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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 130 26 24 0.5 it is the complementary color RGBA 125 229 231 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 130 26 24 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 130 26 24 0.5 shade: RGBA 135 26 19 0.5, RGBA 152 44 38 0.5, RGBA 169 62 57 0.5, RGBA 186 80 76 0.5 and RGBA 203 98 95 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 130 26 24 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 130 26 24 0.5 shade: RGBA 130 26 24 0.5, RGBA 113 8 5 0.5, RGBA 96 0 0 0.5, RGBA 79 0 0 0.5 and RGBA 62 0 0 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 130 26 24 0.5 shade: RGB 129 26 24 and RGB 129 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 130 26 24 0.5 shade: RGB 129 26 24, RGB 129 54 24, RGB 129 83 24, RGB 129 111 24 and RGB 119 129 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 130 26 24 0.5 shade matches the following richer shades: RGB 129 26 24 and RGB 142 14 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 130 26 24 0.5 shade: RGB 129 26 24, RGB 117 38 36, RGB 105 50 48, RGB 92 61 61 and RGB 80 73 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 130 26 24 0.5 shade: RGB 129 24 78, RGB 129 24 50, RGB 129 25 24, RGB 129 54 24 and RGB 129 82 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 130 26 24 0.5 shade: RGB 60 12 11, RGB 94 19 17, RGB 129 26 24, RGB 164 33 30 and RGB 199 40 37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 130 26 24 0.5 shade: RGB 130 26 24, RGB 106 129 24 and RGB 24 64 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 130 26 24 0.5 shade: RGB 130 26 24, RGB 24 129 25 and RGB 25 24 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 130 26 24 0.5 shade: RGB 130 26 24, RGB 106 129 24, RGB 24 128 129 and RGB 47 24 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 130 26 24 0.5 shade: RGB 130 26 24, RGB 75 129 24, RGB 24 128 129 and RGB 78 24 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 41 / 25

HEX #821A187F

RGBA 130 26 24 0.5

HSLA 1.13, 0.69%, 0.3%, 0.5

LABA 28.25, 43.25, 29.19, 0.5

 

Complementary color

CMYK 23 / 0 / 0 / 5

HEX #7DE5E77F

RGBA 125 229 231 0.5

HSLA 181.13, 0.69%, 0.7%, 0.5

LABA 85.08, -29.66, -10.37, 0.5

 

CMYK 0 / 40 / 43 / 24

HEX #871A137F

RGBA 135 26 19 0.5

HSLA 3.62, 0.75%, 0.3%, 0.5

LABA 29.25, 44.7, 33.39, 0.5

 

CMYK 0 / 36 / 38 / 20

HEX #982C267F

RGBA 152 44 38 0.5

HSLA 3.16, 0.6%, 0.37%, 0.5

LABA 35.24, 44.46, 29.67, 0.5

 

CMYK 0 / 32 / 33 / 17

HEX #A93E397F

RGBA 169 62 57 0.5

HSLA 2.68, 0.5%, 0.44%, 0.5

LABA 41.49, 43.63, 26.43, 0.5

 

CMYK 0 / 28 / 30 / 14

HEX #BA504C7F

RGBA 186 80 76 0.5

HSLA 2.18, 0.44%, 0.51%, 0.5

LABA 47.88, 42.54, 23.75, 0.5

 

CMYK 0 / 26 / 27 / 10

HEX #CB625F7F

RGBA 203 98 95 0.5

HSLA 1.67, 0.51%, 0.58%, 0.5

LABA 54.3, 41.39, 21.51, 0.5

 

CMYK 0 / 40 / 41 / 25

HEX #821A187F

RGBA 130 26 24 0.5

HSLA 1.13, 0.69%, 0.3%, 0.5

LABA 28.25, 43.25, 29.19, 0.5

 

CMYK 0 / 46 / 48 / 28

HEX #7108057F

RGBA 113 8 5 0.5

HSLA 1.67, 0.92%, 0.23%, 0.5

LABA 22.64, 42.28, 31.99, 0.5

 

CMYK 0 / 50 / 50 / 31

HEX #6000007F

RGBA 96 0 0 0.5

HSLA 0, 1%, 0.19%, 0.5

LABA 17.86, 39.18, 27.56, 0.5

 

CMYK 0 / 50 / 50 / 35

HEX #4F00007F

RGBA 79 0 0 0.5

HSLA 0, 1%, 0.15%, 0.5

LABA 13.6, 34.26, 21.3, 0.5

 

CMYK 0 / 50 / 50 / 38

HEX #3E00007F

RGBA 62 0 0 0.5

HSLA 0, 1%, 0.12%, 0.5

LABA 9.19, 29.15, 14.52, 0.5

 

CMYK 0 / 80 / 81 / 49

HEX #811A18

RGB 129 26 24

HSL 1.14, 0.69%, 0.3%

LAB 28.04, 42.93, 28.91

 

CMYK 0 / 81 / 81 / 49

HEX #811818

RGB 129 24 24

HSL 0, 0.69%, 0.3%

LAB 27.81, 43.58, 28.67

 

CMYK 0 / 80 / 81 / 49

HEX #811A18

RGB 129 26 24

HSL 1.14, 0.69%, 0.3%

LAB 28.04, 42.93, 28.91

 

CMYK 0 / 58 / 81 / 49

HEX #813618

RGB 129 54 24

HSL 17.14, 0.69%, 0.3%

LAB 32.64, 30.55, 33.56

 

CMYK 0 / 36 / 81 / 49

HEX #815318

RGB 129 83 24

HSL 33.71, 0.69%, 0.3%

LAB 39.44, 14, 40.12

 

CMYK 0 / 14 / 81 / 49

HEX #816F18

RGB 129 111 24

HSL 49.71, 0.69%, 0.3%

LAB 47.11, -2.4, 47.17

 

CMYK 8 / 0 / 81 / 49

HEX #778118

RGB 119 129 24

HSL 65.71, 0.69%, 0.3%

LAB 51.48, -16.98, 50.76

 

CMYK 0 / 80 / 81 / 49

HEX #811A18

RGB 129 26 24

HSL 1.14, 0.69%, 0.3%

LAB 28.04, 42.93, 28.91

 

CMYK 0 / 90 / 92 / 44

HEX #8E0E0B

RGB 142 14 11

HSL 1.37, 0.86%, 0.3%

LAB 29.64, 49.68, 38.33

 

CMYK 0 / 80 / 81 / 49

HEX #811A18

RGB 129 26 24

HSL 1.14, 0.69%, 0.3%

LAB 28.04, 42.93, 28.91

 

CMYK 0 / 68 / 69 / 54

HEX #752624

RGB 117 38 36

HSL 1.48, 0.53%, 0.3%

LAB 27.56, 34.49, 20.21

 

CMYK 0 / 52 / 54 / 59

HEX #693230

RGB 105 50 48

HSL 2.11, 0.37%, 0.3%

LAB 28.11, 24.33, 12.69

 

CMYK 0 / 34 / 34 / 64

HEX #5C3D3D

RGB 92 61 61

HSL 0, 0.2%, 0.3%

LAB 29.29, 13.63, 5.52

 

CMYK 0 / 9 / 9 / 69

HEX #504949

RGB 80 73 73

HSL 0, 0.05%, 0.3%

LAB 31.7, 2.93, 1.05

 

CMYK 0 / 81 / 40 / 49

HEX #81184E

RGB 129 24 78

HSL 329.14, 0.69%, 0.3%

LAB 29.08, 47.52, -5.24

 

CMYK 0 / 81 / 61 / 49

HEX #811832

RGB 129 24 50

HSL 345.14, 0.69%, 0.3%

LAB 28.25, 44.96, 12.31

 

CMYK 0 / 81 / 81 / 49

HEX #811918

RGB 129 25 24

HSL 0.57, 0.69%, 0.3%

LAB 27.92, 43.26, 28.79

 

CMYK 0 / 58 / 81 / 49

HEX #813618

RGB 129 54 24

HSL 17.14, 0.69%, 0.3%

LAB 32.64, 30.55, 33.56

 

CMYK 0 / 36 / 81 / 49

HEX #815218

RGB 129 82 24

HSL 33.14, 0.69%, 0.3%

LAB 39.19, 14.59, 39.88

 

CMYK 0 / 80 / 82 / 76

HEX #3C0C0B

RGB 60 12 11

HSL 1.22, 0.69%, 0.14%

LAB 10.91, 23.33, 12.38

 

CMYK 0 / 80 / 82 / 63

HEX #5E1311

RGB 94 19 17

HSL 1.56, 0.69%, 0.22%

LAB 19.58, 33.36, 21.94

 

CMYK 0 / 80 / 81 / 49

HEX #811A18

RGB 129 26 24

HSL 1.14, 0.69%, 0.3%

LAB 28.04, 42.93, 28.91

 

CMYK 0 / 80 / 82 / 36

HEX #A4211E

RGB 164 33 30

HSL 1.34, 0.69%, 0.38%

LAB 36.13, 51.9, 35.97

 

CMYK 0 / 80 / 81 / 22

HEX #C72825

RGB 199 40 37

HSL 1.11, 0.69%, 0.46%

LAB 43.93, 60.5, 42.18

 

CMYK 0 / 80 / 82 / 49

HEX #821A18

RGB 130 26 24

HSL 1.13, 0.69%, 0.3%

LAB 28.25, 43.25, 29.19

 

CMYK 18 / 0 / 81 / 49

HEX #6A8118

RGB 106 129 24

HSL 73.14, 0.69%, 0.3%

LAB 50.49, -22.79, 49.49

 

CMYK 81 / 50 / 0 / 49

HEX #184081

RGB 24 64 129

HSL 217.14, 0.69%, 0.3%

LAB 27.97, 11.45, -40.64

 

CMYK 0 / 80 / 82 / 49

HEX #821A18

RGB 130 26 24

HSL 1.13, 0.69%, 0.3%

LAB 28.25, 43.25, 29.19

 

CMYK 81 / 0 / 81 / 49

HEX #188119

RGB 24 129 25

HSL 120.57, 0.69%, 0.3%

LAB 46.93, -48.51, 44.55

 

CMYK 81 / 81 / 0 / 49

HEX #191881

RGB 25 24 129

HSL 240.57, 0.69%, 0.3%

LAB 17.67, 38.27, -57.49

 

CMYK 0 / 80 / 82 / 49

HEX #821A18

RGB 130 26 24

HSL 1.13, 0.69%, 0.3%

LAB 28.25, 43.25, 29.19

 

CMYK 18 / 0 / 81 / 49

HEX #6A8118

RGB 106 129 24

HSL 73.14, 0.69%, 0.3%

LAB 50.49, -22.79, 49.49

 

CMYK 81 / 1 / 0 / 49

HEX #188081

RGB 24 128 129

HSL 180.57, 0.69%, 0.3%

LAB 48.53, -26.92, -8.63

 

CMYK 64 / 81 / 0 / 49

HEX #2F1881

RGB 47 24 129

HSL 253.14, 0.69%, 0.3%

LAB 19.4, 40.35, -54.57

 

CMYK 0 / 80 / 82 / 49

HEX #821A18

RGB 130 26 24

HSL 1.13, 0.69%, 0.3%

LAB 28.25, 43.25, 29.19

 

CMYK 42 / 0 / 81 / 49

HEX #4B8118

RGB 75 129 24

HSL 90.86, 0.69%, 0.3%

LAB 48.59, -35.35, 47.05

 

CMYK 81 / 1 / 0 / 49

HEX #188081

RGB 24 128 129

HSL 180.57, 0.69%, 0.3%

LAB 48.53, -26.92, -8.63

 

CMYK 40 / 81 / 0 / 49

HEX #4E1881

RGB 78 24 129

HSL 270.86, 0.69%, 0.3%

LAB 23.2, 44.85, -48.2

 

Description

Color code: RGBA 130 26 24 0.5 | qconv.com Color code: RGBA 130 26 24 0.5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 26 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 26 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 41 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 41% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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