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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 141 142 89 0.75 it is the complementary color RGBA 114 113 166 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 141 142 89 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 141 142 89 0.75 shade: RGBA 146 142 84 0.75, RGBA 163 160 103 0.75, RGBA 180 178 122 0.75, RGBA 197 196 141 0.75 and RGBA 214 214 160 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 141 142 89 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 141 142 89 0.75 shade: RGBA 141 142 89 0.75, RGBA 124 124 70 0.75, RGBA 107 106 51 0.75, RGBA 90 88 32 0.75 and RGBA 73 70 13 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 141 142 89 0.75 shade: RGB 140 141 88, RGB 141 128 88, RGB 141 114 88, RGB 141 99 88 and RGB 141 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 141 142 89 0.75 shade: RGB 140 141 88, RGB 126 141 88, RGB 112 141 88, RGB 97 141 88 and RGB 88 141 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 141 142 89 0.75 shade matches the following richer shades: RGB 140 141 88, RGB 158 160 70, RGB 176 178 51, RGB 194 197 33 and RGB 212 215 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 141 142 89 0.75 shade: RGB 140 141 88, RGB 122 123 107, RGB 104 104 125, RGB 87 85 144 and RGB 69 67 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 141 142 89 0.75 shade: RGB 141 114 88, RGB 141 128 88, RGB 140 141 88, RGB 126 141 88 and RGB 112 141 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 141 142 89 0.75 shade: RGB 90 90 57, RGB 115 116 72, RGB 140 141 88, RGB 162 163 108 and RGB 178 179 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 141 142 89 0.75 shade: RGB 141 142 89, RGB 88 141 100 and RGB 121 88 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 141 142 89 0.75 shade: RGB 141 142 89, RGB 88 140 141 and RGB 141 88 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 141 142 89 0.75 shade: RGB 141 142 89, RGB 88 141 100, RGB 89 88 141 and RGB 141 88 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 141 142 89 0.75 shade: RGB 141 142 89, RGB 88 141 116, RGB 89 88 141 and RGB 141 88 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 28 / 33

HEX #8D8E59BF

RGBA 141 142 89 0.75

HSLA 61.13, 0.23%, 0.45%, 0.75

LABA 57.78, -8.89, 28.14, 0.75

 

Complementary color

CMYK 23 / 24 / 0 / 26

HEX #7271A6BF

RGBA 114 113 166 0.75

HSLA 241.13, 0.23%, 0.55%, 0.75

LABA 49.67, 12.99, -28.25, 0.75

 

CMYK 0 / 2 / 32 / 32

HEX #928E54BF

RGBA 146 142 84 0.75

HSLA 56.13, 0.27%, 0.45%, 0.75

LABA 58.13, -7.37, 31.37, 0.75

 

CMYK 0 / 1 / 28 / 27

HEX #A3A067BF

RGBA 163 160 103 0.75

HSLA 57, 0.25%, 0.52%, 0.75

LABA 64.89, -7.76, 30.13, 0.75

 

CMYK 0 / 1 / 24 / 22

HEX #B4B27ABF

RGBA 180 178 122 0.75

HSLA 57.93, 0.28%, 0.59%, 0.75

LABA 71.52, -8.08, 28.94, 0.75

 

CMYK 0 / 0 / 21 / 17

HEX #C5C48DBF

RGBA 197 196 141 0.75

HSLA 58.93, 0.33%, 0.66%, 0.75

LABA 78.04, -8.34, 27.82, 0.75

 

CMYK 0 / 0 / 19 / 12

HEX #D6D6A0BF

RGBA 214 214 160 0.75

HSLA 60, 0.4%, 0.73%, 0.75

LABA 84.45, -8.56, 26.76, 0.75

 

CMYK 1 / 0 / 28 / 33

HEX #8D8E59BF

RGBA 141 142 89 0.75

HSLA 61.13, 0.23%, 0.45%, 0.75

LABA 57.78, -8.89, 28.14, 0.75

 

CMYK 0 / 0 / 33 / 39

HEX #7C7C46BF

RGBA 124 124 70 0.75

HSLA 60, 0.28%, 0.38%, 0.75

LABA 50.85, -8.53, 29.41, 0.75

 

CMYK 0 / 1 / 39 / 44

HEX #6B6A33BF

RGBA 107 106 51 0.75

HSLA 58.93, 0.35%, 0.31%, 0.75

LABA 43.76, -8.05, 30.71, 0.75

 

CMYK 0 / 2 / 48 / 49

HEX #5A5820BF

RGBA 90 88 32 0.75

HSLA 57.93, 0.48%, 0.24%, 0.75

LABA 36.48, -7.37, 31.91, 0.75

 

CMYK 0 / 3 / 62 / 54

HEX #49460DBF

RGBA 73 70 13 0.75

HSLA 57, 0.7%, 0.17%, 0.75

LABA 28.97, -6.35, 32.52, 0.75

 

CMYK 1 / 0 / 38 / 45

HEX #8C8D58

RGB 140 141 88

HSL 61.13, 0.23%, 0.45%

LAB 57.4, -8.89, 28.17

 

CMYK 0 / 9 / 38 / 45

HEX #8D8058

RGB 141 128 88

HSL 45.28, 0.23%, 0.45%

LAB 53.82, -1.27, 23.53

 

CMYK 0 / 19 / 38 / 45

HEX #8D7258

RGB 141 114 88

HSL 29.43, 0.23%, 0.45%

LAB 49.98, 6.74, 18.42

 

CMYK 0 / 30 / 38 / 45

HEX #8D6358

RGB 141 99 88

HSL 12.45, 0.23%, 0.45%

LAB 46.03, 15.48, 13.02

 

CMYK 0 / 38 / 38 / 45

HEX #8D5858

RGB 141 88 88

HSL 0, 0.23%, 0.45%

LAB 43.28, 21.9, 9.19

 

CMYK 1 / 0 / 38 / 45

HEX #8C8D58

RGB 140 141 88

HSL 61.13, 0.23%, 0.45%

LAB 57.4, -8.89, 28.17

 

CMYK 11 / 0 / 38 / 45

HEX #7E8D58

RGB 126 141 88

HSL 76.98, 0.23%, 0.45%

LAB 56.28, -14.69, 26.51

 

CMYK 21 / 0 / 38 / 45

HEX #708D58

RGB 112 141 88

HSL 92.83, 0.23%, 0.45%

LAB 55.28, -20.26, 25.01

 

CMYK 31 / 0 / 38 / 45

HEX #618D58

RGB 97 141 88

HSL 109.81, 0.23%, 0.45%

LAB 54.34, -25.87, 23.6

 

CMYK 38 / 0 / 33 / 45

HEX #588D5E

RGB 88 141 94

HSL 126.79, 0.23%, 0.45%

LAB 53.96, -27.95, 19.66

 

CMYK 1 / 0 / 38 / 45

HEX #8C8D58

RGB 140 141 88

HSL 61.13, 0.23%, 0.45%

LAB 57.4, -8.89, 28.17

 

CMYK 1 / 0 / 56 / 37

HEX #9EA046

RGB 158 160 70

HSL 61.33, 0.39%, 0.45%

LAB 64.04, -13.2, 45.79

 

CMYK 1 / 0 / 71 / 30

HEX #B0B233

RGB 176 178 51

HSL 60.94, 0.55%, 0.45%

LAB 70.39, -15.98, 60.9

 

CMYK 2 / 0 / 83 / 23

HEX #C2C521

RGB 194 197 33

HSL 61.1, 0.71%, 0.45%

LAB 76.99, -18.5, 72.75

 

CMYK 1 / 0 / 93 / 16

HEX #D4D70E

RGB 212 215 14

HSL 60.9, 0.88%, 0.45%

LAB 83.25, -20.08, 81.52

 

CMYK 1 / 0 / 38 / 45

HEX #8C8D58

RGB 140 141 88

HSL 61.13, 0.23%, 0.45%

LAB 57.4, -8.89, 28.17

 

CMYK 1 / 0 / 13 / 52

HEX #7A7B6B

RGB 122 123 107

HSL 63.75, 0.07%, 0.45%

LAB 51.11, -3.41, 8.63

 

CMYK 17 / 17 / 0 / 51

HEX #68687D

RGB 104 104 125

HSL 240, 0.09%, 0.45%

LAB 44.69, 4.69, -11.65

 

CMYK 40 / 41 / 0 / 44

HEX #575590

RGB 87 85 144

HSL 242.03, 0.26%, 0.45%

LAB 38.79, 16.15, -32.38

 

CMYK 58 / 59 / 0 / 36

HEX #4543A3

RGB 69 67 163

HSL 241.25, 0.42%, 0.45%

LAB 33.82, 29.44, -51.87

 

CMYK 0 / 19 / 38 / 45

HEX #8D7258

RGB 141 114 88

HSL 29.43, 0.23%, 0.45%

LAB 49.98, 6.74, 18.42

 

CMYK 0 / 9 / 38 / 45

HEX #8D8058

RGB 141 128 88

HSL 45.28, 0.23%, 0.45%

LAB 53.82, -1.27, 23.53

 

CMYK 1 / 0 / 38 / 45

HEX #8C8D58

RGB 140 141 88

HSL 61.13, 0.23%, 0.45%

LAB 57.4, -8.89, 28.17

 

CMYK 11 / 0 / 38 / 45

HEX #7E8D58

RGB 126 141 88

HSL 76.98, 0.23%, 0.45%

LAB 56.28, -14.69, 26.51

 

CMYK 21 / 0 / 38 / 45

HEX #708D58

RGB 112 141 88

HSL 92.83, 0.23%, 0.45%

LAB 55.28, -20.26, 25.01

 

CMYK 0 / 0 / 37 / 65

HEX #5A5A39

RGB 90 90 57

HSL 60, 0.22%, 0.29%

LAB 37.45, -5.81, 19.1

 

CMYK 1 / 0 / 38 / 55

HEX #737448

RGB 115 116 72

HSL 61.36, 0.23%, 0.37%

LAB 47.76, -7.74, 24.21

 

CMYK 1 / 0 / 38 / 45

HEX #8C8D58

RGB 140 141 88

HSL 61.13, 0.23%, 0.45%

LAB 57.4, -8.89, 28.17

 

CMYK 1 / 0 / 34 / 36

HEX #A2A36C

RGB 162 163 108

HSL 61.09, 0.23%, 0.53%

LAB 65.72, -9.15, 28.51

 

CMYK 1 / 0 / 26 / 30

HEX #B2B385

RGB 178 179 133

HSL 61.3, 0.23%, 0.61%

LAB 71.82, -7.92, 23.45

 

CMYK 1 / 0 / 37 / 44

HEX #8D8E59

RGB 141 142 89

HSL 61.13, 0.23%, 0.45%

LAB 57.78, -8.89, 28.14

 

CMYK 38 / 0 / 29 / 45

HEX #588D64

RGB 88 141 100

HSL 133.58, 0.23%, 0.45%

LAB 54.07, -26.83, 16.44

 

CMYK 14 / 38 / 0 / 45

HEX #79588D

RGB 121 88 141

HSL 277.36, 0.23%, 0.45%

LAB 42.71, 24.04, -24.19

 

CMYK 1 / 0 / 37 / 44

HEX #8D8E59

RGB 141 142 89

HSL 61.13, 0.23%, 0.45%

LAB 57.78, -8.89, 28.14

 

CMYK 38 / 1 / 0 / 45

HEX #588C8D

RGB 88 140 141

HSL 181.13, 0.23%, 0.45%

LAB 54.82, -17, -6.03

 

CMYK 0 / 38 / 1 / 45

HEX #8D588C

RGB 141 88 140

HSL 301.13, 0.23%, 0.45%

LAB 44.99, 30.52, -19.88

 

CMYK 1 / 0 / 37 / 44

HEX #8D8E59

RGB 141 142 89

HSL 61.13, 0.23%, 0.45%

LAB 57.78, -8.89, 28.14

 

CMYK 38 / 0 / 29 / 45

HEX #588D64

RGB 88 141 100

HSL 133.58, 0.23%, 0.45%

LAB 54.07, -26.83, 16.44

 

CMYK 37 / 38 / 0 / 45

HEX #59588D

RGB 89 88 141

HSL 241.13, 0.23%, 0.45%

LAB 39.62, 13.94, -29.24

 

CMYK 0 / 38 / 8 / 45

HEX #8D5882

RGB 141 88 130

HSL 312.45, 0.23%, 0.45%

LAB 44.59, 28.6, -14.46

 

CMYK 1 / 0 / 37 / 44

HEX #8D8E59

RGB 141 142 89

HSL 61.13, 0.23%, 0.45%

LAB 57.78, -8.89, 28.14

 

CMYK 38 / 0 / 18 / 45

HEX #588D74

RGB 88 141 116

HSL 151.7, 0.23%, 0.45%

LAB 54.43, -23.54, 7.82

 

CMYK 37 / 38 / 0 / 45

HEX #59588D

RGB 89 88 141

HSL 241.13, 0.23%, 0.45%

LAB 39.62, 13.94, -29.24

 

CMYK 0 / 38 / 19 / 45

HEX #8D5872

RGB 141 88 114

HSL 330.57, 0.23%, 0.45%

LAB 44.03, 25.77, -5.6

 

Description

Color code: RGBA 141 142 89 0.75 | qconv.com Color code: RGBA 141 142 89 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 142 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 142 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 28 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 28% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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