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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 134 237 229 0.75 it is the complementary color RGBA 121 18 26 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 134 237 229 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 134 237 229 0.75 shade: RGBA 139 237 224 0.75, RGBA 156 255 243 0.75, RGBA 173 255 255 0.75, RGBA 190 255 255 0.75 and RGBA 207 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 134 237 229 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 134 237 229 0.75 shade: RGBA 134 237 229 0.75, RGBA 117 219 210 0.75, RGBA 100 201 191 0.75, RGBA 83 183 172 0.75 and RGBA 66 165 153 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 134 237 229 0.75 shade: RGB 135 237 229, RGB 135 237 202, RGB 135 237 174, RGB 135 237 147 and RGB 151 237 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 134 237 229 0.75 shade: RGB 135 237 229, RGB 135 218 237, RGB 135 190 237, RGB 135 163 237 and RGB 135 135 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 134 237 229 0.75 shade matches the following richer shades: RGB 135 237 229 and RGB 124 248 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 134 237 229 0.75 shade: RGB 135 237 229, RGB 146 226 220, RGB 157 215 210, RGB 169 204 201 and RGB 180 193 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 134 237 229 0.75 shade: RGB 135 237 174, RGB 135 237 201, RGB 135 237 229, RGB 135 218 237 and RGB 135 191 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 134 237 229 0.75 shade: RGB 63 226 214, RGB 99 232 221, RGB 135 237 229, RGB 171 242 237 and RGB 207 248 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 134 237 229 0.75 shade: RGB 134 237 229, RGB 147 135 237 and RGB 237 188 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 134 237 229 0.75 shade: RGB 134 237 229, RGB 229 135 237 and RGB 237 229 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 134 237 229 0.75 shade: RGB 134 237 229, RGB 147 135 237, RGB 237 135 144 and RGB 225 237 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 134 237 229 0.75 shade: RGB 134 237 229, RGB 178 135 237, RGB 237 135 144 and RGB 195 237 135

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 3 / 5

HEX #86EDE5BF

RGBA 134 237 229 0.75

HSLA 175.34, 0.74%, 0.73%, 0.75

LABA 87.63, -31.89, -5.51, 0.75

 

Complementary color

CMYK 0 / 64 / 59 / 39

HEX #79121ABF

RGBA 121 18 26 0.75

HSLA 355.34, 0.74%, 0.27%, 0.75

LABA 25.48, 42.93, 24.41, 0.75

 

CMYK 31 / 0 / 4 / 5

HEX #8BEDE0BF

RGBA 139 237 224 0.75

HSLA 172.04, 0.73%, 0.74%, 0.75

LABA 87.7, -31.87, -2.76, 0.75

 

CMYK 29 / 0 / 4 / 0

HEX #9CFFF3BF

RGBA 156 255 243 0.75

HSLA 172.73, 1%, 0.81%, 0.75

LABA 93.91, -31.77, -3.44, 0.75

 

CMYK 24 / 0 / 0 / 0

HEX #ADFFFFBF

RGBA 173 255 255 0.75

HSLA 180, 1%, 0.84%, 0.75

LABA 95, -24.69, -7.94, 0.75

 

CMYK 19 / 0 / 0 / 0

HEX #BEFFFFBF

RGBA 190 255 255 0.75

HSLA 180, 1%, 0.87%, 0.75

LABA 95.87, -20.05, -6.56, 0.75

 

CMYK 14 / 0 / 0 / 0

HEX #CFFFFFBF

RGBA 207 255 255 0.75

HSLA 180, 1%, 0.91%, 0.75

LABA 96.82, -15.12, -5.04, 0.75

 

CMYK 33 / 0 / 3 / 5

HEX #86EDE5BF

RGBA 134 237 229 0.75

HSLA 175.34, 0.74%, 0.73%, 0.75

LABA 87.63, -31.89, -5.51, 0.75

 

CMYK 35 / 0 / 3 / 11

HEX #75DBD2BF

RGBA 117 219 210 0.75

HSLA 174.71, 0.59%, 0.66%, 0.75

LABA 81.35, -31.92, -4.81, 0.75

 

CMYK 38 / 0 / 4 / 16

HEX #64C9BFBF

RGBA 100 201 191 0.75

HSLA 174.06, 0.48%, 0.59%, 0.75

LABA 74.98, -31.91, -4.07, 0.75

 

CMYK 41 / 0 / 5 / 21

HEX #53B7ACBF

RGBA 83 183 172 0.75

HSLA 173.4, 0.41%, 0.52%, 0.75

LABA 68.52, -31.84, -3.27, 0.75

 

CMYK 45 / 0 / 5 / 26

HEX #42A599BF

RGBA 66 165 153 0.75

HSLA 172.73, 0.43%, 0.45%, 0.75

LABA 61.97, -31.66, -2.4, 0.75

 

CMYK 43 / 0 / 3 / 7

HEX #87EDE5

RGB 135 237 229

HSL 175.29, 0.74%, 0.73%

LAB 87.67, -31.66, -5.44

 

CMYK 43 / 0 / 15 / 7

HEX #87EDCA

RGB 135 237 202

HSL 159.41, 0.74%, 0.73%

LAB 86.99, -37.79, 7.71

 

CMYK 43 / 0 / 27 / 7

HEX #87EDAE

RGB 135 237 174

HSL 142.94, 0.74%, 0.73%

LAB 86.39, -43.41, 21.43

 

CMYK 43 / 0 / 38 / 7

HEX #87ED93

RGB 135 237 147

HSL 127.06, 0.74%, 0.73%

LAB 85.92, -48.05, 34.55

 

CMYK 36 / 0 / 43 / 7

HEX #97ED87

RGB 151 237 135

HSL 110.59, 0.74%, 0.73%

LAB 86.45, -45.05, 41.33

 

CMYK 43 / 0 / 3 / 7

HEX #87EDE5

RGB 135 237 229

HSL 175.29, 0.74%, 0.73%

LAB 87.67, -31.66, -5.44

 

CMYK 43 / 8 / 0 / 7

HEX #87DAED

RGB 135 218 237

HSL 191.18, 0.74%, 0.73%

LAB 82.6, -20.43, -17.23

 

CMYK 43 / 20 / 0 / 7

HEX #87BEED

RGB 135 190 237

HSL 207.65, 0.74%, 0.73%

LAB 74.88, -5.85, -28.96

 

CMYK 43 / 31 / 0 / 7

HEX #87A3ED

RGB 135 163 237

HSL 223.53, 0.74%, 0.73%

LAB 67.62, 9.12, -40.22

 

CMYK 43 / 43 / 0 / 7

HEX #8787ED

RGB 135 135 237

HSL 240, 0.74%, 0.73%

LAB 60.42, 25.33, -51.56

 

CMYK 43 / 0 / 3 / 7

HEX #87EDE5

RGB 135 237 229

HSL 175.29, 0.74%, 0.73%

LAB 87.67, -31.66, -5.44

 

CMYK 50 / 0 / 4 / 3

HEX #7CF8EF

RGB 124 248 239

HSL 175.65, 0.9%, 0.73%

LAB 90.62, -36.8, -6.35

 

CMYK 43 / 0 / 3 / 7

HEX #87EDE5

RGB 135 237 229

HSL 175.29, 0.74%, 0.73%

LAB 87.67, -31.66, -5.44

 

CMYK 35 / 0 / 3 / 11

HEX #92E2DC

RGB 146 226 220

HSL 175.5, 0.58%, 0.73%

LAB 84.83, -25.75, -4.84

 

CMYK 27 / 0 / 2 / 16

HEX #9DD7D2

RGB 157 215 210

HSL 174.83, 0.42%, 0.73%

LAB 82.07, -19.51, -3.54

 

CMYK 17 / 0 / 1 / 20

HEX #A9CCC9

RGB 169 204 201

HSL 174.86, 0.26%, 0.73%

LAB 79.52, -12.19, -2.39

 

CMYK 7 / 0 / 1 / 24

HEX #B4C1C0

RGB 180 193 192

HSL 175.38, 0.09%, 0.73%

LAB 77.07, -4.64, -1.04

 

CMYK 43 / 0 / 27 / 7

HEX #87EDAE

RGB 135 237 174

HSL 142.94, 0.74%, 0.73%

LAB 86.39, -43.41, 21.43

 

CMYK 43 / 0 / 15 / 7

HEX #87EDC9

RGB 135 237 201

HSL 158.82, 0.74%, 0.73%

LAB 86.97, -38, 8.2

 

CMYK 43 / 0 / 3 / 7

HEX #87EDE5

RGB 135 237 229

HSL 175.29, 0.74%, 0.73%

LAB 87.67, -31.66, -5.44

 

CMYK 43 / 8 / 0 / 7

HEX #87DAED

RGB 135 218 237

HSL 191.18, 0.74%, 0.73%

LAB 82.6, -20.43, -17.23

 

CMYK 43 / 19 / 0 / 7

HEX #87BFED

RGB 135 191 237

HSL 207.06, 0.74%, 0.73%

LAB 75.16, -6.39, -28.55

 

CMYK 72 / 0 / 5 / 11

HEX #3FE2D6

RGB 63 226 214

HSL 175.58, 0.74%, 0.57%

LAB 82, -43.46, -6.14

 

CMYK 57 / 0 / 5 / 9

HEX #63E8DD

RGB 99 232 221

HSL 175.04, 0.74%, 0.65%

LAB 84.78, -38.88, -5.63

 

CMYK 43 / 0 / 3 / 7

HEX #87EDE5

RGB 135 237 229

HSL 175.29, 0.74%, 0.73%

LAB 87.67, -31.66, -5.44

 

CMYK 29 / 0 / 2 / 5

HEX #ABF2ED

RGB 171 242 237

HSL 175.77, 0.73%, 0.81%

LAB 90.91, -22.94, -4.66

 

CMYK 17 / 0 / 1 / 3

HEX #CFF8F5

RGB 207 248 245

HSL 175.61, 0.75%, 0.89%

LAB 94.74, -13.67, -2.95

 

CMYK 43 / 0 / 3 / 7

HEX #86EDE5

RGB 134 237 229

HSL 175.34, 0.74%, 0.73%

LAB 87.63, -31.89, -5.51

 

CMYK 38 / 43 / 0 / 7

HEX #9387ED

RGB 147 135 237

HSL 247.06, 0.74%, 0.73%

LAB 61.35, 28.31, -50.03

 

CMYK 0 / 21 / 43 / 7

HEX #EDBC87

RGB 237 188 135

HSL 31.18, 0.74%, 0.73%

LAB 79.45, 10.9, 33.49

 

CMYK 43 / 0 / 3 / 7

HEX #86EDE5

RGB 134 237 229

HSL 175.34, 0.74%, 0.73%

LAB 87.63, -31.89, -5.51

 

CMYK 3 / 43 / 0 / 7

HEX #E587ED

RGB 229 135 237

HSL 295.29, 0.74%, 0.73%

LAB 69.54, 51.11, -36.59

 

CMYK 0 / 3 / 43 / 7

HEX #EDE587

RGB 237 229 135

HSL 55.29, 0.74%, 0.73%

LAB 89.76, -10.18, 46.66

 

CMYK 43 / 0 / 3 / 7

HEX #86EDE5

RGB 134 237 229

HSL 175.34, 0.74%, 0.73%

LAB 87.63, -31.89, -5.51

 

CMYK 38 / 43 / 0 / 7

HEX #9387ED

RGB 147 135 237

HSL 247.06, 0.74%, 0.73%

LAB 61.35, 28.31, -50.03

 

CMYK 0 / 43 / 39 / 7

HEX #ED8790

RGB 237 135 144

HSL 354.71, 0.74%, 0.73%

LAB 67.54, 39.82, 12.41

 

CMYK 5 / 0 / 43 / 7

HEX #E1ED87

RGB 225 237 135

HSL 67.06, 0.74%, 0.73%

LAB 90.93, -18.79, 47.91

 

CMYK 43 / 0 / 3 / 7

HEX #86EDE5

RGB 134 237 229

HSL 175.34, 0.74%, 0.73%

LAB 87.63, -31.89, -5.51

 

CMYK 25 / 43 / 0 / 7

HEX #B287ED

RGB 178 135 237

HSL 265.29, 0.74%, 0.73%

LAB 64.09, 36.58, -45.53

 

CMYK 0 / 43 / 39 / 7

HEX #ED8790

RGB 237 135 144

HSL 354.71, 0.74%, 0.73%

LAB 67.54, 39.82, 12.41

 

CMYK 18 / 0 / 43 / 7

HEX #C3ED87

RGB 195 237 135

HSL 84.71, 0.74%, 0.73%

LAB 88.88, -30.04, 44.91

 

Description

Color code: RGBA 134 237 229 0.75 | qconv.com Color code: RGBA 134 237 229 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 237 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 237 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 3 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 3% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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