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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 131 201 53 0 it is the complementary color RGBA 124 54 202 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 131 201 53 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 131 201 53 0 shade: RGBA 136 201 48 0, RGBA 153 219 67 0, RGBA 170 237 86 0, RGBA 187 255 105 0 and RGBA 204 255 124 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 131 201 53 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 131 201 53 0 shade: RGBA 131 201 53 0, RGBA 114 183 34 0, RGBA 97 165 15 0, RGBA 80 147 0 0 and RGBA 63 129 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 131 201 53 0 shade: RGB 131 201 54, RGB 171 201 54, RGB 201 192 54, RGB 201 152 54 and RGB 201 112 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 131 201 53 0 shade: RGB 131 201 54, RGB 92 201 54, RGB 54 201 55, RGB 54 201 95 and RGB 54 201 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 131 201 53 0 shade matches the following richer shades: RGB 131 201 54, RGB 133 222 33 and RGB 134 243 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 131 201 53 0 shade: RGB 131 201 54, RGB 130 181 74, RGB 129 160 95, RGB 128 140 115 and RGB 127 119 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 131 201 53 0 shade: RGB 201 192 54, RGB 172 201 54, RGB 132 201 54, RGB 93 201 54 and RGB 54 201 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 131 201 53 0 shade: RGB 89 136 36, RGB 110 169 45, RGB 131 201 54, RGB 151 210 86 and RGB 171 219 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 131 201 53 0 shade: RGB 131 201 53, RGB 54 201 152 and RGB 201 54 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 131 201 53 0 shade: RGB 131 201 53, RGB 54 132 201 and RGB 201 54 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 131 201 53 0 shade: RGB 131 201 53, RGB 54 201 152, RGB 123 54 201 and RGB 201 54 103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 131 201 53 0 shade: RGB 131 201 53, RGB 54 201 197, RGB 123 54 201 and RGB 201 54 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #83C93500

RGBA 131 201 53 0

HSLA 88.38, 0.58%, 0.5%, 0

LABA 74.1, -44.59, 62.81, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #7C36CA00

RGBA 124 54 202 0

HSLA 268.38, 0.58%, 0.5%, 0

LABA 39.89, 57.91, -64.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #88C93000

RGBA 136 201 48 0

HSLA 85.49, 0.61%, 0.49%, 0

LABA 74.33, -43.07, 64.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #99DB4300

RGBA 153 219 67 0

HSLA 86.05, 0.68%, 0.56%, 0

LABA 80.65, -43.53, 64.76, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AAED5600

RGBA 170 237 86 0

HSLA 86.62, 0.81%, 0.63%, 0

LABA 86.89, -43.84, 64.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BBFF6900

RGBA 187 255 105 0

HSLA 87.2, 1%, 0.71%, 0

LABA 93.06, -44.04, 63.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CCFF7C00

RGBA 204 255 124 0

HSLA 83.36, 1%, 0.74%, 0

LABA 94.23, -36.21, 56.75, 0

 

CMYK 0 / 0 / 0 / 0

HEX #83C93500

RGBA 131 201 53 0

HSLA 88.38, 0.58%, 0.5%, 0

LABA 74.1, -44.59, 62.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #72B72200

RGBA 114 183 34 0

HSLA 87.79, 0.69%, 0.43%, 0

LABA 67.69, -44.02, 62.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #61A50F00

RGBA 97 165 15 0

HSLA 87.2, 0.83%, 0.35%, 0

LABA 61.21, -43.18, 60.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #50930000

RGBA 80 147 0 0

HSLA 87.35, 1%, 0.29%, 0

LABA 54.63, -42.01, 57.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3F810000

RGBA 63 129 0 0

HSLA 90.7, 1%, 0.25%, 0

LABA 47.95, -40.4, 51.85, 0

 

CMYK 35 / 0 / 73 / 21

HEX #83C936

RGB 131 201 54

HSL 88.57, 0.58%, 0.5%

LAB 74.1, -44.53, 62.47

 

CMYK 15 / 0 / 73 / 21

HEX #ABC936

RGB 171 201 54

HSL 72.24, 0.58%, 0.5%

LAB 76.5, -29.23, 65.61

 

CMYK 0 / 4 / 73 / 21

HEX #C9C036

RGB 201 192 54

HSL 56.33, 0.58%, 0.5%

LAB 76.3, -12.24, 66.23

 

CMYK 0 / 24 / 73 / 21

HEX #C99836

RGB 201 152 54

HSL 40, 0.58%, 0.5%

LAB 65.86, 8.87, 56.07

 

CMYK 0 / 44 / 73 / 21

HEX #C97036

RGB 201 112 54

HSL 23.67, 0.58%, 0.5%

LAB 56.36, 30.6, 46.33

 

CMYK 35 / 0 / 73 / 21

HEX #83C936

RGB 131 201 54

HSL 88.57, 0.58%, 0.5%

LAB 74.1, -44.53, 62.47

 

CMYK 54 / 0 / 73 / 21

HEX #5CC936

RGB 92 201 54

HSL 104.49, 0.58%, 0.5%

LAB 72.44, -56.77, 60.26

 

CMYK 73 / 0 / 73 / 21

HEX #36C937

RGB 54 201 55

HSL 120.41, 0.58%, 0.5%

LAB 71.44, -64.89, 58.57

 

CMYK 73 / 0 / 53 / 21

HEX #36C95F

RGB 54 201 95

HSL 136.73, 0.58%, 0.5%

LAB 71.81, -60.42, 41.82

 

CMYK 73 / 0 / 33 / 21

HEX #36C987

RGB 54 201 135

HSL 153.06, 0.58%, 0.5%

LAB 72.43, -53.38, 22.24

 

CMYK 35 / 0 / 73 / 21

HEX #83C936

RGB 131 201 54

HSL 88.57, 0.58%, 0.5%

LAB 74.1, -44.53, 62.47

 

CMYK 40 / 0 / 85 / 13

HEX #85DE21

RGB 133 222 33

HSL 88.25, 0.74%, 0.5%

LAB 80.37, -53.39, 74.13

 

CMYK 45 / 0 / 95 / 5

HEX #86F30C

RGB 134 243 12

HSL 88.31, 0.91%, 0.5%

LAB 86.6, -61.56, 82.38

 

CMYK 35 / 0 / 73 / 21

HEX #83C936

RGB 131 201 54

HSL 88.57, 0.58%, 0.5%

LAB 74.1, -44.53, 62.47

 

CMYK 28 / 0 / 59 / 29

HEX #82B54A

RGB 130 181 74

HSL 88.6, 0.42%, 0.5%

LAB 68.23, -34.53, 48.16

 

CMYK 19 / 0 / 41 / 37

HEX #81A05F

RGB 129 160 95

HSL 88.62, 0.25%, 0.5%

LAB 62.2, -22.4, 30.42

 

CMYK 9 / 0 / 18 / 45

HEX #808C73

RGB 128 140 115

HSL 88.8, 0.1%, 0.5%

LAB 56.67, -9.16, 11.91

 

CMYK 7 / 13 / 0 / 47

HEX #7F7788

RGB 127 119 136

HSL 268.24, 0.07%, 0.5%

LAB 51.25, 6.5, -8.15

 

CMYK 0 / 4 / 73 / 21

HEX #C9C036

RGB 201 192 54

HSL 56.33, 0.58%, 0.5%

LAB 76.3, -12.24, 66.23

 

CMYK 14 / 0 / 73 / 21

HEX #ACC936

RGB 172 201 54

HSL 71.84, 0.58%, 0.5%

LAB 76.56, -28.82, 65.7

 

CMYK 34 / 0 / 73 / 21

HEX #84C936

RGB 132 201 54

HSL 88.16, 0.58%, 0.5%

LAB 74.15, -44.17, 62.53

 

CMYK 54 / 0 / 73 / 21

HEX #5DC936

RGB 93 201 54

HSL 104.08, 0.58%, 0.5%

LAB 72.47, -56.5, 60.3

 

CMYK 73 / 0 / 73 / 21

HEX #36C936

RGB 54 201 54

HSL 120, 0.58%, 0.5%

LAB 71.44, -64.97, 58.92

 

CMYK 35 / 0 / 74 / 47

HEX #598824

RGB 89 136 36

HSL 88.2, 0.58%, 0.34%

LAB 51.68, -32.51, 46.01

 

CMYK 35 / 0 / 73 / 34

HEX #6EA92D

RGB 110 169 45

HSL 88.55, 0.58%, 0.42%

LAB 63.24, -38.86, 54.55

 

CMYK 35 / 0 / 73 / 21

HEX #83C936

RGB 131 201 54

HSL 88.57, 0.58%, 0.5%

LAB 74.1, -44.53, 62.47

 

CMYK 28 / 0 / 59 / 18

HEX #97D256

RGB 151 210 86

HSL 88.55, 0.58%, 0.58%

LAB 78.08, -38.82, 54.25

 

CMYK 22 / 0 / 46 / 14

HEX #ABDB77

RGB 171 219 119

HSL 88.8, 0.58%, 0.66%

LAB 82.19, -32.23, 44.01

 

CMYK 35 / 0 / 74 / 21

HEX #83C935

RGB 131 201 53

HSL 88.38, 0.58%, 0.5%

LAB 74.1, -44.59, 62.81

 

CMYK 73 / 0 / 24 / 21

HEX #36C998

RGB 54 201 152

HSL 160, 0.58%, 0.5%

LAB 72.78, -49.66, 13.65

 

CMYK 0 / 73 / 4 / 21

HEX #C936C0

RGB 201 54 192

HSL 303.67, 0.58%, 0.5%

LAB 50.52, 71.37, -41.3

 

CMYK 35 / 0 / 74 / 21

HEX #83C935

RGB 131 201 53

HSL 88.38, 0.58%, 0.5%

LAB 74.1, -44.59, 62.81

 

CMYK 73 / 34 / 0 / 21

HEX #3684C9

RGB 54 132 201

HSL 208.16, 0.58%, 0.5%

LAB 53.5, -0.6, -42.62

 

CMYK 0 / 73 / 34 / 21

HEX #C93684

RGB 201 54 132

HSL 328.16, 0.58%, 0.5%

LAB 47.91, 63.34, -9.78

 

CMYK 35 / 0 / 74 / 21

HEX #83C935

RGB 131 201 53

HSL 88.38, 0.58%, 0.5%

LAB 74.1, -44.59, 62.81

 

CMYK 73 / 0 / 24 / 21

HEX #36C998

RGB 54 201 152

HSL 160, 0.58%, 0.5%

LAB 72.78, -49.66, 13.65

 

CMYK 39 / 73 / 0 / 21

HEX #7B36C9

RGB 123 54 201

HSL 268.16, 0.58%, 0.5%

LAB 39.69, 57.49, -64.54

 

CMYK 0 / 73 / 49 / 21

HEX #C93667

RGB 201 54 103

HSL 340, 0.58%, 0.5%

LAB 47.02, 60.48, 6.62

 

CMYK 35 / 0 / 74 / 21

HEX #83C935

RGB 131 201 53

HSL 88.38, 0.58%, 0.5%

LAB 74.1, -44.59, 62.81

 

CMYK 73 / 0 / 2 / 21

HEX #36C9C5

RGB 54 201 197

HSL 178.37, 0.58%, 0.5%

LAB 73.93, -38.02, -9.02

 

CMYK 39 / 73 / 0 / 21

HEX #7B36C9

RGB 123 54 201

HSL 268.16, 0.58%, 0.5%

LAB 39.69, 57.49, -64.54

 

CMYK 0 / 73 / 71 / 21

HEX #C9363A

RGB 201 54 58

HSL 358.37, 0.58%, 0.5%

LAB 46.13, 57.5, 32.79

 

Description

Color code: RGBA 131 201 53 0 | qconv.com Color code: RGBA 131 201 53 0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 201 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 201 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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