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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 136 113 176 0.75 it is the complementary color RGBA 119 142 79 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 136 113 176 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 136 113 176 0.75 shade: RGBA 141 113 171 0.75, RGBA 158 131 190 0.75, RGBA 175 149 209 0.75, RGBA 192 167 228 0.75 and RGBA 209 185 247 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 136 113 176 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 136 113 176 0.75 shade: RGBA 136 113 176 0.75, RGBA 119 95 157 0.75, RGBA 102 77 138 0.75, RGBA 85 59 119 0.75 and RGBA 68 41 100 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 136 113 176 0.75 shade: RGB 137 114 177, RGB 154 114 177, RGB 171 114 177, RGB 177 114 166 and RGB 177 114 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 136 113 176 0.75 shade: RGB 137 114 177, RGB 120 114 177 and RGB 114 114 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 136 113 176 0.75 shade matches the following richer shades: RGB 137 114 177, RGB 132 96 195, RGB 127 78 213, RGB 122 60 230 and RGB 118 43 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 136 113 176 0.75 shade: RGB 137 114 177, RGB 142 131 159, RGB 146 149 142, RGB 151 167 124 and RGB 156 185 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 136 113 176 0.75 shade: RGB 114 125 177, RGB 119 114 177, RGB 136 114 177, RGB 153 114 177 and RGB 170 114 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 136 113 176 0.75 shade: RGB 96 74 134, RGB 115 89 161, RGB 137 114 177, RGB 159 140 192 and RGB 181 167 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 136 113 176 0.75 shade: RGB 136 113 176, RGB 177 114 142 and RGB 117 177 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 136 113 176 0.75 shade: RGB 136 113 176, RGB 177 136 114 and RGB 114 177 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 136 113 176 0.75 shade: RGB 136 113 176, RGB 177 114 142, RGB 155 177 114 and RGB 114 177 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 136 113 176 0.75 shade: RGB 136 113 176, RGB 177 114 123, RGB 155 177 114 and RGB 114 177 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 27 / 0 / 23

HEX #8871B0BF

RGBA 136 113 176 0.75

HSLA 261.9, 0.29%, 0.57%, 0.75

LABA 52.04, 22.3, -30.23, 0.75

 

Complementary color

CMYK 12 / 0 / 33 / 33

HEX #778E4FBF

RGBA 119 142 79 0.75

HSLA 81.9, 0.29%, 0.43%, 0.75

LABA 55.92, -19.23, 30.82, 0.75

 

CMYK 13 / 25 / 0 / 25

HEX #8D71ABBF

RGBA 141 113 171 0.75

HSLA 268.97, 0.26%, 0.56%, 0.75

LABA 52.3, 22.68, -26.89, 0.75

 

CMYK 13 / 23 / 0 / 19

HEX #9E83BEBF

RGBA 158 131 190 0.75

HSLA 267.46, 0.31%, 0.63%, 0.75

LABA 59.18, 22.02, -27.02, 0.75

 

CMYK 12 / 22 / 0 / 14

HEX #AF95D1BF

RGBA 175 149 209 0.75

HSLA 266, 0.39%, 0.7%, 0.75

LABA 65.91, 21.42, -27.18, 0.75

 

CMYK 12 / 20 / 0 / 8

HEX #C0A7E4BF

RGBA 192 167 228 0.75

HSLA 264.59, 0.53%, 0.77%, 0.75

LABA 72.53, 20.87, -27.36, 0.75

 

CMYK 12 / 19 / 0 / 2

HEX #D1B9F7BF

RGBA 209 185 247 0.75

HSLA 263.23, 0.79%, 0.85%, 0.75

LABA 79.02, 20.36, -27.56, 0.75

 

CMYK 17 / 27 / 0 / 23

HEX #8871B0BF

RGBA 136 113 176 0.75

HSLA 261.9, 0.29%, 0.57%, 0.75

LABA 52.04, 22.3, -30.23, 0.75

 

CMYK 18 / 30 / 0 / 29

HEX #775F9DBF

RGBA 119 95 157 0.75

HSLA 263.23, 0.25%, 0.49%, 0.75

LABA 45, 23.06, -30.21, 0.75

 

CMYK 20 / 33 / 0 / 34

HEX #664D8ABF

RGBA 102 77 138 0.75

HSLA 264.59, 0.28%, 0.42%, 0.75

LABA 37.78, 23.93, -30.22, 0.75

 

CMYK 21 / 38 / 0 / 40

HEX #553B77BF

RGBA 85 59 119 0.75

HSLA 266, 0.34%, 0.35%, 0.75

LABA 30.38, 24.91, -30.27, 0.75

 

CMYK 24 / 44 / 0 / 46

HEX #442964BF

RGBA 68 41 100 0.75

HSLA 267.46, 0.42%, 0.28%, 0.75

LABA 22.77, 25.99, -30.32, 0.75

 

CMYK 23 / 36 / 0 / 31

HEX #8972B1

RGB 137 114 177

HSL 261.9, 0.29%, 0.57%

LAB 52.43, 22.26, -30.19

 

CMYK 13 / 36 / 0 / 31

HEX #9A72B1

RGB 154 114 177

HSL 278.1, 0.29%, 0.57%

LAB 54.11, 27.61, -27.45

 

CMYK 3 / 36 / 0 / 31

HEX #AB72B1

RGB 171 114 177

HSL 294.29, 0.29%, 0.57%

LAB 55.95, 33.09, -24.45

 

CMYK 0 / 36 / 6 / 31

HEX #B172A6

RGB 177 114 166

HSL 310.48, 0.29%, 0.57%

LAB 56.22, 32.99, -17.63

 

CMYK 0 / 36 / 16 / 31

HEX #B17295

RGB 177 114 149

HSL 326.67, 0.29%, 0.57%

LAB 55.64, 30.04, -8.65

 

CMYK 23 / 36 / 0 / 31

HEX #8972B1

RGB 137 114 177

HSL 261.9, 0.29%, 0.57%

LAB 52.43, 22.26, -30.19

 

CMYK 32 / 36 / 0 / 31

HEX #7872B1

RGB 120 114 177

HSL 245.71, 0.29%, 0.57%

LAB 50.92, 17.13, -32.66

 

CMYK 36 / 36 / 0 / 31

HEX #7272B1

RGB 114 114 177

HSL 240, 0.29%, 0.57%

LAB 50.44, 15.39, -33.45

 

CMYK 23 / 36 / 0 / 31

HEX #8972B1

RGB 137 114 177

HSL 261.9, 0.29%, 0.57%

LAB 52.43, 22.26, -30.19

 

CMYK 32 / 51 / 0 / 24

HEX #8460C3

RGB 132 96 195

HSL 261.82, 0.45%, 0.57%

LAB 48.53, 35.91, -46.78

 

CMYK 40 / 63 / 0 / 16

HEX #7F4ED5

RGB 127 78 213

HSL 261.78, 0.62%, 0.57%

LAB 45.31, 49.49, -62.32

 

CMYK 47 / 74 / 0 / 10

HEX #7A3CE6

RGB 122 60 230

HSL 261.88, 0.77%, 0.57%

LAB 42.89, 61.87, -75.98

 

CMYK 52 / 83 / 0 / 3

HEX #762BF8

RGB 118 43 248

HSL 261.95, 0.94%, 0.57%

LAB 41.78, 72.5, -87.98

 

CMYK 23 / 36 / 0 / 31

HEX #8972B1

RGB 137 114 177

HSL 261.9, 0.29%, 0.57%

LAB 52.43, 22.26, -30.19

 

CMYK 11 / 18 / 0 / 38

HEX #8E839F

RGB 142 131 159

HSL 263.57, 0.13%, 0.57%

LAB 56.57, 9.8, -13.41

 

CMYK 2 / 0 / 5 / 42

HEX #92958E

RGB 146 149 142

HSL 85.71, 0.03%, 0.57%

LAB 61.27, -2.43, 3.31

 

CMYK 10 / 0 / 26 / 35

HEX #97A77C

RGB 151 167 124

HSL 82.33, 0.2%, 0.57%

LAB 66.27, -13.35, 20.43

 

CMYK 16 / 0 / 43 / 27

HEX #9CB96A

RGB 156 185 106

HSL 82.03, 0.36%, 0.57%

LAB 71.42, -23.07, 36.81

 

CMYK 36 / 29 / 0 / 31

HEX #727DB1

RGB 114 125 177

HSL 229.52, 0.29%, 0.57%

LAB 53.41, 8.8, -28.82

 

CMYK 33 / 36 / 0 / 31

HEX #7772B1

RGB 119 114 177

HSL 244.76, 0.29%, 0.57%

LAB 50.84, 16.84, -32.79

 

CMYK 23 / 36 / 0 / 31

HEX #8872B1

RGB 136 114 177

HSL 260.95, 0.29%, 0.57%

LAB 52.33, 21.95, -30.35

 

CMYK 14 / 36 / 0 / 31

HEX #9972B1

RGB 153 114 177

HSL 277.14, 0.29%, 0.57%

LAB 54.01, 27.29, -27.62

 

CMYK 4 / 36 / 0 / 31

HEX #AA72B1

RGB 170 114 177

HSL 293.33, 0.29%, 0.57%

LAB 55.84, 32.77, -24.64

 

CMYK 28 / 45 / 0 / 47

HEX #604A86

RGB 96 74 134

HSL 262, 0.29%, 0.41%

LAB 36.19, 22.9, -30.33

 

CMYK 29 / 45 / 0 / 37

HEX #7359A1

RGB 115 89 161

HSL 261.67, 0.29%, 0.49%

LAB 43.3, 26.51, -35.27

 

CMYK 23 / 36 / 0 / 31

HEX #8972B1

RGB 137 114 177

HSL 261.9, 0.29%, 0.57%

LAB 52.43, 22.26, -30.19

 

CMYK 17 / 27 / 0 / 25

HEX #9F8CC0

RGB 159 140 192

HSL 261.92, 0.29%, 0.65%

LAB 61.6, 17.63, -24.42

 

CMYK 12 / 19 / 0 / 19

HEX #B5A7CE

RGB 181 167 206

HSL 261.54, 0.28%, 0.73%

LAB 70.81, 12.64, -18

 

CMYK 23 / 36 / 0 / 31

HEX #8871B0

RGB 136 113 176

HSL 261.9, 0.29%, 0.57%

LAB 52.04, 22.3, -30.23

 

CMYK 0 / 36 / 20 / 31

HEX #B1728E

RGB 177 114 142

HSL 333.33, 0.29%, 0.57%

LAB 55.42, 28.9, -4.9

 

CMYK 34 / 0 / 36 / 31

HEX #75B172

RGB 117 177 114

HSL 117.14, 0.29%, 0.57%

LAB 66.86, -32.16, 26.25

 

CMYK 23 / 36 / 0 / 31

HEX #8871B0

RGB 136 113 176

HSL 261.9, 0.29%, 0.57%

LAB 52.04, 22.3, -30.23

 

CMYK 0 / 23 / 36 / 31

HEX #B18872

RGB 177 136 114

HSL 20.95, 0.29%, 0.57%

LAB 60.04, 12.56, 17.84

 

CMYK 36 / 0 / 23 / 31

HEX #72B188

RGB 114 177 136

HSL 140.95, 0.29%, 0.57%

LAB 67.13, -29.19, 14.69

 

CMYK 23 / 36 / 0 / 31

HEX #8871B0

RGB 136 113 176

HSL 261.9, 0.29%, 0.57%

LAB 52.04, 22.3, -30.23

 

CMYK 0 / 36 / 20 / 31

HEX #B1728E

RGB 177 114 142

HSL 333.33, 0.29%, 0.57%

LAB 55.42, 28.9, -4.9

 

CMYK 12 / 0 / 36 / 31

HEX #9BB172

RGB 155 177 114

HSL 80.95, 0.29%, 0.57%

LAB 69.2, -18.42, 29.78

 

CMYK 36 / 0 / 16 / 31

HEX #72B195

RGB 114 177 149

HSL 153.33, 0.29%, 0.57%

LAB 67.42, -26.54, 7.97

 

CMYK 23 / 36 / 0 / 31

HEX #8871B0

RGB 136 113 176

HSL 261.9, 0.29%, 0.57%

LAB 52.04, 22.3, -30.23

 

CMYK 0 / 36 / 31 / 31

HEX #B1727B

RGB 177 114 123

HSL 351.43, 0.29%, 0.57%

LAB 54.88, 26.09, 5.41

 

CMYK 12 / 0 / 36 / 31

HEX #9BB172

RGB 155 177 114

HSL 80.95, 0.29%, 0.57%

LAB 69.2, -18.42, 29.78

 

CMYK 36 / 0 / 5 / 31

HEX #72B1A8

RGB 114 177 168

HSL 171.43, 0.29%, 0.57%

LAB 67.91, -22.27, -1.82

 

Description

Color code: RGBA 136 113 176 0.75 | qconv.com Color code: RGBA 136 113 176 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 113 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 113 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 27 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 27% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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