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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 141 26 25 0.5 it is the complementary color RGBA 114 229 230 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 141 26 25 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 141 26 25 0.5 shade: RGBA 146 26 20 0.5, RGBA 163 44 39 0.5, RGBA 180 62 58 0.5, RGBA 197 80 77 0.5 and RGBA 214 98 96 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 141 26 25 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 141 26 25 0.5 shade: RGBA 141 26 25 0.5, RGBA 124 8 6 0.5, RGBA 107 0 0 0.5, RGBA 90 0 0 0.5 and RGBA 73 0 0 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 141 26 25 0.5 shade: RGB 143 26 25 and RGB 143 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 141 26 25 0.5 shade: RGB 143 26 25, RGB 143 58 25, RGB 143 90 25, RGB 143 122 25 and RGB 133 143 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 141 26 25 0.5 shade matches the following richer shades: RGB 143 26 25 and RGB 157 13 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 141 26 25 0.5 shade: RGB 143 26 25, RGB 129 40 39, RGB 116 53 52, RGB 102 66 66 and RGB 89 80 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 141 26 25 0.5 shade: RGB 143 25 88, RGB 143 25 57, RGB 143 25 25, RGB 143 57 25 and RGB 143 88 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 141 26 25 0.5 shade: RGB 73 13 13, RGB 108 20 19, RGB 143 26 25, RGB 178 33 31 and RGB 213 39 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 141 26 25 0.5 shade: RGB 141 26 25, RGB 119 143 25 and RGB 25 72 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 141 26 25 0.5 shade: RGB 141 26 25, RGB 25 143 25 and RGB 25 25 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 141 26 25 0.5 shade: RGB 141 26 25, RGB 119 143 25, RGB 25 143 143 and RGB 49 25 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 141 26 25 0.5 shade: RGB 141 26 25, RGB 84 143 25, RGB 25 143 143 and RGB 84 25 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 41 / 22

HEX #8D1A197F

RGBA 141 26 25 0.5

HSLA 0.52, 0.7%, 0.33%, 0.5

LABA 30.57, 46.77, 31.71, 0.5

 

Complementary color

CMYK 25 / 0 / 0 / 5

HEX #72E5E67F

RGBA 114 229 230 0.5

HSLA 180.52, 0.7%, 0.67%, 0.5

LABA 84.65, -32.27, -10.53, 0.5

 

CMYK 0 / 41 / 43 / 21

HEX #921A147F

RGBA 146 26 20 0.5

HSLA 2.86, 0.76%, 0.33%, 0.5

LABA 31.58, 48.17, 35.82, 0.5

 

CMYK 0 / 37 / 38 / 18

HEX #A32C277F

RGBA 163 44 39 0.5

HSLA 2.42, 0.61%, 0.4%, 0.5

LABA 37.36, 48.19, 32.03, 0.5

 

CMYK 0 / 33 / 34 / 15

HEX #B43E3A7F

RGBA 180 62 58 0.5

HSLA 1.97, 0.51%, 0.47%, 0.5

LABA 43.44, 47.54, 28.65, 0.5

 

CMYK 0 / 30 / 30 / 11

HEX #C5504D7F

RGBA 197 80 77 0.5

HSLA 1.5, 0.51%, 0.54%, 0.5

LABA 49.67, 46.57, 25.82, 0.5

 

CMYK 0 / 27 / 28 / 8

HEX #D662607F

RGBA 214 98 96 0.5

HSLA 1.02, 0.59%, 0.61%, 0.5

LABA 55.96, 45.48, 23.44, 0.5

 

CMYK 0 / 41 / 41 / 22

HEX #8D1A197F

RGBA 141 26 25 0.5

HSLA 0.52, 0.7%, 0.33%, 0.5

LABA 30.57, 46.77, 31.71, 0.5

 

CMYK 0 / 47 / 48 / 26

HEX #7C08067F

RGBA 124 8 6 0.5

HSLA 1.02, 0.91%, 0.25%, 0.5

LABA 25.17, 45.52, 34.95, 0.5

 

CMYK 0 / 50 / 50 / 29

HEX #6B00007F

RGBA 107 0 0 0.5

HSLA 0, 1%, 0.21%, 0.5

LABA 20.54, 42.28, 31.36, 0.5

 

CMYK 0 / 50 / 50 / 32

HEX #5A00007F

RGBA 90 0 0 0.5

HSLA 0, 1%, 0.18%, 0.5

LABA 16.37, 37.46, 25.41, 0.5

 

CMYK 0 / 50 / 50 / 36

HEX #4900007F

RGBA 73 0 0 0.5

HSLA 0, 1%, 0.14%, 0.5

LABA 12.07, 32.48, 18.97, 0.5

 

CMYK 0 / 82 / 83 / 44

HEX #8F1A19

RGB 143 26 25

HSL 0.51, 0.7%, 0.33%

LAB 30.99, 47.38, 32.27

 

CMYK 0 / 83 / 83 / 44

HEX #8F1919

RGB 143 25 25

HSL 0, 0.7%, 0.33%

LAB 30.89, 47.67, 32.17

 

CMYK 0 / 82 / 83 / 44

HEX #8F1A19

RGB 143 26 25

HSL 0.51, 0.7%, 0.33%

LAB 30.99, 47.38, 32.27

 

CMYK 0 / 59 / 83 / 44

HEX #8F3A19

RGB 143 58 25

HSL 16.78, 0.7%, 0.33%

LAB 35.86, 34.19, 37.01

 

CMYK 0 / 37 / 83 / 44

HEX #8F5A19

RGB 143 90 25

HSL 33.05, 0.7%, 0.33%

LAB 43.1, 16.43, 43.76

 

CMYK 0 / 15 / 83 / 44

HEX #8F7A19

RGB 143 122 25

HSL 49.32, 0.7%, 0.33%

LAB 51.64, -1.99, 51.42

 

CMYK 7 / 0 / 83 / 44

HEX #858F19

RGB 133 143 25

HSL 65.08, 0.7%, 0.33%

LAB 56.78, -17.97, 55.58

 

CMYK 0 / 82 / 83 / 44

HEX #8F1A19

RGB 143 26 25

HSL 0.51, 0.7%, 0.33%

LAB 30.99, 47.38, 32.27

 

CMYK 0 / 92 / 92 / 38

HEX #9D0D0C

RGB 157 13 12

HSL 0.41, 0.86%, 0.33%

LAB 32.88, 54.08, 41.73

 

CMYK 0 / 82 / 83 / 44

HEX #8F1A19

RGB 143 26 25

HSL 0.51, 0.7%, 0.33%

LAB 30.99, 47.38, 32.27

 

CMYK 0 / 69 / 70 / 49

HEX #812827

RGB 129 40 39

HSL 0.67, 0.54%, 0.33%

LAB 30.23, 38.16, 22.08

 

CMYK 0 / 54 / 55 / 55

HEX #743534

RGB 116 53 52

HSL 0.94, 0.38%, 0.33%

LAB 30.66, 27.59, 13.82

 

CMYK 0 / 35 / 35 / 60

HEX #664242

RGB 102 66 66

HSL 0, 0.21%, 0.33%

LAB 32.07, 15.63, 6.41

 

CMYK 0 / 10 / 10 / 65

HEX #595050

RGB 89 80 80

HSL 0, 0.05%, 0.33%

LAB 34.88, 3.71, 1.34

 

CMYK 0 / 83 / 38 / 44

HEX #8F1958

RGB 143 25 88

HSL 327.97, 0.7%, 0.33%

LAB 32.35, 52.08, -6.64

 

CMYK 0 / 83 / 60 / 44

HEX #8F1939

RGB 143 25 57

HSL 343.73, 0.7%, 0.33%

LAB 31.42, 49.3, 12.43

 

CMYK 0 / 83 / 83 / 44

HEX #8F1919

RGB 143 25 25

HSL 0, 0.7%, 0.33%

LAB 30.89, 47.67, 32.17

 

CMYK 0 / 60 / 83 / 44

HEX #8F3919

RGB 143 57 25

HSL 16.27, 0.7%, 0.33%

LAB 35.67, 34.69, 36.83

 

CMYK 0 / 38 / 83 / 44

HEX #8F5819

RGB 143 88 25

HSL 32.03, 0.7%, 0.33%

LAB 42.6, 17.59, 43.31

 

CMYK 0 / 82 / 82 / 71

HEX #490D0D

RGB 73 13 13

HSL 0, 0.7%, 0.17%

LAB 14.02, 27.98, 16.18

 

CMYK 0 / 81 / 82 / 58

HEX #6C1413

RGB 108 20 19

HSL 0.67, 0.7%, 0.25%

LAB 22.78, 37.87, 25.09

 

CMYK 0 / 82 / 83 / 44

HEX #8F1A19

RGB 143 26 25

HSL 0.51, 0.7%, 0.33%

LAB 30.99, 47.38, 32.27

 

CMYK 0 / 81 / 83 / 30

HEX #B2211F

RGB 178 33 31

HSL 0.82, 0.7%, 0.41%

LAB 38.99, 56.11, 39.18

 

CMYK 0 / 82 / 82 / 16

HEX #D52726

RGB 213 39 38

HSL 0.34, 0.7%, 0.49%

LAB 46.63, 64.78, 45.19

 

CMYK 0 / 82 / 82 / 45

HEX #8D1A19

RGB 141 26 25

HSL 0.52, 0.7%, 0.33%

LAB 30.57, 46.77, 31.71

 

CMYK 17 / 0 / 83 / 44

HEX #778F19

RGB 119 143 25

HSL 72.2, 0.7%, 0.33%

LAB 55.72, -24.13, 54.23

 

CMYK 83 / 50 / 0 / 44

HEX #19488F

RGB 25 72 143

HSL 216.1, 0.7%, 0.33%

LAB 31.4, 11.8, -43.76

 

CMYK 0 / 82 / 82 / 45

HEX #8D1A19

RGB 141 26 25

HSL 0.52, 0.7%, 0.33%

LAB 30.57, 46.77, 31.71

 

CMYK 83 / 0 / 83 / 44

HEX #198F19

RGB 25 143 25

HSL 120, 0.7%, 0.33%

LAB 51.75, -52.88, 49.14

 

CMYK 83 / 83 / 0 / 44

HEX #19198F

RGB 25 25 143

HSL 240, 0.7%, 0.33%

LAB 19.58, 42.43, -63.12

 

CMYK 0 / 82 / 82 / 45

HEX #8D1A19

RGB 141 26 25

HSL 0.52, 0.7%, 0.33%

LAB 30.57, 46.77, 31.71

 

CMYK 17 / 0 / 83 / 44

HEX #778F19

RGB 119 143 25

HSL 72.2, 0.7%, 0.33%

LAB 55.72, -24.13, 54.23

 

CMYK 83 / 0 / 0 / 44

HEX #198F8F

RGB 25 143 143

HSL 180, 0.7%, 0.33%

LAB 53.85, -29.8, -8.84

 

CMYK 66 / 83 / 0 / 44

HEX #31198F

RGB 49 25 143

HSL 252.2, 0.7%, 0.33%

LAB 21.33, 44.34, -60.18

 

CMYK 0 / 82 / 82 / 45

HEX #8D1A19

RGB 141 26 25

HSL 0.52, 0.7%, 0.33%

LAB 30.57, 46.77, 31.71

 

CMYK 41 / 0 / 83 / 44

HEX #548F19

RGB 84 143 25

HSL 90, 0.7%, 0.33%

LAB 53.6, -38.13, 51.53

 

CMYK 83 / 0 / 0 / 44

HEX #198F8F

RGB 25 143 143

HSL 180, 0.7%, 0.33%

LAB 53.85, -29.8, -8.84

 

CMYK 41 / 83 / 0 / 44

HEX #54198F

RGB 84 25 143

HSL 270, 0.7%, 0.33%

LAB 25.45, 48.9, -53.24

 

Description

Color code: RGBA 141 26 25 0.5 | qconv.com Color code: RGBA 141 26 25 0.5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 26 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 26 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 41 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 41% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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