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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 136 113 174 0.75 it is the complementary color RGBA 119 142 81 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 136 113 174 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 136 113 174 0.75 shade: RGBA 141 113 169 0.75, RGBA 158 131 188 0.75, RGBA 175 149 207 0.75, RGBA 192 167 226 0.75 and RGBA 209 185 245 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 136 113 174 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 136 113 174 0.75 shade: RGBA 136 113 174 0.75, RGBA 119 95 155 0.75, RGBA 102 77 136 0.75, RGBA 85 59 117 0.75 and RGBA 68 41 98 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 136 113 174 0.75 shade: RGB 135 113 173, RGB 152 113 173, RGB 168 113 173, RGB 173 113 162 and RGB 173 113 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 136 113 174 0.75 shade: RGB 135 113 173, RGB 119 113 173 and RGB 113 113 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 136 113 174 0.75 shade matches the following richer shades: RGB 135 113 173, RGB 131 94 191, RGB 126 76 209, RGB 122 58 228 and RGB 117 40 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 136 113 174 0.75 shade: RGB 135 113 173, RGB 140 131 155, RGB 144 149 137, RGB 149 167 119 and RGB 153 185 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 136 113 174 0.75 shade: RGB 113 123 173, RGB 119 113 173, RGB 135 113 173, RGB 151 113 173 and RGB 167 113 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 136 113 174 0.75 shade: RGB 95 74 129, RGB 114 89 155, RGB 135 113 173, RGB 157 139 188 and RGB 179 165 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 136 113 174 0.75 shade: RGB 136 113 174, RGB 173 113 139 and RGB 115 173 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 136 113 174 0.75 shade: RGB 136 113 174, RGB 173 135 113 and RGB 113 173 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 136 113 174 0.75 shade: RGB 136 113 174, RGB 173 113 139, RGB 151 173 113 and RGB 113 173 147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 136 113 174 0.75 shade: RGB 136 113 174, RGB 173 113 121, RGB 151 173 113 and RGB 113 173 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 26 / 0 / 24

HEX #8871AEBF

RGBA 136 113 174 0.75

HSLA 262.62, 0.27%, 0.56%, 0.75

LABA 51.95, 21.81, -29.21, 0.75

 

Complementary color

CMYK 12 / 0 / 32 / 33

HEX #778E51BF

RGBA 119 142 81 0.75

HSLA 82.62, 0.27%, 0.44%, 0.75

LABA 55.95, -18.98, 29.78, 0.75

 

CMYK 12 / 25 / 0 / 25

HEX #8D71A9BF

RGBA 141 113 169 0.75

HSLA 270, 0.25%, 0.55%, 0.75

LABA 52.22, 22.22, -25.86, 0.75

 

CMYK 12 / 23 / 0 / 20

HEX #9E83BCBF

RGBA 158 131 188 0.75

HSLA 268.42, 0.3%, 0.63%, 0.75

LABA 59.1, 21.57, -26.01, 0.75

 

CMYK 12 / 21 / 0 / 14

HEX #AF95CFBF

RGBA 175 149 207 0.75

HSLA 266.9, 0.38%, 0.7%, 0.75

LABA 65.84, 20.97, -26.19, 0.75

 

CMYK 11 / 20 / 0 / 9

HEX #C0A7E2BF

RGBA 192 167 226 0.75

HSLA 265.42, 0.5%, 0.77%, 0.75

LABA 72.45, 20.43, -26.38, 0.75

 

CMYK 11 / 18 / 0 / 3

HEX #D1B9F5BF

RGBA 209 185 245 0.75

HSLA 264, 0.75%, 0.84%, 0.75

LABA 78.95, 19.94, -26.59, 0.75

 

CMYK 16 / 26 / 0 / 24

HEX #8871AEBF

RGBA 136 113 174 0.75

HSLA 262.62, 0.27%, 0.56%, 0.75

LABA 51.95, 21.81, -29.21, 0.75

 

CMYK 17 / 29 / 0 / 29

HEX #775F9BBF

RGBA 119 95 155 0.75

HSLA 264, 0.24%, 0.49%, 0.75

LABA 44.9, 22.56, -29.17, 0.75

 

CMYK 19 / 33 / 0 / 35

HEX #664D88BF

RGBA 102 77 136 0.75

HSLA 265.42, 0.28%, 0.42%, 0.75

LABA 37.68, 23.41, -29.16, 0.75

 

CMYK 21 / 37 / 0 / 41

HEX #553B75BF

RGBA 85 59 117 0.75

HSLA 266.9, 0.33%, 0.35%, 0.75

LABA 30.26, 24.37, -29.19, 0.75

 

CMYK 23 / 44 / 0 / 46

HEX #442962BF

RGBA 68 41 98 0.75

HSLA 268.42, 0.41%, 0.27%, 0.75

LABA 22.64, 25.43, -29.23, 0.75

 

CMYK 22 / 35 / 0 / 32

HEX #8771AD

RGB 135 113 173

HSL 262, 0.27%, 0.56%

LAB 51.81, 21.25, -28.85

 

CMYK 12 / 35 / 0 / 32

HEX #9871AD

RGB 152 113 173

HSL 279, 0.27%, 0.56%

LAB 53.5, 26.67, -26.11

 

CMYK 3 / 35 / 0 / 32

HEX #A871AD

RGB 168 113 173

HSL 295, 0.27%, 0.56%

LAB 55.23, 31.88, -23.29

 

CMYK 0 / 35 / 6 / 32

HEX #AD71A2

RGB 173 113 162

HSL 311, 0.27%, 0.56%

LAB 55.38, 31.46, -16.64

 

CMYK 0 / 35 / 16 / 32

HEX #AD7191

RGB 173 113 145

HSL 328, 0.27%, 0.56%

LAB 54.8, 28.5, -7.62

 

CMYK 22 / 35 / 0 / 32

HEX #8771AD

RGB 135 113 173

HSL 262, 0.27%, 0.56%

LAB 51.81, 21.25, -28.85

 

CMYK 31 / 35 / 0 / 32

HEX #7771AD

RGB 119 113 173

HSL 246, 0.27%, 0.56%

LAB 50.39, 16.36, -31.17

 

CMYK 35 / 35 / 0 / 32

HEX #7171AD

RGB 113 113 173

HSL 240, 0.27%, 0.56%

LAB 49.9, 14.6, -31.97

 

CMYK 22 / 35 / 0 / 32

HEX #8771AD

RGB 135 113 173

HSL 262, 0.27%, 0.56%

LAB 51.81, 21.25, -28.85

 

CMYK 31 / 51 / 0 / 25

HEX #835EBF

RGB 131 94 191

HSL 262.89, 0.43%, 0.56%

LAB 47.74, 35.77, -45.72

 

CMYK 40 / 64 / 0 / 18

HEX #7E4CD1

RGB 126 76 209

HSL 262.56, 0.59%, 0.56%

LAB 44.53, 49.3, -61.29

 

CMYK 46 / 75 / 0 / 11

HEX #7A3AE4

RGB 122 58 228

HSL 262.59, 0.76%, 0.56%

LAB 42.41, 62.25, -75.63

 

CMYK 52 / 84 / 0 / 4

HEX #7528F6

RGB 117 40 246

HSL 262.43, 0.92%, 0.56%

LAB 41.14, 72.9, -87.91

 

CMYK 22 / 35 / 0 / 32

HEX #8771AD

RGB 135 113 173

HSL 262, 0.27%, 0.56%

LAB 51.81, 21.25, -28.85

 

CMYK 10 / 15 / 0 / 39

HEX #8C839B

RGB 140 131 155

HSL 262.5, 0.11%, 0.56%

LAB 56.26, 8.23, -11.58

 

CMYK 3 / 0 / 8 / 42

HEX #909589

RGB 144 149 137

HSL 85, 0.05%, 0.56%

LAB 60.98, -4.1, 5.7

 

CMYK 11 / 0 / 29 / 35

HEX #95A777

RGB 149 167 119

HSL 82.5, 0.21%, 0.56%

LAB 66.03, -14.87, 22.8

 

CMYK 17 / 0 / 46 / 27

HEX #99B964

RGB 153 185 100

HSL 82.59, 0.38%, 0.56%

LAB 71.14, -24.94, 39.45

 

CMYK 35 / 29 / 0 / 32

HEX #717BAD

RGB 113 123 173

HSL 230, 0.27%, 0.56%

LAB 52.61, 8.6, -27.75

 

CMYK 31 / 35 / 0 / 32

HEX #7771AD

RGB 119 113 173

HSL 246, 0.27%, 0.56%

LAB 50.39, 16.36, -31.17

 

CMYK 22 / 35 / 0 / 32

HEX #8771AD

RGB 135 113 173

HSL 262, 0.27%, 0.56%

LAB 51.81, 21.25, -28.85

 

CMYK 13 / 35 / 0 / 32

HEX #9771AD

RGB 151 113 173

HSL 278, 0.27%, 0.56%

LAB 53.39, 26.35, -26.28

 

CMYK 3 / 35 / 0 / 32

HEX #A771AD

RGB 167 113 173

HSL 294, 0.27%, 0.56%

LAB 55.12, 31.55, -23.47

 

CMYK 26 / 43 / 0 / 49

HEX #5F4A81

RGB 95 74 129

HSL 262.91, 0.27%, 0.4%

LAB 35.82, 21.26, -27.84

 

CMYK 26 / 43 / 0 / 39

HEX #72599B

RGB 114 89 155

HSL 262.73, 0.27%, 0.48%

LAB 42.9, 24.65, -32.35

 

CMYK 22 / 35 / 0 / 32

HEX #8771AD

RGB 135 113 173

HSL 262, 0.27%, 0.56%

LAB 51.81, 21.25, -28.85

 

CMYK 16 / 26 / 0 / 26

HEX #9D8BBC

RGB 157 139 188

HSL 262.04, 0.27%, 0.64%

LAB 61.01, 16.65, -23.07

 

CMYK 12 / 19 / 0 / 20

HEX #B3A5CB

RGB 179 165 203

HSL 262.11, 0.27%, 0.72%

LAB 70.04, 12.46, -17.53

 

CMYK 22 / 35 / 0 / 32

HEX #8871AE

RGB 136 113 174

HSL 262.62, 0.27%, 0.56%

LAB 51.95, 21.81, -29.21

 

CMYK 0 / 35 / 20 / 32

HEX #AD718B

RGB 173 113 139

HSL 334, 0.27%, 0.56%

LAB 54.61, 27.52, -4.39

 

CMYK 34 / 0 / 35 / 32

HEX #73AD71

RGB 115 173 113

HSL 118, 0.27%, 0.56%

LAB 65.53, -31.1, 25.01

 

CMYK 22 / 35 / 0 / 32

HEX #8871AE

RGB 136 113 174

HSL 262.62, 0.27%, 0.56%

LAB 51.95, 21.81, -29.21

 

CMYK 0 / 22 / 35 / 32

HEX #AD8771

RGB 173 135 113

HSL 22, 0.27%, 0.56%

LAB 59.35, 11.36, 17.39

 

CMYK 35 / 0 / 22 / 32

HEX #71AD87

RGB 113 173 135

HSL 142, 0.27%, 0.56%

LAB 65.86, -27.76, 13.46

 

CMYK 22 / 35 / 0 / 32

HEX #8871AE

RGB 136 113 174

HSL 262.62, 0.27%, 0.56%

LAB 51.95, 21.81, -29.21

 

CMYK 0 / 35 / 20 / 32

HEX #AD718B

RGB 173 113 139

HSL 334, 0.27%, 0.56%

LAB 54.61, 27.52, -4.39

 

CMYK 13 / 0 / 35 / 32

HEX #97AD71

RGB 151 173 113

HSL 82, 0.27%, 0.56%

LAB 67.77, -18.06, 28.37

 

CMYK 35 / 0 / 15 / 32

HEX #71AD93

RGB 113 173 147

HSL 154, 0.27%, 0.56%

LAB 66.14, -25.28, 7.23

 

CMYK 22 / 35 / 0 / 32

HEX #8871AE

RGB 136 113 174

HSL 262.62, 0.27%, 0.56%

LAB 51.95, 21.81, -29.21

 

CMYK 0 / 35 / 30 / 32

HEX #AD7179

RGB 173 113 121

HSL 352, 0.27%, 0.56%

LAB 54.11, 24.83, 5.41

 

CMYK 13 / 0 / 35 / 32

HEX #97AD71

RGB 151 173 113

HSL 82, 0.27%, 0.56%

LAB 67.77, -18.06, 28.37

 

CMYK 35 / 0 / 5 / 32

HEX #71ADA5

RGB 113 173 165

HSL 172, 0.27%, 0.56%

LAB 66.61, -21.23, -2.07

 

Description

Color code: RGBA 136 113 174 0.75 | qconv.com Color code: RGBA 136 113 174 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 113 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 113 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 26 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 26% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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