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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 140 232 163 0.75 it is the complementary color RGBA 115 23 92 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 140 232 163 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 140 232 163 0.75 shade: RGBA 145 232 158 0.75, RGBA 162 250 177 0.75, RGBA 179 255 196 0.75, RGBA 196 255 215 0.75 and RGBA 213 255 234 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 140 232 163 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 140 232 163 0.75 shade: RGBA 140 232 163 0.75, RGBA 123 214 144 0.75, RGBA 106 196 125 0.75, RGBA 89 178 106 0.75 and RGBA 72 160 87 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 140 232 163 0.75 shade: RGB 140 232 163, RGB 142 232 140, RGB 167 232 140, RGB 192 232 140 and RGB 216 232 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 140 232 163 0.75 shade: RGB 140 232 163, RGB 140 232 188, RGB 140 232 213, RGB 140 227 232 and RGB 140 202 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 140 232 163 0.75 shade matches the following richer shades: RGB 140 232 163, RGB 129 243 158 and RGB 118 255 152

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 140 232 163 0.75 shade: RGB 140 232 163, RGB 151 221 169, RGB 162 210 174, RGB 173 199 180 and RGB 185 188 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 140 232 163 0.75 shade: RGB 166 232 140, RGB 142 232 140, RGB 140 232 163, RGB 140 232 188 and RGB 140 232 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 140 232 163 0.75 shade: RGB 71 219 108, RGB 106 225 136, RGB 140 232 163, RGB 174 239 191 and RGB 209 246 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 140 232 163 0.75 shade: RGB 140 232 163, RGB 140 191 232 and RGB 232 140 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 140 232 163 0.75 shade: RGB 140 232 163, RGB 163 140 232 and RGB 232 163 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 140 232 163 0.75 shade: RGB 140 232 163, RGB 140 191 232, RGB 232 140 209 and RGB 232 182 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 140 232 163 0.75 shade: RGB 140 232 163, RGB 140 163 232, RGB 232 140 209 and RGB 232 209 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 22 / 7

HEX #8CE8A3BF

RGBA 140 232 163 0.75

HSLA 135, 0.67%, 0.73%, 0.75

LABA 84.96, -41.82, 25.17, 0.75

 

Complementary color

CMYK 0 / 60 / 15 / 41

HEX #73175CBF

RGBA 115 23 92 0.75

HSLA 315, 0.67%, 0.27%, 0.75

LABA 26.82, 45.9, -18.19, 0.75

 

CMYK 28 / 0 / 24 / 7

HEX #91E89EBF

RGBA 145 232 158 0.75

HSLA 128.97, 0.65%, 0.74%, 0.75

LABA 85.1, -41.21, 27.96, 0.75

 

CMYK 26 / 0 / 22 / 1

HEX #A2FAB1BF

RGBA 162 250 177 0.75

HSLA 130.23, 0.9%, 0.81%, 0.75

LABA 91.34, -40.96, 26.87, 0.75

 

CMYK 22 / 0 / 17 / 0

HEX #B3FFC4BF

RGBA 179 255 196 0.75

HSLA 133.42, 1%, 0.85%, 0.75

LABA 93.92, -34.84, 20.89, 0.75

 

CMYK 17 / 0 / 12 / 0

HEX #C4FFD7BF

RGBA 196 255 215 0.75

HSLA 139.32, 1%, 0.88%, 0.75

LABA 95.23, -26.21, 13.15, 0.75

 

CMYK 12 / 0 / 6 / 0

HEX #D5FFEABF

RGBA 213 255 234 0.75

HSLA 150, 1%, 0.92%, 0.75

LABA 96.66, -17.38, 5.57, 0.75

 

CMYK 30 / 0 / 22 / 7

HEX #8CE8A3BF

RGBA 140 232 163 0.75

HSLA 135, 0.67%, 0.73%, 0.75

LABA 84.96, -41.82, 25.17, 0.75

 

CMYK 32 / 0 / 25 / 12

HEX #7BD690BF

RGBA 123 214 144 0.75

HSLA 133.85, 0.53%, 0.66%, 0.75

LABA 78.65, -42.06, 26.3, 0.75

 

CMYK 34 / 0 / 27 / 17

HEX #6AC47DBF

RGBA 106 196 125 0.75

HSLA 132.67, 0.43%, 0.59%, 0.75

LABA 72.25, -42.27, 27.51, 0.75

 

CMYK 38 / 0 / 30 / 23

HEX #59B26ABF

RGBA 89 178 106 0.75

HSLA 131.46, 0.37%, 0.52%, 0.75

LABA 65.75, -42.43, 28.8, 0.75

 

CMYK 41 / 0 / 34 / 28

HEX #48A057BF

RGBA 72 160 87 0.75

HSLA 130.23, 0.38%, 0.45%, 0.75

LABA 59.17, -42.48, 30.18, 0.75

 

CMYK 40 / 0 / 30 / 9

HEX #8CE8A3

RGB 140 232 163

HSL 135, 0.67%, 0.73%

LAB 84.96, -41.82, 25.17

 

CMYK 39 / 0 / 40 / 9

HEX #8EE88C

RGB 142 232 140

HSL 118.7, 0.67%, 0.73%

LAB 84.67, -44.95, 36.47

 

CMYK 28 / 0 / 40 / 9

HEX #A7E88C

RGB 167 232 140

HSL 102.39, 0.67%, 0.73%

LAB 85.92, -36.95, 38.34

 

CMYK 17 / 0 / 40 / 9

HEX #C0E88C

RGB 192 232 140

HSL 86.09, 0.67%, 0.73%

LAB 87.39, -28.18, 40.53

 

CMYK 7 / 0 / 40 / 9

HEX #D8E88C

RGB 216 232 140

HSL 70.43, 0.67%, 0.73%

LAB 89.02, -19.25, 42.94

 

CMYK 40 / 0 / 30 / 9

HEX #8CE8A3

RGB 140 232 163

HSL 135, 0.67%, 0.73%

LAB 84.96, -41.82, 25.17

 

CMYK 40 / 0 / 19 / 9

HEX #8CE8BC

RGB 140 232 188

HSL 151.3, 0.67%, 0.73%

LAB 85.46, -37.11, 12.88

 

CMYK 40 / 0 / 8 / 9

HEX #8CE8D5

RGB 140 232 213

HSL 167.61, 0.67%, 0.73%

LAB 86.05, -31.78, 0.61

 

CMYK 40 / 2 / 0 / 9

HEX #8CE3E8

RGB 140 227 232

HSL 183.26, 0.67%, 0.73%

LAB 85.17, -24.92, -10.7

 

CMYK 40 / 13 / 0 / 9

HEX #8CCAE8

RGB 140 202 232

HSL 199.57, 0.67%, 0.73%

LAB 78.25, -12.28, -21.1

 

CMYK 40 / 0 / 30 / 9

HEX #8CE8A3

RGB 140 232 163

HSL 135, 0.67%, 0.73%

LAB 84.96, -41.82, 25.17

 

CMYK 47 / 0 / 35 / 5

HEX #81F39E

RGB 129 243 158

HSL 135.26, 0.83%, 0.73%

LAB 87.6, -50.39, 31.2

 

CMYK 54 / 0 / 40 / 0

HEX #76FF98

RGB 118 255 152

HSL 134.89, 1%, 0.73%

LAB 90.61, -58.9, 38.1

 

CMYK 40 / 0 / 30 / 9

HEX #8CE8A3

RGB 140 232 163

HSL 135, 0.67%, 0.73%

LAB 84.96, -41.82, 25.17

 

CMYK 32 / 0 / 24 / 13

HEX #97DDA9

RGB 151 221 169

HSL 135.43, 0.51%, 0.73%

LAB 82.46, -32.47, 18.69

 

CMYK 23 / 0 / 17 / 18

HEX #A2D2AE

RGB 162 210 174

HSL 135, 0.35%, 0.73%

LAB 80.08, -22.77, 12.8

 

CMYK 13 / 0 / 10 / 22

HEX #ADC7B4

RGB 173 199 180

HSL 136.15, 0.19%, 0.73%

LAB 77.89, -12.44, 6.56

 

CMYK 2 / 0 / 2 / 26

HEX #B9BCB9

RGB 185 188 185

HSL 120, 0.02%, 0.73%

LAB 75.94, -1.6, 1.14

 

CMYK 28 / 0 / 40 / 9

HEX #A6E88C

RGB 166 232 140

HSL 103.04, 0.67%, 0.73%

LAB 85.86, -37.29, 38.26

 

CMYK 39 / 0 / 40 / 9

HEX #8EE88C

RGB 142 232 140

HSL 118.7, 0.67%, 0.73%

LAB 84.67, -44.95, 36.47

 

CMYK 40 / 0 / 30 / 9

HEX #8CE8A3

RGB 140 232 163

HSL 135, 0.67%, 0.73%

LAB 84.96, -41.82, 25.17

 

CMYK 40 / 0 / 19 / 9

HEX #8CE8BC

RGB 140 232 188

HSL 151.3, 0.67%, 0.73%

LAB 85.46, -37.11, 12.88

 

CMYK 40 / 0 / 9 / 9

HEX #8CE8D4

RGB 140 232 212

HSL 166.96, 0.67%, 0.73%

LAB 86.03, -32, 1.1

 

CMYK 68 / 0 / 51 / 14

HEX #47DB6C

RGB 71 219 108

HSL 135, 0.67%, 0.57%

LAB 77.93, -62.03, 43.14

 

CMYK 53 / 0 / 40 / 12

HEX #6AE188

RGB 106 225 136

HSL 135.13, 0.66%, 0.65%

LAB 81.12, -52.52, 33.58

 

CMYK 40 / 0 / 30 / 9

HEX #8CE8A3

RGB 140 232 163

HSL 135, 0.67%, 0.73%

LAB 84.96, -41.82, 25.17

 

CMYK 27 / 0 / 20 / 6

HEX #AEEFBF

RGB 174 239 191

HSL 135.69, 0.67%, 0.81%

LAB 89.16, -29.83, 16.76

 

CMYK 15 / 0 / 11 / 4

HEX #D1F6DA

RGB 209 246 218

HSL 134.59, 0.67%, 0.89%

LAB 93.68, -17.16, 9.5

 

CMYK 40 / 0 / 30 / 9

HEX #8CE8A3

RGB 140 232 163

HSL 135, 0.67%, 0.73%

LAB 84.96, -41.82, 25.17

 

CMYK 40 / 18 / 0 / 9

HEX #8CBFE8

RGB 140 191 232

HSL 206.74, 0.67%, 0.73%

LAB 75.24, -6.46, -25.69

 

CMYK 0 / 40 / 34 / 9

HEX #E88C9A

RGB 232 140 154

HSL 350.87, 0.67%, 0.73%

LAB 68.2, 36.59, 7.65

 

CMYK 40 / 0 / 30 / 9

HEX #8CE8A3

RGB 140 232 163

HSL 135, 0.67%, 0.73%

LAB 84.96, -41.82, 25.17

 

CMYK 30 / 40 / 0 / 9

HEX #A38CE8

RGB 163 140 232

HSL 255, 0.67%, 0.73%

LAB 63.65, 28.39, -43.55

 

CMYK 0 / 30 / 40 / 9

HEX #E8A38C

RGB 232 163 140

HSL 15, 0.67%, 0.73%

LAB 73.05, 22.75, 22.18

 

CMYK 40 / 0 / 30 / 9

HEX #8CE8A3

RGB 140 232 163

HSL 135, 0.67%, 0.73%

LAB 84.96, -41.82, 25.17

 

CMYK 40 / 18 / 0 / 9

HEX #8CBFE8

RGB 140 191 232

HSL 206.74, 0.67%, 0.73%

LAB 75.24, -6.46, -25.69

 

CMYK 0 / 40 / 10 / 9

HEX #E88CD1

RGB 232 140 209

HSL 315, 0.67%, 0.73%

LAB 69.84, 44.56, -20.66

 

CMYK 0 / 22 / 40 / 9

HEX #E8B68C

RGB 232 182 140

HSL 27.39, 0.67%, 0.73%

LAB 77.58, 12.63, 28.29

 

CMYK 40 / 0 / 30 / 9

HEX #8CE8A3

RGB 140 232 163

HSL 135, 0.67%, 0.73%

LAB 84.96, -41.82, 25.17

 

CMYK 40 / 30 / 0 / 9

HEX #8CA3E8

RGB 140 163 232

HSL 225, 0.67%, 0.73%

LAB 67.72, 9.01, -37.3

 

CMYK 0 / 40 / 10 / 9

HEX #E88CD1

RGB 232 140 209

HSL 315, 0.67%, 0.73%

LAB 69.84, 44.56, -20.66

 

CMYK 0 / 10 / 40 / 9

HEX #E8D18C

RGB 232 209 140

HSL 45, 0.67%, 0.73%

LAB 84.3, -1.5, 37.14

 

Description

Color code: RGBA 140 232 163 0.75 | qconv.com Color code: RGBA 140 232 163 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 232 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 232 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 22% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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