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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 137 160 136 0.75 it is the complementary color RGBA 118 95 119 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 137 160 136 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 137 160 136 0.75 shade: RGBA 142 160 131 0.75, RGBA 159 178 150 0.75, RGBA 176 196 169 0.75, RGBA 193 214 188 0.75 and RGBA 210 232 207 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 137 160 136 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 137 160 136 0.75 shade: RGBA 137 160 136 0.75, RGBA 120 142 117 0.75, RGBA 103 124 98 0.75, RGBA 86 106 79 0.75 and RGBA 69 88 60 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 137 160 136 0.75 shade: RGB 137 160 136, RGB 143 160 136, RGB 150 160 136, RGB 156 160 136 and RGB 160 157 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 137 160 136 0.75 shade: RGB 137 160 136, RGB 136 160 141, RGB 136 160 148, RGB 136 160 154 and RGB 136 159 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 137 160 136 0.75 shade matches the following richer shades: RGB 137 160 136, RGB 121 177 119, RGB 105 194 101, RGB 89 212 84 and RGB 74 229 67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 137 160 136 0.75 shade: RGB 137 160 136, RGB 153 142 153, RGB 169 125 171, RGB 185 108 188 and RGB 201 90 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 137 160 136 0.75 shade: RGB 150 160 136, RGB 144 160 136, RGB 137 160 136, RGB 136 160 141 and RGB 136 160 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 137 160 136 0.75 shade: RGB 96 118 95, RGB 114 141 113, RGB 137 160 136, RGB 160 178 159 and RGB 183 196 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 137 160 136 0.75 shade: RGB 137 160 136, RGB 136 156 160 and RGB 160 136 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 137 160 136 0.75 shade: RGB 137 160 136, RGB 136 137 160 and RGB 160 136 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 137 160 136 0.75 shade: RGB 137 160 136, RGB 136 156 160, RGB 159 136 160 and RGB 160 140 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 137 160 136 0.75 shade: RGB 137 160 136, RGB 136 149 160, RGB 159 136 160 and RGB 160 147 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 11 / 28

HEX #89A088BF

RGBA 137 160 136 0.75

HSLA 117.5, 0.11%, 0.58%, 0.75

LABA 63.54, -12.82, 9.84, 0.75

 

Complementary color

CMYK 1 / 15 / 0 / 40

HEX #765F77BF

RGBA 118 95 119 0.75

HSLA 297.5, 0.11%, 0.42%, 0.75

LABA 43.31, 13.9, -9.98, 0.75

 

CMYK 8 / 0 / 14 / 28

HEX #8EA083BF

RGBA 142 160 131 0.75

HSLA 97.24, 0.13%, 0.57%, 0.75

LABA 63.78, -11.89, 13.02, 0.75

 

CMYK 8 / 0 / 12 / 23

HEX #9FB296BF

RGBA 159 178 150 0.75

HSLA 100.71, 0.15%, 0.64%, 0.75

LABA 70.46, -11.86, 12.12, 0.75

 

CMYK 8 / 0 / 10 / 17

HEX #B0C4A9BF

RGBA 176 196 169 0.75

HSLA 104.44, 0.19%, 0.72%, 0.75

LABA 77.03, -11.84, 11.27, 0.75

 

CMYK 7 / 0 / 9 / 12

HEX #C1D6BCBF

RGBA 193 214 188 0.75

HSLA 108.46, 0.24%, 0.79%, 0.75

LABA 83.47, -11.82, 10.47, 0.75

 

CMYK 7 / 0 / 8 / 7

HEX #D2E8CFBF

RGBA 210 232 207 0.75

HSLA 112.8, 0.35%, 0.86%, 0.75

LABA 89.82, -11.81, 9.7, 0.75

 

CMYK 11 / 0 / 11 / 28

HEX #89A088BF

RGBA 137 160 136 0.75

HSLA 117.5, 0.11%, 0.58%, 0.75

LABA 63.54, -12.82, 9.84, 0.75

 

CMYK 12 / 0 / 13 / 33

HEX #788E75BF

RGBA 120 142 117 0.75

HSLA 112.8, 0.1%, 0.51%, 0.75

LABA 56.71, -12.91, 10.74, 0.75

 

CMYK 13 / 0 / 16 / 39

HEX #677C62BF

RGBA 103 124 98 0.75

HSLA 108.46, 0.12%, 0.44%, 0.75

LABA 49.71, -13.02, 11.7, 0.75

 

CMYK 14 / 0 / 19 / 44

HEX #566A4FBF

RGBA 86 106 79 0.75

HSLA 104.44, 0.15%, 0.36%, 0.75

LABA 42.54, -13.15, 12.76, 0.75

 

CMYK 16 / 0 / 24 / 49

HEX #45583CBF

RGBA 69 88 60 0.75

HSLA 100.71, 0.19%, 0.29%, 0.75

LABA 35.14, -13.3, 13.92, 0.75

 

CMYK 14 / 0 / 15 / 37

HEX #89A088

RGB 137 160 136

HSL 117.5, 0.11%, 0.58%

LAB 63.54, -12.82, 9.84

 

CMYK 11 / 0 / 15 / 37

HEX #8FA088

RGB 143 160 136

HSL 102.5, 0.11%, 0.58%

LAB 63.97, -10.63, 10.5

 

CMYK 6 / 0 / 15 / 37

HEX #96A088

RGB 150 160 136

HSL 85, 0.11%, 0.58%

LAB 64.49, -8.04, 11.31

 

CMYK 2 / 0 / 15 / 37

HEX #9CA088

RGB 156 160 136

HSL 70, 0.11%, 0.58%

LAB 64.95, -5.78, 12.04

 

CMYK 0 / 2 / 15 / 37

HEX #A09D88

RGB 160 157 136

HSL 52.5, 0.11%, 0.58%

LAB 64.46, -2.62, 11.38

 

CMYK 14 / 0 / 15 / 37

HEX #89A088

RGB 137 160 136

HSL 117.5, 0.11%, 0.58%

LAB 63.54, -12.82, 9.84

 

CMYK 15 / 0 / 12 / 37

HEX #88A08D

RGB 136 160 141

HSL 132.5, 0.11%, 0.58%

LAB 63.59, -12.23, 7.11

 

CMYK 15 / 0 / 7 / 37

HEX #88A094

RGB 136 160 148

HSL 150, 0.11%, 0.58%

LAB 63.77, -10.85, 3.44

 

CMYK 15 / 0 / 4 / 37

HEX #88A09A

RGB 136 160 154

HSL 165, 0.11%, 0.58%

LAB 63.92, -9.62, 0.3

 

CMYK 15 / 1 / 0 / 37

HEX #889FA0

RGB 136 159 160

HSL 182.5, 0.11%, 0.58%

LAB 63.81, -7.8, -3.23

 

CMYK 14 / 0 / 15 / 37

HEX #89A088

RGB 137 160 136

HSL 117.5, 0.11%, 0.58%

LAB 63.54, -12.82, 9.84

 

CMYK 32 / 0 / 33 / 31

HEX #79B177

RGB 121 177 119

HSL 117.93, 0.27%, 0.58%

LAB 67.16, -30.01, 24.02

 

CMYK 46 / 0 / 48 / 24

HEX #69C265

RGB 105 194 101

HSL 117.42, 0.43%, 0.58%

LAB 71.23, -45.44, 38.5

 

CMYK 58 / 0 / 60 / 17

HEX #59D454

RGB 89 212 84

HSL 117.66, 0.6%, 0.58%

LAB 75.98, -58.83, 52.02

 

CMYK 68 / 0 / 71 / 10

HEX #4AE543

RGB 74 229 67

HSL 117.41, 0.76%, 0.58%

LAB 80.68, -69.42, 63.85

 

CMYK 14 / 0 / 15 / 37

HEX #89A088

RGB 137 160 136

HSL 117.5, 0.11%, 0.58%

LAB 63.54, -12.82, 9.84

 

CMYK 0 / 7 / 0 / 40

HEX #998E99

RGB 153 142 153

HSL 300, 0.05%, 0.58%

LAB 60.26, 6.17, -4.35

 

CMYK 1 / 27 / 0 / 33

HEX #A97DAB

RGB 169 125 171

HSL 297.39, 0.21%, 0.58%

LAB 58.08, 25.05, -17.77

 

CMYK 2 / 43 / 0 / 26

HEX #B96CBC

RGB 185 108 188

HSL 297.75, 0.37%, 0.58%

LAB 56.75, 42.9, -29.4

 

CMYK 2 / 56 / 0 / 20

HEX #C95ACD

RGB 201 90 205

HSL 297.91, 0.53%, 0.58%

LAB 56.23, 59.48, -39.78

 

CMYK 6 / 0 / 15 / 37

HEX #96A088

RGB 150 160 136

HSL 85, 0.11%, 0.58%

LAB 64.49, -8.04, 11.31

 

CMYK 10 / 0 / 15 / 37

HEX #90A088

RGB 144 160 136

HSL 100, 0.11%, 0.58%

LAB 64.04, -10.27, 10.62

 

CMYK 14 / 0 / 15 / 37

HEX #89A088

RGB 137 160 136

HSL 117.5, 0.11%, 0.58%

LAB 63.54, -12.82, 9.84

 

CMYK 15 / 0 / 12 / 37

HEX #88A08D

RGB 136 160 141

HSL 132.5, 0.11%, 0.58%

LAB 63.59, -12.23, 7.11

 

CMYK 15 / 0 / 7 / 37

HEX #88A094

RGB 136 160 148

HSL 150, 0.11%, 0.58%

LAB 63.77, -10.85, 3.44

 

CMYK 19 / 0 / 19 / 54

HEX #60765F

RGB 96 118 95

HSL 117.39, 0.11%, 0.42%

LAB 47.33, -12.94, 10.04

 

CMYK 19 / 0 / 20 / 45

HEX #728D71

RGB 114 141 113

HSL 117.86, 0.11%, 0.5%

LAB 55.91, -15.32, 11.83

 

CMYK 14 / 0 / 15 / 37

HEX #89A088

RGB 137 160 136

HSL 117.5, 0.11%, 0.58%

LAB 63.54, -12.82, 9.84

 

CMYK 10 / 0 / 11 / 30

HEX #A0B29F

RGB 160 178 159

HSL 116.84, 0.11%, 0.66%

LAB 70.74, -9.89, 7.6

 

CMYK 7 / 0 / 7 / 23

HEX #B7C4B6

RGB 183 196 182

HSL 115.71, 0.11%, 0.74%

LAB 77.83, -7.07, 5.49

 

CMYK 14 / 0 / 15 / 37

HEX #89A088

RGB 137 160 136

HSL 117.5, 0.11%, 0.58%

LAB 63.54, -12.82, 9.84

 

CMYK 15 / 2 / 0 / 37

HEX #889CA0

RGB 136 156 160

HSL 190, 0.11%, 0.58%

LAB 62.97, -6.16, -4.47

 

CMYK 0 / 15 / 8 / 37

HEX #A08893

RGB 160 136 147

HSL 332.5, 0.11%, 0.58%

LAB 59.15, 11.01, -2.49

 

CMYK 14 / 0 / 15 / 37

HEX #89A088

RGB 137 160 136

HSL 117.5, 0.11%, 0.58%

LAB 63.54, -12.82, 9.84

 

CMYK 15 / 14 / 0 / 37

HEX #8889A0

RGB 136 137 160

HSL 237.5, 0.11%, 0.58%

LAB 57.72, 4.5, -12.3

 

CMYK 0 / 15 / 14 / 37

HEX #A08889

RGB 160 136 137

HSL 357.5, 0.11%, 0.58%

LAB 58.87, 9.25, 2.83

 

CMYK 14 / 0 / 15 / 37

HEX #89A088

RGB 137 160 136

HSL 117.5, 0.11%, 0.58%

LAB 63.54, -12.82, 9.84

 

CMYK 15 / 2 / 0 / 37

HEX #889CA0

RGB 136 156 160

HSL 190, 0.11%, 0.58%

LAB 62.97, -6.16, -4.47

 

CMYK 1 / 15 / 0 / 37

HEX #9F88A0

RGB 159 136 160

HSL 297.5, 0.11%, 0.58%

LAB 59.45, 13.11, -9.5

 

CMYK 0 / 13 / 15 / 37

HEX #A08C88

RGB 160 140 136

HSL 10, 0.11%, 0.58%

LAB 59.9, 6.82, 4.88

 

CMYK 14 / 0 / 15 / 37

HEX #89A088

RGB 137 160 136

HSL 117.5, 0.11%, 0.58%

LAB 63.54, -12.82, 9.84

 

CMYK 15 / 7 / 0 / 37

HEX #8895A0

RGB 136 149 160

HSL 207.5, 0.11%, 0.58%

LAB 61.02, -2.29, -7.37

 

CMYK 1 / 15 / 0 / 37

HEX #9F88A0

RGB 159 136 160

HSL 297.5, 0.11%, 0.58%

LAB 59.45, 13.11, -9.5

 

CMYK 0 / 8 / 15 / 37

HEX #A09388

RGB 160 147 136

HSL 27.5, 0.11%, 0.58%

LAB 61.76, 2.89, 7.55

 

Description

Color code: RGBA 137 160 136 0.75 | qconv.com Color code: RGBA 137 160 136 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 160 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 160 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 11 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 11% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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