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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 141 142 219 0.75 it is the complementary color RGBA 114 113 36 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 141 142 219 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 141 142 219 0.75 shade: RGBA 146 142 214 0.75, RGBA 163 160 233 0.75, RGBA 180 178 252 0.75, RGBA 197 196 255 0.75 and RGBA 214 214 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 141 142 219 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 141 142 219 0.75 shade: RGBA 141 142 219 0.75, RGBA 124 124 200 0.75, RGBA 107 106 181 0.75, RGBA 90 88 162 0.75 and RGBA 73 70 143 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 141 142 219 0.75 shade: RGB 143 144 220, RGB 162 143 220, RGB 183 143 220, RGB 204 143 220 and RGB 220 143 214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 141 142 219 0.75 shade: RGB 143 144 220 and RGB 143 143 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 141 142 219 0.75 shade matches the following richer shades: RGB 143 144 220, RGB 131 132 231 and RGB 119 120 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 141 142 219 0.75 shade: RGB 143 144 220, RGB 155 155 208, RGB 167 167 196, RGB 178 179 184 and RGB 190 190 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 141 142 219 0.75 shade: RGB 143 185 220, RGB 143 164 220, RGB 143 144 220, RGB 162 143 220 and RGB 182 143 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 141 142 219 0.75 shade: RGB 80 81 200, RGB 111 113 210, RGB 143 144 220, RGB 174 175 229 and RGB 205 206 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 141 142 219 0.75 shade: RGB 141 142 219, RGB 220 143 205 and RGB 175 220 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 141 142 219 0.75 shade: RGB 141 142 219, RGB 220 143 144 and RGB 144 220 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 141 142 219 0.75 shade: RGB 141 142 219, RGB 220 143 205, RGB 220 218 143 and RGB 143 220 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 141 142 219 0.75 shade: RGB 141 142 219, RGB 220 143 182, RGB 220 218 143 and RGB 143 220 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 26 / 0 / 11

HEX #8D8EDBBF

RGBA 141 142 219 0.75

HSLA 239.23, 0.52%, 0.71%, 0.75

LABA 61.76, 17.82, -39.42, 0.75

 

Complementary color

CMYK 0 / 1 / 51 / 41

HEX #727124BF

RGBA 114 113 36 0.75

HSLA 59.23, 0.52%, 0.29%, 0.75

LABA 46.33, -9.98, 41.15, 0.75

 

CMYK 24 / 25 / 0 / 12

HEX #928ED6BF

RGBA 146 142 214 0.75

HSLA 243.33, 0.47%, 0.7%, 0.75

LABA 61.92, 17.89, -36.35, 0.75

 

CMYK 23 / 23 / 0 / 6

HEX #A3A0E9BF

RGBA 163 160 233 0.75

HSLA 242.47, 0.62%, 0.77%, 0.75

LABA 68.61, 17.28, -36.33, 0.75

 

CMYK 21 / 22 / 0 / 1

HEX #B4B2FCBF

RGBA 180 178 252 0.75

HSLA 241.62, 0.93%, 0.84%, 0.75

LABA 75.18, 16.72, -36.35, 0.75

 

CMYK 17 / 17 / 0 / 0

HEX #C5C4FFBF

RGBA 197 196 255 0.75

HSLA 241.02, 1%, 0.88%, 0.75

LABA 81.05, 12.51, -28.81, 0.75

 

CMYK 12 / 12 / 0 / 0

HEX #D6D6FFBF

RGBA 214 214 255 0.75

HSLA 240, 1%, 0.92%, 0.75

LABA 86.8, 8.04, -19.94, 0.75

 

CMYK 27 / 26 / 0 / 11

HEX #8D8EDBBF

RGBA 141 142 219 0.75

HSLA 239.23, 0.52%, 0.71%, 0.75

LABA 61.76, 17.82, -39.42, 0.75

 

CMYK 29 / 29 / 0 / 16

HEX #7C7CC8BF

RGBA 124 124 200 0.75

HSLA 240, 0.41%, 0.64%, 0.75

LABA 54.94, 18.58, -39.53, 0.75

 

CMYK 31 / 31 / 0 / 22

HEX #6B6AB5BF

RGBA 107 106 181 0.75

HSLA 240.8, 0.34%, 0.56%, 0.75

LABA 47.97, 19.46, -39.69, 0.75

 

CMYK 33 / 34 / 0 / 27

HEX #5A58A2BF

RGBA 90 88 162 0.75

HSLA 241.62, 0.3%, 0.49%, 0.75

LABA 40.83, 20.5, -39.92, 0.75

 

CMYK 37 / 38 / 0 / 33

HEX #49468FBF

RGBA 73 70 143 0.75

HSLA 242.47, 0.34%, 0.42%, 0.75

LABA 33.52, 21.77, -40.22, 0.75

 

CMYK 35 / 35 / 0 / 14

HEX #8F90DC

RGB 143 144 220

HSL 239.22, 0.52%, 0.71%

LAB 62.47, 17.47, -38.86

 

CMYK 26 / 35 / 0 / 14

HEX #A28FDC

RGB 162 143 220

HSL 254.81, 0.52%, 0.71%

LAB 63.75, 23.43, -36.74

 

CMYK 17 / 35 / 0 / 14

HEX #B78FDC

RGB 183 143 220

HSL 271.17, 0.52%, 0.71%

LAB 65.65, 29.69, -33.63

 

CMYK 7 / 35 / 0 / 14

HEX #CC8FDC

RGB 204 143 220

HSL 287.53, 0.52%, 0.71%

LAB 67.76, 36.14, -30.2

 

CMYK 0 / 35 / 3 / 14

HEX #DC8FD6

RGB 220 143 214

HSL 304.68, 0.52%, 0.71%

LAB 69.27, 40.03, -24.42

 

CMYK 35 / 35 / 0 / 14

HEX #8F90DC

RGB 143 144 220

HSL 239.22, 0.52%, 0.71%

LAB 62.47, 17.47, -38.86

 

CMYK 35 / 35 / 0 / 14

HEX #8F8FDC

RGB 143 143 220

HSL 240, 0.52%, 0.71%

LAB 62.21, 18.05, -39.26

 

CMYK 35 / 35 / 0 / 14

HEX #8F90DC

RGB 143 144 220

HSL 239.22, 0.52%, 0.71%

LAB 62.47, 17.47, -38.86

 

CMYK 43 / 43 / 0 / 9

HEX #8384E7

RGB 131 132 231

HSL 239.4, 0.68%, 0.71%

LAB 59.06, 24.41, -50.4

 

CMYK 51 / 51 / 0 / 5

HEX #7778F3

RGB 119 120 243

HSL 239.52, 0.84%, 0.71%

LAB 55.91, 32.35, -62.16

 

CMYK 35 / 35 / 0 / 14

HEX #8F90DC

RGB 143 144 220

HSL 239.22, 0.52%, 0.71%

LAB 62.47, 17.47, -38.86

 

CMYK 25 / 25 / 0 / 18

HEX #9B9BD0

RGB 155 155 208

HSL 240, 0.36%, 0.71%

LAB 65.72, 11.59, -27.06

 

CMYK 15 / 15 / 0 / 23

HEX #A7A7C4

RGB 167 167 196

HSL 240, 0.2%, 0.71%

LAB 69.35, 5.91, -14.8

 

CMYK 3 / 3 / 0 / 28

HEX #B2B3B8

RGB 178 179 184

HSL 230, 0.04%, 0.71%

LAB 73, 0.6, -2.67

 

CMYK 0 / 0 / 9 / 25

HEX #BEBEAC

RGB 190 190 172

HSL 60, 0.12%, 0.71%

LAB 76.53, -3.18, 9.09

 

CMYK 35 / 16 / 0 / 14

HEX #8FB9DC

RGB 143 185 220

HSL 207.27, 0.52%, 0.71%

LAB 73.35, -5.54, -22.05

 

CMYK 35 / 25 / 0 / 14

HEX #8FA4DC

RGB 143 164 220

HSL 223.64, 0.52%, 0.71%

LAB 67.69, 6.04, -30.73

 

CMYK 35 / 35 / 0 / 14

HEX #8F90DC

RGB 143 144 220

HSL 239.22, 0.52%, 0.71%

LAB 62.47, 17.47, -38.86

 

CMYK 26 / 35 / 0 / 14

HEX #A28FDC

RGB 162 143 220

HSL 254.81, 0.52%, 0.71%

LAB 63.75, 23.43, -36.74

 

CMYK 17 / 35 / 0 / 14

HEX #B68FDC

RGB 182 143 220

HSL 270.39, 0.52%, 0.71%

LAB 65.56, 29.39, -33.79

 

CMYK 60 / 60 / 0 / 22

HEX #5051C8

RGB 80 81 200

HSL 239.5, 0.52%, 0.55%

LAB 40.83, 34.94, -62.29

 

CMYK 47 / 46 / 0 / 18

HEX #6F71D2

RGB 111 113 210

HSL 238.79, 0.52%, 0.63%

LAB 51.66, 24.81, -50.47

 

CMYK 35 / 35 / 0 / 14

HEX #8F90DC

RGB 143 144 220

HSL 239.22, 0.52%, 0.71%

LAB 62.47, 17.47, -38.86

 

CMYK 24 / 24 / 0 / 10

HEX #AEAFE5

RGB 174 175 229

HSL 238.91, 0.51%, 0.79%

LAB 73.1, 11.14, -27.15

 

CMYK 14 / 14 / 0 / 6

HEX #CDCEEF

RGB 205 206 239

HSL 238.24, 0.52%, 0.87%

LAB 83.63, 6.12, -16.33

 

CMYK 36 / 35 / 0 / 14

HEX #8D8EDB

RGB 141 142 219

HSL 239.23, 0.52%, 0.71%

LAB 61.76, 17.82, -39.42

 

CMYK 0 / 35 / 7 / 14

HEX #DC8FCD

RGB 220 143 205

HSL 311.69, 0.52%, 0.71%

LAB 68.95, 38.44, -19.92

 

CMYK 20 / 0 / 35 / 14

HEX #AFDC8F

RGB 175 220 143

HSL 95.06, 0.52%, 0.71%

LAB 83.06, -28.19, 33.19

 

CMYK 36 / 35 / 0 / 14

HEX #8D8EDB

RGB 141 142 219

HSL 239.23, 0.52%, 0.71%

LAB 61.76, 17.82, -39.42

 

CMYK 0 / 35 / 35 / 14

HEX #DC8F90

RGB 220 143 144

HSL 359.22, 0.52%, 0.71%

LAB 67.18, 29.33, 11.61

 

CMYK 35 / 0 / 35 / 14

HEX #90DC8F

RGB 144 220 143

HSL 119.22, 0.52%, 0.71%

LAB 81.35, -38.6, 30.6

 

CMYK 36 / 35 / 0 / 14

HEX #8D8EDB

RGB 141 142 219

HSL 239.23, 0.52%, 0.71%

LAB 61.76, 17.82, -39.42

 

CMYK 0 / 35 / 7 / 14

HEX #DC8FCD

RGB 220 143 205

HSL 311.69, 0.52%, 0.71%

LAB 68.95, 38.44, -19.92

 

CMYK 0 / 1 / 35 / 14

HEX #DCDA8F

RGB 220 218 143

HSL 58.44, 0.52%, 0.71%

LAB 85.68, -10.43, 37.2

 

CMYK 35 / 0 / 29 / 14

HEX #8FDC9D

RGB 143 220 157

HSL 130.91, 0.52%, 0.71%

LAB 81.54, -36.59, 23.63

 

CMYK 36 / 35 / 0 / 14

HEX #8D8EDB

RGB 141 142 219

HSL 239.23, 0.52%, 0.71%

LAB 61.76, 17.82, -39.42

 

CMYK 0 / 35 / 17 / 14

HEX #DC8FB6

RGB 220 143 182

HSL 329.61, 0.52%, 0.71%

LAB 68.2, 34.65, -8.22

 

CMYK 0 / 1 / 35 / 14

HEX #DCDA8F

RGB 220 218 143

HSL 58.44, 0.52%, 0.71%

LAB 85.68, -10.43, 37.2

 

CMYK 35 / 0 / 18 / 14

HEX #8FDCB4

RGB 143 220 180

HSL 148.83, 0.52%, 0.71%

LAB 82.01, -32.31, 12.21

 

Description

Color code: RGBA 141 142 219 0.75 | qconv.com Color code: RGBA 141 142 219 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 142 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 142 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 26 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 26% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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