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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 141 178 41 0.75 it is the complementary color RGBA 114 77 214 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 141 178 41 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 141 178 41 0.75 shade: RGBA 146 178 36 0.75, RGBA 163 196 55 0.75, RGBA 180 214 74 0.75, RGBA 197 232 93 0.75 and RGBA 214 250 112 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 141 178 41 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 141 178 41 0.75 shade: RGBA 141 178 41 0.75, RGBA 124 160 22 0.75, RGBA 107 142 3 0.75, RGBA 90 124 0 0.75 and RGBA 73 106 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 141 178 41 0.75 shade: RGB 141 179 41, RGB 179 179 41, RGB 179 142 41, RGB 179 104 41 and RGB 179 67 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 141 178 41 0.75 shade: RGB 141 179 41, RGB 104 179 41, RGB 67 179 41, RGB 41 179 51 and RGB 41 179 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 141 178 41 0.75 shade matches the following richer shades: RGB 141 179 41, RGB 150 196 23 and RGB 158 214 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 141 178 41 0.75 shade: RGB 141 179 41, RGB 133 161 58, RGB 125 143 76, RGB 117 126 94 and RGB 109 108 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 141 178 41 0.75 shade: RGB 179 142 41, RGB 179 179 41, RGB 142 179 41, RGB 105 179 41 and RGB 68 179 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 141 178 41 0.75 shade: RGB 88 111 25, RGB 115 145 33, RGB 141 179 41, RGB 166 209 52 and RGB 181 216 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 141 178 41 0.75 shade: RGB 141 178 41, RGB 41 179 105 and RGB 160 41 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 141 178 41 0.75 shade: RGB 141 178 41, RGB 41 142 179 and RGB 179 41 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 141 178 41 0.75 shade: RGB 141 178 41, RGB 41 179 105, RGB 77 41 179 and RGB 179 41 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 141 178 41 0.75 shade: RGB 141 178 41, RGB 41 179 146, RGB 77 41 179 and RGB 179 41 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 58 / 23

HEX #8DB229BF

RGBA 141 178 41 0.75

HSLA 76.2, 0.63%, 0.43%, 0.75

LABA 67.77, -31.17, 60.92, 0.75

 

Complementary color

CMYK 35 / 48 / 0 / 12

HEX #724DD6BF

RGBA 114 77 214 0.75

HSLA 256.2, 0.63%, 0.57%, 0.75

LABA 43.86, 47.73, -65.31, 0.75

 

CMYK 13 / 0 / 60 / 23

HEX #92B224BF

RGBA 146 178 36 0.75

HSLA 73.52, 0.66%, 0.42%, 0.75

LABA 68.08, -29.35, 62.84, 0.75

 

CMYK 13 / 0 / 54 / 17

HEX #A3C437BF

RGBA 163 196 55 0.75

HSLA 74.04, 0.56%, 0.49%, 0.75

LABA 74.54, -30.04, 63.18, 0.75

 

CMYK 12 / 0 / 49 / 12

HEX #B4D64ABF

RGBA 180 214 74 0.75

HSLA 74.57, 0.63%, 0.56%, 0.75

LABA 80.9, -30.58, 62.85, 0.75

 

CMYK 11 / 0 / 45 / 7

HEX #C5E85DBF

RGBA 197 232 93 0.75

HSLA 75.11, 0.75%, 0.64%, 0.75

LABA 87.18, -30.99, 62.16, 0.75

 

CMYK 11 / 0 / 41 / 1

HEX #D6FA70BF

RGBA 214 250 112 0.75

HSLA 75.65, 0.93%, 0.71%, 0.75

LABA 93.38, -31.31, 61.26, 0.75

 

CMYK 16 / 0 / 58 / 23

HEX #8DB229BF

RGBA 141 178 41 0.75

HSLA 76.2, 0.63%, 0.43%, 0.75

LABA 67.77, -31.17, 60.92, 0.75

 

CMYK 17 / 0 / 65 / 28

HEX #7CA016BF

RGBA 124 160 22 0.75

HSLA 75.65, 0.76%, 0.36%, 0.75

LABA 61.21, -30.38, 59.9, 0.75

 

CMYK 18 / 0 / 73 / 33

HEX #6B8E03BF

RGBA 107 142 3 0.75

HSLA 75.11, 0.96%, 0.28%, 0.75

LABA 54.53, -29.36, 57.45, 0.75

 

CMYK 21 / 0 / 75 / 39

HEX #5A7C00BF

RGBA 90 124 0 0.75

HSLA 76.45, 1%, 0.24%, 0.75

LABA 47.74, -27.98, 52.3, 0.75

 

CMYK 23 / 0 / 75 / 44

HEX #496A00BF

RGBA 73 106 0 0.75

HSLA 78.68, 1%, 0.21%, 0.75

LABA 40.77, -26.5, 46.5, 0.75

 

CMYK 21 / 0 / 77 / 30

HEX #8DB329

RGB 141 179 41

HSL 76.52, 0.63%, 0.43%

LAB 68.07, -31.64, 61.19

 

CMYK 0 / 0 / 77 / 30

HEX #B3B329

RGB 179 179 41

HSL 60, 0.63%, 0.43%

LAB 70.86, -15.64, 64.78

 

CMYK 0 / 21 / 77 / 30

HEX #B38E29

RGB 179 142 41

HSL 43.91, 0.63%, 0.43%

LAB 60.86, 4, 55.57

 

CMYK 0 / 42 / 77 / 30

HEX #B36829

RGB 179 104 41

HSL 27.39, 0.63%, 0.43%

LAB 51.43, 25.11, 46.47

 

CMYK 0 / 63 / 77 / 30

HEX #B34329

RGB 179 67 41

HSL 11.3, 0.63%, 0.43%

LAB 43.88, 44.14, 38.78

 

CMYK 21 / 0 / 77 / 30

HEX #8DB329

RGB 141 179 41

HSL 76.52, 0.63%, 0.43%

LAB 68.07, -31.64, 61.19

 

CMYK 42 / 0 / 77 / 30

HEX #68B329

RGB 104 179 41

HSL 92.61, 0.63%, 0.43%

LAB 66.02, -45.46, 58.53

 

CMYK 63 / 0 / 77 / 30

HEX #43B329

RGB 67 179 41

HSL 108.7, 0.63%, 0.43%

LAB 64.64, -56.08, 56.72

 

CMYK 77 / 0 / 72 / 30

HEX #29B333

RGB 41 179 51

HSL 124.35, 0.63%, 0.43%

LAB 64.12, -60.19, 52.45

 

CMYK 77 / 0 / 50 / 30

HEX #29B359

RGB 41 179 89

HSL 140.87, 0.63%, 0.43%

LAB 64.51, -55.51, 35.72

 

CMYK 21 / 0 / 77 / 30

HEX #8DB329

RGB 141 179 41

HSL 76.52, 0.63%, 0.43%

LAB 68.07, -31.64, 61.19

 

CMYK 23 / 0 / 88 / 23

HEX #96C417

RGB 150 196 23

HSL 75.95, 0.79%, 0.43%

LAB 73.56, -36.51, 70.71

 

CMYK 26 / 0 / 98 / 16

HEX #9ED605

RGB 158 214 5

HSL 76.08, 0.95%, 0.43%

LAB 79.26, -41.68, 77.7

 

CMYK 21 / 0 / 77 / 30

HEX #8DB329

RGB 141 179 41

HSL 76.52, 0.63%, 0.43%

LAB 68.07, -31.64, 61.19

 

CMYK 17 / 0 / 64 / 37

HEX #85A13A

RGB 133 161 58

HSL 76.31, 0.47%, 0.43%

LAB 62.32, -25.2, 48.82

 

CMYK 13 / 0 / 47 / 44

HEX #7D8F4C

RGB 125 143 76

HSL 76.12, 0.31%, 0.43%

LAB 56.61, -17.66, 33.36

 

CMYK 7 / 0 / 25 / 51

HEX #757E5E

RGB 117 126 94

HSL 76.88, 0.15%, 0.43%

LAB 51.28, -9.3, 16.35

 

CMYK 3 / 4 / 0 / 56

HEX #6D6C70

RGB 109 108 112

HSL 255, 0.02%, 0.43%

LAB 45.83, 1.22, -2.1

 

CMYK 0 / 21 / 77 / 30

HEX #B38E29

RGB 179 142 41

HSL 43.91, 0.63%, 0.43%

LAB 60.86, 4, 55.57

 

CMYK 0 / 0 / 77 / 30

HEX #B3B329

RGB 179 179 41

HSL 60, 0.63%, 0.43%

LAB 70.86, -15.64, 64.78

 

CMYK 21 / 0 / 77 / 30

HEX #8EB329

RGB 142 179 41

HSL 76.09, 0.63%, 0.43%

LAB 68.13, -31.23, 61.28

 

CMYK 41 / 0 / 77 / 30

HEX #69B329

RGB 105 179 41

HSL 92.17, 0.63%, 0.43%

LAB 66.06, -45.12, 58.59

 

CMYK 62 / 0 / 77 / 30

HEX #44B329

RGB 68 179 41

HSL 108.26, 0.63%, 0.43%

LAB 64.67, -55.84, 56.76

 

CMYK 21 / 0 / 77 / 56

HEX #586F19

RGB 88 111 25

HSL 76.05, 0.63%, 0.27%

LAB 43.53, -21.45, 42.18

 

CMYK 21 / 0 / 77 / 43

HEX #739121

RGB 115 145 33

HSL 76.07, 0.63%, 0.35%

LAB 56.09, -26.46, 51.96

 

CMYK 21 / 0 / 77 / 30

HEX #8DB329

RGB 141 179 41

HSL 76.52, 0.63%, 0.43%

LAB 68.07, -31.64, 61.19

 

CMYK 21 / 0 / 75 / 18

HEX #A6D134

RGB 166 209 52

HSL 76.43, 0.63%, 0.51%

LAB 78.44, -35.04, 68.01

 

CMYK 16 / 0 / 61 / 15

HEX #B5D855

RGB 181 216 85

HSL 76.03, 0.63%, 0.59%

LAB 81.62, -30.33, 59.13

 

CMYK 21 / 0 / 77 / 30

HEX #8DB229

RGB 141 178 41

HSL 76.2, 0.63%, 0.43%

LAB 67.77, -31.17, 60.92

 

CMYK 77 / 0 / 41 / 30

HEX #29B369

RGB 41 179 105

HSL 147.83, 0.63%, 0.43%

LAB 64.75, -52.74, 27.77

 

CMYK 11 / 77 / 0 / 30

HEX #A029B3

RGB 160 41 179

HSL 291.74, 0.63%, 0.43%

LAB 41.71, 64.74, -48.13

 

CMYK 21 / 0 / 77 / 30

HEX #8DB229

RGB 141 178 41

HSL 76.2, 0.63%, 0.43%

LAB 67.77, -31.17, 60.92

 

CMYK 77 / 21 / 0 / 30

HEX #298EB3

RGB 41 142 179

HSL 196.09, 0.63%, 0.43%

LAB 55.15, -15.73, -27.53

 

CMYK 0 / 77 / 21 / 30

HEX #B3298E

RGB 179 41 142

HSL 316.09, 0.63%, 0.43%

LAB 42.95, 63.11, -23.78

 

CMYK 21 / 0 / 77 / 30

HEX #8DB229

RGB 141 178 41

HSL 76.2, 0.63%, 0.43%

LAB 67.77, -31.17, 60.92

 

CMYK 77 / 0 / 41 / 30

HEX #29B369

RGB 41 179 105

HSL 147.83, 0.63%, 0.43%

LAB 64.75, -52.74, 27.77

 

CMYK 57 / 77 / 0 / 30

HEX #4D29B3

RGB 77 41 179

HSL 255.65, 0.63%, 0.43%

LAB 30.44, 50.57, -66.95

 

CMYK 0 / 77 / 36 / 30

HEX #B32972

RGB 179 41 114

HSL 328.26, 0.63%, 0.43%

LAB 41.82, 59.71, -8.27

 

CMYK 21 / 0 / 77 / 30

HEX #8DB229

RGB 141 178 41

HSL 76.2, 0.63%, 0.43%

LAB 67.77, -31.17, 60.92

 

CMYK 77 / 0 / 18 / 30

HEX #29B392

RGB 41 179 146

HSL 165.65, 0.63%, 0.43%

LAB 65.58, -43.62, 6.67

 

CMYK 57 / 77 / 0 / 30

HEX #4D29B3

RGB 77 41 179

HSL 255.65, 0.63%, 0.43%

LAB 30.44, 50.57, -66.95

 

CMYK 0 / 77 / 59 / 30

HEX #B32949

RGB 179 41 73

HSL 346.09, 0.63%, 0.43%

LAB 40.66, 56.07, 15.82

 

Description

Color code: RGBA 141 178 41 0.75 | qconv.com Color code: RGBA 141 178 41 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 178 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 178 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 58 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 58% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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