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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 137 5 37 0.75 it is the complementary color RGBA 118 250 218 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 137 5 37 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 137 5 37 0.75 shade: RGBA 142 5 32 0.75, RGBA 159 23 51 0.75, RGBA 176 41 70 0.75, RGBA 193 59 89 0.75 and RGBA 210 77 108 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 137 5 37 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 137 5 37 0.75 shade: RGBA 137 5 37 0.75, RGBA 120 0 18 0.75, RGBA 103 0 0 0.75, RGBA 86 0 0 0.75 and RGBA 69 0 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 137 5 37 0.75 shade: RGB 138 5 37 and RGB 138 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 137 5 37 0.75 shade: RGB 138 5 37, RGB 138 5 73, RGB 138 5 109, RGB 131 5 138 and RGB 95 5 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 137 5 37 0.75 shade matches the following richer shades: RGB 138 5 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 137 5 37 0.75 shade: RGB 138 5 37, RGB 126 17 43, RGB 115 28 49, RGB 103 40 55 and RGB 92 51 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 137 5 37 0.75 shade: RGB 138 5 109, RGB 138 5 74, RGB 138 5 38, RGB 138 7 5 and RGB 138 43 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 137 5 37 0.75 shade: RGB 58 2 16, RGB 98 4 26, RGB 138 5 37, RGB 178 6 48 and RGB 217 8 59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 137 5 37 0.75 shade: RGB 137 5 37, RGB 138 131 5 and RGB 5 91 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 137 5 37 0.75 shade: RGB 137 5 37, RGB 38 138 5 and RGB 5 38 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 137 5 37 0.75 shade: RGB 137 5 37, RGB 138 131 5, RGB 5 138 105 and RGB 5 12 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 137 5 37 0.75 shade: RGB 137 5 37, RGB 105 138 5, RGB 5 138 105 and RGB 38 5 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 55 / 35

HEX #890525BF

RGBA 137 5 37 0.75

HSLA 345.45, 0.93%, 0.28%, 0.75

LABA 28.28, 50.62, 21.38, 0.75

 

Complementary color

CMYK 40 / 0 / 10 / 1

HEX #76FADABF

RGBA 118 250 218 0.75

HSLA 165.45, 0.93%, 0.72%, 0.75

LABA 90.45, -43.94, 4.29, 0.75

 

CMYK 0 / 72 / 58 / 33

HEX #8E0520BF

RGBA 142 5 32 0.75

HSLA 348.18, 0.93%, 0.29%, 0.75

LABA 29.32, 51.74, 26.14, 0.75

 

CMYK 0 / 64 / 51 / 28

HEX #9F1733BF

RGBA 159 23 51 0.75

HSLA 347.65, 0.75%, 0.36%, 0.75

LABA 34.44, 53.98, 20.94, 0.75

 

CMYK 0 / 58 / 45 / 23

HEX #B02946BF

RGBA 176 41 70 0.75

HSLA 347.11, 0.62%, 0.43%, 0.75

LABA 40.01, 54.98, 16.74, 0.75

 

CMYK 0 / 52 / 40 / 18

HEX #C13B59BF

RGBA 193 59 89 0.75

HSLA 346.57, 0.53%, 0.49%, 0.75

LABA 45.89, 55.13, 13.43, 0.75

 

CMYK 0 / 48 / 36 / 13

HEX #D24D6CBF

RGBA 210 77 108 0.75

HSLA 346.02, 0.6%, 0.56%, 0.75

LABA 51.94, 54.76, 10.77, 0.75

 

CMYK 0 / 72 / 55 / 35

HEX #890525BF

RGBA 137 5 37 0.75

HSLA 345.45, 0.93%, 0.28%, 0.75

LABA 28.28, 50.62, 21.38, 0.75

 

CMYK 0 / 75 / 64 / 40

HEX #780012BF

RGBA 120 0 18 0.75

HSLA 351, 1%, 0.24%, 0.75

LABA 23.79, 46.27, 27.61, 0.75

 

CMYK 0 / 75 / 75 / 45

HEX #670000BF

RGBA 103 0 0 0.75

HSLA 0, 1%, 0.2%, 0.75

LABA 19.57, 41.16, 30, 0.75

 

CMYK 0 / 75 / 75 / 50

HEX #560000BF

RGBA 86 0 0 0.75

HSLA 0, 1%, 0.17%, 0.75

LABA 15.37, 36.3, 23.94, 0.75

 

CMYK 0 / 75 / 75 / 55

HEX #450000BF

RGBA 69 0 0 0.75

HSLA 0, 1%, 0.14%, 0.75

LABA 11.03, 31.28, 17.37, 0.75

 

CMYK 0 / 96 / 73 / 46

HEX #8A0525

RGB 138 5 37

HSL 345.56, 0.93%, 0.28%

LAB 28.5, 50.89, 21.7

 

CMYK 0 / 96 / 96 / 46

HEX #8A0505

RGB 138 5 5

HSL 0, 0.93%, 0.28%

LAB 28.18, 49.98, 39.24

 

CMYK 0 / 96 / 73 / 46

HEX #8A0525

RGB 138 5 37

HSL 345.56, 0.93%, 0.28%

LAB 28.5, 50.89, 21.7

 

CMYK 0 / 96 / 47 / 46

HEX #8A0549

RGB 138 5 73

HSL 329.32, 0.93%, 0.28%

LAB 29.39, 53.33, -1.24

 

CMYK 0 / 96 / 21 / 46

HEX #8A056D

RGB 138 5 109

HSL 313.08, 0.93%, 0.28%

LAB 30.92, 57.33, -22.51

 

CMYK 5 / 96 / 0 / 46

HEX #83058A

RGB 131 5 138

HSL 296.84, 0.93%, 0.28%

LAB 31.27, 60.3, -40.33

 

CMYK 31 / 96 / 0 / 46

HEX #5F058A

RGB 95 5 138

HSL 280.6, 0.93%, 0.28%

LAB 24.88, 54.7, -50.99

 

CMYK 0 / 96 / 73 / 46

HEX #8A0525

RGB 138 5 37

HSL 345.56, 0.93%, 0.28%

LAB 28.5, 50.89, 21.7

 

CMYK 0 / 96 / 73 / 46

HEX #8A0525

RGB 138 5 37

HSL 345.56, 0.93%, 0.28%

LAB 28.5, 50.89, 21.7

 

CMYK 0 / 87 / 66 / 51

HEX #7E112B

RGB 126 17 43

HSL 345.69, 0.76%, 0.28%

LAB 26.77, 45.57, 14.94

 

CMYK 0 / 76 / 57 / 55

HEX #731C31

RGB 115 28 49

HSL 345.52, 0.61%, 0.28%

LAB 25.85, 39.08, 9.25

 

CMYK 0 / 61 / 47 / 60

HEX #672837

RGB 103 40 55

HSL 345.71, 0.44%, 0.28%

LAB 25.79, 29.85, 4.77

 

CMYK 0 / 45 / 34 / 64

HEX #5C333D

RGB 92 51 61

HSL 345.37, 0.29%, 0.28%

LAB 26.68, 19.88, 1.79

 

CMYK 0 / 96 / 21 / 46

HEX #8A056D

RGB 138 5 109

HSL 313.08, 0.93%, 0.28%

LAB 30.92, 57.33, -22.51

 

CMYK 0 / 96 / 46 / 46

HEX #8A054A

RGB 138 5 74

HSL 328.87, 0.93%, 0.28%

LAB 29.43, 53.42, -1.86

 

CMYK 0 / 96 / 72 / 46

HEX #8A0526

RGB 138 5 38

HSL 345.11, 0.93%, 0.28%

LAB 28.52, 50.93, 21.06

 

CMYK 0 / 95 / 96 / 46

HEX #8A0705

RGB 138 7 5

HSL 0.9, 0.93%, 0.28%

LAB 28.29, 49.65, 39.34

 

CMYK 0 / 69 / 96 / 46

HEX #8A2B05

RGB 138 43 5

HSL 17.14, 0.93%, 0.28%

LAB 32.13, 38.93, 42.19

 

CMYK 0 / 97 / 72 / 77

HEX #3A0210

RGB 58 2 16

HSL 345, 0.93%, 0.12%

LAB 8.83, 27.73, 6.9

 

CMYK 0 / 96 / 73 / 62

HEX #62041A

RGB 98 4 26

HSL 345.96, 0.92%, 0.2%

LAB 19.05, 39.55, 15.53

 

CMYK 0 / 96 / 73 / 46

HEX #8A0525

RGB 138 5 37

HSL 345.56, 0.93%, 0.28%

LAB 28.5, 50.89, 21.7

 

CMYK 0 / 97 / 73 / 30

HEX #B20630

RGB 178 6 48

HSL 345.35, 0.93%, 0.36%

LAB 37.5, 61.55, 27.51

 

CMYK 0 / 96 / 73 / 15

HEX #D9083B

RGB 217 8 59

HSL 345.36, 0.93%, 0.44%

LAB 45.96, 71.42, 32.79

 

CMYK 0 / 96 / 73 / 46

HEX #890525

RGB 137 5 37

HSL 345.45, 0.93%, 0.28%

LAB 28.28, 50.62, 21.38

 

CMYK 0 / 5 / 96 / 46

HEX #8A8305

RGB 138 131 5

HSL 56.84, 0.93%, 0.28%

LAB 53.65, -9.8, 57.48

 

CMYK 96 / 34 / 0 / 46

HEX #055B8A

RGB 5 91 138

HSL 201.2, 0.93%, 0.28%

LAB 36.65, -4.3, -32.36

 

CMYK 0 / 96 / 73 / 46

HEX #890525

RGB 137 5 37

HSL 345.45, 0.93%, 0.28%

LAB 28.28, 50.62, 21.38

 

CMYK 72 / 0 / 96 / 46

HEX #268A05

RGB 38 138 5

HSL 105.11, 0.93%, 0.28%

LAB 50.22, -50.04, 52.37

 

CMYK 96 / 72 / 0 / 46

HEX #05268A

RGB 5 38 138

HSL 225.11, 0.93%, 0.28%

LAB 21.03, 31.92, -57.62

 

CMYK 0 / 96 / 73 / 46

HEX #890525

RGB 137 5 37

HSL 345.45, 0.93%, 0.28%

LAB 28.28, 50.62, 21.38

 

CMYK 0 / 5 / 96 / 46

HEX #8A8305

RGB 138 131 5

HSL 56.84, 0.93%, 0.28%

LAB 53.65, -9.8, 57.48

 

CMYK 96 / 0 / 24 / 46

HEX #058A69

RGB 5 138 105

HSL 165.11, 0.93%, 0.28%

LAB 50.95, -39.86, 8.9

 

CMYK 96 / 91 / 0 / 46

HEX #050C8A

RGB 5 12 138

HSL 236.84, 0.93%, 0.28%

LAB 16.16, 45.97, -65.71

 

CMYK 0 / 96 / 73 / 46

HEX #890525

RGB 137 5 37

HSL 345.45, 0.93%, 0.28%

LAB 28.28, 50.62, 21.38

 

CMYK 24 / 0 / 96 / 46

HEX #698A05

RGB 105 138 5

HSL 74.89, 0.93%, 0.28%

LAB 53.16, -28.25, 55.97

 

CMYK 96 / 0 / 24 / 46

HEX #058A69

RGB 5 138 105

HSL 165.11, 0.93%, 0.28%

LAB 50.95, -39.86, 8.9

 

CMYK 72 / 96 / 0 / 46

HEX #26058A

RGB 38 5 138

HSL 254.89, 0.93%, 0.28%

LAB 17.25, 49.37, -63.84

 

Description

Color code: RGBA 137 5 37 0.75 | qconv.com Color code: RGBA 137 5 37 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 5 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 5 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 55 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 55% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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