK 83 / 0 / 85 / 35

HEX #1CA518

RGB 28 165 24

HSL 118.3, 0.75%, 0.37%

LAB 59.18, -59.37, 56.25

 

CMYK 85 / 0 / 65 / 35

HEX #18A53A

RGB 24 165 58

HSL 134.47, 0.75%, 0.37%

LAB 59.35, -57.04, 44.36

 

CMYK 14 / 0 / 85 / 35

HEX #8EA518

RGB 142 165 24

HSL 69.79, 0.75%, 0.37%

LAB 63.94, -25.17, 62.25

 

CMYK 16 / 0 / 96 / 29

HEX #98B408

RGB 152 180 8

HSL 69.77, 0.91%, 0.37%

LAB 68.99, -28.53, 69.28

 

CMYK 14 / 0 / 85 / 35

HEX #8EA518

RGB 142 165 24

HSL 69.79, 0.75%, 0.37%

LAB 63.94, -25.17, 62.25

 

CMYK 12 / 0 / 74 / 41

HEX #849627

RGB 132 150 39

HSL 69.73, 0.59%, 0.37%

LAB 58.85, -21.37, 52.9

 

CMYK 10 / 0 / 60 / 47

HEX #798736

RGB 121 135 54

HSL 70.37, 0.43%, 0.37%

LAB 53.66, -17.38, 40.9

 

CMYK 7 / 0 / 42 / 53

HEX #6F7745

RGB 111 119 69

HSL 69.6, 0.27%, 0.37%

LAB 48.26, -11.52, 26.47

 

CMYK 3 / 0 / 18 / 59

HEX #656855

RGB 101 104 85

HSL 69.47, 0.1%, 0.37%

LAB 43.25, -4.84, 10.33

 

CMYK 0 / 33 / 85 / 35

HEX #A56F18

RGB 165 111 24

HSL 37.02, 0.75%, 0.37%

LAB 51.19, 14.4, 52.32

 

CMYK 0 / 10 / 85 / 35

HEX #A59518

RGB 165 149 24

HSL 53.19, 0.75%, 0.37%

LAB 61.27, -6.72, 60.77

 

CMYK 13 / 0 / 85 / 35

HEX #90A518

RGB 144 165 24

HSL 68.94, 0.75%, 0.37%

LAB 64.08, -24.31, 62.43

 

CMYK 36 / 0 / 85 / 35

HEX #6AA518

RGB 106 165 24

HSL 85.11, 0.75%, 0.37%

LAB 61.69, -39.65, 59.43

 

CMYK 59 / 0 / 85 / 35

HEX #44A518

RGB 68 165 24

HSL 101.28, 0.75%, 0.37%

LAB 60.07, -51.8, 57.39

 

CMYK 14 / 0 / 86 / 64

HEX #505D0D

RGB 80 93 13

HSL 69.75, 0.75%, 0.21%

LAB 37.05, -16.16, 40.12

 

CMYK 14 / 0 / 86 / 49

HEX #6F8112

RGB 111 129 18

HSL 69.73, 0.76%, 0.29%

LAB 50.83, -20.81, 51.64

 

CMYK 14 / 0 / 85 / 35

HEX #8EA518

RGB 142 165 24

HSL 69.79, 0.75%, 0.37%

LAB 63.94, -25.17, 62.25

 

CMYK 14 / 0 / 86 / 21

HEX #ADC91D

RGB 173 201 29

HSL 69.77, 0.75%, 0.45%

LAB 76.53, -29.37, 72.61

 

CMYK 13 / 0 / 80 / 12

HEX #C4E12E

RGB 196 225 46

HSL 69.72, 0.75%, 0.53%

LAB 84.89, -30.73, 76.38

 

CMYK 14 / 0 / 85 / 35

HEX #8EA518

RGB 142 165 24

HSL 69.79, 0.75%, 0.37%

LAB 63.94, -25.17, 62.25

 

CMYK 85 / 0 / 56 / 35

HEX #18A549

RGB 24 165 73

HSL 140.85, 0.75%, 0.37%

LAB 59.51, -55.08, 37.51

 

CMYK 21 / 85 / 0 / 35

HEX #8218A5

RGB 130 24 165

HSL 285.11, 0.75%, 0.37%

LAB 34.22, 61.45, -52.09

 

CMYK 14 / 0 / 85 / 35

HEX #8EA518

RGB 142 165 24

HSL 69.79, 0.75%, 0.37%

LAB 63.94, -25.17, 62.25

 

CMYK 85 / 13 / 0 / 35

HEX #1890A5

RGB 24 144 165

HSL 188.94, 0.75%, 0.37%

LAB 54.93, -23.22, -19.88

 

CMYK 0 / 85 / 13 / 35

HEX #A51890

RGB 165 24 144

HSL 308.94, 0.75%, 0.37%

LAB 39.01, 64.56, -31.33

Pantone® 248 C

CMYK 14 / 0 / 85 / 35

HEX #8EA518

RGB 142 165 24

HSL 69.79, 0.75%, 0.37%

LAB 63.94, -25.17, 62.25

 

CMYK 85 / 0 / 56 / 35

HEX #18A549

RGB 24 165 73

HSL 140.85, 0.75%, 0.37%

LAB 59.51, -55.08, 37.51

 

CMYK 73 / 85 / 0 / 35

HEX #2D18A5

RGB 45 24 165

HSL 248.94, 0.75%, 0.37%

LAB 23.43, 50.97, -70.21

 

CMYK 0 / 85 / 30 / 35

HEX #A51874

RGB 165 24 116

HSL 320.85, 0.75%, 0.37%

LAB 37.69, 60.92, -16.04

 

CMYK 14 / 0 / 85 / 35

HEX #8EA518

RGB 142 165 24

HSL 69.79, 0.75%, 0.37%

LAB 63.94, -25.17, 62.25

 

CMYK 85 / 0 / 30 / 35

HEX #18A574

RGB 24 165 116

HSL 159.15, 0.75%, 0.37%

LAB 60.22, -46.9, 15.67

 

CMYK 73 / 85 / 0 / 35

HEX #2D18A5

RGB 45 24 165

HSL 248.94, 0.75%, 0.37%

LAB 23.43, 50.97, -70.21

 

CMYK 0 / 85 / 56 / 35

HEX #A51849

RGB 165 24 73

HSL 339.15, 0.75%, 0.37%

LAB 36.24, 56.79, 9.31

 

Description

Color code: RGBA 142 165 24 0.75 | qconv.com Color code: RGBA 142 165 24 0.75 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 165 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 165 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 64 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 64% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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