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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 13 178 223 0.75 it is the complementary color RGBA 242 77 32 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 13 178 223 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 13 178 223 0.75 shade: RGBA 18 178 218 0.75, RGBA 35 196 237 0.75, RGBA 52 214 255 0.75, RGBA 69 232 255 0.75 and RGBA 86 250 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 13 178 223 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 13 178 223 0.75 shade: RGBA 13 178 223 0.75, RGBA 0 160 204 0.75, RGBA 0 142 185 0.75, RGBA 0 124 166 0.75 and RGBA 0 106 147 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 13 178 223 0.75 shade: RGB 13 177 222, RGB 13 121 222, RGB 13 64 222, RGB 18 13 222 and RGB 74 13 222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 13 178 223 0.75 shade: RGB 13 177 222, RGB 13 121 222, RGB 13 64 222 and RGB 13 13 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 13 178 223 0.75 shade matches the following richer shades: RGB 13 177 222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 13 178 223 0.75 shade: RGB 13 177 222, RGB 32 166 203, RGB 51 155 184, RGB 70 144 165 and RGB 89 134 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 13 178 223 0.75 shade: RGB 13 222 152, RGB 13 222 208, RGB 13 180 222, RGB 13 124 222 and RGB 13 69 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 13 178 223 0.75 shade: RGB 8 115 144, RGB 11 146 183, RGB 13 177 222, RGB 34 197 242 and RGB 73 208 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 13 178 223 0.75 shade: RGB 13 178 223, RGB 96 13 222 and RGB 222 180 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 13 178 223 0.75 shade: RGB 13 178 223, RGB 222 13 180 and RGB 180 222 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 13 178 223 0.75 shade: RGB 13 178 223, RGB 96 13 222, RGB 222 55 13 and RGB 138 222 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 13 178 223 0.75 shade: RGB 13 178 223, RGB 159 13 222, RGB 222 55 13 and RGB 76 222 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 15 / 0 / 9

HEX #0DB2DFBF

RGBA 13 178 223 0.75

HSLA 192.86, 0.89%, 0.46%, 0.75

LABA 67.47, -21.6, -33.08, 0.75

 

Complementary color

CMYK 0 / 51 / 65 / 4

HEX #F24D20BF

RGBA 242 77 32 0.75

HSLA 12.86, 0.89%, 0.54%, 0.75

LABA 56.38, 61.26, 58.46, 0.75

 

CMYK 69 / 14 / 0 / 11

HEX #12B2DABF

RGBA 18 178 218 0.75

HSLA 192, 0.85%, 0.46%, 0.75

LABA 67.3, -23.13, -30.59, 0.75

 

CMYK 64 / 13 / 0 / 5

HEX #23C4EDBF

RGBA 35 196 237 0.75

HSLA 192.18, 0.85%, 0.53%, 0.75

LABA 73.51, -25.02, -31.33, 0.75

 

CMYK 60 / 12 / 0 / 0

HEX #34D6FFBF

RGBA 52 214 255 0.75

HSLA 192.12, 1%, 0.6%, 0.75

LABA 79.64, -26.88, -31.52, 0.75

 

CMYK 55 / 7 / 0 / 0

HEX #45E8FFBF

RGBA 69 232 255 0.75

HSLA 187.42, 1%, 0.64%, 0.75

LABA 85.1, -33.87, -23.15, 0.75

 

CMYK 50 / 1 / 0 / 0

HEX #56FAFFBF

RGBA 86 250 255 0.75

HSLA 181.78, 1%, 0.67%, 0.75

LABA 90.58, -40.06, -14.84, 0.75

 

CMYK 71 / 15 / 0 / 9

HEX #0DB2DFBF

RGBA 13 178 223 0.75

HSLA 192.86, 0.89%, 0.46%, 0.75

LABA 67.47, -21.6, -33.08, 0.75

 

CMYK 75 / 16 / 0 / 15

HEX #00A0CCBF

RGBA 0 160 204 0.75

HSLA 192.94, 1%, 0.4%, 0.75

LABA 61.22, -19.17, -32.26, 0.75

 

CMYK 75 / 17 / 0 / 21

HEX #008EB9BF

RGBA 0 142 185 0.75

HSLA 193.95, 1%, 0.36%, 0.75

LABA 54.92, -16.27, -31.35, 0.75

 

CMYK 75 / 19 / 0 / 26

HEX #007CA6BF

RGBA 0 124 166 0.75

HSLA 195.18, 1%, 0.33%, 0.75

LABA 48.47, -13.27, -30.45, 0.75

 

CMYK 75 / 21 / 0 / 32

HEX #006A93BF

RGBA 0 106 147 0.75

HSLA 196.73, 1%, 0.29%, 0.75

LABA 41.87, -10.12, -29.57, 0.75

 

CMYK 94 / 20 / 0 / 13

HEX #0DB1DE

RGB 13 177 222

HSL 192.92, 0.89%, 0.46%

LAB 67.13, -21.43, -33.05

 

CMYK 94 / 45 / 0 / 13

HEX #0D79DE

RGB 13 121 222

HSL 209, 0.89%, 0.46%

LAB 50.73, 10.71, -58.97

 

CMYK 94 / 71 / 0 / 13

HEX #0D40DE

RGB 13 64 222

HSL 225.36, 0.89%, 0.46%

LAB 36.03, 47.01, -82.94

 

CMYK 92 / 94 / 0 / 13

HEX #120DDE

RGB 18 13 222

HSL 241.44, 0.89%, 0.46%

LAB 28.62, 69.06, -95.27

 

CMYK 67 / 94 / 0 / 13

HEX #4A0DDE

RGB 74 13 222

HSL 257.51, 0.89%, 0.46%

LAB 31.85, 70.72, -89.8

 

CMYK 94 / 20 / 0 / 13

HEX #0DB1DE

RGB 13 177 222

HSL 192.92, 0.89%, 0.46%

LAB 67.13, -21.43, -33.05

 

CMYK 94 / 45 / 0 / 13

HEX #0D79DE

RGB 13 121 222

HSL 209, 0.89%, 0.46%

LAB 50.73, 10.71, -58.97

 

CMYK 94 / 71 / 0 / 13

HEX #0D40DE

RGB 13 64 222

HSL 225.36, 0.89%, 0.46%

LAB 36.03, 47.01, -82.94

 

CMYK 94 / 94 / 0 / 13

HEX #0D0DDE

RGB 13 13 222

HSL 240, 0.89%, 0.46%

LAB 28.5, 69.01, -95.46

 

CMYK 94 / 20 / 0 / 13

HEX #0DB1DE

RGB 13 177 222

HSL 192.92, 0.89%, 0.46%

LAB 67.13, -21.43, -33.05

 

CMYK 94 / 20 / 0 / 13

HEX #0DB1DE

RGB 13 177 222

HSL 192.92, 0.89%, 0.46%

LAB 67.13, -21.43, -33.05

 

CMYK 84 / 18 / 0 / 20

HEX #20A6CB

RGB 32 166 203

HSL 192.98, 0.73%, 0.46%

LAB 63.25, -21.2, -28.53

 

CMYK 72 / 16 / 0 / 28

HEX #339BB8

RGB 51 155 184

HSL 193.08, 0.57%, 0.46%

LAB 59.53, -19.8, -23.59

 

CMYK 58 / 13 / 0 / 35

HEX #4690A5

RGB 70 144 165

HSL 193.26, 0.4%, 0.46%

LAB 56.05, -16.74, -18.06

 

CMYK 39 / 8 / 0 / 43

HEX #598692

RGB 89 134 146

HSL 192.63, 0.24%, 0.46%

LAB 53.22, -12.13, -11.31

 

CMYK 94 / 0 / 32 / 13

HEX #0DDE98

RGB 13 222 152

HSL 159.9, 0.89%, 0.46%

LAB 78.81, -60.98, 21.96

 

CMYK 94 / 0 / 6 / 13

HEX #0DDED0

RGB 13 222 208

HSL 175.98, 0.89%, 0.46%

LAB 80.11, -47, -5.8

 

CMYK 94 / 19 / 0 / 13

HEX #0DB4DE

RGB 13 180 222

HSL 192.06, 0.89%, 0.46%

LAB 68.02, -22.98, -31.67

 

CMYK 94 / 44 / 0 / 13

HEX #0D7CDE

RGB 13 124 222

HSL 208.13, 0.89%, 0.46%

LAB 51.58, 8.84, -57.59

 

CMYK 94 / 69 / 0 / 13

HEX #0D45DE

RGB 13 69 222

HSL 223.92, 0.89%, 0.46%

LAB 37.14, 43.98, -81.11

 

CMYK 94 / 20 / 0 / 44

HEX #087390

RGB 8 115 144

HSL 192.79, 0.89%, 0.3%

LAB 44.7, -16.03, -23.37

 

CMYK 94 / 20 / 0 / 28

HEX #0B92B7

RGB 11 146 183

HSL 192.91, 0.89%, 0.38%

LAB 56.14, -18.76, -28.31

 

CMYK 94 / 20 / 0 / 13

HEX #0DB1DE

RGB 13 177 222

HSL 192.92, 0.89%, 0.46%

LAB 67.13, -21.43, -33.05

 

CMYK 86 / 19 / 0 / 5

HEX #22C5F2

RGB 34 197 242

HSL 192.98, 0.89%, 0.54%

LAB 73.99, -23.94, -33.3

 

CMYK 70 / 15 / 0 / 4

HEX #49D0F4

RGB 73 208 244

HSL 192.63, 0.89%, 0.62%

LAB 77.91, -25.06, -28.28

 

CMYK 94 / 20 / 0 / 13

HEX #0DB2DF

RGB 13 178 223

HSL 192.86, 0.89%, 0.46%

LAB 67.47, -21.6, -33.08

 

CMYK 57 / 94 / 0 / 13

HEX #600DDE

RGB 96 13 222

HSL 263.83, 0.89%, 0.46%

LAB 34.08, 72.06, -86.02

 

CMYK 0 / 19 / 94 / 13

HEX #DEB40D

RGB 222 180 13

HSL 47.94, 0.89%, 0.46%

LAB 74.95, 2, 75.81

 

CMYK 94 / 20 / 0 / 13

HEX #0DB2DF

RGB 13 178 223

HSL 192.86, 0.89%, 0.46%

LAB 67.47, -21.6, -33.08

 

CMYK 0 / 94 / 19 / 13

HEX #DE0DB4

RGB 222 13 180

HSL 312.06, 0.89%, 0.46%

LAB 50.82, 81.96, -33.59

 

CMYK 19 / 0 / 94 / 13

HEX #B4DE0D

RGB 180 222 13

HSL 72.06, 0.89%, 0.46%

LAB 82.9, -36.55, 80.37

 

CMYK 94 / 20 / 0 / 13

HEX #0DB2DF

RGB 13 178 223

HSL 192.86, 0.89%, 0.46%

LAB 67.47, -21.6, -33.08

 

CMYK 57 / 94 / 0 / 13

HEX #600DDE

RGB 96 13 222

HSL 263.83, 0.89%, 0.46%

LAB 34.08, 72.06, -86.02

 

CMYK 0 / 75 / 94 / 13

HEX #DE370D

RGB 222 55 13

HSL 12.06, 0.89%, 0.46%

LAB 49.85, 62.42, 58.67

 

CMYK 38 / 0 / 94 / 13

HEX #8ADE0D

RGB 138 222 13

HSL 84.11, 0.89%, 0.46%

LAB 80.56, -52.19, 77.52

 

CMYK 94 / 20 / 0 / 13

HEX #0DB2DF

RGB 13 178 223

HSL 192.86, 0.89%, 0.46%

LAB 67.47, -21.6, -33.08

 

CMYK 28 / 94 / 0 / 13

HEX #9F0DDE

RGB 159 13 222

HSL 281.91, 0.89%, 0.46%

LAB 42.66, 78.36, -71.59

 

CMYK 0 / 75 / 94 / 13

HEX #DE370D

RGB 222 55 13

HSL 12.06, 0.89%, 0.46%

LAB 49.85, 62.42, 58.67

 

CMYK 66 / 0 / 94 / 13

HEX #4CDE0D

RGB 76 222 13

HSL 101.91, 0.89%, 0.46%

LAB 78.35, -69.4, 74.82

 

Description

Color code: RGBA 13 178 223 0.75 | qconv.com Color code: RGBA 13 178 223 0.75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 178 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 178 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 15 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 15% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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