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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 134 162 208 0.5 it is the complementary color RGBA 121 93 47 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 134 162 208 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 134 162 208 0.5 shade: RGBA 139 162 203 0.5, RGBA 156 180 222 0.5, RGBA 173 198 241 0.5, RGBA 190 216 255 0.5 and RGBA 207 234 255 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 134 162 208 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 134 162 208 0.5 shade: RGBA 134 162 208 0.5, RGBA 117 144 189 0.5, RGBA 100 126 170 0.5, RGBA 83 108 151 0.5 and RGBA 66 90 132 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 134 162 208 0.5 shade: RGB 134 162 208, RGB 134 142 208, RGB 146 134 208, RGB 166 134 208 and RGB 186 134 208

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 134 162 208 0.5 shade: RGB 134 162 208, RGB 134 142 208 and RGB 134 134 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 134 162 208 0.5 shade matches the following richer shades: RGB 134 162 208, RGB 120 159 221, RGB 107 155 235 and RGB 93 152 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 134 162 208 0.5 shade: RGB 134 162 208, RGB 147 165 194, RGB 161 168 181, RGB 175 172 167 and RGB 188 175 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 134 162 208 0.5 shade: RGB 134 202 208, RGB 134 182 208, RGB 134 162 208, RGB 134 142 208 and RGB 145 134 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 134 162 208 0.5 shade: RGB 74 116 185, RGB 104 139 196, RGB 134 162 208, RGB 164 185 219 and RGB 193 208 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 134 162 208 0.5 shade: RGB 134 162 208, RGB 194 134 208 and RGB 192 208 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 134 162 208 0.5 shade: RGB 134 162 208, RGB 208 134 162 and RGB 162 208 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 134 162 208 0.5 shade: RGB 134 162 208, RGB 194 134 208, RGB 208 179 134 and RGB 147 208 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 134 162 208 0.5 shade: RGB 134 162 208, RGB 208 134 199, RGB 208 179 134 and RGB 134 208 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 11 / 0 / 9

HEX #86A2D07F

RGBA 134 162 208 0.5

HSLA 217.3, 0.44%, 0.67%, 0.5

LABA 66.11, 1.5, -26.6, 0.5

 

Complementary color

CMYK 0 / 12 / 31 / 26

HEX #795D2F7F

RGBA 121 93 47 0.5

HSLA 37.3, 0.44%, 0.33%, 0.5

LABA 41.37, 5.7, 30.41, 0.5

 

CMYK 16 / 10 / 0 / 10

HEX #8BA2CB7F

RGBA 139 162 203 0.5

HSLA 218.44, 0.38%, 0.67%, 0.5

LABA 66.25, 1.64, -23.58, 0.5

 

CMYK 15 / 9 / 0 / 6

HEX #9CB4DE7F

RGBA 156 180 222 0.5

HSLA 218.18, 0.5%, 0.74%, 0.5

LABA 72.88, 1.37, -23.79, 0.5

 

CMYK 14 / 9 / 0 / 3

HEX #ADC6F17F

RGBA 173 198 241 0.5

HSLA 217.94, 0.71%, 0.81%, 0.5

LABA 79.4, 1.13, -24.01, 0.5

 

CMYK 13 / 8 / 0 / 0

HEX #BED8FF7F

RGBA 190 216 255 0.5

HSLA 216, 1%, 0.87%, 0.5

LABA 85.64, -0.24, -21.86, 0.5

 

CMYK 9 / 4 / 0 / 0

HEX #CFEAFF7F

RGBA 207 234 255 0.5

HSLA 206.25, 1%, 0.91%, 0.5

LABA 91.38, -4.54, -13.11, 0.5

 

CMYK 18 / 11 / 0 / 9

HEX #86A2D07F

RGBA 134 162 208 0.5

HSLA 217.3, 0.44%, 0.67%, 0.5

LABA 66.11, 1.5, -26.6, 0.5

 

CMYK 19 / 12 / 0 / 13

HEX #7590BD7F

RGBA 117 144 189 0.5

HSLA 217.5, 0.35%, 0.6%, 0.5

LABA 59.35, 1.86, -26.46, 0.5

 

CMYK 21 / 13 / 0 / 17

HEX #647EAA7F

RGBA 100 126 170 0.5

HSLA 217.71, 0.29%, 0.53%, 0.5

LABA 52.43, 2.28, -26.36, 0.5

 

CMYK 23 / 14 / 0 / 20

HEX #536C977F

RGBA 83 108 151 0.5

HSLA 217.94, 0.29%, 0.46%, 0.5

LABA 45.36, 2.79, -26.3, 0.5

 

CMYK 25 / 16 / 0 / 24

HEX #425A847F

RGBA 66 90 132 0.5

HSLA 218.18, 0.33%, 0.39%, 0.5

LABA 38.09, 3.44, -26.3, 0.5

 

CMYK 36 / 22 / 0 / 18

HEX #86A2D0

RGB 134 162 208

HSL 217.3, 0.44%, 0.67%

LAB 66.11, 1.5, -26.6

 

CMYK 36 / 32 / 0 / 18

HEX #868ED0

RGB 134 142 208

HSL 233.51, 0.44%, 0.67%

LAB 60.75, 12.93, -34.88

 

CMYK 30 / 36 / 0 / 18

HEX #9286D0

RGB 146 134 208

HSL 249.73, 0.44%, 0.67%

LAB 59.63, 20.99, -36.57

 

CMYK 20 / 36 / 0 / 18

HEX #A686D0

RGB 166 134 208

HSL 265.95, 0.44%, 0.67%

LAB 61.4, 26.9, -33.67

 

CMYK 11 / 36 / 0 / 18

HEX #BA86D0

RGB 186 134 208

HSL 282.16, 0.44%, 0.67%

LAB 63.38, 33.04, -30.45

 

CMYK 36 / 22 / 0 / 18

HEX #86A2D0

RGB 134 162 208

HSL 217.3, 0.44%, 0.67%

LAB 66.11, 1.5, -26.6

 

CMYK 36 / 32 / 0 / 18

HEX #868ED0

RGB 134 142 208

HSL 233.51, 0.44%, 0.67%

LAB 60.75, 12.93, -34.88

 

CMYK 36 / 36 / 0 / 18

HEX #8686D0

RGB 134 134 208

HSL 240, 0.44%, 0.67%

LAB 58.67, 17.6, -38.14

 

CMYK 36 / 22 / 0 / 18

HEX #86A2D0

RGB 134 162 208

HSL 217.3, 0.44%, 0.67%

LAB 66.11, 1.5, -26.6

 

CMYK 46 / 28 / 0 / 13

HEX #789FDD

RGB 120 159 221

HSL 216.83, 0.6%, 0.67%

LAB 64.97, 3.1, -35.62

 

CMYK 54 / 34 / 0 / 8

HEX #6B9BEB

RGB 107 155 235

HSL 217.5, 0.76%, 0.67%

LAB 63.81, 6.64, -45.21

 

CMYK 63 / 39 / 0 / 2

HEX #5D98F9

RGB 93 152 249

HSL 217.31, 0.93%, 0.67%

LAB 63.03, 10.21, -54.18

 

CMYK 36 / 22 / 0 / 18

HEX #86A2D0

RGB 134 162 208

HSL 217.3, 0.44%, 0.67%

LAB 66.11, 1.5, -26.6

 

CMYK 24 / 15 / 0 / 24

HEX #93A5C2

RGB 147 165 194

HSL 217.02, 0.28%, 0.67%

LAB 67.28, 0.17, -16.96

 

CMYK 11 / 7 / 0 / 29

HEX #A1A8B5

RGB 161 168 181

HSL 219, 0.12%, 0.67%

LAB 68.69, 0.16, -7.53

 

CMYK 0 / 2 / 5 / 31

HEX #AFACA7

RGB 175 172 167

HSL 37.5, 0.05%, 0.67%

LAB 70.46, 0.15, 2.94

 

CMYK 0 / 7 / 19 / 26

HEX #BCAF99

RGB 188 175 153

HSL 37.71, 0.21%, 0.67%

LAB 71.99, 1, 12.96

 

CMYK 36 / 3 / 0 / 18

HEX #86CAD0

RGB 134 202 208

HSL 184.86, 0.44%, 0.67%

LAB 77.2, -19.87, -9.81

 

CMYK 36 / 13 / 0 / 18

HEX #86B6D0

RGB 134 182 208

HSL 201.08, 0.44%, 0.67%

LAB 71.61, -9.46, -18.2

 

CMYK 36 / 22 / 0 / 18

HEX #86A2D0

RGB 134 162 208

HSL 217.3, 0.44%, 0.67%

LAB 66.11, 1.5, -26.6

 

CMYK 36 / 32 / 0 / 18

HEX #868ED0

RGB 134 142 208

HSL 233.51, 0.44%, 0.67%

LAB 60.75, 12.93, -34.88

 

CMYK 30 / 36 / 0 / 18

HEX #9186D0

RGB 145 134 208

HSL 248.92, 0.44%, 0.67%

LAB 59.55, 20.7, -36.7

 

CMYK 60 / 37 / 0 / 27

HEX #4A74B9

RGB 74 116 185

HSL 217.3, 0.44%, 0.51%

LAB 48.82, 6.8, -40.8

 

CMYK 47 / 29 / 0 / 23

HEX #688BC4

RGB 104 139 196

HSL 217.17, 0.44%, 0.59%

LAB 57.46, 3.33, -33.41

 

CMYK 36 / 22 / 0 / 18

HEX #86A2D0

RGB 134 162 208

HSL 217.3, 0.44%, 0.67%

LAB 66.11, 1.5, -26.6

 

CMYK 25 / 16 / 0 / 14

HEX #A4B9DB

RGB 164 185 219

HSL 217.09, 0.43%, 0.75%

LAB 74.64, 0.3, -19.43

 

CMYK 16 / 10 / 0 / 9

HEX #C1D0E7

RGB 193 208 231

HSL 216.32, 0.44%, 0.83%

LAB 83.03, -0.4, -13.05

 

CMYK 36 / 22 / 0 / 18

HEX #86A2D0

RGB 134 162 208

HSL 217.3, 0.44%, 0.67%

LAB 66.11, 1.5, -26.6

 

CMYK 7 / 36 / 0 / 18

HEX #C286D0

RGB 194 134 208

HSL 288.65, 0.44%, 0.67%

LAB 64.22, 35.54, -29.08

 

CMYK 8 / 0 / 36 / 18

HEX #C0D086

RGB 192 208 134

HSL 72.97, 0.44%, 0.67%

LAB 80.76, -17.26, 34.98

 

CMYK 36 / 22 / 0 / 18

HEX #86A2D0

RGB 134 162 208

HSL 217.3, 0.44%, 0.67%

LAB 66.11, 1.5, -26.6

 

CMYK 0 / 36 / 22 / 18

HEX #D086A2

RGB 208 134 162

HSL 337.3, 0.44%, 0.67%

LAB 64.22, 32.21, -3

 

CMYK 22 / 0 / 36 / 18

HEX #A2D086

RGB 162 208 134

HSL 97.3, 0.44%, 0.67%

LAB 78.76, -28.34, 31.98

 

CMYK 36 / 22 / 0 / 18

HEX #86A2D0

RGB 134 162 208

HSL 217.3, 0.44%, 0.67%

LAB 66.11, 1.5, -26.6

 

CMYK 7 / 36 / 0 / 18

HEX #C286D0

RGB 194 134 208

HSL 288.65, 0.44%, 0.67%

LAB 64.22, 35.54, -29.08

 

CMYK 0 / 14 / 36 / 18

HEX #D0B386

RGB 208 179 134

HSL 36.49, 0.44%, 0.67%

LAB 74.43, 4.03, 26.86

 

CMYK 29 / 0 / 36 / 18

HEX #93D086

RGB 147 208 134

HSL 109.46, 0.44%, 0.67%

LAB 77.9, -33.52, 30.68

 

CMYK 36 / 22 / 0 / 18

HEX #86A2D0

RGB 134 162 208

HSL 217.3, 0.44%, 0.67%

LAB 66.11, 1.5, -26.6

 

CMYK 0 / 36 / 4 / 18

HEX #D086C7

RGB 208 134 199

HSL 307.3, 0.44%, 0.67%

LAB 65.42, 38.29, -22.06

 

CMYK 0 / 14 / 36 / 18

HEX #D0B386

RGB 208 179 134

HSL 36.49, 0.44%, 0.67%

LAB 74.43, 4.03, 26.86

 

CMYK 36 / 0 / 32 / 18

HEX #86D08E

RGB 134 208 142

HSL 126.49, 0.44%, 0.67%

LAB 77.36, -36.45, 25.69

 

Description

Color code: RGBA 134 162 208 0.5 | qconv.com Color code: RGBA 134 162 208 0.5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 162 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 162 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 11 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 11% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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