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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 136 126 71 0.75 it is the complementary color RGBA 119 129 184 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 136 126 71 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 136 126 71 0.75 shade: RGBA 141 126 66 0.75, RGBA 158 144 85 0.75, RGBA 175 162 104 0.75, RGBA 192 180 123 0.75 and RGBA 209 198 142 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 136 126 71 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 136 126 71 0.75 shade: RGBA 136 126 71 0.75, RGBA 119 108 52 0.75, RGBA 102 90 33 0.75, RGBA 85 72 14 0.75 and RGBA 68 54 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 136 126 71 0.75 shade: RGB 137 127 72, RGB 137 110 72, RGB 137 92 72, RGB 137 75 72 and RGB 137 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 136 126 71 0.75 shade: RGB 137 127 72, RGB 129 137 72, RGB 112 137 72, RGB 94 137 72 and RGB 77 137 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 136 126 71 0.75 shade matches the following richer shades: RGB 137 127 72, RGB 154 139 55, RGB 171 150 38, RGB 188 162 21 and RGB 205 174 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 136 126 71 0.75 shade: RGB 137 127 72, RGB 120 115 89, RGB 103 104 106, RGB 86 92 123 and RGB 69 80 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 136 126 71 0.75 shade: RGB 137 92 72, RGB 137 109 72, RGB 137 126 72, RGB 130 137 72 and RGB 113 137 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 136 126 71 0.75 shade: RGB 83 77 44, RGB 110 102 58, RGB 137 127 72, RGB 164 152 86 and RGB 180 169 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 136 126 71 0.75 shade: RGB 136 126 71, RGB 72 137 74 and RGB 100 72 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 136 126 71 0.75 shade: RGB 136 126 71, RGB 72 137 126 and RGB 126 72 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 136 126 71 0.75 shade: RGB 136 126 71, RGB 72 137 74, RGB 72 83 137 and RGB 137 72 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 136 126 71 0.75 shade: RGB 136 126 71, RGB 72 137 94, RGB 72 83 137 and RGB 137 72 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 36 / 35

HEX #887E47BF

RGBA 136 126 71 0.75

HSLA 50.77, 0.31%, 0.41%, 0.75

LABA 52.52, -4.28, 31.18, 0.75

 

Complementary color

CMYK 26 / 22 / 0 / 21

HEX #7781B8BF

RGBA 119 129 184 0.75

HSLA 230.77, 0.31%, 0.59%, 0.75

LABA 55.16, 9.8, -30.09, 0.75

 

CMYK 0 / 8 / 40 / 34

HEX #8D7E42BF

RGBA 141 126 66 0.75

HSLA 48, 0.36%, 0.41%, 0.75

LABA 52.93, -2.56, 34.45, 0.75

 

CMYK 0 / 7 / 35 / 29

HEX #9E9055BF

RGBA 158 144 85 0.75

HSLA 48.49, 0.3%, 0.48%, 0.75

LABA 59.77, -3.23, 33.13, 0.75

 

CMYK 0 / 6 / 30 / 24

HEX #AFA268BF

RGBA 175 162 104 0.75

HSLA 49.01, 0.31%, 0.55%, 0.75

LABA 66.48, -3.77, 31.86, 0.75

 

CMYK 0 / 5 / 27 / 19

HEX #C0B47BBF

RGBA 192 180 123 0.75

HSLA 49.57, 0.35%, 0.62%, 0.75

LABA 73.08, -4.21, 30.65, 0.75

 

CMYK 0 / 4 / 24 / 14

HEX #D1C68EBF

RGBA 209 198 142 0.75

HSLA 50.15, 0.42%, 0.69%, 0.75

LABA 79.55, -4.59, 29.5, 0.75

 

CMYK 0 / 6 / 36 / 35

HEX #887E47BF

RGBA 136 126 71 0.75

HSLA 50.77, 0.31%, 0.41%, 0.75

LABA 52.52, -4.28, 31.18, 0.75

 

CMYK 0 / 7 / 42 / 40

HEX #776C34BF

RGBA 119 108 52 0.75

HSLA 50.15, 0.39%, 0.34%, 0.75

LABA 45.49, -3.59, 32.5, 0.75

 

CMYK 0 / 9 / 51 / 45

HEX #665A21BF

RGBA 102 90 33 0.75

HSLA 49.57, 0.51%, 0.26%, 0.75

LABA 38.28, -2.67, 33.72, 0.75

 

CMYK 0 / 11 / 63 / 50

HEX #55480EBF

RGBA 85 72 14 0.75

HSLA 49.01, 0.72%, 0.19%, 0.75

LABA 30.87, -1.38, 34.35, 0.75

 

CMYK 0 / 15 / 75 / 55

HEX #443600BF

RGBA 68 54 0 0.75

HSLA 47.65, 1%, 0.13%, 0.75

LABA 23.23, 0.42, 32.16, 0.75

 

CMYK 0 / 7 / 47 / 46

HEX #897F48

RGB 137 127 72

HSL 50.77, 0.31%, 0.41%

LAB 52.91, -4.29, 31.14

 

CMYK 0 / 20 / 47 / 46

HEX #896E48

RGB 137 110 72

HSL 35.08, 0.31%, 0.41%

LAB 48.18, 5.41, 25.18

 

CMYK 0 / 33 / 47 / 46

HEX #895C48

RGB 137 92 72

HSL 18.46, 0.31%, 0.41%

LAB 43.42, 15.95, 18.97

 

CMYK 0 / 45 / 47 / 46

HEX #894B48

RGB 137 75 72

HSL 2.77, 0.31%, 0.41%

LAB 39.27, 25.83, 13.38

 

CMYK 0 / 47 / 47 / 46

HEX #894848

RGB 137 72 72

HSL 0, 0.31%, 0.41%

LAB 38.59, 27.53, 12.44

 

CMYK 0 / 7 / 47 / 46

HEX #897F48

RGB 137 127 72

HSL 50.77, 0.31%, 0.41%

LAB 52.91, -4.29, 31.14

 

CMYK 6 / 0 / 47 / 46

HEX #818948

RGB 129 137 72

HSL 67.38, 0.31%, 0.41%

LAB 55.1, -13.25, 33.68

 

CMYK 18 / 0 / 47 / 46

HEX #708948

RGB 112 137 72

HSL 83.08, 0.31%, 0.41%

LAB 53.82, -20.35, 31.81

 

CMYK 31 / 0 / 47 / 46

HEX #5E8948

RGB 94 137 72

HSL 99.69, 0.31%, 0.41%

LAB 52.66, -27.38, 30.12

 

CMYK 44 / 0 / 47 / 46

HEX #4D8948

RGB 77 137 72

HSL 115.38, 0.31%, 0.41%

LAB 51.77, -33.32, 28.81

 

CMYK 0 / 7 / 47 / 46

HEX #897F48

RGB 137 127 72

HSL 50.77, 0.31%, 0.41%

LAB 52.91, -4.29, 31.14

 

CMYK 0 / 10 / 64 / 40

HEX #9A8B37

RGB 154 139 55

HSL 50.91, 0.47%, 0.41%

LAB 57.67, -4.83, 45.64

 

CMYK 0 / 12 / 78 / 33

HEX #AB9626

RGB 171 150 38

HSL 50.53, 0.64%, 0.41%

LAB 62.18, -4.08, 57.58

 

CMYK 0 / 14 / 89 / 26

HEX #BCA215

RGB 188 162 21

HSL 50.66, 0.8%, 0.41%

LAB 66.97, -3.39, 66.98

 

CMYK 0 / 15 / 98 / 20

HEX #CDAE04

RGB 205 174 4

HSL 50.75, 0.96%, 0.41%

LAB 71.73, -2.41, 73.75

 

CMYK 0 / 7 / 47 / 46

HEX #897F48

RGB 137 127 72

HSL 50.77, 0.31%, 0.41%

LAB 52.91, -4.29, 31.14

 

CMYK 0 / 4 / 26 / 53

HEX #787359

RGB 120 115 89

HSL 50.32, 0.15%, 0.41%

LAB 48.23, -2.63, 15.11

 

CMYK 3 / 2 / 0 / 58

HEX #67686A

RGB 103 104 106

HSL 220, 0.01%, 0.41%

LAB 43.98, 0.03, -1.26

 

CMYK 30 / 25 / 0 / 52

HEX #565C7B

RGB 86 92 123

HSL 230.27, 0.18%, 0.41%

LAB 39.69, 5.4, -18.21

 

CMYK 51 / 43 / 0 / 45

HEX #45508C

RGB 69 80 140

HSL 230.7, 0.34%, 0.41%

LAB 35.78, 13.28, -34.8

 

CMYK 0 / 33 / 47 / 46

HEX #895C48

RGB 137 92 72

HSL 18.46, 0.31%, 0.41%

LAB 43.42, 15.95, 18.97

 

CMYK 0 / 20 / 47 / 46

HEX #896D48

RGB 137 109 72

HSL 34.15, 0.31%, 0.41%

LAB 47.91, 5.99, 24.83

 

CMYK 0 / 8 / 47 / 46

HEX #897E48

RGB 137 126 72

HSL 49.85, 0.31%, 0.41%

LAB 52.63, -3.73, 30.79

 

CMYK 5 / 0 / 47 / 46

HEX #828948

RGB 130 137 72

HSL 66.46, 0.31%, 0.41%

LAB 55.18, -12.82, 33.79

 

CMYK 18 / 0 / 47 / 46

HEX #718948

RGB 113 137 72

HSL 82.15, 0.31%, 0.41%

LAB 53.89, -19.94, 31.92

 

CMYK 0 / 7 / 47 / 67

HEX #534D2C

RGB 83 77 44

HSL 50.77, 0.31%, 0.25%

LAB 32.54, -2.94, 20.44

 

CMYK 0 / 7 / 47 / 57

HEX #6E663A

RGB 110 102 58

HSL 50.77, 0.31%, 0.33%

LAB 42.95, -3.64, 25.93

 

CMYK 0 / 7 / 47 / 46

HEX #897F48

RGB 137 127 72

HSL 50.77, 0.31%, 0.41%

LAB 52.91, -4.29, 31.14

 

CMYK 0 / 7 / 48 / 36

HEX #A49856

RGB 164 152 86

HSL 50.77, 0.31%, 0.49%

LAB 62.53, -4.92, 36.14

 

CMYK 0 / 6 / 38 / 29

HEX #B4A970

RGB 180 169 112

HSL 50.29, 0.31%, 0.57%

LAB 68.93, -4.54, 30.86

 

CMYK 0 / 7 / 48 / 47

HEX #887E47

RGB 136 126 71

HSL 50.77, 0.31%, 0.41%

LAB 52.52, -4.28, 31.18

 

CMYK 47 / 0 / 46 / 46

HEX #48894A

RGB 72 137 74

HSL 121.85, 0.31%, 0.41%

LAB 51.57, -34.6, 27.43

 

CMYK 27 / 47 / 0 / 46

HEX #644889

RGB 100 72 137

HSL 265.85, 0.31%, 0.41%

LAB 36.27, 26.14, -32.01

 

CMYK 0 / 7 / 48 / 47

HEX #887E47

RGB 136 126 71

HSL 50.77, 0.31%, 0.41%

LAB 52.52, -4.28, 31.18

 

CMYK 47 / 0 / 8 / 46

HEX #48897E

RGB 72 137 126

HSL 169.85, 0.31%, 0.41%

LAB 52.7, -23.64, -0.55

 

CMYK 8 / 47 / 0 / 46

HEX #7E4889

RGB 126 72 137

HSL 289.85, 0.31%, 0.41%

LAB 39.37, 34.13, -26.92

 

CMYK 0 / 7 / 48 / 47

HEX #887E47

RGB 136 126 71

HSL 50.77, 0.31%, 0.41%

LAB 52.52, -4.28, 31.18

 

CMYK 47 / 0 / 46 / 46

HEX #48894A

RGB 72 137 74

HSL 121.85, 0.31%, 0.41%

LAB 51.57, -34.6, 27.43

 

CMYK 47 / 39 / 0 / 46

HEX #485389

RGB 72 83 137

HSL 229.85, 0.31%, 0.41%

LAB 36.69, 11.13, -31.52

 

CMYK 0 / 47 / 1 / 46

HEX #894887

RGB 137 72 135

HSL 301.85, 0.31%, 0.41%

LAB 40.74, 37.19, -23.46

 

CMYK 0 / 7 / 48 / 47

HEX #887E47

RGB 136 126 71

HSL 50.77, 0.31%, 0.41%

LAB 52.52, -4.28, 31.18

 

CMYK 47 / 0 / 31 / 46

HEX #48895E

RGB 72 137 94

HSL 140.31, 0.31%, 0.41%

LAB 51.92, -31.01, 16.78

 

CMYK 47 / 39 / 0 / 46

HEX #485389

RGB 72 83 137

HSL 229.85, 0.31%, 0.41%

LAB 36.69, 11.13, -31.52

 

CMYK 0 / 47 / 16 / 46

HEX #894873

RGB 137 72 115

HSL 320.31, 0.31%, 0.41%

LAB 39.9, 33.56, -12.47

 

Description

Color code: RGBA 136 126 71 0.75 | qconv.com Color code: RGBA 136 126 71 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 126 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 126 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 36 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 36% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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