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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 136 180 128 0.75 it is the complementary color RGBA 119 75 127 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 136 180 128 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 136 180 128 0.75 shade: RGBA 141 180 123 0.75, RGBA 158 198 142 0.75, RGBA 175 216 161 0.75, RGBA 192 234 180 0.75 and RGBA 209 252 199 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 136 180 128 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 136 180 128 0.75 shade: RGBA 136 180 128 0.75, RGBA 119 162 109 0.75, RGBA 102 144 90 0.75, RGBA 85 126 71 0.75 and RGBA 68 108 52 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 136 180 128 0.75 shade: RGB 135 180 126, RGB 149 180 126, RGB 163 180 126, RGB 178 180 126 and RGB 180 167 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 136 180 128 0.75 shade: RGB 135 180 126, RGB 126 180 133, RGB 126 180 147, RGB 126 180 161 and RGB 126 180 176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 136 180 128 0.75 shade matches the following richer shades: RGB 135 180 126, RGB 123 196 110, RGB 112 213 93, RGB 100 229 77 and RGB 89 246 60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 136 180 128 0.75 shade: RGB 135 180 126, RGB 146 163 143, RGB 157 147 159, RGB 169 130 176 and RGB 180 114 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 136 180 128 0.75 shade: RGB 164 180 126, RGB 149 180 126, RGB 135 180 126, RGB 126 180 132 and RGB 126 180 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 136 180 128 0.75 shade: RGB 92 141 83, RGB 110 164 100, RGB 135 180 126, RGB 159 195 152 and RGB 183 210 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 136 180 128 0.75 shade: RGB 136 180 128, RGB 126 178 180 and RGB 180 126 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 136 180 128 0.75 shade: RGB 136 180 128, RGB 126 135 180 and RGB 180 126 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 136 180 128 0.75 shade: RGB 136 180 128, RGB 126 178 180, RGB 171 126 180 and RGB 180 128 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 136 180 128 0.75 shade: RGB 136 180 128, RGB 126 162 180, RGB 171 126 180 and RGB 180 144 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 22 / 22

HEX #88B480BF

RGBA 136 180 128 0.75

HSLA 110.77, 0.26%, 0.6%, 0.75

LABA 69.07, -24.83, 21.9, 0.75

 

Complementary color

CMYK 5 / 31 / 0 / 38

HEX #774B7FBF

RGBA 119 75 127 0.75

HSLA 290.77, 0.26%, 0.4%, 0.75

LABA 38.7, 27.99, -21.91, 0.75

 

CMYK 16 / 0 / 24 / 22

HEX #8DB47BBF

RGBA 141 180 123 0.75

HSLA 101.05, 0.28%, 0.59%, 0.75

LABA 69.28, -23.86, 24.93, 0.75

 

CMYK 15 / 0 / 21 / 17

HEX #9EC68EBF

RGBA 158 198 142 0.75

HSLA 102.86, 0.33%, 0.67%, 0.75

LABA 75.83, -23.71, 23.85, 0.75

 

CMYK 14 / 0 / 19 / 11

HEX #AFD8A1BF

RGBA 175 216 161 0.75

HSLA 104.73, 0.41%, 0.74%, 0.75

LABA 82.27, -23.57, 22.82, 0.75

 

CMYK 13 / 0 / 17 / 6

HEX #C0EAB4BF

RGBA 192 234 180 0.75

HSLA 106.67, 0.56%, 0.81%, 0.75

LABA 88.61, -23.44, 21.86, 0.75

 

CMYK 13 / 0 / 16 / 1

HEX #D1FCC7BF

RGBA 209 252 199 0.75

HSLA 108.68, 0.9%, 0.88%, 0.75

LABA 94.87, -23.31, 20.93, 0.75

 

CMYK 18 / 0 / 22 / 22

HEX #88B480BF

RGBA 136 180 128 0.75

HSLA 110.77, 0.26%, 0.6%, 0.75

LABA 69.07, -24.83, 21.9, 0.75

 

CMYK 20 / 0 / 25 / 27

HEX #77A26DBF

RGBA 119 162 109 0.75

HSLA 108.68, 0.22%, 0.53%, 0.75

LABA 62.39, -25.03, 23.01, 0.75

 

CMYK 22 / 0 / 28 / 33

HEX #66905ABF

RGBA 102 144 90 0.75

HSLA 106.67, 0.23%, 0.46%, 0.75

LABA 55.59, -25.24, 24.21, 0.75

 

CMYK 24 / 0 / 33 / 38

HEX #557E47BF

RGBA 85 126 71 0.75

HSLA 104.73, 0.28%, 0.39%, 0.75

LABA 48.65, -25.43, 25.48, 0.75

 

CMYK 28 / 0 / 39 / 43

HEX #446C34BF

RGBA 68 108 52 0.75

HSLA 102.86, 0.35%, 0.31%, 0.75

LABA 41.54, -25.58, 26.81, 0.75

 

CMYK 25 / 0 / 30 / 29

HEX #87B47E

RGB 135 180 126

HSL 110, 0.26%, 0.6%

LAB 68.97, -25.51, 22.83

 

CMYK 17 / 0 / 30 / 29

HEX #95B47E

RGB 149 180 126

HSL 94.44, 0.26%, 0.6%

LAB 69.85, -20.48, 24.18

 

CMYK 9 / 0 / 30 / 29

HEX #A3B47E

RGB 163 180 126

HSL 78.89, 0.26%, 0.6%

LAB 70.83, -15.22, 25.66

 

CMYK 1 / 0 / 30 / 29

HEX #B2B47E

RGB 178 180 126

HSL 62.22, 0.26%, 0.6%

LAB 71.97, -9.4, 27.38

 

CMYK 0 / 7 / 30 / 29

HEX #B4A77E

RGB 180 167 126

HSL 45.56, 0.26%, 0.6%

LAB 68.64, -1.71, 22.95

 

CMYK 25 / 0 / 30 / 29

HEX #87B47E

RGB 135 180 126

HSL 110, 0.26%, 0.6%

LAB 68.97, -25.51, 22.83

 

CMYK 30 / 0 / 26 / 29

HEX #7EB485

RGB 126 180 133

HSL 127.78, 0.26%, 0.6%

LAB 68.59, -27.37, 18.45

 

CMYK 30 / 0 / 18 / 29

HEX #7EB493

RGB 126 180 147

HSL 143.33, 0.26%, 0.6%

LAB 68.88, -24.73, 11.23

 

CMYK 30 / 0 / 11 / 29

HEX #7EB4A1

RGB 126 180 161

HSL 158.89, 0.26%, 0.6%

LAB 69.22, -21.83, 4.03

 

CMYK 30 / 0 / 2 / 29

HEX #7EB4B0

RGB 126 180 176

HSL 175.56, 0.26%, 0.6%

LAB 69.62, -18.48, -3.65

 

CMYK 25 / 0 / 30 / 29

HEX #87B47E

RGB 135 180 126

HSL 110, 0.26%, 0.6%

LAB 68.97, -25.51, 22.83

 

CMYK 37 / 0 / 44 / 23

HEX #7BC46E

RGB 123 196 110

HSL 110.93, 0.42%, 0.6%

LAB 72.77, -39.49, 36.08

 

CMYK 47 / 0 / 56 / 16

HEX #70D55D

RGB 112 213 93

HSL 110.5, 0.59%, 0.6%

LAB 77.18, -52.15, 49.58

 

CMYK 56 / 0 / 66 / 10

HEX #64E54D

RGB 100 229 77

HSL 110.92, 0.75%, 0.6%

LAB 81.45, -62.97, 61.08

 

CMYK 64 / 0 / 76 / 4

HEX #59F63C

RGB 89 246 60

HSL 110.65, 0.91%, 0.6%

LAB 86.19, -72.47, 71.82

 

CMYK 25 / 0 / 30 / 29

HEX #87B47E

RGB 135 180 126

HSL 110, 0.26%, 0.6%

LAB 68.97, -25.51, 22.83

 

CMYK 10 / 0 / 12 / 36

HEX #92A38F

RGB 146 163 143

HSL 111, 0.1%, 0.6%

LAB 65.19, -9.87, 8.37

 

CMYK 1 / 8 / 0 / 38

HEX #9D939F

RGB 157 147 159

HSL 290, 0.06%, 0.6%

LAB 62.12, 5.97, -4.99

 

CMYK 4 / 26 / 0 / 31

HEX #A982B0

RGB 169 130 176

HSL 290.87, 0.23%, 0.6%

LAB 59.47, 23.21, -18.52

 

CMYK 6 / 41 / 0 / 25

HEX #B472C0

RGB 180 114 192

HSL 290.77, 0.38%, 0.6%

LAB 57.6, 38.92, -30.42

 

CMYK 9 / 0 / 30 / 29

HEX #A4B47E

RGB 164 180 126

HSL 77.78, 0.26%, 0.6%

LAB 70.9, -14.83, 25.77

 

CMYK 17 / 0 / 30 / 29

HEX #95B47E

RGB 149 180 126

HSL 94.44, 0.26%, 0.6%

LAB 69.85, -20.48, 24.18

 

CMYK 25 / 0 / 30 / 29

HEX #87B47E

RGB 135 180 126

HSL 110, 0.26%, 0.6%

LAB 68.97, -25.51, 22.83

 

CMYK 30 / 0 / 27 / 29

HEX #7EB484

RGB 126 180 132

HSL 126.67, 0.26%, 0.6%

LAB 68.57, -27.55, 18.96

 

CMYK 30 / 0 / 19 / 29

HEX #7EB492

RGB 126 180 146

HSL 142.22, 0.26%, 0.6%

LAB 68.86, -24.92, 11.75

 

CMYK 35 / 0 / 41 / 45

HEX #5C8D53

RGB 92 141 83

HSL 110.69, 0.26%, 0.44%

LAB 53.97, -28.44, 25.82

 

CMYK 33 / 0 / 39 / 36

HEX #6EA464

RGB 110 164 100

HSL 110.63, 0.26%, 0.52%

LAB 62.33, -30.59, 27.69

 

CMYK 25 / 0 / 30 / 29

HEX #87B47E

RGB 135 180 126

HSL 110, 0.26%, 0.6%

LAB 68.97, -25.51, 22.83

 

CMYK 18 / 0 / 22 / 24

HEX #9FC398

RGB 159 195 152

HSL 110.23, 0.26%, 0.68%

LAB 75.24, -20.23, 17.73

 

CMYK 13 / 0 / 15 / 18

HEX #B7D2B2

RGB 183 210 178

HSL 110.63, 0.26%, 0.76%

LAB 81.5, -14.98, 12.87

 

CMYK 24 / 0 / 29 / 29

HEX #88B480

RGB 136 180 128

HSL 110.77, 0.26%, 0.6%

LAB 69.07, -24.83, 21.9

 

CMYK 30 / 1 / 0 / 29

HEX #7EB2B4

RGB 126 178 180

HSL 182.22, 0.26%, 0.6%

LAB 69.16, -16.51, -6.53

 

CMYK 0 / 30 / 13 / 29

HEX #B47E9D

RGB 180 126 157

HSL 325.56, 0.26%, 0.6%

LAB 59.03, 25.77, -8.18

 

CMYK 24 / 0 / 29 / 29

HEX #88B480

RGB 136 180 128

HSL 110.77, 0.26%, 0.6%

LAB 69.07, -24.83, 21.9

 

CMYK 30 / 25 / 0 / 29

HEX #7E87B4

RGB 126 135 180

HSL 230, 0.26%, 0.6%

LAB 57.13, 7.28, -24.71

 

CMYK 0 / 30 / 25 / 29

HEX #B47E87

RGB 180 126 135

HSL 350, 0.26%, 0.6%

LAB 58.39, 22.25, 3.55

 

CMYK 24 / 0 / 29 / 29

HEX #88B480

RGB 136 180 128

HSL 110.77, 0.26%, 0.6%

LAB 69.07, -24.83, 21.9

 

CMYK 30 / 1 / 0 / 29

HEX #7EB2B4

RGB 126 178 180

HSL 182.22, 0.26%, 0.6%

LAB 69.16, -16.51, -6.53

 

CMYK 5 / 30 / 0 / 29

HEX #AB7EB4

RGB 171 126 180

HSL 290, 0.26%, 0.6%

LAB 58.86, 26.95, -21.71

 

CMYK 0 / 29 / 30 / 29

HEX #B4807E

RGB 180 128 126

HSL 2.22, 0.26%, 0.6%

LAB 58.65, 19.84, 9.1

 

CMYK 24 / 0 / 29 / 29

HEX #88B480

RGB 136 180 128

HSL 110.77, 0.26%, 0.6%

LAB 69.07, -24.83, 21.9

 

CMYK 30 / 10 / 0 / 29

HEX #7EA2B4

RGB 126 162 180

HSL 200, 0.26%, 0.6%

LAB 64.62, -7.97, -13.31

 

CMYK 5 / 30 / 0 / 29

HEX #AB7EB4

RGB 171 126 180

HSL 290, 0.26%, 0.6%

LAB 58.86, 26.95, -21.71

 

CMYK 0 / 20 / 30 / 29

HEX #B4907E

RGB 180 144 126

HSL 20, 0.26%, 0.6%

LAB 62.64, 10.9, 14.71

 

Description

Color code: RGBA 136 180 128 0.75 | qconv.com Color code: RGBA 136 180 128 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 180 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 180 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 22 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 22% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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