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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 140 149 197 0.75 it is the complementary color RGBA 115 106 58 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 140 149 197 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 140 149 197 0.75 shade: RGBA 145 149 192 0.75, RGBA 162 167 211 0.75, RGBA 179 185 230 0.75, RGBA 196 203 249 0.75 and RGBA 213 221 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 140 149 197 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 140 149 197 0.75 shade: RGBA 140 149 197 0.75, RGBA 123 131 178 0.75, RGBA 106 113 159 0.75, RGBA 89 95 140 0.75 and RGBA 72 77 121 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 140 149 197 0.75 shade: RGB 140 149 197, RGB 146 140 197, RGB 162 140 197, RGB 177 140 197 and RGB 192 140 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 140 149 197 0.75 shade: RGB 140 149 197 and RGB 140 140 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 140 149 197 0.75 shade matches the following richer shades: RGB 140 149 197, RGB 126 139 211, RGB 112 130 225, RGB 98 120 239 and RGB 84 110 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 140 149 197 0.75 shade: RGB 140 149 197, RGB 154 158 183, RGB 168 168 169, RGB 182 178 155 and RGB 196 187 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 140 149 197 0.75 shade: RGB 140 180 197, RGB 140 164 197, RGB 140 149 197, RGB 145 140 197 and RGB 161 140 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 140 149 197 0.75 shade: RGB 85 98 169, RGB 112 123 183, RGB 140 149 197, RGB 167 174 211 and RGB 195 199 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 140 149 197 0.75 shade: RGB 140 149 197, RGB 197 140 195 and RGB 172 197 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 140 149 197 0.75 shade: RGB 140 149 197, RGB 197 140 149 and RGB 149 197 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 140 149 197 0.75 shade: RGB 140 149 197, RGB 197 140 195, RGB 197 187 140 and RGB 140 197 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 140 149 197 0.75 shade: RGB 140 149 197, RGB 197 140 178, RGB 197 187 140 and RGB 140 197 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 18 / 0 / 17

HEX #8C95C5BF

RGBA 140 149 197 0.75

HSLA 230.53, 0.33%, 0.66%, 0.75

LABA 62.59, 7.76, -25.83, 0.75

 

Complementary color

CMYK 0 / 6 / 37 / 41

HEX #736A3ABF

RGBA 115 106 58 0.75

HSLA 50.53, 0.33%, 0.34%, 0.75

LABA 44.6, -3.68, 28.08, 0.75

 

CMYK 18 / 17 / 0 / 19

HEX #9195C0BF

RGBA 145 149 192 0.75

HSLA 234.89, 0.27%, 0.66%, 0.75

LABA 62.78, 8.06, -22.71, 0.75

 

CMYK 17 / 16 / 0 / 13

HEX #A2A7D3BF

RGBA 162 167 211 0.75

HSLA 233.88, 0.36%, 0.73%, 0.75

LABA 69.49, 7.71, -22.91, 0.75

 

CMYK 17 / 15 / 0 / 7

HEX #B3B9E6BF

RGBA 179 185 230 0.75

HSLA 232.94, 0.5%, 0.8%, 0.75

LABA 76.07, 7.39, -23.13, 0.75

 

CMYK 16 / 14 / 0 / 2

HEX #C4CBF9BF

RGBA 196 203 249 0.75

HSLA 232.08, 0.82%, 0.87%, 0.75

LABA 82.53, 7.09, -23.37, 0.75

 

CMYK 12 / 10 / 0 / 0

HEX #D5DDFFBF

RGBA 213 221 255 0.75

HSLA 228.57, 1%, 0.92%, 0.75

LABA 88.49, 4.04, -17.42, 0.75

 

CMYK 22 / 18 / 0 / 17

HEX #8C95C5BF

RGBA 140 149 197 0.75

HSLA 230.53, 0.33%, 0.66%, 0.75

LABA 62.59, 7.76, -25.83, 0.75

 

CMYK 23 / 20 / 0 / 23

HEX #7B83B2BF

RGBA 123 131 178 0.75

HSLA 231.27, 0.26%, 0.59%, 0.75

LABA 55.74, 8.19, -25.72, 0.75

 

CMYK 25 / 22 / 0 / 28

HEX #6A719FBF

RGBA 106 113 159 0.75

HSLA 232.08, 0.22%, 0.52%, 0.75

LABA 48.73, 8.68, -25.66, 0.75

 

CMYK 27 / 24 / 0 / 34

HEX #595F8CBF

RGBA 89 95 140 0.75

HSLA 232.94, 0.22%, 0.45%, 0.75

LABA 41.53, 9.26, -25.65, 0.75

 

CMYK 30 / 27 / 0 / 39

HEX #484D79BF

RGBA 72 77 121 0.75

HSLA 233.88, 0.25%, 0.38%, 0.75

LABA 34.12, 9.97, -25.71, 0.75

 

CMYK 29 / 24 / 0 / 23

HEX #8C95C5

RGB 140 149 197

HSL 230.53, 0.33%, 0.66%

LAB 62.59, 7.76, -25.83

 

CMYK 26 / 29 / 0 / 23

HEX #928CC5

RGB 146 140 197

HSL 246.32, 0.33%, 0.66%

LAB 60.69, 14.75, -28.73

 

CMYK 18 / 29 / 0 / 23

HEX #A28CC5

RGB 162 140 197

HSL 263.16, 0.33%, 0.66%

LAB 62.06, 19.72, -26.51

 

CMYK 10 / 29 / 0 / 23

HEX #B18CC5

RGB 177 140 197

HSL 278.95, 0.33%, 0.66%

LAB 63.45, 24.53, -24.24

 

CMYK 3 / 29 / 0 / 23

HEX #C08CC5

RGB 192 140 197

HSL 294.74, 0.33%, 0.66%

LAB 64.96, 29.43, -21.81

 

CMYK 29 / 24 / 0 / 23

HEX #8C95C5

RGB 140 149 197

HSL 230.53, 0.33%, 0.66%

LAB 62.59, 7.76, -25.83

 

CMYK 29 / 29 / 0 / 23

HEX #8C8CC5

RGB 140 140 197

HSL 240, 0.33%, 0.66%

LAB 60.22, 12.94, -29.5

 

CMYK 29 / 24 / 0 / 23

HEX #8C95C5

RGB 140 149 197

HSL 230.53, 0.33%, 0.66%

LAB 62.59, 7.76, -25.83

 

CMYK 40 / 34 / 0 / 17

HEX #7E8BD3

RGB 126 139 211

HSL 230.82, 0.49%, 0.66%

LAB 59.53, 13.34, -38.52

 

CMYK 50 / 42 / 0 / 12

HEX #7082E1

RGB 112 130 225

HSL 230.44, 0.65%, 0.66%

LAB 56.93, 19.37, -50.54

 

CMYK 59 / 50 / 0 / 6

HEX #6278EF

RGB 98 120 239

HSL 230.64, 0.82%, 0.66%

LAB 54.3, 27, -62.59

 

CMYK 67 / 57 / 0 / 1

HEX #546EFD

RGB 84 110 253

HSL 230.77, 0.98%, 0.66%

LAB 51.98, 35.5, -74.16

 

CMYK 29 / 24 / 0 / 23

HEX #8C95C5

RGB 140 149 197

HSL 230.53, 0.33%, 0.66%

LAB 62.59, 7.76, -25.83

 

CMYK 16 / 14 / 0 / 28

HEX #9A9EB7

RGB 154 158 183

HSL 231.72, 0.17%, 0.66%

LAB 65.55, 3.79, -13.4

 

CMYK 1 / 1 / 0 / 34

HEX #A8A8A9

RGB 168 168 169

HSL 240, 0.01%, 0.66%

LAB 68.89, 0.19, -0.52

 

CMYK 0 / 2 / 15 / 29

HEX #B6B29B

RGB 182 178 155

HSL 51.11, 0.16%, 0.66%

LAB 72.33, -2.55, 12.27

 

CMYK 0 / 5 / 28 / 23

HEX #C4BB8D

RGB 196 187 141

HSL 50.18, 0.32%, 0.66%

LAB 75.58, -4.04, 24.49

 

CMYK 29 / 9 / 0 / 23

HEX #8CB4C5

RGB 140 180 197

HSL 197.89, 0.33%, 0.66%

LAB 71.04, -9.4, -12.99

 

CMYK 29 / 17 / 0 / 23

HEX #8CA4C5

RGB 140 164 197

HSL 214.74, 0.33%, 0.66%

LAB 66.64, -0.69, -19.64

 

CMYK 29 / 24 / 0 / 23

HEX #8C95C5

RGB 140 149 197

HSL 230.53, 0.33%, 0.66%

LAB 62.59, 7.76, -25.83

 

CMYK 26 / 29 / 0 / 23

HEX #918CC5

RGB 145 140 197

HSL 245.26, 0.33%, 0.66%

LAB 60.61, 14.45, -28.86

 

CMYK 18 / 29 / 0 / 23

HEX #A18CC5

RGB 161 140 197

HSL 262.11, 0.33%, 0.66%

LAB 61.97, 19.4, -26.65

 

CMYK 50 / 42 / 0 / 34

HEX #5562A9

RGB 85 98 169

HSL 230.71, 0.33%, 0.5%

LAB 43.55, 15.15, -39.77

 

CMYK 39 / 33 / 0 / 28

HEX #707BB7

RGB 112 123 183

HSL 230.7, 0.33%, 0.58%

LAB 52.98, 11.11, -32.94

 

CMYK 29 / 24 / 0 / 23

HEX #8C95C5

RGB 140 149 197

HSL 230.53, 0.33%, 0.66%

LAB 62.59, 7.76, -25.83

 

CMYK 21 / 18 / 0 / 17

HEX #A7AED3

RGB 167 174 211

HSL 230.45, 0.33%, 0.74%

LAB 71.68, 5.38, -19.53

 

CMYK 13 / 12 / 0 / 12

HEX #C3C7E1

RGB 195 199 225

HSL 232, 0.33%, 0.82%

LAB 80.67, 3.76, -13.36

 

CMYK 29 / 24 / 0 / 23

HEX #8C95C5

RGB 140 149 197

HSL 230.53, 0.33%, 0.66%

LAB 62.59, 7.76, -25.83

 

CMYK 0 / 29 / 1 / 23

HEX #C58CC3

RGB 197 140 195

HSL 302.11, 0.33%, 0.66%

LAB 65.41, 30.7, -19.95

 

CMYK 13 / 0 / 29 / 23

HEX #ACC58C

RGB 172 197 140

HSL 86.32, 0.33%, 0.66%

LAB 76.43, -18.45, 25.87

 

CMYK 29 / 24 / 0 / 23

HEX #8C95C5

RGB 140 149 197

HSL 230.53, 0.33%, 0.66%

LAB 62.59, 7.76, -25.83

 

CMYK 0 / 29 / 24 / 23

HEX #C58C95

RGB 197 140 149

HSL 350.53, 0.33%, 0.66%

LAB 64, 22.98, 3.89

 

CMYK 24 / 0 / 29 / 23

HEX #95C58C

RGB 149 197 140

HSL 110.53, 0.33%, 0.66%

LAB 74.96, -26.68, 23.63

 

CMYK 29 / 24 / 0 / 23

HEX #8C95C5

RGB 140 149 197

HSL 230.53, 0.33%, 0.66%

LAB 62.59, 7.76, -25.83

 

CMYK 0 / 29 / 1 / 23

HEX #C58CC3

RGB 197 140 195

HSL 302.11, 0.33%, 0.66%

LAB 65.41, 30.7, -19.95

 

CMYK 0 / 5 / 29 / 23

HEX #C5BB8C

RGB 197 187 140

HSL 49.47, 0.33%, 0.66%

LAB 75.64, -3.78, 25.13

 

CMYK 29 / 0 / 28 / 23

HEX #8CC58E

RGB 140 197 142

HSL 122.11, 0.33%, 0.66%

LAB 74.48, -29.38, 21.84

 

CMYK 29 / 24 / 0 / 23

HEX #8C95C5

RGB 140 149 197

HSL 230.53, 0.33%, 0.66%

LAB 62.59, 7.76, -25.83

 

CMYK 0 / 29 / 10 / 23

HEX #C58CB2

RGB 197 140 178

HSL 320, 0.33%, 0.66%

LAB 64.84, 27.63, -11.26

 

CMYK 0 / 5 / 29 / 23

HEX #C5BB8C

RGB 197 187 140

HSL 49.47, 0.33%, 0.66%

LAB 75.64, -3.78, 25.13

 

CMYK 29 / 0 / 19 / 23

HEX #8CC59F

RGB 140 197 159

HSL 140, 0.33%, 0.66%

LAB 74.83, -26.3, 13.23

 

Description

Color code: RGBA 140 149 197 0.75 | qconv.com Color code: RGBA 140 149 197 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 149 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 149 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 18 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 18% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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