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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 13 178 187 0.75 it is the complementary color RGBA 242 77 68 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 13 178 187 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 13 178 187 0.75 shade: RGBA 18 178 182 0.75, RGBA 35 196 201 0.75, RGBA 52 214 220 0.75, RGBA 69 232 239 0.75 and RGBA 86 250 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 13 178 187 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 13 178 187 0.75 shade: RGBA 13 178 187 0.75, RGBA 0 160 168 0.75, RGBA 0 142 149 0.75, RGBA 0 124 130 0.75 and RGBA 0 106 111 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 13 178 187 0.75 shade: RGB 13 177 186, RGB 13 130 186, RGB 13 84 186, RGB 13 37 186 and RGB 35 13 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 13 178 187 0.75 shade: RGB 13 177 186, RGB 13 130 186, RGB 13 84 186, RGB 13 37 186 and RGB 13 13 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 13 178 187 0.75 shade matches the following richer shades: RGB 13 177 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 13 178 187 0.75 shade: RGB 13 177 186, RGB 29 163 170, RGB 45 148 154, RGB 61 134 138 and RGB 77 119 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 13 178 187 0.75 shade: RGB 13 186 102, RGB 13 186 148, RGB 13 177 186, RGB 13 131 186 and RGB 13 85 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 13 178 187 0.75 shade: RGB 8 104 109, RGB 10 140 147, RGB 13 177 186, RGB 16 214 225 and RGB 41 230 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 13 178 187 0.75 shade: RGB 13 178 187, RGB 56 13 186 and RGB 186 125 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 13 178 187 0.75 shade: RGB 13 178 187, RGB 186 13 177 and RGB 177 186 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 13 178 187 0.75 shade: RGB 13 178 187, RGB 56 13 186, RGB 186 22 13 and RGB 143 186 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 13 178 187 0.75 shade: RGB 13 178 187, RGB 108 13 186, RGB 186 22 13 and RGB 91 186 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 4 / 0 / 20

HEX #0DB2BBBF

RGBA 13 178 187 0.75

HSLA 183.1, 0.87%, 0.39%, 0.75

LABA 66.15, -33.48, -15.25, 0.75

 

Complementary color

CMYK 0 / 51 / 54 / 4

HEX #F24D44BF

RGBA 242 77 68 0.75

HSLA 3.1, 0.87%, 0.61%, 0.75

LABA 56.69, 62.37, 41.23, 0.75

 

CMYK 68 / 2 / 0 / 21

HEX #12B2B6BF

RGBA 18 178 182 0.75

HSLA 181.46, 0.82%, 0.39%, 0.75

LABA 66.02, -34.83, -12.67, 0.75

 

CMYK 62 / 2 / 0 / 16

HEX #23C4C9BF

RGBA 35 196 201 0.75

HSLA 181.81, 0.7%, 0.46%, 0.75

LABA 72.26, -36.37, -13.7, 0.75

 

CMYK 57 / 2 / 0 / 10

HEX #34D6DCBF

RGBA 52 214 220 0.75

HSLA 182.14, 0.71%, 0.53%, 0.75

LABA 78.46, -37.57, -14.64, 0.75

 

CMYK 53 / 2 / 0 / 5

HEX #45E8EFBF

RGBA 69 232 239 0.75

HSLA 182.47, 0.84%, 0.6%, 0.75

LABA 84.59, -38.51, -15.49, 0.75

 

CMYK 50 / 1 / 0 / 0

HEX #56FAFFBF

RGBA 86 250 255 0.75

HSLA 181.78, 1%, 0.67%, 0.75

LABA 90.58, -40.06, -14.84, 0.75

 

CMYK 70 / 4 / 0 / 20

HEX #0DB2BBBF

RGBA 13 178 187 0.75

HSLA 183.1, 0.87%, 0.39%, 0.75

LABA 66.15, -33.48, -15.25, 0.75

 

CMYK 75 / 4 / 0 / 26

HEX #00A0A8BF

RGBA 0 160 168 0.75

HSLA 182.86, 1%, 0.33%, 0.75

LABA 59.86, -31.39, -14.11, 0.75

 

CMYK 75 / 4 / 0 / 31

HEX #008E95BF

RGBA 0 142 149 0.75

HSLA 182.82, 1%, 0.29%, 0.75

LABA 53.51, -28.82, -12.84, 0.75

 

CMYK 75 / 3 / 0 / 37

HEX #007C82BF

RGBA 0 124 130 0.75

HSLA 182.77, 1%, 0.25%, 0.75

LABA 47.01, -26.2, -11.53, 0.75

 

CMYK 75 / 3 / 0 / 42

HEX #006A6FBF

RGBA 0 106 111 0.75

HSLA 182.7, 1%, 0.22%, 0.75

LABA 40.34, -23.5, -10.19, 0.75

 

CMYK 93 / 5 / 0 / 27

HEX #0DB1BA

RGB 13 177 186

HSL 183.12, 0.87%, 0.39%

LAB 65.81, -33.32, -15.2

 

CMYK 93 / 30 / 0 / 27

HEX #0D82BA

RGB 13 130 186

HSL 199.42, 0.87%, 0.39%

LAB 51.38, -8.64, -37.45

 

CMYK 93 / 55 / 0 / 27

HEX #0D54BA

RGB 13 84 186

HSL 215.38, 0.87%, 0.39%

LAB 37.79, 20.36, -59.19

 

CMYK 93 / 80 / 0 / 27

HEX #0D25BA

RGB 13 37 186

HSL 231.68, 0.87%, 0.39%

LAB 26.6, 49.95, -77.59

 

CMYK 81 / 93 / 0 / 27

HEX #230DBA

RGB 35 13 186

HSL 247.63, 0.87%, 0.39%

LAB 24.29, 59.99, -81.42

 

CMYK 93 / 5 / 0 / 27

HEX #0DB1BA

RGB 13 177 186

HSL 183.12, 0.87%, 0.39%

LAB 65.81, -33.32, -15.2

 

CMYK 93 / 30 / 0 / 27

HEX #0D82BA

RGB 13 130 186

HSL 199.42, 0.87%, 0.39%

LAB 51.38, -8.64, -37.45

 

CMYK 93 / 55 / 0 / 27

HEX #0D54BA

RGB 13 84 186

HSL 215.38, 0.87%, 0.39%

LAB 37.79, 20.36, -59.19

 

CMYK 93 / 80 / 0 / 27

HEX #0D25BA

RGB 13 37 186

HSL 231.68, 0.87%, 0.39%

LAB 26.6, 49.95, -77.59

 

CMYK 93 / 93 / 0 / 27

HEX #0D0DBA

RGB 13 13 186

HSL 240, 0.87%, 0.39%

LAB 23.4, 59.52, -82.93

 

CMYK 93 / 5 / 0 / 27

HEX #0DB1BA

RGB 13 177 186

HSL 183.12, 0.87%, 0.39%

LAB 65.81, -33.32, -15.2

 

CMYK 93 / 5 / 0 / 27

HEX #0DB1BA

RGB 13 177 186

HSL 183.12, 0.87%, 0.39%

LAB 65.81, -33.32, -15.2

 

CMYK 83 / 4 / 0 / 33

HEX #1DA3AA

RGB 29 163 170

HSL 182.98, 0.71%, 0.39%

LAB 61.1, -30.71, -13.35

 

CMYK 71 / 4 / 0 / 40

HEX #2D949A

RGB 45 148 154

HSL 183.3, 0.55%, 0.39%

LAB 56.16, -26.55, -11.67

 

CMYK 56 / 3 / 0 / 46

HEX #3D868A

RGB 61 134 138

HSL 183.12, 0.39%, 0.39%

LAB 51.7, -21.38, -9.07

 

CMYK 37 / 2 / 0 / 52

HEX #4D777A

RGB 77 119 122

HSL 184, 0.23%, 0.39%

LAB 47.21, -13.7, -6.29

 

CMYK 93 / 0 / 45 / 27

HEX #0DBA66

RGB 13 186 102

HSL 150.87, 0.87%, 0.39%

LAB 66.64, -58.22, 31.74

 

CMYK 93 / 0 / 20 / 27

HEX #0DBA94

RGB 13 186 148

HSL 166.82, 0.87%, 0.39%

LAB 67.53, -48.16, 8.32

 

CMYK 93 / 5 / 0 / 27

HEX #0DB1BA

RGB 13 177 186

HSL 183.12, 0.87%, 0.39%

LAB 65.81, -33.32, -15.2

 

CMYK 93 / 30 / 0 / 27

HEX #0D83BA

RGB 13 131 186

HSL 199.08, 0.87%, 0.39%

LAB 51.68, -9.22, -36.97

 

CMYK 93 / 54 / 0 / 27

HEX #0D55BA

RGB 13 85 186

HSL 215.03, 0.87%, 0.39%

LAB 38.07, 19.69, -58.74

 

CMYK 93 / 5 / 0 / 57

HEX #08686D

RGB 8 104 109

HSL 182.97, 0.86%, 0.23%

LAB 39.68, -22.6, -9.97

 

CMYK 93 / 5 / 0 / 42

HEX #0A8C93

RGB 10 140 147

HSL 183.07, 0.87%, 0.31%

LAB 52.87, -28.04, -12.64

 

CMYK 93 / 5 / 0 / 27

HEX #0DB1BA

RGB 13 177 186

HSL 183.12, 0.87%, 0.39%

LAB 65.81, -33.32, -15.2

 

CMYK 93 / 5 / 0 / 12

HEX #10D6E1

RGB 16 214 225

HSL 183.16, 0.87%, 0.47%

LAB 78.25, -38.39, -17.66

 

CMYK 83 / 4 / 0 / 6

HEX #29E6F0

RGB 41 230 240

HSL 183.02, 0.87%, 0.55%

LAB 83.63, -39.91, -17.51

 

CMYK 93 / 5 / 0 / 27

HEX #0DB2BB

RGB 13 178 187

HSL 183.1, 0.87%, 0.39%

LAB 66.15, -33.48, -15.25

 

CMYK 70 / 93 / 0 / 27

HEX #380DBA

RGB 56 13 186

HSL 254.91, 0.87%, 0.39%

LAB 25.78, 60.85, -78.89

 

CMYK 0 / 33 / 93 / 27

HEX #BA7D0D

RGB 186 125 13

HSL 38.84, 0.87%, 0.39%

LAB 57.21, 15.78, 61.01

 

CMYK 93 / 5 / 0 / 27

HEX #0DB2BB

RGB 13 178 187

HSL 183.1, 0.87%, 0.39%

LAB 66.15, -33.48, -15.25

 

CMYK 0 / 93 / 5 / 27

HEX #BA0DB1

RGB 186 13 177

HSL 303.12, 0.87%, 0.39%

LAB 44.09, 74.98, -42.88

 

CMYK 5 / 0 / 93 / 27

HEX #B1BA0D

RGB 177 186 13

HSL 63.12, 0.87%, 0.39%

LAB 72.56, -20.75, 72.25

 

CMYK 93 / 5 / 0 / 27

HEX #0DB2BB

RGB 13 178 187

HSL 183.1, 0.87%, 0.39%

LAB 66.15, -33.48, -15.25

 

CMYK 70 / 93 / 0 / 27

HEX #380DBA

RGB 56 13 186

HSL 254.91, 0.87%, 0.39%

LAB 25.78, 60.85, -78.89

 

CMYK 0 / 88 / 93 / 27

HEX #BA160D

RGB 186 22 13

HSL 3.12, 0.87%, 0.39%

LAB 39.65, 60.51, 48.81

 

CMYK 23 / 0 / 93 / 27

HEX #8FBA0D

RGB 143 186 13

HSL 74.91, 0.87%, 0.39%

LAB 70.17, -34.96, 69.35

 

CMYK 93 / 5 / 0 / 27

HEX #0DB2BB

RGB 13 178 187

HSL 183.1, 0.87%, 0.39%

LAB 66.15, -33.48, -15.25

 

CMYK 42 / 93 / 0 / 27

HEX #6C0DBA

RGB 108 13 186

HSL 272.95, 0.87%, 0.39%

LAB 31.86, 65.07, -68.65

 

CMYK 0 / 88 / 93 / 27

HEX #BA160D

RGB 186 22 13

HSL 3.12, 0.87%, 0.39%

LAB 39.65, 60.51, 48.81

 

CMYK 51 / 0 / 93 / 27

HEX #5BBA0D

RGB 91 186 13

HSL 92.95, 0.87%, 0.39%

LAB 67.55, -53.41, 66.15

 

Description

Color code: RGBA 13 178 187 0.75 | qconv.com Color code: RGBA 13 178 187 0.75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 178 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 178 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 4 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 4% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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