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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 136 172 206 0.75 it is the complementary color RGBA 119 83 49 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 136 172 206 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 136 172 206 0.75 shade: RGBA 141 172 201 0.75, RGBA 158 190 220 0.75, RGBA 175 208 239 0.75, RGBA 192 226 255 0.75 and RGBA 209 244 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 136 172 206 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 136 172 206 0.75 shade: RGBA 136 172 206 0.75, RGBA 119 154 187 0.75, RGBA 102 136 168 0.75, RGBA 85 118 149 0.75 and RGBA 68 100 130 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 136 172 206 0.75 shade: RGB 136 172 206, RGB 136 153 206, RGB 137 136 206, RGB 156 136 206 and RGB 175 136 206

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 136 172 206 0.75 shade: RGB 136 172 206, RGB 136 153 206 and RGB 136 136 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 136 172 206 0.75 shade matches the following richer shades: RGB 136 172 206, RGB 122 172 220, RGB 108 173 233 and RGB 95 173 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 136 172 206 0.75 shade: RGB 136 172 206, RGB 149 171 193, RGB 163 171 179, RGB 176 171 165 and RGB 190 170 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 136 172 206 0.75 shade: RGB 136 206 203, RGB 136 191 206, RGB 136 172 206, RGB 136 153 206 and RGB 137 136 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 136 172 206 0.75 shade: RGB 77 131 182, RGB 106 151 194, RGB 136 172 206, RGB 165 192 218 and RGB 194 213 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 136 172 206 0.75 shade: RGB 136 172 206, RGB 184 136 206 and RGB 200 206 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 136 172 206 0.75 shade: RGB 136 172 206, RGB 206 136 172 and RGB 172 206 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 136 172 206 0.75 shade: RGB 136 172 206, RGB 184 136 206, RGB 206 170 136 and RGB 158 206 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 136 172 206 0.75 shade: RGB 136 172 206, RGB 205 136 206, RGB 206 170 136 and RGB 137 206 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 12 / 0 / 14

HEX #88ACCEBF

RGBA 136 172 206 0.75

HSLA 209.14, 0.42%, 0.67%, 0.75

LABA 68.89, -4, -21.22, 0.75

 

Complementary color

CMYK 0 / 23 / 44 / 40

HEX #775331BF

RGBA 119 83 49 0.75

HSLA 29.14, 0.42%, 0.33%, 0.75

LABA 38.43, 10.93, 25.7, 0.75

 

CMYK 22 / 11 / 0 / 16

HEX #8DACC9BF

RGBA 141 172 201 0.75

HSLA 209, 0.36%, 0.67%, 0.75

LABA 69.03, -3.81, -18.23, 0.75

 

CMYK 21 / 10 / 0 / 10

HEX #9EBEDCBF

RGBA 158 190 220 0.75

HSLA 209.03, 0.47%, 0.74%, 0.75

LABA 75.61, -3.95, -18.54, 0.75

 

CMYK 20 / 10 / 0 / 5

HEX #AFD0EFBF

RGBA 175 208 239 0.75

HSLA 209.06, 0.67%, 0.81%, 0.75

LABA 82.09, -4.08, -18.85, 0.75

 

CMYK 19 / 9 / 0 / 0

HEX #C0E2FFBF

RGBA 192 226 255 0.75

HSLA 207.62, 1%, 0.88%, 0.75

LABA 88.36, -4.88, -17.74, 0.75

 

CMYK 14 / 3 / 0 / 0

HEX #D1F4FFBF

RGBA 209 244 255 0.75

HSLA 194.35, 1%, 0.91%, 0.75

LABA 94.09, -9.02, -9.07, 0.75

 

CMYK 25 / 12 / 0 / 14

HEX #88ACCEBF

RGBA 136 172 206 0.75

HSLA 209.14, 0.42%, 0.67%, 0.75

LABA 68.89, -4, -21.22, 0.75

 

CMYK 27 / 13 / 0 / 20

HEX #779ABBBF

RGBA 119 154 187 0.75

HSLA 209.12, 0.33%, 0.6%, 0.75

LABA 62.19, -3.79, -20.96, 0.75

 

CMYK 29 / 14 / 0 / 26

HEX #6688A8BF

RGBA 102 136 168 0.75

HSLA 209.09, 0.28%, 0.53%, 0.75

LABA 55.34, -3.55, -20.73, 0.75

 

CMYK 32 / 16 / 0 / 31

HEX #557695BF

RGBA 85 118 149 0.75

HSLA 209.06, 0.27%, 0.46%, 0.75

LABA 48.33, -3.25, -20.51, 0.75

 

CMYK 36 / 17 / 0 / 37

HEX #446482BF

RGBA 68 100 130 0.75

HSLA 209.03, 0.31%, 0.39%, 0.75

LABA 41.14, -2.87, -20.32, 0.75

 

CMYK 34 / 17 / 0 / 19

HEX #88ACCE

RGB 136 172 206

HSL 209.14, 0.42%, 0.67%

LAB 68.89, -4, -21.22

 

CMYK 34 / 26 / 0 / 19

HEX #8899CE

RGB 136 153 206

HSL 225.43, 0.42%, 0.67%

LAB 63.73, 6.63, -29.13

 

CMYK 33 / 34 / 0 / 19

HEX #8988CE

RGB 137 136 206

HSL 240.86, 0.42%, 0.67%

LAB 59.33, 16.73, -35.97

 

CMYK 24 / 34 / 0 / 19

HEX #9C88CE

RGB 156 136 206

HSL 257.14, 0.42%, 0.67%

LAB 60.9, 22.27, -33.4

 

CMYK 15 / 34 / 0 / 19

HEX #AF88CE

RGB 175 136 206

HSL 273.43, 0.42%, 0.67%

LAB 62.66, 28.08, -30.53

 

CMYK 34 / 17 / 0 / 19

HEX #88ACCE

RGB 136 172 206

HSL 209.14, 0.42%, 0.67%

LAB 68.89, -4, -21.22

 

CMYK 34 / 26 / 0 / 19

HEX #8899CE

RGB 136 153 206

HSL 225.43, 0.42%, 0.67%

LAB 63.73, 6.63, -29.13

 

CMYK 34 / 34 / 0 / 19

HEX #8888CE

RGB 136 136 206

HSL 240, 0.42%, 0.67%

LAB 59.25, 16.45, -36.1

 

CMYK 34 / 17 / 0 / 19

HEX #88ACCE

RGB 136 172 206

HSL 209.14, 0.42%, 0.67%

LAB 68.89, -4, -21.22

 

CMYK 45 / 22 / 0 / 14

HEX #7AACDC

RGB 122 172 220

HSL 209.39, 0.58%, 0.67%

LAB 68.61, -3.97, -29.42

 

CMYK 54 / 26 / 0 / 9

HEX #6CADE9

RGB 108 173 233

HSL 208.8, 0.74%, 0.67%

LAB 68.72, -3.96, -36.42

 

CMYK 62 / 30 / 0 / 3

HEX #5FADF7

RGB 95 173 247

HSL 209.21, 0.9%, 0.67%

LAB 68.78, -2.15, -44.01

 

CMYK 34 / 17 / 0 / 19

HEX #88ACCE

RGB 136 172 206

HSL 209.14, 0.42%, 0.67%

LAB 68.89, -4, -21.22

 

CMYK 23 / 11 / 0 / 24

HEX #95ABC1

RGB 149 171 193

HSL 210, 0.26%, 0.67%

LAB 69.02, -2.74, -13.78

 

CMYK 9 / 4 / 0 / 30

HEX #A3ABB3

RGB 163 171 179

HSL 210, 0.1%, 0.67%

LAB 69.59, -1.21, -5.08

 

CMYK 0 / 3 / 6 / 31

HEX #B0ABA5

RGB 176 171 165

HSL 32.73, 0.07%, 0.67%

LAB 70.23, 0.7, 3.71

 

CMYK 0 / 11 / 20 / 25

HEX #BEAA98

RGB 190 170 152

HSL 28.42, 0.23%, 0.67%

LAB 70.85, 4.31, 11.91

 

CMYK 34 / 0 / 1 / 19

HEX #88CECB

RGB 136 206 203

HSL 177.43, 0.42%, 0.67%

LAB 78.28, -22.53, -5.5

 

CMYK 34 / 7 / 0 / 19

HEX #88BFCE

RGB 136 191 206

HSL 192.86, 0.42%, 0.67%

LAB 74.16, -14.16, -13.26

 

CMYK 34 / 17 / 0 / 19

HEX #88ACCE

RGB 136 172 206

HSL 209.14, 0.42%, 0.67%

LAB 68.89, -4, -21.22

 

CMYK 34 / 26 / 0 / 19

HEX #8899CE

RGB 136 153 206

HSL 225.43, 0.42%, 0.67%

LAB 63.73, 6.63, -29.13

 

CMYK 33 / 34 / 0 / 19

HEX #8988CE

RGB 137 136 206

HSL 240.86, 0.42%, 0.67%

LAB 59.33, 16.73, -35.97

 

CMYK 58 / 28 / 0 / 29

HEX #4D83B6

RGB 77 131 182

HSL 209.14, 0.42%, 0.51%

LAB 53.15, -2.58, -32.25

 

CMYK 45 / 22 / 0 / 24

HEX #6A97C2

RGB 106 151 194

HSL 209.32, 0.42%, 0.59%

LAB 60.86, -3.65, -26.99

 

CMYK 34 / 17 / 0 / 19

HEX #88ACCE

RGB 136 172 206

HSL 209.14, 0.42%, 0.67%

LAB 68.89, -4, -21.22

 

CMYK 24 / 12 / 0 / 15

HEX #A5C0DA

RGB 165 192 218

HSL 209.43, 0.42%, 0.75%

LAB 76.53, -3.4, -16.02

 

CMYK 16 / 7 / 0 / 10

HEX #C2D5E6

RGB 194 213 230

HSL 208.33, 0.42%, 0.83%

LAB 84.37, -2.92, -10.52

 

CMYK 34 / 17 / 0 / 19

HEX #88ACCE

RGB 136 172 206

HSL 209.14, 0.42%, 0.67%

LAB 68.89, -4, -21.22

 

CMYK 11 / 34 / 0 / 19

HEX #B888CE

RGB 184 136 206

HSL 281.14, 0.42%, 0.67%

LAB 63.55, 30.89, -29.08

 

CMYK 3 / 0 / 34 / 19

HEX #C8CE88

RGB 200 206 136

HSL 65.14, 0.42%, 0.67%

LAB 80.85, -12.93, 34.19

 

CMYK 34 / 17 / 0 / 19

HEX #88ACCE

RGB 136 172 206

HSL 209.14, 0.42%, 0.67%

LAB 68.89, -4, -21.22

 

CMYK 0 / 34 / 17 / 19

HEX #CE88AC

RGB 206 136 172

HSL 329.14, 0.42%, 0.67%

LAB 64.73, 31.96, -7.93

 

CMYK 17 / 0 / 34 / 19

HEX #ACCE88

RGB 172 206 136

HSL 89.14, 0.42%, 0.67%

LAB 78.86, -23.49, 31.2

 

CMYK 34 / 17 / 0 / 19

HEX #88ACCE

RGB 136 172 206

HSL 209.14, 0.42%, 0.67%

LAB 68.89, -4, -21.22

 

CMYK 11 / 34 / 0 / 19

HEX #B888CE

RGB 184 136 206

HSL 281.14, 0.42%, 0.67%

LAB 63.55, 30.89, -29.08

 

CMYK 0 / 17 / 34 / 19

HEX #CEAA88

RGB 206 170 136

HSL 29.14, 0.42%, 0.67%

LAB 71.99, 8.3, 22.47

 

CMYK 23 / 0 / 34 / 19

HEX #9ECE88

RGB 158 206 136

HSL 101.14, 0.42%, 0.67%

LAB 77.99, -28.51, 29.88

 

CMYK 34 / 17 / 0 / 19

HEX #88ACCE

RGB 136 172 206

HSL 209.14, 0.42%, 0.67%

LAB 68.89, -4, -21.22

 

CMYK 0 / 34 / 0 / 19

HEX #CD88CE

RGB 205 136 206

HSL 299.14, 0.42%, 0.67%

LAB 65.78, 37.54, -25.46

 

CMYK 0 / 17 / 34 / 19

HEX #CEAA88

RGB 206 170 136

HSL 29.14, 0.42%, 0.67%

LAB 71.99, 8.3, 22.47

 

CMYK 33 / 0 / 34 / 19

HEX #89CE88

RGB 137 206 136

HSL 119.14, 0.42%, 0.67%

LAB 76.82, -35.57, 28.13

 

Description

Color code: RGBA 136 172 206 0.75 | qconv.com Color code: RGBA 136 172 206 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 172 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 172 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 12 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 12% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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