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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 136 196 72 0.75 it is the complementary color RGBA 119 59 183 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 136 196 72 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 136 196 72 0.75 shade: RGBA 141 196 67 0.75, RGBA 158 214 86 0.75, RGBA 175 232 105 0.75, RGBA 192 250 124 0.75 and RGBA 209 255 143 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 136 196 72 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 136 196 72 0.75 shade: RGBA 136 196 72 0.75, RGBA 119 178 53 0.75, RGBA 102 160 34 0.75, RGBA 85 142 15 0.75 and RGBA 68 124 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 136 196 72 0.75 shade: RGB 137 196 74, RGB 170 196 74, RGB 196 189 74, RGB 196 157 74 and RGB 196 124 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 136 196 72 0.75 shade: RGB 137 196 74, RGB 104 196 74, RGB 74 196 77, RGB 74 196 110 and RGB 74 196 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 136 196 72 0.75 shade matches the following richer shades: RGB 137 196 74, RGB 138 216 55, RGB 138 235 35 and RGB 139 254 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 136 196 72 0.75 shade: RGB 137 196 74, RGB 136 177 93, RGB 136 157 113, RGB 135 138 132 and RGB 135 119 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 136 196 72 0.75 shade: RGB 196 190 74, RGB 170 196 74, RGB 137 196 74, RGB 105 196 74 and RGB 74 196 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 136 196 72 0.75 shade: RGB 95 142 46, RGB 116 173 56, RGB 137 196 74, RGB 157 206 105 and RGB 178 216 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 136 196 72 0.75 shade: RGB 136 196 72, RGB 74 196 158 and RGB 196 74 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 136 196 72 0.75 shade: RGB 136 196 72, RGB 74 137 196 and RGB 196 74 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 136 196 72 0.75 shade: RGB 136 196 72, RGB 74 196 158, RGB 133 74 196 and RGB 196 74 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 136 196 72 0.75 shade: RGB 136 196 72, RGB 74 196 194, RGB 133 74 196 and RGB 196 74 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 47 / 17

HEX #88C448BF

RGBA 136 196 72 0.75

HSLA 89.03, 0.51%, 0.53%, 0.75

LABA 73.01, -39.26, 54.45, 0.75

 

Complementary color

CMYK 26 / 51 / 0 / 21

HEX #773BB7BF

RGBA 119 59 183 0.75

HSLA 269.03, 0.51%, 0.47%, 0.75

LABA 38.67, 49.98, -55.69, 0.75

 

CMYK 21 / 0 / 49 / 17

HEX #8DC443BF

RGBA 141 196 67 0.75

HSLA 85.58, 0.52%, 0.52%, 0.75

LABA 73.25, -37.82, 56.86, 0.75

 

CMYK 20 / 0 / 45 / 12

HEX #9ED656BF

RGBA 158 214 86 0.75

HSLA 86.25, 0.61%, 0.59%, 0.75

LABA 79.63, -38.06, 56.1, 0.75

 

CMYK 18 / 0 / 41 / 7

HEX #AFE869BF

RGBA 175 232 105 0.75

HSLA 86.93, 0.73%, 0.66%, 0.75

LABA 85.93, -38.2, 55.14, 0.75

 

CMYK 17 / 0 / 38 / 1

HEX #C0FA7CBF

RGBA 192 250 124 0.75

HSLA 87.62, 0.93%, 0.73%, 0.75

LABA 92.15, -38.28, 54.08, 0.75

 

CMYK 14 / 0 / 33 / 0

HEX #D1FF8FBF

RGBA 209 255 143 0.75

HSLA 84.64, 1%, 0.78%, 0.75

LABA 94.76, -32.41, 48.62, 0.75

 

CMYK 23 / 0 / 47 / 17

HEX #88C448BF

RGBA 136 196 72 0.75

HSLA 89.03, 0.51%, 0.53%, 0.75

LABA 73.01, -39.26, 54.45, 0.75

 

CMYK 25 / 0 / 53 / 23

HEX #77B235BF

RGBA 119 178 53 0.75

HSLA 88.32, 0.54%, 0.45%, 0.75

LABA 66.54, -38.98, 55.03, 0.75

 

CMYK 27 / 0 / 59 / 28

HEX #66A022BF

RGBA 102 160 34 0.75

HSLA 87.62, 0.65%, 0.38%, 0.75

LABA 59.96, -38.5, 55, 0.75

 

CMYK 30 / 0 / 67 / 33

HEX #558E0FBF

RGBA 85 142 15 0.75

HSLA 86.93, 0.81%, 0.31%, 0.75

LABA 53.29, -37.75, 53.8, 0.75

 

CMYK 34 / 0 / 75 / 39

HEX #447C00BF

RGBA 68 124 0 0.75

HSLA 87.1, 1%, 0.24%, 0.75

LABA 46.5, -36.63, 50.81, 0.75

 

CMYK 30 / 0 / 62 / 23

HEX #89C44A

RGB 137 196 74

HSL 89.02, 0.51%, 0.53%

LAB 73.08, -38.73, 53.69

 

CMYK 13 / 0 / 62 / 23

HEX #AAC44A

RGB 170 196 74

HSL 72.79, 0.51%, 0.53%

LAB 75.15, -26, 56.54

 

CMYK 0 / 4 / 62 / 23

HEX #C4BD4A

RGB 196 189 74

HSL 56.56, 0.51%, 0.53%

LAB 75.22, -11.74, 57.2

 

CMYK 0 / 20 / 62 / 23

HEX #C49D4A

RGB 196 157 74

HSL 40.82, 0.51%, 0.53%

LAB 66.78, 5.14, 47.93

 

CMYK 0 / 37 / 62 / 23

HEX #C47C4A

RGB 196 124 74

HSL 24.59, 0.51%, 0.53%

LAB 58.64, 23.2, 38.53

 

CMYK 30 / 0 / 62 / 23

HEX #89C44A

RGB 137 196 74

HSL 89.02, 0.51%, 0.53%

LAB 73.08, -38.73, 53.69

 

CMYK 47 / 0 / 62 / 23

HEX #68C44A

RGB 104 196 74

HSL 105.25, 0.51%, 0.53%

LAB 71.5, -49.75, 51.49

 

CMYK 62 / 0 / 61 / 23

HEX #4AC44D

RGB 74 196 77

HSL 121.48, 0.51%, 0.53%

LAB 70.51, -57.26, 48.77

 

CMYK 62 / 0 / 44 / 23

HEX #4AC46E

RGB 74 196 110

HSL 137.7, 0.51%, 0.53%

LAB 70.91, -52.66, 33.33

 

CMYK 62 / 0 / 27 / 23

HEX #4AC48F

RGB 74 196 143

HSL 153.93, 0.51%, 0.53%

LAB 71.5, -46.37, 16.76

 

CMYK 30 / 0 / 62 / 23

HEX #89C44A

RGB 137 196 74

HSL 89.02, 0.51%, 0.53%

LAB 73.08, -38.73, 53.69

 

CMYK 36 / 0 / 75 / 15

HEX #8AD837

RGB 138 216 55

HSL 89.07, 0.67%, 0.53%

LAB 78.92, -48.3, 66.96

 

CMYK 41 / 0 / 85 / 8

HEX #8AEB23

RGB 138 235 35

HSL 89.1, 0.83%, 0.53%

LAB 84.45, -56.76, 77.33

 

CMYK 45 / 0 / 94 / 0

HEX #8BFE10

RGB 139 254 16

HSL 88.99, 0.99%, 0.53%

LAB 90.05, -64.03, 84.86

 

CMYK 30 / 0 / 62 / 23

HEX #89C44A

RGB 137 196 74

HSL 89.02, 0.51%, 0.53%

LAB 73.08, -38.73, 53.69

 

CMYK 23 / 0 / 47 / 31

HEX #88B15D

RGB 136 177 93

HSL 89.29, 0.35%, 0.53%

LAB 67.63, -28.36, 38.38

 

CMYK 13 / 0 / 28 / 38

HEX #889D71

RGB 136 157 113

HSL 88.64, 0.18%, 0.53%

LAB 62.12, -15.54, 20.64

 

CMYK 2 / 0 / 4 / 46

HEX #878A84

RGB 135 138 132

HSL 90, 0.02%, 0.53%

LAB 57.07, -2.27, 2.82

 

CMYK 11 / 22 / 0 / 40

HEX #877798

RGB 135 119 152

HSL 269.09, 0.14%, 0.53%

LAB 52.52, 12.83, -15.54

 

CMYK 0 / 3 / 62 / 23

HEX #C4BE4A

RGB 196 190 74

HSL 57.05, 0.51%, 0.53%

LAB 75.49, -12.25, 57.49

 

CMYK 13 / 0 / 62 / 23

HEX #AAC44A

RGB 170 196 74

HSL 72.79, 0.51%, 0.53%

LAB 75.15, -26, 56.54

 

CMYK 30 / 0 / 62 / 23

HEX #89C44A

RGB 137 196 74

HSL 89.02, 0.51%, 0.53%

LAB 73.08, -38.73, 53.69

 

CMYK 46 / 0 / 62 / 23

HEX #69C44A

RGB 105 196 74

HSL 104.75, 0.51%, 0.53%

LAB 71.54, -49.45, 51.54

 

CMYK 62 / 0 / 61 / 23

HEX #4AC44C

RGB 74 196 76

HSL 120.98, 0.51%, 0.53%

LAB 70.5, -57.37, 49.2

 

CMYK 33 / 0 / 68 / 44

HEX #5F8E2E

RGB 95 142 46

HSL 89.38, 0.51%, 0.37%

LAB 54, -32.22, 44.41

 

CMYK 33 / 0 / 68 / 32

HEX #74AD38

RGB 116 173 56

HSL 89.23, 0.51%, 0.45%

LAB 64.87, -37.64, 52.06

 

CMYK 30 / 0 / 62 / 23

HEX #89C44A

RGB 137 196 74

HSL 89.02, 0.51%, 0.53%

LAB 73.08, -38.73, 53.69

 

CMYK 24 / 0 / 49 / 19

HEX #9DCE69

RGB 157 206 105

HSL 89.11, 0.51%, 0.61%

LAB 77.48, -32.89, 44.82

 

CMYK 18 / 0 / 37 / 15

HEX #B2D888

RGB 178 216 136

HSL 88.5, 0.51%, 0.69%

LAB 82.03, -26.15, 35.43

 

CMYK 31 / 0 / 63 / 23

HEX #88C448

RGB 136 196 72

HSL 89.03, 0.51%, 0.53%

LAB 73.01, -39.26, 54.45

 

CMYK 62 / 0 / 19 / 23

HEX #4AC49E

RGB 74 196 158

HSL 161.31, 0.51%, 0.53%

LAB 71.83, -42.99, 9.14

 

CMYK 0 / 62 / 5 / 23

HEX #C44ABA

RGB 196 74 186

HSL 304.92, 0.51%, 0.53%

LAB 52.04, 61.93, -35.49

 

CMYK 31 / 0 / 63 / 23

HEX #88C448

RGB 136 196 72

HSL 89.03, 0.51%, 0.53%

LAB 73.01, -39.26, 54.45

 

CMYK 62 / 30 / 0 / 23

HEX #4A89C4

RGB 74 137 196

HSL 209.02, 0.51%, 0.53%

LAB 55.41, -2.07, -36.72

 

CMYK 0 / 62 / 30 / 23

HEX #C44A89

RGB 196 74 137

HSL 329.02, 0.51%, 0.53%

LAB 50.02, 54.81, -9.7

 

CMYK 31 / 0 / 63 / 23

HEX #88C448

RGB 136 196 72

HSL 89.03, 0.51%, 0.53%

LAB 73.01, -39.26, 54.45

 

CMYK 62 / 0 / 19 / 23

HEX #4AC49E

RGB 74 196 158

HSL 161.31, 0.51%, 0.53%

LAB 71.83, -42.99, 9.14

 

CMYK 32 / 62 / 0 / 23

HEX #854AC4

RGB 133 74 196

HSL 269.02, 0.51%, 0.53%

LAB 44.05, 48.58, -54.53

 

CMYK 0 / 62 / 42 / 23

HEX #C44A71

RGB 196 74 113

HSL 340.82, 0.51%, 0.53%

LAB 49.28, 52.06, 3.66

 

CMYK 31 / 0 / 63 / 23

HEX #88C448

RGB 136 196 72

HSL 89.03, 0.51%, 0.53%

LAB 73.01, -39.26, 54.45

 

CMYK 62 / 0 / 1 / 23

HEX #4AC4C2

RGB 74 196 194

HSL 179.02, 0.51%, 0.53%

LAB 72.78, -33.75, -9.05

 

CMYK 32 / 62 / 0 / 23

HEX #854AC4

RGB 133 74 196

HSL 269.02, 0.51%, 0.53%

LAB 44.05, 48.58, -54.53

 

CMYK 0 / 62 / 61 / 23

HEX #C44A4C

RGB 196 74 76

HSL 359.02, 0.51%, 0.53%

LAB 48.45, 48.89, 24.82

 

Description

Color code: RGBA 136 196 72 0.75 | qconv.com Color code: RGBA 136 196 72 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 196 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 196 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 47 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 47% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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