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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 140 183 120 0.75 it is the complementary color RGBA 115 72 135 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 140 183 120 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 140 183 120 0.75 shade: RGBA 145 183 115 0.75, RGBA 162 201 134 0.75, RGBA 179 219 153 0.75, RGBA 196 237 172 0.75 and RGBA 213 255 191 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 140 183 120 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 140 183 120 0.75 shade: RGBA 140 183 120 0.75, RGBA 123 165 101 0.75, RGBA 106 147 82 0.75, RGBA 89 129 63 0.75 and RGBA 72 111 44 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 140 183 120 0.75 shade: RGB 139 182 119, RGB 156 182 119, RGB 173 182 119, RGB 182 174 119 and RGB 182 157 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 140 183 120 0.75 shade: RGB 139 182 119, RGB 122 182 119, RGB 119 182 133, RGB 119 182 150 and RGB 119 182 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 140 183 120 0.75 shade matches the following richer shades: RGB 139 182 119, RGB 133 199 102, RGB 127 216 85, RGB 120 233 68 and RGB 114 249 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 140 183 120 0.75 shade: RGB 139 182 119, RGB 145 165 136, RGB 151 148 153, RGB 158 131 170 and RGB 164 114 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 140 183 120 0.75 shade: RGB 173 182 119, RGB 157 182 119, RGB 140 182 119, RGB 123 182 119 and RGB 119 182 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 140 183 120 0.75 shade: RGB 97 142 76, RGB 116 167 92, RGB 139 182 119, RGB 162 196 146 and RGB 185 211 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 140 183 120 0.75 shade: RGB 140 183 120, RGB 119 182 173 and RGB 182 119 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 140 183 120 0.75 shade: RGB 140 183 120, RGB 119 140 182 and RGB 182 119 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 140 183 120 0.75 shade: RGB 140 183 120, RGB 119 182 173, RGB 161 119 182 and RGB 182 119 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 140 183 120 0.75 shade: RGB 140 183 120, RGB 119 171 182, RGB 161 119 182 and RGB 182 130 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 26 / 21

HEX #8CB778BF

RGBA 140 183 120 0.75

HSLA 100.95, 0.3%, 0.59%, 0.75

LABA 70.03, -26.15, 27.52, 0.75

 

Complementary color

CMYK 11 / 35 / 0 / 35

HEX #734887BF

RGBA 115 72 135 0.75

HSLA 280.95, 0.3%, 0.41%, 0.75

LABA 37.89, 30.24, -28.11, 0.75

 

CMYK 16 / 0 / 28 / 21

HEX #91B773BF

RGBA 145 183 115 0.75

HSLA 93.53, 0.32%, 0.58%, 0.75

LABA 70.26, -25.06, 30.51, 0.75

 

CMYK 15 / 0 / 25 / 16

HEX #A2C986BF

RGBA 162 201 134 0.75

HSLA 94.93, 0.38%, 0.66%, 0.75

LABA 76.79, -24.96, 29.37, 0.75

 

CMYK 14 / 0 / 23 / 11

HEX #B3DB99BF

RGBA 179 219 153 0.75

HSLA 96.36, 0.48%, 0.73%, 0.75

LABA 83.2, -24.86, 28.29, 0.75

 

CMYK 13 / 0 / 21 / 5

HEX #C4EDACBF

RGBA 196 237 172 0.75

HSLA 97.85, 0.64%, 0.8%, 0.75

LABA 89.53, -24.75, 27.26, 0.75

 

CMYK 12 / 0 / 19 / 0

HEX #D5FFBFBF

RGBA 213 255 191 0.75

HSLA 99.38, 1%, 0.87%, 0.75

LABA 95.76, -24.65, 26.27, 0.75

 

CMYK 18 / 0 / 26 / 21

HEX #8CB778BF

RGBA 140 183 120 0.75

HSLA 100.95, 0.3%, 0.59%, 0.75

LABA 70.03, -26.15, 27.52, 0.75

 

CMYK 19 / 0 / 29 / 26

HEX #7BA565BF

RGBA 123 165 101 0.75

HSLA 99.38, 0.26%, 0.52%, 0.75

LABA 63.39, -26.3, 28.69, 0.75

 

CMYK 21 / 0 / 33 / 32

HEX #6A9352BF

RGBA 106 147 82 0.75

HSLA 97.85, 0.28%, 0.45%, 0.75

LABA 56.63, -26.44, 29.93, 0.75

 

CMYK 23 / 0 / 38 / 37

HEX #59813FBF

RGBA 89 129 63 0.75

HSLA 96.36, 0.34%, 0.38%, 0.75

LABA 49.72, -26.53, 31.2, 0.75

 

CMYK 26 / 0 / 45 / 42

HEX #486F2CBF

RGBA 72 111 44 0.75

HSLA 94.93, 0.43%, 0.3%, 0.75

LABA 42.66, -26.53, 32.43, 0.75

 

CMYK 24 / 0 / 35 / 29

HEX #8BB677

RGB 139 182 119

HSL 100.95, 0.3%, 0.59%

LAB 69.67, -26.17, 27.55

 

CMYK 14 / 0 / 35 / 29

HEX #9CB677

RGB 156 182 119

HSL 84.76, 0.3%, 0.59%

LAB 70.77, -19.89, 29.21

 

CMYK 5 / 0 / 35 / 29

HEX #ADB677

RGB 173 182 119

HSL 68.57, 0.3%, 0.59%

LAB 72.01, -13.31, 31.07

 

CMYK 0 / 4 / 35 / 29

HEX #B6AE77

RGB 182 174 119

HSL 52.38, 0.3%, 0.59%

LAB 70.56, -5.54, 29.3

 

CMYK 0 / 14 / 35 / 29

HEX #B69D77

RGB 182 157 119

HSL 36.19, 0.3%, 0.59%

LAB 66.05, 3.61, 23.3

 

CMYK 24 / 0 / 35 / 29

HEX #8BB677

RGB 139 182 119

HSL 100.95, 0.3%, 0.59%

LAB 69.67, -26.17, 27.55

 

CMYK 33 / 0 / 35 / 29

HEX #7AB677

RGB 122 182 119

HSL 117.14, 0.3%, 0.59%

LAB 68.7, -32.05, 26.09

 

CMYK 35 / 0 / 27 / 29

HEX #77B685

RGB 119 182 133

HSL 133.33, 0.3%, 0.59%

LAB 68.8, -30.6, 18.69

 

CMYK 35 / 0 / 18 / 29

HEX #77B696

RGB 119 182 150

HSL 149.52, 0.3%, 0.59%

LAB 69.17, -27.28, 9.94

 

CMYK 35 / 0 / 8 / 29

HEX #77B6A7

RGB 119 182 167

HSL 165.71, 0.3%, 0.59%

LAB 69.59, -23.6, 1.22

 

CMYK 24 / 0 / 35 / 29

HEX #8BB677

RGB 139 182 119

HSL 100.95, 0.3%, 0.59%

LAB 69.67, -26.17, 27.55

 

CMYK 33 / 0 / 49 / 22

HEX #85C766

RGB 133 199 102

HSL 100.82, 0.46%, 0.59%

LAB 74.06, -38.56, 41.79

 

CMYK 41 / 0 / 61 / 15

HEX #7FD855

RGB 127 216 85

HSL 100.76, 0.63%, 0.59%

LAB 78.62, -49.66, 54.97

 

CMYK 48 / 0 / 71 / 9

HEX #78E944

RGB 120 233 68

HSL 101.09, 0.79%, 0.59%

LAB 83.28, -59.81, 66.58

 

CMYK 54 / 0 / 80 / 2

HEX #72F933

RGB 114 249 51

HSL 100.91, 0.94%, 0.59%

LAB 87.76, -68.19, 76.15

 

CMYK 24 / 0 / 35 / 29

HEX #8BB677

RGB 139 182 119

HSL 100.95, 0.3%, 0.59%

LAB 69.67, -26.17, 27.55

 

CMYK 12 / 0 / 18 / 35

HEX #91A588

RGB 145 165 136

HSL 101.38, 0.14%, 0.59%

LAB 65.52, -12.56, 12.72

 

CMYK 1 / 3 / 0 / 40

HEX #979499

RGB 151 148 153

HSL 276, 0.02%, 0.59%

LAB 61.71, 2.07, -2.25

 

CMYK 7 / 23 / 0 / 33

HEX #9E83AA

RGB 158 131 170

HSL 281.54, 0.19%, 0.59%

LAB 58.42, 17.66, -16.79

 

CMYK 12 / 39 / 0 / 27

HEX #A472BB

RGB 164 114 187

HSL 281.1, 0.35%, 0.59%

LAB 55.6, 32.94, -30.81

 

CMYK 5 / 0 / 35 / 29

HEX #ADB677

RGB 173 182 119

HSL 68.57, 0.3%, 0.59%

LAB 72.01, -13.31, 31.07

 

CMYK 14 / 0 / 35 / 29

HEX #9DB677

RGB 157 182 119

HSL 83.81, 0.3%, 0.59%

LAB 70.84, -19.51, 29.31

 

CMYK 23 / 0 / 35 / 29

HEX #8CB677

RGB 140 182 119

HSL 100, 0.3%, 0.59%

LAB 69.73, -25.81, 27.64

 

CMYK 32 / 0 / 35 / 29

HEX #7BB677

RGB 123 182 119

HSL 116.19, 0.3%, 0.59%

LAB 68.75, -31.72, 26.17

 

CMYK 35 / 0 / 27 / 29

HEX #77B684

RGB 119 182 132

HSL 132.38, 0.3%, 0.59%

LAB 68.78, -30.78, 19.2

 

CMYK 32 / 0 / 46 / 44

HEX #618E4C

RGB 97 142 76

HSL 100.91, 0.3%, 0.43%

LAB 54.46, -28.16, 30.28

 

CMYK 31 / 0 / 45 / 35

HEX #74A75C

RGB 116 167 92

HSL 100.8, 0.3%, 0.51%

LAB 63.44, -31.07, 33.41

 

CMYK 24 / 0 / 35 / 29

HEX #8BB677

RGB 139 182 119

HSL 100.95, 0.3%, 0.59%

LAB 69.67, -26.17, 27.55

 

CMYK 17 / 0 / 26 / 23

HEX #A2C492

RGB 162 196 146

HSL 100.8, 0.3%, 0.67%

LAB 75.6, -20.66, 21.45

 

CMYK 12 / 0 / 18 / 17

HEX #B9D3AD

RGB 185 211 173

HSL 101.05, 0.3%, 0.75%

LAB 81.79, -15.64, 15.95

 

CMYK 23 / 0 / 34 / 28

HEX #8CB778

RGB 140 183 120

HSL 100.95, 0.3%, 0.59%

LAB 70.03, -26.15, 27.52

 

CMYK 35 / 0 / 5 / 29

HEX #77B6AD

RGB 119 182 173

HSL 171.43, 0.3%, 0.59%

LAB 69.75, -22.22, -1.85

 

CMYK 0 / 35 / 9 / 29

HEX #B677A5

RGB 182 119 165

HSL 316.19, 0.3%, 0.59%

LAB 57.9, 31.75, -14.46

 

CMYK 23 / 0 / 34 / 28

HEX #8CB778

RGB 140 183 120

HSL 100.95, 0.3%, 0.59%

LAB 70.03, -26.15, 27.52

 

CMYK 35 / 23 / 0 / 29

HEX #778CB6

RGB 119 140 182

HSL 220, 0.3%, 0.59%

LAB 58.09, 2.83, -24.42

 

CMYK 0 / 35 / 23 / 29

HEX #B6778C

RGB 182 119 140

HSL 340, 0.3%, 0.59%

LAB 57.11, 27.65, -1.18

 

CMYK 23 / 0 / 34 / 28

HEX #8CB778

RGB 140 183 120

HSL 100.95, 0.3%, 0.59%

LAB 70.03, -26.15, 27.52

 

CMYK 35 / 0 / 5 / 29

HEX #77B6AD

RGB 119 182 173

HSL 171.43, 0.3%, 0.59%

LAB 69.75, -22.22, -1.85

 

CMYK 12 / 35 / 0 / 29

HEX #A177B6

RGB 161 119 182

HSL 280, 0.3%, 0.59%

LAB 56.24, 28.08, -26.98

 

CMYK 0 / 35 / 30 / 29

HEX #B6777F

RGB 182 119 127

HSL 352.38, 0.3%, 0.59%

LAB 56.75, 25.77, 5.85

 

CMYK 23 / 0 / 34 / 28

HEX #8CB778

RGB 140 183 120

HSL 100.95, 0.3%, 0.59%

LAB 70.03, -26.15, 27.52

 

CMYK 35 / 6 / 0 / 29

HEX #77ABB6

RGB 119 171 182

HSL 190.48, 0.3%, 0.59%

LAB 66.84, -14.34, -11.13

 

CMYK 12 / 35 / 0 / 29

HEX #A177B6

RGB 161 119 182

HSL 280, 0.3%, 0.59%

LAB 56.24, 28.08, -26.98

 

CMYK 0 / 29 / 35 / 29

HEX #B68277

RGB 182 130 119

HSL 10.48, 0.3%, 0.59%

LAB 59.2, 18.57, 13.92

 

Description

Color code: RGBA 140 183 120 0.75 | qconv.com Color code: RGBA 140 183 120 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 183 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 183 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 26 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 26% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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