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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 136 113 225 0.75 it is the complementary color RGBA 119 142 30 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 136 113 225 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 136 113 225 0.75 shade: RGBA 141 113 220 0.75, RGBA 158 131 239 0.75, RGBA 175 149 255 0.75, RGBA 192 167 255 0.75 and RGBA 209 185 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 136 113 225 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 136 113 225 0.75 shade: RGBA 136 113 225 0.75, RGBA 119 95 206 0.75, RGBA 102 77 187 0.75, RGBA 85 59 168 0.75 and RGBA 68 41 149 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 136 113 225 0.75 shade: RGB 135 112 225, RGB 165 112 225, RGB 196 112 225, RGB 225 112 223 and RGB 225 112 193

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 136 113 225 0.75 shade: RGB 135 112 225 and RGB 112 112 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 136 113 225 0.75 shade matches the following richer shades: RGB 135 112 225, RGB 127 98 239 and RGB 119 84 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 136 113 225 0.75 shade: RGB 135 112 225, RGB 143 126 211, RGB 152 140 197, RGB 160 154 183 and RGB 168 168 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 136 113 225 0.75 shade: RGB 112 150 225, RGB 112 119 225, RGB 134 112 225, RGB 165 112 225 and RGB 195 112 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 136 113 225 0.75 shade: RGB 78 44 210, RGB 107 78 217, RGB 135 112 225, RGB 164 146 232 and RGB 192 180 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 136 113 225 0.75 shade: RGB 136 113 225, RGB 225 112 180 and RGB 134 225 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 136 113 225 0.75 shade: RGB 136 113 225, RGB 225 134 112 and RGB 112 225 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 136 113 225 0.75 shade: RGB 136 113 225, RGB 225 112 180, RGB 202 225 112 and RGB 112 225 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 136 113 225 0.75 shade: RGB 136 113 225, RGB 225 112 146, RGB 202 225 112 and RGB 112 225 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 37 / 0 / 9

HEX #8871E1BF

RGBA 136 113 225 0.75

HSLA 252.32, 0.65%, 0.66%, 0.75

LABA 54.53, 35.08, -54.24, 0.75

 

Complementary color

CMYK 12 / 0 / 59 / 33

HEX #778E1EBF

RGBA 119 142 30 0.75

HSLA 72.32, 0.65%, 0.34%, 0.75

LABA 55.44, -23.41, 52.45, 0.75

 

CMYK 27 / 36 / 0 / 10

HEX #8D71DCBF

RGBA 141 113 220 0.75

HSLA 255.7, 0.6%, 0.65%, 0.75

LABA 54.7, 34.96, -51.14, 0.75

 

CMYK 25 / 34 / 0 / 5

HEX #9E83EFBF

RGBA 158 131 239 0.75

HSLA 255, 0.77%, 0.73%, 0.75

LABA 61.42, 33.96, -50.96, 0.75

 

CMYK 24 / 31 / 0 / 0

HEX #AF95FFBF

RGBA 175 149 255 0.75

HSLA 254.72, 1%, 0.79%, 0.75

LABA 67.89, 32.3, -49.41, 0.75

 

CMYK 19 / 26 / 0 / 0

HEX #C0A7FFBF

RGBA 192 167 255 0.75

HSLA 257.05, 1%, 0.83%, 0.75

LABA 73.59, 26.96, -40.38, 0.75

 

CMYK 14 / 21 / 0 / 0

HEX #D1B9FFBF

RGBA 209 185 255 0.75

HSLA 260.57, 1%, 0.86%, 0.75

LABA 79.31, 22.08, -31.4, 0.75

 

CMYK 30 / 37 / 0 / 9

HEX #8871E1BF

RGBA 136 113 225 0.75

HSLA 252.32, 0.65%, 0.66%, 0.75

LABA 54.53, 35.08, -54.24, 0.75

 

CMYK 32 / 40 / 0 / 14

HEX #775FCEBF

RGBA 119 95 206 0.75

HSLA 252.97, 0.53%, 0.59%, 0.75

LABA 47.7, 36.27, -54.48, 0.75

 

CMYK 34 / 44 / 0 / 20

HEX #664DBBBF

RGBA 102 77 187 0.75

HSLA 253.64, 0.45%, 0.52%, 0.75

LABA 40.77, 37.59, -54.73, 0.75

 

CMYK 37 / 49 / 0 / 26

HEX #553BA8BF

RGBA 85 59 168 0.75

HSLA 254.31, 0.48%, 0.45%, 0.75

LABA 33.75, 39.02, -54.94, 0.75

 

CMYK 41 / 54 / 0 / 31

HEX #442995BF

RGBA 68 41 149 0.75

HSLA 255, 0.57%, 0.37%, 0.75

LABA 26.69, 40.47, -54.99, 0.75

 

CMYK 40 / 50 / 0 / 12

HEX #8770E1

RGB 135 112 225

HSL 252.21, 0.65%, 0.66%

LAB 54.21, 35.42, -54.76

 

CMYK 27 / 50 / 0 / 12

HEX #A570E1

RGB 165 112 225

HSL 268.14, 0.65%, 0.66%

LAB 57.1, 42.97, -49.99

 

CMYK 13 / 50 / 0 / 12

HEX #C470E1

RGB 196 112 225

HSL 284.6, 0.65%, 0.66%

LAB 60.57, 51.25, -44.27

 

CMYK 0 / 50 / 1 / 12

HEX #E170DF

RGB 225 112 223

HSL 301.06, 0.65%, 0.66%

LAB 64.1, 58.82, -37.36

 

CMYK 0 / 50 / 14 / 12

HEX #E170C1

RGB 225 112 193

HSL 316.99, 0.65%, 0.66%

LAB 62.88, 53.89, -22.38

 

CMYK 40 / 50 / 0 / 12

HEX #8770E1

RGB 135 112 225

HSL 252.21, 0.65%, 0.66%

LAB 54.21, 35.42, -54.76

 

CMYK 50 / 50 / 0 / 12

HEX #7070E1

RGB 112 112 225

HSL 240, 0.65%, 0.66%

LAB 52.36, 30.18, -57.82

 

CMYK 40 / 50 / 0 / 12

HEX #8770E1

RGB 135 112 225

HSL 252.21, 0.65%, 0.66%

LAB 54.21, 35.42, -54.76

 

CMYK 47 / 59 / 0 / 6

HEX #7F62EF

RGB 127 98 239

HSL 252.34, 0.82%, 0.66%

LAB 51.24, 45.6, -67.43

 

CMYK 53 / 67 / 0 / 1

HEX #7754FD

RGB 119 84 253

HSL 252.43, 0.98%, 0.66%

LAB 48.7, 55.8, -79.4

 

CMYK 40 / 50 / 0 / 12

HEX #8770E1

RGB 135 112 225

HSL 252.21, 0.65%, 0.66%

LAB 54.21, 35.42, -54.76

 

CMYK 32 / 40 / 0 / 17

HEX #8F7ED3

RGB 143 126 211

HSL 252, 0.49%, 0.66%

LAB 57.53, 25.57, -41.58

 

CMYK 23 / 29 / 0 / 23

HEX #988CC5

RGB 152 140 197

HSL 252.63, 0.33%, 0.66%

LAB 61.19, 16.59, -27.92

 

CMYK 13 / 16 / 0 / 28

HEX #A09AB7

RGB 160 154 183

HSL 252.41, 0.17%, 0.66%

LAB 64.97, 8.02, -14.23

 

CMYK 1 / 1 / 0 / 34

HEX #A8A8A9

RGB 168 168 169

HSL 240, 0.01%, 0.66%

LAB 68.89, 0.19, -0.52

 

CMYK 50 / 33 / 0 / 12

HEX #7096E1

RGB 112 150 225

HSL 219.82, 0.65%, 0.66%

LAB 62.25, 7.56, -42.12

 

CMYK 50 / 47 / 0 / 12

HEX #7077E1

RGB 112 119 225

HSL 236.28, 0.65%, 0.66%

LAB 54.11, 25.97, -55.03

 

CMYK 40 / 50 / 0 / 12

HEX #8670E1

RGB 134 112 225

HSL 251.68, 0.65%, 0.66%

LAB 54.13, 35.18, -54.9

 

CMYK 27 / 50 / 0 / 12

HEX #A570E1

RGB 165 112 225

HSL 268.14, 0.65%, 0.66%

LAB 57.1, 42.97, -49.99

 

CMYK 13 / 50 / 0 / 12

HEX #C370E1

RGB 195 112 225

HSL 284.07, 0.65%, 0.66%

LAB 60.45, 50.98, -44.47

 

CMYK 63 / 79 / 0 / 18

HEX #4E2CD2

RGB 78 44 210

HSL 252.29, 0.65%, 0.5%

LAB 34.14, 58.09, -79.06

 

CMYK 51 / 64 / 0 / 15

HEX #6B4ED9

RGB 107 78 217

HSL 252.52, 0.65%, 0.58%

LAB 43.63, 46.73, -67.42

 

CMYK 40 / 50 / 0 / 12

HEX #8770E1

RGB 135 112 225

HSL 252.21, 0.65%, 0.66%

LAB 54.21, 35.42, -54.76

 

CMYK 29 / 37 / 0 / 9

HEX #A492E8

RGB 164 146 232

HSL 252.56, 0.65%, 0.74%

LAB 65.18, 25.26, -41.13

 

CMYK 20 / 25 / 0 / 6

HEX #C0B4EF

RGB 192 180 239

HSL 252.2, 0.65%, 0.82%

LAB 76.12, 16.13, -27.82

 

CMYK 40 / 50 / 0 / 12

HEX #8871E1

RGB 136 113 225

HSL 252.32, 0.65%, 0.66%

LAB 54.53, 35.08, -54.24

 

CMYK 0 / 50 / 20 / 12

HEX #E170B4

RGB 225 112 180

HSL 323.89, 0.65%, 0.66%

LAB 62.42, 51.94, -15.7

 

CMYK 40 / 0 / 50 / 12

HEX #86E170

RGB 134 225 112

HSL 108.32, 0.65%, 0.66%

LAB 81.89, -48.23, 46.57

 

CMYK 40 / 50 / 0 / 12

HEX #8871E1

RGB 136 113 225

HSL 252.32, 0.65%, 0.66%

LAB 54.53, 35.08, -54.24

 

CMYK 0 / 40 / 50 / 12

HEX #E18670

RGB 225 134 112

HSL 11.68, 0.65%, 0.66%

LAB 65.14, 32.59, 26.79

 

CMYK 50 / 0 / 40 / 12

HEX #70E186

RGB 112 225 134

HSL 131.68, 0.65%, 0.66%

LAB 81.3, -51.35, 34.86

 

CMYK 40 / 50 / 0 / 12

HEX #8871E1

RGB 136 113 225

HSL 252.32, 0.65%, 0.66%

LAB 54.53, 35.08, -54.24

 

CMYK 0 / 50 / 20 / 12

HEX #E170B4

RGB 225 112 180

HSL 323.89, 0.65%, 0.66%

LAB 62.42, 51.94, -15.7

 

CMYK 10 / 0 / 50 / 12

HEX #CAE170

RGB 202 225 112

HSL 72.21, 0.65%, 0.66%

LAB 85.79, -24.12, 52.2

 

CMYK 50 / 0 / 30 / 12

HEX #70E19D

RGB 112 225 157

HSL 143.89, 0.65%, 0.66%

LAB 81.69, -47.35, 23.62

 

CMYK 40 / 50 / 0 / 12

HEX #8871E1

RGB 136 113 225

HSL 252.32, 0.65%, 0.66%

LAB 54.53, 35.08, -54.24

 

CMYK 0 / 50 / 35 / 12

HEX #E17092

RGB 225 112 146

HSL 341.95, 0.65%, 0.66%

LAB 61.37, 47.45, 2.24

 

CMYK 10 / 0 / 50 / 12

HEX #CAE170

RGB 202 225 112

HSL 72.21, 0.65%, 0.66%

LAB 85.79, -24.12, 52.2

 

CMYK 50 / 0 / 15 / 12

HEX #70E1BF

RGB 112 225 191

HSL 161.95, 0.65%, 0.66%

LAB 82.41, -40.31, 6.8

 

Description

Color code: RGBA 136 113 225 0.75 | qconv.com Color code: RGBA 136 113 225 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 113 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 113 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 37 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 37% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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