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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 137 183 92 0.75 it is the complementary color RGBA 118 72 163 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 137 183 92 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 137 183 92 0.75 shade: RGBA 142 183 87 0.75, RGBA 159 201 106 0.75, RGBA 176 219 125 0.75, RGBA 193 237 144 0.75 and RGBA 210 255 163 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 137 183 92 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 137 183 92 0.75 shade: RGBA 137 183 92 0.75, RGBA 120 165 73 0.75, RGBA 103 147 54 0.75, RGBA 86 129 35 0.75 and RGBA 69 111 16 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 137 183 92 0.75 shade: RGB 137 183 92, RGB 162 183 92, RGB 183 180 92, RGB 183 156 92 and RGB 183 131 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 137 183 92 0.75 shade: RGB 137 183 92, RGB 113 183 92, RGB 92 183 96, RGB 92 183 121 and RGB 92 183 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 137 183 92 0.75 shade matches the following richer shades: RGB 137 183 92, RGB 137 202 73, RGB 137 221 54 and RGB 137 240 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 137 183 92 0.75 shade: RGB 137 183 92, RGB 137 164 111, RGB 138 145 130, RGB 138 127 149 and RGB 138 108 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 137 183 92 0.75 shade: RGB 183 180 92, RGB 162 183 92, RGB 138 183 92, RGB 113 183 92 and RGB 92 183 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 137 183 92 0.75 shade: RGB 96 134 59, RGB 117 163 71, RGB 137 183 92, RGB 158 196 121 and RGB 179 209 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 137 183 92 0.75 shade: RGB 137 183 92, RGB 92 183 156 and RGB 183 92 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 137 183 92 0.75 shade: RGB 137 183 92, RGB 92 138 183 and RGB 183 92 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 137 183 92 0.75 shade: RGB 137 183 92, RGB 92 183 156, RGB 138 92 183 and RGB 183 92 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 137 183 92 0.75 shade: RGB 137 183 92, RGB 92 183 183, RGB 138 92 183 and RGB 183 92 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 37 / 21

HEX #89B75CBF

RGBA 137 183 92 0.75

HSLA 90.33, 0.39%, 0.54%, 0.75

LABA 69.44, -30.97, 41.11, 0.75

 

Complementary color

CMYK 21 / 42 / 0 / 27

HEX #7648A3BF

RGBA 118 72 163 0.75

HSLA 270.33, 0.39%, 0.46%, 0.75

LABA 39.8, 37.84, -42.01, 0.75

 

CMYK 17 / 0 / 39 / 21

HEX #8EB757BF

RGBA 142 183 87 0.75

HSLA 85.63, 0.4%, 0.53%, 0.75

LABA 69.69, -29.63, 43.93, 0.75

 

CMYK 16 / 0 / 35 / 16

HEX #9FC96ABF

RGBA 159 201 106 0.75

HSLA 86.53, 0.47%, 0.6%, 0.75

LABA 76.18, -29.69, 42.78, 0.75

 

CMYK 15 / 0 / 32 / 11

HEX #B0DB7DBF

RGBA 176 219 125 0.75

HSLA 87.45, 0.57%, 0.67%, 0.75

LABA 82.58, -29.7, 41.62, 0.75

 

CMYK 14 / 0 / 29 / 5

HEX #C1ED90BF

RGBA 193 237 144 0.75

HSLA 88.39, 0.72%, 0.75%, 0.75

LABA 88.88, -29.68, 40.48, 0.75

 

CMYK 13 / 0 / 27 / 0

HEX #D2FFA3BF

RGBA 210 255 163 0.75

HSLA 89.35, 1%, 0.82%, 0.75

LABA 95.1, -29.64, 39.37, 0.75

 

CMYK 19 / 0 / 37 / 21

HEX #89B75CBF

RGBA 137 183 92 0.75

HSLA 90.33, 0.39%, 0.54%, 0.75

LABA 69.44, -30.97, 41.11, 0.75

 

CMYK 20 / 0 / 42 / 26

HEX #78A549BF

RGBA 120 165 73 0.75

HSLA 89.35, 0.39%, 0.47%, 0.75

LABA 62.83, -30.93, 42.26, 0.75

 

CMYK 22 / 0 / 47 / 32

HEX #679336BF

RGBA 103 147 54 0.75

HSLA 88.39, 0.46%, 0.39%, 0.75

LABA 56.11, -30.79, 43.27, 0.75

 

CMYK 25 / 0 / 55 / 37

HEX #568123BF

RGBA 86 129 35 0.75

HSLA 87.45, 0.57%, 0.32%, 0.75

LABA 49.25, -30.49, 43.9, 0.75

 

CMYK 28 / 0 / 64 / 42

HEX #456F10BF

RGBA 69 111 16 0.75

HSLA 86.53, 0.75%, 0.25%, 0.75

LABA 42.26, -29.92, 43.59, 0.75

 

CMYK 25 / 0 / 50 / 28

HEX #89B75C

RGB 137 183 92

HSL 90.33, 0.39%, 0.54%

LAB 69.44, -30.97, 41.11

 

CMYK 11 / 0 / 50 / 28

HEX #A2B75C

RGB 162 183 92

HSL 73.85, 0.39%, 0.54%

LAB 71.09, -21.28, 43.5

 

CMYK 0 / 2 / 50 / 28

HEX #B7B45C

RGB 183 180 92

HSL 58.02, 0.39%, 0.54%

LAB 71.88, -11.16, 44.83

 

CMYK 0 / 15 / 50 / 28

HEX #B79C5C

RGB 183 156 92

HSL 42.2, 0.39%, 0.54%

LAB 65.45, 1.58, 37.02

 

CMYK 0 / 28 / 50 / 28

HEX #B7835C

RGB 183 131 92

HSL 25.71, 0.39%, 0.54%

LAB 59.04, 15.37, 28.94

 

CMYK 25 / 0 / 50 / 28

HEX #89B75C

RGB 137 183 92

HSL 90.33, 0.39%, 0.54%

LAB 69.44, -30.97, 41.11

 

CMYK 38 / 0 / 50 / 28

HEX #71B75C

RGB 113 183 92

HSL 106.15, 0.39%, 0.54%

LAB 68.13, -39.42, 39.22

 

CMYK 50 / 0 / 48 / 28

HEX #5CB760

RGB 92 183 96

HSL 122.64, 0.39%, 0.54%

LAB 67.27, -45.28, 35.93

 

CMYK 50 / 0 / 34 / 28

HEX #5CB779

RGB 92 183 121

HSL 139.12, 0.39%, 0.54%

LAB 67.67, -41.14, 23.4

 

CMYK 50 / 0 / 21 / 28

HEX #5CB791

RGB 92 183 145

HSL 154.95, 0.39%, 0.54%

LAB 68.16, -36.28, 11.08

 

CMYK 25 / 0 / 50 / 28

HEX #89B75C

RGB 137 183 92

HSL 90.33, 0.39%, 0.54%

LAB 69.44, -30.97, 41.11

 

CMYK 32 / 0 / 64 / 21

HEX #89CA49

RGB 137 202 73

HSL 90.23, 0.55%, 0.54%

LAB 74.85, -41.46, 56.04

 

CMYK 38 / 0 / 76 / 13

HEX #89DD36

RGB 137 221 54

HSL 90.18, 0.71%, 0.54%

LAB 80.35, -50.74, 68.63

 

CMYK 43 / 0 / 85 / 6

HEX #89F023

RGB 137 240 35

HSL 90.15, 0.87%, 0.54%

LAB 85.89, -58.99, 78.55

 

CMYK 25 / 0 / 50 / 28

HEX #89B75C

RGB 137 183 92

HSL 90.33, 0.39%, 0.54%

LAB 69.44, -30.97, 41.11

 

CMYK 16 / 0 / 32 / 36

HEX #89A46F

RGB 137 164 111

HSL 90.57, 0.23%, 0.54%

LAB 64.17, -19.1, 24.51

 

CMYK 5 / 0 / 10 / 43

HEX #8A9182

RGB 138 145 130

HSL 88, 0.06%, 0.54%

LAB 59.22, -5.43, 7.08

 

CMYK 7 / 15 / 0 / 42

HEX #8A7F95

RGB 138 127 149

HSL 270, 0.09%, 0.54%

LAB 54.82, 8.56, -10.3

 

CMYK 18 / 36 / 0 / 34

HEX #8A6CA8

RGB 138 108 168

HSL 270, 0.26%, 0.54%

LAB 50.64, 23.96, -27.75

 

CMYK 0 / 2 / 50 / 28

HEX #B7B45C

RGB 183 180 92

HSL 58.02, 0.39%, 0.54%

LAB 71.88, -11.16, 44.83

 

CMYK 11 / 0 / 50 / 28

HEX #A2B75C

RGB 162 183 92

HSL 73.85, 0.39%, 0.54%

LAB 71.09, -21.28, 43.5

 

CMYK 25 / 0 / 50 / 28

HEX #8AB75C

RGB 138 183 92

HSL 89.67, 0.39%, 0.54%

LAB 69.5, -30.59, 41.2

 

CMYK 38 / 0 / 50 / 28

HEX #71B75C

RGB 113 183 92

HSL 106.15, 0.39%, 0.54%

LAB 68.13, -39.42, 39.22

 

CMYK 50 / 0 / 48 / 28

HEX #5CB75F

RGB 92 183 95

HSL 121.98, 0.39%, 0.54%

LAB 67.25, -45.42, 36.42

 

CMYK 28 / 0 / 56 / 47

HEX #60863B

RGB 96 134 59

HSL 90.4, 0.39%, 0.38%

LAB 51.67, -26.76, 35.71

 

CMYK 28 / 0 / 56 / 36

HEX #75A347

RGB 117 163 71

HSL 90, 0.39%, 0.46%

LAB 62.02, -31.33, 42.24

 

CMYK 25 / 0 / 50 / 28

HEX #89B75C

RGB 137 183 92

HSL 90.33, 0.39%, 0.54%

LAB 69.44, -30.97, 41.11

 

CMYK 19 / 0 / 38 / 23

HEX #9EC479

RGB 158 196 121

HSL 90.4, 0.39%, 0.62%

LAB 74.91, -25.8, 33.6

 

CMYK 14 / 0 / 29 / 18

HEX #B3D195

RGB 179 209 149

HSL 90, 0.39%, 0.7%

LAB 80.38, -20.55, 26.56

 

CMYK 25 / 0 / 50 / 28

HEX #89B75C

RGB 137 183 92

HSL 90.33, 0.39%, 0.54%

LAB 69.44, -30.97, 41.11

 

CMYK 50 / 0 / 15 / 28

HEX #5CB79C

RGB 92 183 156

HSL 162.2, 0.39%, 0.54%

LAB 68.42, -33.78, 5.42

 

CMYK 0 / 50 / 5 / 28

HEX #B75CAE

RGB 183 92 174

HSL 305.93, 0.39%, 0.54%

LAB 52.71, 48.01, -27.62

 

CMYK 25 / 0 / 50 / 28

HEX #89B75C

RGB 137 183 92

HSL 90.33, 0.39%, 0.54%

LAB 69.44, -30.97, 41.11

 

CMYK 50 / 25 / 0 / 28

HEX #5C8AB7

RGB 92 138 183

HSL 209.67, 0.39%, 0.54%

LAB 55.96, -2.94, -28.41

 

CMYK 0 / 50 / 25 / 28

HEX #B75C8A

RGB 183 92 138

HSL 329.67, 0.39%, 0.54%

LAB 51.33, 42.24, -8.54

 

CMYK 25 / 0 / 50 / 28

HEX #89B75C

RGB 137 183 92

HSL 90.33, 0.39%, 0.54%

LAB 69.44, -30.97, 41.11

 

CMYK 50 / 0 / 15 / 28

HEX #5CB79C

RGB 92 183 156

HSL 162.2, 0.39%, 0.54%

LAB 68.42, -33.78, 5.42

 

CMYK 25 / 50 / 0 / 28

HEX #8A5CB7

RGB 138 92 183

HSL 270.33, 0.39%, 0.54%

LAB 47.59, 36.81, -41.27

 

CMYK 0 / 50 / 35 / 28

HEX #B75C77

RGB 183 92 119

HSL 342.2, 0.39%, 0.54%

LAB 50.75, 39.69, 1.92

 

CMYK 25 / 0 / 50 / 28

HEX #89B75C

RGB 137 183 92

HSL 90.33, 0.39%, 0.54%

LAB 69.44, -30.97, 41.11

 

CMYK 50 / 0 / 0 / 28

HEX #5CB7B7

RGB 92 183 183

HSL 180, 0.39%, 0.54%

LAB 69.16, -27.02, -8.36

 

CMYK 25 / 50 / 0 / 28

HEX #8A5CB7

RGB 138 92 183

HSL 270.33, 0.39%, 0.54%

LAB 47.59, 36.81, -41.27

 

CMYK 0 / 50 / 50 / 28

HEX #B75C5C

RGB 183 92 92

HSL 0, 0.39%, 0.54%

LAB 50.09, 36.71, 17.1

 

Description

Color code: RGBA 137 183 92 0.75 | qconv.com Color code: RGBA 137 183 92 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 183 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 183 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 37 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 37% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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