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Color name
RGBA 136 100 25 0.75

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 136 100 25 0.75 it is the complementary color RGBA 119 155 230 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 136 100 25 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 136 100 25 0.75 shade: RGBA 141 100 20 0.75, RGBA 158 118 39 0.75, RGBA 175 136 58 0.75, RGBA 192 154 77 0.75 and RGBA 209 172 96 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 136 100 25 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 136 100 25 0.75 shade: RGBA 136 100 25 0.75, RGBA 119 82 6 0.75, RGBA 102 64 0 0.75, RGBA 85 46 0 0.75 and RGBA 68 28 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 136 100 25 0.75 shade: RGB 138 101 25, RGB 138 71 25, RGB 138 41 25 and RGB 138 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 136 100 25 0.75 shade: RGB 138 101 25, RGB 138 132 25, RGB 114 138 25, RGB 83 138 25 and RGB 53 138 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 136 100 25 0.75 shade matches the following richer shades: RGB 138 101 25 and RGB 151 106 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 136 100 25 0.75 shade: RGB 138 101 25, RGB 125 97 38, RGB 111 92 52, RGB 98 87 65 and RGB 85 83 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 136 100 25 0.75 shade: RGB 138 40 25, RGB 138 70 25, RGB 138 100 25, RGB 138 130 25 and RGB 115 138 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 136 100 25 0.75 shade: RGB 68 50 13, RGB 103 76 19, RGB 138 101 25, RGB 173 127 32 and RGB 208 153 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 136 100 25 0.75 shade: RGB 136 100 25, RGB 40 138 25 and RGB 55 25 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 136 100 25 0.75 shade: RGB 136 100 25, RGB 25 138 100 and RGB 100 25 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 136 100 25 0.75 shade: RGB 136 100 25, RGB 40 138 25, RGB 25 63 138 and RGB 123 25 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 136 100 25 0.75 shade: RGB 136 100 25, RGB 25 138 44, RGB 25 63 138 and RGB 138 25 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 61 / 35

HEX #886419BF

RGBA 136 100 25 0.75

HSLA 40.54, 0.69%, 0.32%, 0.75

LABA 44.83, 7.33, 45.02, 0.75

 

Complementary color

CMYK 36 / 24 / 0 / 7

HEX #779BE6BF

RGBA 119 155 230 0.75

HSLA 220.54, 0.69%, 0.68%, 0.75

LABA 64.22, 7.79, -41.76, 0.75

 

CMYK 0 / 22 / 64 / 34

HEX #8D6414BF

RGBA 141 100 20 0.75

HSLA 39.67, 0.75%, 0.32%, 0.75

LABA 45.4, 9.51, 47.55, 0.75

 

CMYK 0 / 19 / 56 / 29

HEX #9E7627BF

RGBA 158 118 39 0.75

HSLA 39.83, 0.6%, 0.39%, 0.75

LABA 52.26, 7.8, 47.29, 0.75

 

CMYK 0 / 17 / 50 / 24

HEX #AF883ABF

RGBA 175 136 58 0.75

HSLA 40, 0.5%, 0.46%, 0.75

LABA 59, 6.41, 46.3, 0.75

 

CMYK 0 / 15 / 45 / 19

HEX #C09A4DBF

RGBA 192 154 77 0.75

HSLA 40.17, 0.48%, 0.53%, 0.75

LABA 65.63, 5.25, 45.06, 0.75

 

CMYK 0 / 13 / 41 / 14

HEX #D1AC60BF

RGBA 209 172 96 0.75

HSLA 40.35, 0.55%, 0.6%, 0.75

LABA 72.16, 4.29, 43.75, 0.75

 

CMYK 0 / 20 / 61 / 35

HEX #886419BF

RGBA 136 100 25 0.75

HSLA 40.54, 0.69%, 0.32%, 0.75

LABA 44.83, 7.33, 45.02, 0.75

 

CMYK 0 / 23 / 71 / 40

HEX #775206BF

RGBA 119 82 6 0.75

HSLA 40.35, 0.9%, 0.25%, 0.75

LABA 37.79, 9.27, 44.42, 0.75

 

CMYK 0 / 28 / 75 / 45

HEX #664000BF

RGBA 102 64 0 0.75

HSLA 37.65, 1%, 0.2%, 0.75

LABA 30.62, 11.71, 40.38, 0.75

 

CMYK 0 / 34 / 75 / 50

HEX #552E00BF

RGBA 85 46 0 0.75

HSLA 32.47, 1%, 0.17%, 0.75

LABA 23.29, 14.48, 32.99, 0.75

 

CMYK 0 / 44 / 75 / 55

HEX #441C00BF

RGBA 68 28 0 0.75

HSLA 24.71, 1%, 0.13%, 0.75

LABA 15.8, 17.35, 23.66, 0.75

 

CMYK 0 / 27 / 82 / 46

HEX #8A6519

RGB 138 101 25

HSL 40.35, 0.69%, 0.32%

LAB 45.33, 7.69, 45.57

 

CMYK 0 / 49 / 82 / 46

HEX #8A4719

RGB 138 71 25

HSL 24.42, 0.69%, 0.32%

LAB 37.81, 25.09, 38.58

 

CMYK 0 / 70 / 82 / 46

HEX #8A2919

RGB 138 41 25

HSL 8.5, 0.69%, 0.32%

LAB 31.94, 40.29, 32.88

 

CMYK 0 / 82 / 82 / 46

HEX #8A1919

RGB 138 25 25

HSL 0, 0.69%, 0.32%

LAB 29.83, 46.13, 30.76

 

CMYK 0 / 27 / 82 / 46

HEX #8A6519

RGB 138 101 25

HSL 40.35, 0.69%, 0.32%

LAB 45.33, 7.69, 45.57

 

CMYK 0 / 4 / 82 / 46

HEX #8A8419

RGB 138 132 25

HSL 56.81, 0.69%, 0.32%

LAB 54, -9.85, 53.3

 

CMYK 17 / 0 / 82 / 46

HEX #728A19

RGB 114 138 25

HSL 72.74, 0.69%, 0.32%

LAB 53.84, -23.79, 52.42

 

CMYK 40 / 0 / 82 / 46

HEX #538A19

RGB 83 138 25

HSL 89.2, 0.69%, 0.32%

LAB 51.93, -36.33, 49.98

 

CMYK 62 / 0 / 82 / 46

HEX #358A19

RGB 53 138 25

HSL 105.13, 0.69%, 0.32%

LAB 50.69, -45.8, 48.38

 

CMYK 0 / 27 / 82 / 46

HEX #8A6519

RGB 138 101 25

HSL 40.35, 0.69%, 0.32%

LAB 45.33, 7.69, 45.57

 

CMYK 0 / 30 / 92 / 41

HEX #976A0C

RGB 151 106 12

HSL 40.58, 0.85%, 0.32%

LAB 48.15, 10.53, 52.54

 

CMYK 0 / 27 / 82 / 46

HEX #8A6519

RGB 138 101 25

HSL 40.35, 0.69%, 0.32%

LAB 45.33, 7.69, 45.57

 

CMYK 0 / 22 / 70 / 51

HEX #7D6126

RGB 125 97 38

HSL 40.69, 0.53%, 0.32%

LAB 42.84, 4.55, 36.88

 

CMYK 0 / 17 / 53 / 56

HEX #6F5C34

RGB 111 92 52

HSL 40.68, 0.36%, 0.32%

LAB 40.05, 2.08, 25.76

 

CMYK 0 / 11 / 34 / 62

HEX #625741

RGB 98 87 65

HSL 40, 0.2%, 0.32%

LAB 37.47, 0.74, 14.45

 

CMYK 0 / 2 / 8 / 67

HEX #55534E

RGB 85 83 78

HSL 42.86, 0.04%, 0.32%

LAB 35.34, -0.21, 3.21

 

CMYK 0 / 71 / 82 / 46

HEX #8A2819

RGB 138 40 25

HSL 7.96, 0.69%, 0.32%

LAB 31.79, 40.72, 32.72

 

CMYK 0 / 49 / 82 / 46

HEX #8A4619

RGB 138 70 25

HSL 23.89, 0.69%, 0.32%

LAB 37.58, 25.66, 38.37

 

CMYK 0 / 28 / 82 / 46

HEX #8A6419

RGB 138 100 25

HSL 39.82, 0.69%, 0.32%

LAB 45.06, 8.27, 45.33

 

CMYK 0 / 6 / 82 / 46

HEX #8A8219

RGB 138 130 25

HSL 55.75, 0.69%, 0.32%

LAB 53.43, -8.76, 52.8

 

CMYK 17 / 0 / 82 / 46

HEX #738A19

RGB 115 138 25

HSL 72.21, 0.69%, 0.32%

LAB 53.91, -23.36, 52.51

 

CMYK 0 / 26 / 81 / 73

HEX #44320D

RGB 68 50 13

HSL 40.36, 0.68%, 0.16%

LAB 22.09, 3.71, 25.57

 

CMYK 0 / 26 / 82 / 60

HEX #674C13

RGB 103 76 19

HSL 40.71, 0.69%, 0.24%

LAB 34.19, 5.46, 36.14

 

CMYK 0 / 27 / 82 / 46

HEX #8A6519

RGB 138 101 25

HSL 40.35, 0.69%, 0.32%

LAB 45.33, 7.69, 45.57

 

CMYK 0 / 27 / 82 / 32

HEX #AD7F20

RGB 173 127 32

HSL 40.43, 0.69%, 0.4%

LAB 56.25, 9.27, 54.37

 

CMYK 0 / 26 / 82 / 18

HEX #D09926

RGB 208 153 38

HSL 40.59, 0.69%, 0.48%

LAB 66.77, 10.76, 63.14

 

CMYK 0 / 26 / 82 / 47

HEX #886419

RGB 136 100 25

HSL 40.54, 0.69%, 0.32%

LAB 44.83, 7.33, 45.02

 

CMYK 71 / 0 / 82 / 46

HEX #288A19

RGB 40 138 25

HSL 112.04, 0.69%, 0.32%

LAB 50.33, -48.78, 47.91

 

CMYK 60 / 82 / 0 / 46

HEX #37198A

RGB 55 25 138

HSL 255.93, 0.69%, 0.32%

LAB 21.37, 43.52, -56.97

 

CMYK 0 / 26 / 82 / 47

HEX #886419

RGB 136 100 25

HSL 40.54, 0.69%, 0.32%

LAB 44.83, 7.33, 45.02

 

CMYK 82 / 0 / 28 / 46

HEX #198A64

RGB 25 138 100

HSL 159.82, 0.69%, 0.32%

LAB 51.04, -39.61, 11.92

 

CMYK 28 / 82 / 0 / 46

HEX #64198A

RGB 100 25 138

HSL 279.82, 0.69%, 0.32%

LAB 27.41, 50.44, -46.84

 

CMYK 0 / 26 / 82 / 47

HEX #886419

RGB 136 100 25

HSL 40.54, 0.69%, 0.32%

LAB 44.83, 7.33, 45.02

 

CMYK 71 / 0 / 82 / 46

HEX #288A19

RGB 40 138 25

HSL 112.04, 0.69%, 0.32%

LAB 50.33, -48.78, 47.91

 

CMYK 82 / 54 / 0 / 46

HEX #193F8A

RGB 25 63 138

HSL 219.82, 0.69%, 0.32%

LAB 28.37, 15.96, -45.59

 

CMYK 11 / 82 / 0 / 46

HEX #7B198A

RGB 123 25 138

HSL 292.04, 0.69%, 0.32%

LAB 31.21, 54.8, -40.51

 

CMYK 0 / 26 / 82 / 47

HEX #886419

RGB 136 100 25

HSL 40.54, 0.69%, 0.32%

LAB 44.83, 7.33, 45.02

 

CMYK 82 / 0 / 68 / 46

HEX #198A2C

RGB 25 138 44

HSL 130.09, 0.69%, 0.32%

LAB 50.17, -49.64, 40.42

 

CMYK 82 / 54 / 0 / 46

HEX #193F8A

RGB 25 63 138

HSL 219.82, 0.69%, 0.32%

LAB 28.37, 15.96, -45.59

 

CMYK 0 / 82 / 14 / 46

HEX #8A1977

RGB 138 25 119

HSL 310.09, 0.69%, 0.32%

LAB 32.77, 54.85, -25.97

 

Description

Color code: RGBA 136 100 25 0.75 | qconv.com Color code: RGBA 136 100 25 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 100 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 100 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 61 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 61% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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