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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 133 232 136 0.75 it is the complementary color RGBA 122 23 119 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 133 232 136 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 133 232 136 0.75 shade: RGBA 138 232 131 0.75, RGBA 155 250 150 0.75, RGBA 172 255 169 0.75, RGBA 189 255 188 0.75 and RGBA 206 255 207 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 133 232 136 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 133 232 136 0.75 shade: RGBA 133 232 136 0.75, RGBA 116 214 117 0.75, RGBA 99 196 98 0.75, RGBA 82 178 79 0.75 and RGBA 65 160 60 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 133 232 136 0.75 shade: RGB 135 232 138, RGB 158 232 135, RGB 184 232 135, RGB 211 232 135 and RGB 232 227 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 133 232 136 0.75 shade: RGB 135 232 138, RGB 135 232 164, RGB 135 232 190, RGB 135 232 217 and RGB 135 222 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 133 232 136 0.75 shade matches the following richer shades: RGB 135 232 138 and RGB 123 244 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 133 232 136 0.75 shade: RGB 135 232 138, RGB 147 221 149, RGB 158 209 160, RGB 170 197 171 and RGB 181 186 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 133 232 136 0.75 shade: RGB 185 232 135, RGB 159 232 135, RGB 135 232 137, RGB 135 232 163 and RGB 135 232 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 133 232 136 0.75 shade: RGB 66 219 70, RGB 100 226 104, RGB 135 232 138, RGB 170 239 172 and RGB 204 245 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 133 232 136 0.75 shade: RGB 133 232 136, RGB 135 211 232 and RGB 232 135 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 133 232 136 0.75 shade: RGB 133 232 136, RGB 137 135 232 and RGB 232 137 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 133 232 136 0.75 shade: RGB 133 232 136, RGB 135 211 232, RGB 232 135 231 and RGB 232 156 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 133 232 136 0.75 shade: RGB 133 232 136, RGB 135 182 232, RGB 232 135 231 and RGB 232 185 135

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 31 / 7

HEX #85E888BF

RGBA 133 232 136 0.75

HSLA 121.82, 0.68%, 0.72%, 0.75

LABA 84.21, -48.2, 37.8, 0.75

 

Complementary color

CMYK 0 / 61 / 2 / 39

HEX #7A1777BF

RGBA 122 23 119 0.75

HSLA 301.82, 0.68%, 0.28%, 0.75

LABA 29.62, 51.82, -31.14, 0.75

 

CMYK 30 / 0 / 33 / 7

HEX #8AE883BF

RGBA 138 232 131 0.75

HSLA 115.84, 0.69%, 0.71%, 0.75

LABA 84.36, -47.45, 40.5, 0.75

 

CMYK 29 / 0 / 30 / 1

HEX #9BFA96BF

RGBA 155 250 150 0.75

HSLA 117, 0.91%, 0.78%, 0.75

LABA 90.57, -47.27, 39.3, 0.75

 

CMYK 24 / 0 / 25 / 0

HEX #ACFFA9BF

RGBA 172 255 169 0.75

HSLA 117.91, 1%, 0.83%, 0.75

LABA 93.08, -41.42, 33.33, 0.75

 

CMYK 19 / 0 / 20 / 0

HEX #BDFFBCBF

RGBA 189 255 188 0.75

HSLA 119.1, 1%, 0.87%, 0.75

LABA 94.3, -33.06, 25.57, 0.75

 

CMYK 14 / 0 / 14 / 0

HEX #CEFFCFBF

RGBA 206 255 207 0.75

HSLA 121.22, 1%, 0.9%, 0.75

LABA 95.64, -24.42, 17.91, 0.75

 

CMYK 32 / 0 / 31 / 7

HEX #85E888BF

RGBA 133 232 136 0.75

HSLA 121.82, 0.68%, 0.72%, 0.75

LABA 84.21, -48.2, 37.8, 0.75

 

CMYK 34 / 0 / 34 / 12

HEX #74D675BF

RGBA 116 214 117 0.75

HSLA 120.61, 0.54%, 0.65%, 0.75

LABA 77.93, -48.33, 39.05, 0.75

 

CMYK 37 / 0 / 38 / 17

HEX #63C462BF

RGBA 99 196 98 0.75

HSLA 119.39, 0.45%, 0.58%, 0.75

LABA 71.56, -48.38, 40.34, 0.75

 

CMYK 40 / 0 / 42 / 23

HEX #52B24FBF

RGBA 82 178 79 0.75

HSLA 118.18, 0.39%, 0.5%, 0.75

LABA 65.12, -48.29, 41.63, 0.75

 

CMYK 45 / 0 / 47 / 28

HEX #41A03CBF

RGBA 65 160 60 0.75

HSLA 117, 0.45%, 0.43%, 0.75

LABA 58.59, -47.97, 42.84, 0.75

 

CMYK 42 / 0 / 41 / 9

HEX #87E88A

RGB 135 232 138

HSL 121.86, 0.68%, 0.72%

LAB 84.33, -47.32, 36.97

 

CMYK 32 / 0 / 42 / 9

HEX #9EE887

RGB 158 232 135

HSL 105.77, 0.68%, 0.72%

LAB 85.37, -40.62, 40.01

 

CMYK 21 / 0 / 42 / 9

HEX #B8E887

RGB 184 232 135

HSL 89.69, 0.68%, 0.72%

LAB 86.83, -31.68, 42.17

 

CMYK 9 / 0 / 42 / 9

HEX #D3E887

RGB 211 232 135

HSL 72.99, 0.68%, 0.72%

LAB 88.6, -21.7, 44.78

 

CMYK 0 / 2 / 42 / 9

HEX #E8E387

RGB 232 227 135

HSL 56.91, 0.68%, 0.72%

LAB 88.85, -11.14, 45.43

 

CMYK 42 / 0 / 41 / 9

HEX #87E88A

RGB 135 232 138

HSL 121.86, 0.68%, 0.72%

LAB 84.33, -47.32, 36.97

 

CMYK 42 / 0 / 29 / 9

HEX #87E8A4

RGB 135 232 164

HSL 137.94, 0.68%, 0.72%

LAB 84.76, -43.05, 24.34

 

CMYK 42 / 0 / 18 / 9

HEX #87E8BE

RGB 135 232 190

HSL 154.02, 0.68%, 0.72%

LAB 85.29, -38.04, 11.56

 

CMYK 42 / 0 / 6 / 9

HEX #87E8D9

RGB 135 232 217

HSL 170.72, 0.68%, 0.72%

LAB 85.94, -32.12, -1.68

 

CMYK 42 / 4 / 0 / 9

HEX #87DEE8

RGB 135 222 232

HSL 186.19, 0.68%, 0.72%

LAB 83.56, -23.68, -13.13

 

CMYK 42 / 0 / 41 / 9

HEX #87E88A

RGB 135 232 138

HSL 121.86, 0.68%, 0.72%

LAB 84.33, -47.32, 36.97

 

CMYK 50 / 0 / 48 / 4

HEX #7BF47F

RGB 123 244 127

HSL 121.98, 0.85%, 0.72%

LAB 87.21, -57.08, 45.91

 

CMYK 42 / 0 / 41 / 9

HEX #87E88A

RGB 135 232 138

HSL 121.86, 0.68%, 0.72%

LAB 84.33, -47.32, 36.97

 

CMYK 33 / 0 / 33 / 13

HEX #93DD95

RGB 147 221 149

HSL 121.62, 0.52%, 0.72%

LAB 81.88, -37.15, 28.27

 

CMYK 24 / 0 / 23 / 18

HEX #9ED1A0

RGB 158 209 160

HSL 122.35, 0.36%, 0.72%

LAB 79.28, -26.1, 19.06

 

CMYK 14 / 0 / 13 / 23

HEX #AAC5AB

RGB 170 197 171

HSL 122.22, 0.19%, 0.72%

LAB 76.93, -14.09, 10.01

 

CMYK 3 / 0 / 3 / 27

HEX #B5BAB5

RGB 181 186 181

HSL 120, 0.03%, 0.72%

LAB 75, -2.67, 1.91

 

CMYK 20 / 0 / 42 / 9

HEX #B9E887

RGB 185 232 135

HSL 89.07, 0.68%, 0.72%

LAB 86.89, -31.32, 42.26

 

CMYK 31 / 0 / 42 / 9

HEX #9FE887

RGB 159 232 135

HSL 105.15, 0.68%, 0.72%

LAB 85.42, -40.29, 40.09

 

CMYK 42 / 0 / 41 / 9

HEX #87E889

RGB 135 232 137

HSL 121.24, 0.68%, 0.72%

LAB 84.31, -47.47, 37.45

 

CMYK 42 / 0 / 30 / 9

HEX #87E8A3

RGB 135 232 163

HSL 137.32, 0.68%, 0.72%

LAB 84.75, -43.23, 24.83

 

CMYK 42 / 0 / 19 / 9

HEX #87E8BC

RGB 135 232 188

HSL 152.78, 0.68%, 0.72%

LAB 85.25, -38.45, 12.55

 

CMYK 70 / 0 / 68 / 14

HEX #42DB46

RGB 66 219 70

HSL 121.57, 0.68%, 0.56%

LAB 77.44, -67.37, 59.27

 

CMYK 56 / 0 / 54 / 11

HEX #64E268

RGB 100 226 104

HSL 121.9, 0.68%, 0.64%

LAB 80.8, -59.01, 48.7

 

CMYK 42 / 0 / 41 / 9

HEX #87E88A

RGB 135 232 138

HSL 121.86, 0.68%, 0.72%

LAB 84.33, -47.32, 36.97

 

CMYK 29 / 0 / 28 / 6

HEX #AAEFAC

RGB 170 239 172

HSL 121.74, 0.68%, 0.8%

LAB 88.57, -34.35, 25.71

 

CMYK 17 / 0 / 16 / 4

HEX #CCF5CE

RGB 204 245 206

HSL 122.93, 0.67%, 0.88%

LAB 92.84, -20.42, 14.45

 

CMYK 43 / 0 / 41 / 9

HEX #85E888

RGB 133 232 136

HSL 121.82, 0.68%, 0.72%

LAB 84.21, -48.2, 37.8

 

CMYK 42 / 9 / 0 / 9

HEX #87D3E8

RGB 135 211 232

HSL 192.99, 0.68%, 0.72%

LAB 80.5, -18.17, -17.73

 

CMYK 0 / 42 / 26 / 9

HEX #E887AC

RGB 232 135 172

HSL 337.11, 0.68%, 0.72%

LAB 67.62, 41.54, -3.3

 

CMYK 43 / 0 / 41 / 9

HEX #85E888

RGB 133 232 136

HSL 121.82, 0.68%, 0.72%

LAB 84.21, -48.2, 37.8

 

CMYK 41 / 42 / 0 / 9

HEX #8987E8

RGB 137 135 232

HSL 241.24, 0.68%, 0.72%

LAB 60.31, 24.41, -48.95

 

CMYK 0 / 41 / 42 / 9

HEX #E88987

RGB 232 137 135

HSL 1.24, 0.68%, 0.72%

LAB 67.12, 35.96, 16.79

 

CMYK 43 / 0 / 41 / 9

HEX #85E888

RGB 133 232 136

HSL 121.82, 0.68%, 0.72%

LAB 84.21, -48.2, 37.8

 

CMYK 42 / 9 / 0 / 9

HEX #87D3E8

RGB 135 211 232

HSL 192.99, 0.68%, 0.72%

LAB 80.5, -18.17, -17.73

 

CMYK 0 / 42 / 0 / 9

HEX #E887E7

RGB 232 135 231

HSL 300.62, 0.68%, 0.72%

LAB 69.65, 50.9, -33.1

 

CMYK 0 / 33 / 42 / 9

HEX #E89C87

RGB 232 156 135

HSL 12.99, 0.68%, 0.72%

LAB 71.34, 25.93, 22.57

 

CMYK 43 / 0 / 41 / 9

HEX #85E888

RGB 133 232 136

HSL 121.82, 0.68%, 0.72%

LAB 84.21, -48.2, 37.8

 

CMYK 42 / 22 / 0 / 9

HEX #87B6E8

RGB 135 182 232

HSL 210.93, 0.68%, 0.72%

LAB 72.52, -2.87, -29.9

 

CMYK 0 / 42 / 0 / 9

HEX #E887E7

RGB 232 135 231

HSL 300.62, 0.68%, 0.72%

LAB 69.65, 50.9, -33.1

 

CMYK 0 / 20 / 42 / 9

HEX #E8B987

RGB 232 185 135

HSL 30.93, 0.68%, 0.72%

LAB 78.23, 10.5, 31.79

 

Description

Color code: RGBA 133 232 136 0.75 | qconv.com Color code: RGBA 133 232 136 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 232 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 232 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 31 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 31% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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