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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 137 23 9 0.75 it is the complementary color RGBA 118 232 246 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 137 23 9 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 137 23 9 0.75 shade: RGBA 142 23 4 0.75, RGBA 159 41 23 0.75, RGBA 176 59 42 0.75, RGBA 193 77 61 0.75 and RGBA 210 95 80 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 137 23 9 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 137 23 9 0.75 shade: RGBA 137 23 9 0.75, RGBA 120 5 0 0.75, RGBA 103 0 0 0.75, RGBA 86 0 0 0.75 and RGBA 69 0 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 137 23 9 0.75 shade: RGB 139 23 9 and RGB 139 9 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 137 23 9 0.75 shade: RGB 139 23 9, RGB 139 58 9, RGB 139 93 9, RGB 139 128 9 and RGB 115 139 9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 137 23 9 0.75 shade matches the following richer shades: RGB 139 23 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 137 23 9 0.75 shade: RGB 139 23 9, RGB 127 32 21, RGB 115 42 33, RGB 103 51 45 and RGB 91 60 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 137 23 9 0.75 shade: RGB 139 9 65, RGB 139 9 31, RGB 139 22 9, RGB 139 57 9 and RGB 139 91 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 137 23 9 0.75 shade: RGB 61 10 4, RGB 100 17 6, RGB 139 23 9, RGB 178 30 11 and RGB 217 36 14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 137 23 9 0.75 shade: RGB 137 23 9, RGB 100 139 9 and RGB 9 48 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 137 23 9 0.75 shade: RGB 137 23 9, RGB 9 139 22 and RGB 22 9 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 137 23 9 0.75 shade: RGB 137 23 9, RGB 100 139 9, RGB 9 126 139 and RGB 48 9 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 137 23 9 0.75 shade: RGB 137 23 9, RGB 61 139 9, RGB 9 126 139 and RGB 87 9 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 70 / 35

HEX #891709BF

RGBA 137 23 9 0.75

HSLA 6.56, 0.88%, 0.29%, 0.75

LABA 29.29, 46.01, 38.42, 0.75

 

Complementary color

CMYK 39 / 4 / 0 / 3

HEX #76E8F6BF

RGBA 118 232 246 0.75

HSLA 186.56, 0.88%, 0.71%, 0.75

LABA 86.12, -28.71, -16.75, 0.75

 

CMYK 0 / 63 / 73 / 33

HEX #8E1704BF

RGBA 142 23 4 0.75

HSLA 8.26, 0.95%, 0.29%, 0.75

LABA 30.33, 47.47, 41.72, 0.75

 

CMYK 0 / 56 / 64 / 28

HEX #9F2917BF

RGBA 159 41 23 0.75

HSLA 7.94, 0.75%, 0.36%, 0.75

LABA 36.02, 47.44, 39.24, 0.75

 

CMYK 0 / 50 / 57 / 23

HEX #B03B2ABF

RGBA 176 59 42 0.75

HSLA 7.61, 0.61%, 0.43%, 0.75

LABA 42.04, 46.66, 36.11, 0.75

 

CMYK 0 / 45 / 51 / 18

HEX #C14D3DBF

RGBA 193 77 61 0.75

HSLA 7.27, 0.52%, 0.5%, 0.75

LABA 48.24, 45.55, 33.2, 0.75

 

CMYK 0 / 41 / 46 / 13

HEX #D25F50BF

RGBA 210 95 80 0.75

HSLA 6.92, 0.59%, 0.57%, 0.75

LABA 54.52, 44.31, 30.65, 0.75

 

CMYK 0 / 62 / 70 / 35

HEX #891709BF

RGBA 137 23 9 0.75

HSLA 6.56, 0.88%, 0.29%, 0.75

LABA 29.29, 46.01, 38.42, 0.75

 

CMYK 0 / 72 / 75 / 40

HEX #780500BF

RGBA 120 5 0 0.75

HSLA 2.5, 1%, 0.24%, 0.75

LABA 24, 44.85, 35.94, 0.75

 

CMYK 0 / 75 / 75 / 45

HEX #670000BF

RGBA 103 0 0 0.75

HSLA 0, 1%, 0.2%, 0.75

LABA 19.57, 41.16, 30, 0.75

 

CMYK 0 / 75 / 75 / 50

HEX #560000BF

RGBA 86 0 0 0.75

HSLA 0, 1%, 0.17%, 0.75

LABA 15.37, 36.3, 23.94, 0.75

 

CMYK 0 / 75 / 75 / 55

HEX #450000BF

RGBA 69 0 0 0.75

HSLA 0, 1%, 0.14%, 0.75

LABA 11.03, 31.28, 17.37, 0.75

 

CMYK 0 / 83 / 94 / 45

HEX #8B1709

RGB 139 23 9

HSL 6.46, 0.88%, 0.29%

LAB 29.72, 46.63, 38.93

 

CMYK 0 / 94 / 94 / 45

HEX #8B0909

RGB 139 9 9

HSL 0, 0.88%, 0.29%

LAB 28.65, 49.66, 38.1

 

CMYK 0 / 83 / 94 / 45

HEX #8B1709

RGB 139 23 9

HSL 6.46, 0.88%, 0.29%

LAB 29.72, 46.63, 38.93

 

CMYK 0 / 58 / 94 / 45

HEX #8B3A09

RGB 139 58 9

HSL 22.62, 0.88%, 0.29%

LAB 35.07, 32.15, 42.79

 

CMYK 0 / 33 / 94 / 45

HEX #8B5D09

RGB 139 93 9

HSL 38.77, 0.88%, 0.29%

LAB 43.27, 12.38, 48.87

 

CMYK 0 / 8 / 94 / 45

HEX #8B8009

RGB 139 128 9

HSL 54.92, 0.88%, 0.29%

LAB 52.89, -7.62, 56.23

 

CMYK 17 / 0 / 94 / 45

HEX #738B09

RGB 115 139 9

HSL 71.08, 0.88%, 0.29%

LAB 54.16, -24.35, 56.38

 

CMYK 0 / 83 / 94 / 45

HEX #8B1709

RGB 139 23 9

HSL 6.46, 0.88%, 0.29%

LAB 29.72, 46.63, 38.93

 

CMYK 0 / 83 / 94 / 45

HEX #8B1709

RGB 139 23 9

HSL 6.46, 0.88%, 0.29%

LAB 29.72, 46.63, 38.93

 

CMYK 0 / 75 / 83 / 50

HEX #7F2015

RGB 127 32 21

HSL 6.23, 0.72%, 0.29%

LAB 28.38, 39.98, 30.87

 

CMYK 0 / 63 / 71 / 55

HEX #732A21

RGB 115 42 33

HSL 6.59, 0.55%, 0.29%

LAB 27.87, 31.58, 22.42

 

CMYK 0 / 50 / 56 / 60

HEX #67332D

RGB 103 51 45

HSL 6.21, 0.39%, 0.29%

LAB 27.96, 22.6, 14.38

 

CMYK 0 / 34 / 37 / 64

HEX #5B3C39

RGB 91 60 57

HSL 5.29, 0.23%, 0.29%

LAB 28.78, 13.22, 7.39

 

CMYK 0 / 94 / 53 / 45

HEX #8B0941

RGB 139 9 65

HSL 334.15, 0.88%, 0.29%

LAB 29.58, 52.26, 4.4

 

CMYK 0 / 94 / 78 / 45

HEX #8B091F

RGB 139 9 31

HSL 349.85, 0.88%, 0.29%

LAB 28.86, 50.25, 26.08

 

CMYK 0 / 84 / 94 / 45

HEX #8B1609

RGB 139 22 9

HSL 6, 0.88%, 0.29%

LAB 29.62, 46.91, 38.86

 

CMYK 0 / 59 / 94 / 45

HEX #8B3909

RGB 139 57 9

HSL 22.15, 0.88%, 0.29%

LAB 34.87, 32.66, 42.65

 

CMYK 0 / 35 / 94 / 45

HEX #8B5B09

RGB 139 91 9

HSL 37.85, 0.88%, 0.29%

LAB 42.75, 13.55, 48.48

 

CMYK 0 / 84 / 93 / 76

HEX #3D0A04

RGB 61 10 4

HSL 6.32, 0.88%, 0.13%

LAB 10.69, 24.25, 14.97

 

CMYK 0 / 83 / 94 / 61

HEX #641106

RGB 100 17 6

HSL 7.02, 0.89%, 0.21%

LAB 20.53, 35.8, 28.45

 

CMYK 0 / 83 / 94 / 45

HEX #8B1709

RGB 139 23 9

HSL 6.46, 0.88%, 0.29%

LAB 29.72, 46.63, 38.93

 

CMYK 0 / 83 / 94 / 30

HEX #B21E0B

RGB 178 30 11

HSL 6.83, 0.88%, 0.37%

LAB 38.58, 56.49, 48.02

 

CMYK 0 / 83 / 94 / 15

HEX #D9240E

RGB 217 36 14

HSL 6.5, 0.88%, 0.45%

LAB 47.03, 66.16, 56.2

 

CMYK 0 / 83 / 93 / 46

HEX #891709

RGB 137 23 9

HSL 6.56, 0.88%, 0.29%

LAB 29.29, 46.01, 38.42

 

CMYK 28 / 0 / 94 / 45

HEX #648B09

RGB 100 139 9

HSL 78, 0.88%, 0.29%

LAB 53.16, -30.71, 55.15

 

CMYK 94 / 65 / 0 / 45

HEX #09308B

RGB 9 48 139

HSL 222, 0.88%, 0.29%

LAB 23.79, 25.68, -53.7

 

CMYK 0 / 83 / 93 / 46

HEX #891709

RGB 137 23 9

HSL 6.56, 0.88%, 0.29%

LAB 29.29, 46.01, 38.42

 

CMYK 94 / 0 / 84 / 45

HEX #098B16

RGB 9 139 22

HSL 126, 0.88%, 0.29%

LAB 50.19, -53.36, 48.51

 

CMYK 84 / 94 / 0 / 45

HEX #16098B

RGB 22 9 139

HSL 246, 0.88%, 0.29%

LAB 16.65, 47.71, -65.5

 

CMYK 0 / 83 / 93 / 46

HEX #891709

RGB 137 23 9

HSL 6.56, 0.88%, 0.29%

LAB 29.29, 46.01, 38.42

 

CMYK 28 / 0 / 94 / 45

HEX #648B09

RGB 100 139 9

HSL 78, 0.88%, 0.29%

LAB 53.16, -30.71, 55.15

 

CMYK 94 / 9 / 0 / 45

HEX #097E8B

RGB 9 126 139

HSL 186, 0.88%, 0.29%

LAB 48.06, -23.68, -15.25

 

CMYK 65 / 94 / 0 / 45

HEX #30098B

RGB 48 9 139

HSL 258, 0.88%, 0.29%

LAB 18.75, 49.05, -61.95

 

CMYK 0 / 83 / 93 / 46

HEX #891709

RGB 137 23 9

HSL 6.56, 0.88%, 0.29%

LAB 29.29, 46.01, 38.42

 

CMYK 56 / 0 / 94 / 45

HEX #3D8B09

RGB 61 139 9

HSL 96, 0.88%, 0.29%

LAB 51.24, -44.65, 52.78

 

CMYK 94 / 9 / 0 / 45

HEX #097E8B

RGB 9 126 139

HSL 186, 0.88%, 0.29%

LAB 48.06, -23.68, -15.25

 

CMYK 37 / 94 / 0 / 45

HEX #57098B

RGB 87 9 139

HSL 276, 0.88%, 0.29%

LAB 23.95, 53.03, -53.19

 

Description

Color code: RGBA 137 23 9 0.75 | qconv.com Color code: RGBA 137 23 9 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 23 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 23 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 70 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 70% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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