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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 134 136 119 0.75 it is the complementary color RGBA 121 119 136 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 134 136 119 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 134 136 119 0.75 shade: RGBA 139 136 114 0.75, RGBA 156 154 133 0.75, RGBA 173 172 152 0.75, RGBA 190 190 171 0.75 and RGBA 207 208 190 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 134 136 119 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 134 136 119 0.75 shade: RGBA 134 136 119 0.75, RGBA 117 118 100 0.75, RGBA 100 100 81 0.75, RGBA 83 82 62 0.75 and RGBA 66 64 43 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 134 136 119 0.75 shade: RGB 134 136 119, RGB 136 134 119, RGB 136 129 119, RGB 136 124 119 and RGB 136 119 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 134 136 119 0.75 shade: RGB 134 136 119, RGB 130 136 119, RGB 125 136 119, RGB 120 136 119 and RGB 119 136 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 134 136 119 0.75 shade matches the following richer shades: RGB 134 136 119, RGB 150 157 98, RGB 166 178 77, RGB 182 198 57 and RGB 197 219 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 134 136 119 0.75 shade: RGB 134 136 119, RGB 119 116 139, RGB 103 95 160, RGB 87 75 180 and RGB 71 54 201

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 134 136 119 0.75 shade: RGB 136 129 119, RGB 136 134 119, RGB 134 136 119, RGB 130 136 119 and RGB 125 136 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 134 136 119 0.75 shade: RGB 91 92 80, RGB 113 114 99, RGB 134 136 119, RGB 154 156 141 and RGB 173 175 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 134 136 119 0.75 shade: RGB 134 136 119, RGB 119 136 124 and RGB 131 119 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 134 136 119 0.75 shade: RGB 134 136 119, RGB 119 134 136 and RGB 136 119 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 134 136 119 0.75 shade: RGB 134 136 119, RGB 119 136 124, RGB 121 119 136 and RGB 136 119 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 134 136 119 0.75 shade: RGB 134 136 119, RGB 119 136 130, RGB 121 119 136 and RGB 136 119 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 9 / 35

HEX #868877BF

RGBA 134 136 119 0.75

HSLA 67.06, 0.07%, 0.5%, 0.75

LABA 56.1, -3.93, 8.88, 0.75

 

Complementary color

CMYK 8 / 9 / 0 / 35

HEX #797788BF

RGBA 121 119 136 0.75

HSLA 247.06, 0.07%, 0.5%, 0.75

LABA 50.73, 4.35, -8.98, 0.75

 

CMYK 0 / 2 / 13 / 34

HEX #8B8872BF

RGBA 139 136 114 0.75

HSLA 52.8, 0.1%, 0.5%, 0.75

LABA 56.4, -2.81, 12.23, 0.75

 

CMYK 0 / 1 / 11 / 29

HEX #9C9A85BF

RGBA 156 154 133 0.75

HSLA 54.78, 0.1%, 0.57%, 0.75

LABA 63.24, -3.01, 11.3, 0.75

 

CMYK 0 / 0 / 9 / 24

HEX #ADAC98BF

RGBA 173 172 152 0.75

HSLA 57.14, 0.11%, 0.64%, 0.75

LABA 69.93, -3.19, 10.42, 0.75

 

CMYK 0 / 0 / 8 / 19

HEX #BEBEABBF

RGBA 190 190 171 0.75

HSLA 60, 0.13%, 0.71%, 0.75

LABA 76.51, -3.35, 9.6, 0.75

 

CMYK 0 / 0 / 6 / 14

HEX #CFD0BEBF

RGBA 207 208 190 0.75

HSLA 63.33, 0.16%, 0.78%, 0.75

LABA 82.96, -3.49, 8.81, 0.75

 

CMYK 1 / 0 / 9 / 35

HEX #868877BF

RGBA 134 136 119 0.75

HSLA 67.06, 0.07%, 0.5%, 0.75

LABA 56.1, -3.93, 8.88, 0.75

 

CMYK 1 / 0 / 11 / 40

HEX #757664BF

RGBA 117 118 100 0.75

HSLA 63.33, 0.08%, 0.43%, 0.75

LABA 49.08, -3.78, 9.8, 0.75

 

CMYK 0 / 0 / 14 / 46

HEX #646451BF

RGBA 100 100 81 0.75

HSLA 60, 0.1%, 0.35%, 0.75

LABA 41.87, -3.61, 10.81, 0.75

 

CMYK 0 / 1 / 19 / 51

HEX #53523EBF

RGBA 83 82 62 0.75

HSLA 57.14, 0.14%, 0.28%, 0.75

LABA 34.44, -3.39, 11.92, 0.75

 

CMYK 0 / 2 / 26 / 56

HEX #42402BBF

RGBA 66 64 43 0.75

HSLA 54.78, 0.21%, 0.21%, 0.75

LABA 26.73, -3.1, 13.19, 0.75

 

CMYK 1 / 0 / 13 / 47

HEX #868877

RGB 134 136 119

HSL 67.06, 0.07%, 0.5%

LAB 56.1, -3.93, 8.88

 

CMYK 0 / 1 / 13 / 47

HEX #888677

RGB 136 134 119

HSL 52.94, 0.07%, 0.5%

LAB 55.7, -2.03, 8.34

 

CMYK 0 / 5 / 13 / 47

HEX #888177

RGB 136 129 119

HSL 35.29, 0.07%, 0.5%

LAB 54.31, 0.81, 6.36

 

CMYK 0 / 9 / 13 / 47

HEX #887C77

RGB 136 124 119

HSL 17.65, 0.07%, 0.5%

LAB 52.93, 3.67, 4.38

 

CMYK 0 / 13 / 13 / 47

HEX #887777

RGB 136 119 119

HSL 0, 0.07%, 0.5%

LAB 51.56, 6.56, 2.41

 

CMYK 1 / 0 / 13 / 47

HEX #868877

RGB 134 136 119

HSL 67.06, 0.07%, 0.5%

LAB 56.1, -3.93, 8.88

 

CMYK 4 / 0 / 13 / 47

HEX #828877

RGB 130 136 119

HSL 81.18, 0.07%, 0.5%

LAB 55.77, -5.47, 8.38

 

CMYK 8 / 0 / 13 / 47

HEX #7D8877

RGB 125 136 119

HSL 98.82, 0.07%, 0.5%

LAB 55.38, -7.38, 7.76

 

CMYK 12 / 0 / 13 / 47

HEX #788877

RGB 120 136 119

HSL 116.47, 0.07%, 0.5%

LAB 55, -9.25, 7.18

 

CMYK 13 / 0 / 10 / 47

HEX #77887A

RGB 119 136 122

HSL 130.59, 0.07%, 0.5%

LAB 55.01, -9.04, 5.44

 

CMYK 1 / 0 / 13 / 47

HEX #868877

RGB 134 136 119

HSL 67.06, 0.07%, 0.5%

LAB 56.1, -3.93, 8.88

 

CMYK 4 / 0 / 38 / 38

HEX #969D62

RGB 150 157 98

HSL 67.12, 0.23%, 0.5%

LAB 62.91, -12.1, 30.04

 

CMYK 7 / 0 / 57 / 30

HEX #A6B24D

RGB 166 178 77

HSL 67.13, 0.4%, 0.5%

LAB 69.81, -18.51, 49.23

 

CMYK 8 / 0 / 71 / 22

HEX #B6C639

RGB 182 198 57

HSL 66.81, 0.55%, 0.5%

LAB 76.45, -23.11, 64.8

 

CMYK 10 / 0 / 84 / 14

HEX #C5DB24

RGB 197 219 36

HSL 67.21, 0.72%, 0.5%

LAB 83.26, -27.83, 77.44

 

CMYK 1 / 0 / 13 / 47

HEX #868877

RGB 134 136 119

HSL 67.06, 0.07%, 0.5%

LAB 56.1, -3.93, 8.88

 

CMYK 14 / 17 / 0 / 45

HEX #77748B

RGB 119 116 139

HSL 247.83, 0.09%, 0.5%

LAB 49.83, 6.09, -12.12

 

CMYK 36 / 41 / 0 / 37

HEX #675FA0

RGB 103 95 160

HSL 247.38, 0.25%, 0.5%

LAB 43.66, 19.09, -34.19

 

CMYK 52 / 58 / 0 / 29

HEX #574BB4

RGB 87 75 180

HSL 246.86, 0.41%, 0.5%

LAB 38.47, 33.51, -54.4

 

CMYK 65 / 73 / 0 / 21

HEX #4736C9

RGB 71 54 201

HSL 246.94, 0.58%, 0.5%

LAB 34.39, 49.74, -73.44

 

CMYK 0 / 5 / 13 / 47

HEX #888177

RGB 136 129 119

HSL 35.29, 0.07%, 0.5%

LAB 54.31, 0.81, 6.36

 

CMYK 0 / 1 / 13 / 47

HEX #888677

RGB 136 134 119

HSL 52.94, 0.07%, 0.5%

LAB 55.7, -2.03, 8.34

 

CMYK 1 / 0 / 13 / 47

HEX #868877

RGB 134 136 119

HSL 67.06, 0.07%, 0.5%

LAB 56.1, -3.93, 8.88

 

CMYK 4 / 0 / 13 / 47

HEX #828877

RGB 130 136 119

HSL 81.18, 0.07%, 0.5%

LAB 55.77, -5.47, 8.38

 

CMYK 8 / 0 / 13 / 47

HEX #7D8877

RGB 125 136 119

HSL 98.82, 0.07%, 0.5%

LAB 55.38, -7.38, 7.76

 

CMYK 1 / 0 / 13 / 64

HEX #5B5C50

RGB 91 92 80

HSL 65, 0.07%, 0.34%

LAB 38.65, -2.8, 6.78

 

CMYK 1 / 0 / 13 / 55

HEX #717263

RGB 113 114 99

HSL 64, 0.07%, 0.42%

LAB 47.55, -3.26, 8.19

 

CMYK 1 / 0 / 13 / 47

HEX #868877

RGB 134 136 119

HSL 67.06, 0.07%, 0.5%

LAB 56.1, -3.93, 8.88

 

CMYK 1 / 0 / 10 / 39

HEX #9A9C8D

RGB 154 156 141

HSL 68, 0.07%, 0.58%

LAB 63.81, -3.5, 7.6

 

CMYK 1 / 0 / 7 / 31

HEX #ADAFA3

RGB 173 175 163

HSL 70, 0.07%, 0.66%

LAB 71, -2.9, 5.9

 

CMYK 1 / 0 / 13 / 47

HEX #868877

RGB 134 136 119

HSL 67.06, 0.07%, 0.5%

LAB 56.1, -3.93, 8.88

 

CMYK 13 / 0 / 9 / 47

HEX #77887C

RGB 119 136 124

HSL 137.65, 0.07%, 0.5%

LAB 55.06, -8.64, 4.36

 

CMYK 4 / 13 / 0 / 47

HEX #837788

RGB 131 119 136

HSL 282.35, 0.07%, 0.5%

LAB 51.61, 7.96, -7.58

 

CMYK 1 / 0 / 13 / 47

HEX #868877

RGB 134 136 119

HSL 67.06, 0.07%, 0.5%

LAB 56.1, -3.93, 8.88

 

CMYK 13 / 1 / 0 / 47

HEX #778688

RGB 119 134 136

HSL 187.06, 0.07%, 0.5%

LAB 54.81, -5, -2.93

 

CMYK 0 / 13 / 1 / 47

HEX #887786

RGB 136 119 134

HSL 307.06, 0.07%, 0.5%

LAB 52.01, 9.4, -5.76

 

CMYK 1 / 0 / 13 / 47

HEX #868877

RGB 134 136 119

HSL 67.06, 0.07%, 0.5%

LAB 56.1, -3.93, 8.88

 

CMYK 13 / 0 / 9 / 47

HEX #77887C

RGB 119 136 124

HSL 137.65, 0.07%, 0.5%

LAB 55.06, -8.64, 4.36

 

CMYK 11 / 13 / 0 / 47

HEX #797788

RGB 121 119 136

HSL 247.06, 0.07%, 0.5%

LAB 50.73, 4.35, -8.98

 

CMYK 0 / 13 / 4 / 47

HEX #887783

RGB 136 119 131

HSL 317.65, 0.07%, 0.5%

LAB 51.91, 8.81, -4.14

 

CMYK 1 / 0 / 13 / 47

HEX #868877

RGB 134 136 119

HSL 67.06, 0.07%, 0.5%

LAB 56.1, -3.93, 8.88

 

CMYK 13 / 0 / 4 / 47

HEX #778882

RGB 119 136 130

HSL 158.82, 0.07%, 0.5%

LAB 55.22, -7.41, 1.13

 

CMYK 11 / 13 / 0 / 47

HEX #797788

RGB 121 119 136

HSL 247.06, 0.07%, 0.5%

LAB 50.73, 4.35, -8.98

 

CMYK 0 / 13 / 8 / 47

HEX #88777D

RGB 136 119 125

HSL 338.82, 0.07%, 0.5%

LAB 51.73, 7.66, -0.87

 

Description

Color code: RGBA 134 136 119 0.75 | qconv.com Color code: RGBA 134 136 119 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 136 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 136 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 9 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 9% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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