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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 130 201 217 0.3 it is the complementary color RGBA 125 54 38 0.3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 130 201 217 0.3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 130 201 217 0.3 shade: RGBA 135 201 212 0.3, RGBA 152 219 231 0.3, RGBA 169 237 250 0.3, RGBA 186 255 255 0.3 and RGBA 203 255 255 0.3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 130 201 217 0.3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 130 201 217 0.3 shade: RGBA 130 201 217 0.3, RGBA 113 183 198 0.3, RGBA 96 165 179 0.3, RGBA 79 147 160 0.3 and RGBA 62 129 141 0.3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 130 201 217 0.3 shade: RGB 130 201 217, RGB 130 177 217, RGB 130 154 217, RGB 130 131 217 and RGB 153 130 217

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 130 201 217 0.3 shade: RGB 130 201 217, RGB 130 177 217, RGB 130 154 217, RGB 130 131 217 and RGB 130 130 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 130 201 217 0.3 shade matches the following richer shades: RGB 130 201 217, RGB 117 209 230 and RGB 104 217 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 130 201 217 0.3 shade: RGB 130 201 217, RGB 143 192 203, RGB 157 184 190, RGB 170 176 177 and RGB 183 167 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 130 201 217 0.3 shade: RGB 130 217 186, RGB 130 217 209, RGB 130 201 217, RGB 130 178 217 and RGB 130 155 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 130 201 217 0.3 shade: RGB 67 173 197, RGB 99 187 207, RGB 130 201 217, RGB 162 214 226 and RGB 193 228 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 130 201 217 0.3 shade: RGB 130 201 217, RGB 163 130 217 and RGB 217 198 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 130 201 217 0.3 shade: RGB 130 201 217, RGB 217 130 201 and RGB 201 217 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 130 201 217 0.3 shade: RGB 130 201 217, RGB 163 130 217, RGB 217 146 130 and RGB 183 217 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 130 201 217 0.3 shade: RGB 130 201 217, RGB 189 130 217, RGB 217 146 130 and RGB 158 217 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 2 / 0 / 4

HEX #82C9D94C

RGBA 130 201 217 0.3

HSLA 191.03, 0.53%, 0.68%, 0.3

LABA 77, -18.16, -14.98, 0.3

 

Complementary color

CMYK 0 / 17 / 21 / 15

HEX #7D36264C

RGBA 125 54 38 0.3

HSLA 11.03, 0.53%, 0.32%, 0.3

LABA 32.12, 29.62, 24.8, 0.3

 

CMYK 11 / 2 / 0 / 5

HEX #87C9D44C

RGBA 135 201 212 0.3

HSLA 188.57, 0.47%, 0.68%, 0.3

LABA 77.09, -18.11, -12.12, 0.3

 

CMYK 10 / 2 / 0 / 3

HEX #98DBE74C

RGBA 152 219 231 0.3

HSLA 189.11, 0.62%, 0.75%, 0.3

LABA 83.5, -18.1, -12.61, 0.3

 

CMYK 10 / 2 / 0 / 1

HEX #A9EDFA4C

RGBA 169 237 250 0.3

HSLA 189.63, 0.89%, 0.82%, 0.3

LABA 89.82, -18.08, -13.08, 0.3

 

CMYK 8 / 0 / 0 / 0

HEX #BAFFFF4C

RGBA 186 255 255 0.3

HSLA 180, 1%, 0.86%, 0.3

LABA 95.66, -21.17, -6.9, 0.3

 

CMYK 6 / 0 / 0 / 0

HEX #CBFFFF4C

RGBA 203 255 255 0.3

HSLA 180, 1%, 0.9%, 0.3

LABA 96.59, -16.31, -5.41, 0.3

 

CMYK 12 / 2 / 0 / 4

HEX #82C9D94C

RGBA 130 201 217 0.3

HSLA 191.03, 0.53%, 0.68%, 0.3

LABA 77, -18.16, -14.98, 0.3

 

CMYK 13 / 2 / 0 / 7

HEX #71B7C64C

RGBA 113 183 198 0.3

HSLA 190.59, 0.43%, 0.61%, 0.3

LABA 70.49, -18.1, -14.51, 0.3

 

CMYK 14 / 2 / 0 / 9

HEX #60A5B34C

RGBA 96 165 179 0.3

HSLA 190.12, 0.35%, 0.54%, 0.3

LABA 63.88, -18.01, -14.03, 0.3

 

CMYK 15 / 2 / 0 / 11

HEX #4F93A04C

RGBA 79 147 160 0.3

HSLA 189.63, 0.34%, 0.47%, 0.3

LABA 57.14, -17.85, -13.51, 0.3

 

CMYK 17 / 3 / 0 / 13

HEX #3E818D4C

RGBA 62 129 141 0.3

HSLA 189.11, 0.39%, 0.4%, 0.3

LABA 50.27, -17.61, -12.96, 0.3

 

CMYK 40 / 7 / 0 / 15

HEX #82C9D9

RGB 130 201 217

HSL 191.03, 0.53%, 0.68%

LAB 77, -18.16, -14.98

 

CMYK 40 / 18 / 0 / 15

HEX #82B1D9

RGB 130 177 217

HSL 207.59, 0.53%, 0.68%

LAB 70.32, -5.49, -25.12

 

CMYK 40 / 29 / 0 / 15

HEX #829AD9

RGB 130 154 217

HSL 223.45, 0.53%, 0.68%

LAB 64.05, 7.38, -34.78

 

CMYK 40 / 40 / 0 / 15

HEX #8283D9

RGB 130 131 217

HSL 239.31, 0.53%, 0.68%

LAB 58.03, 20.77, -44.23

 

CMYK 29 / 40 / 0 / 15

HEX #9982D9

RGB 153 130 217

HSL 255.86, 0.53%, 0.68%

LAB 59.66, 27.57, -41.53

 

CMYK 40 / 7 / 0 / 15

HEX #82C9D9

RGB 130 201 217

HSL 191.03, 0.53%, 0.68%

LAB 77, -18.16, -14.98

 

CMYK 40 / 18 / 0 / 15

HEX #82B1D9

RGB 130 177 217

HSL 207.59, 0.53%, 0.68%

LAB 70.32, -5.49, -25.12

 

CMYK 40 / 29 / 0 / 15

HEX #829AD9

RGB 130 154 217

HSL 223.45, 0.53%, 0.68%

LAB 64.05, 7.38, -34.78

 

CMYK 40 / 40 / 0 / 15

HEX #8283D9

RGB 130 131 217

HSL 239.31, 0.53%, 0.68%

LAB 58.03, 20.77, -44.23

 

CMYK 40 / 40 / 0 / 15

HEX #8282D9

RGB 130 130 217

HSL 240, 0.53%, 0.68%

LAB 57.77, 21.36, -44.63

 

CMYK 40 / 7 / 0 / 15

HEX #82C9D9

RGB 130 201 217

HSL 191.03, 0.53%, 0.68%

LAB 77, -18.16, -14.98

 

CMYK 49 / 9 / 0 / 10

HEX #75D1E6

RGB 117 209 230

HSL 191.15, 0.69%, 0.68%

LAB 79.1, -21.88, -18.85

 

CMYK 57 / 11 / 0 / 5

HEX #68D9F3

RGB 104 217 243

HSL 191.22, 0.85%, 0.68%

LAB 81.31, -24.91, -22.47

 

CMYK 40 / 7 / 0 / 15

HEX #82C9D9

RGB 130 201 217

HSL 191.03, 0.53%, 0.68%

LAB 77, -18.16, -14.98

 

CMYK 30 / 5 / 0 / 20

HEX #8FC0CB

RGB 143 192 203

HSL 191, 0.37%, 0.68%

LAB 74.73, -13.42, -10.73

 

CMYK 17 / 3 / 0 / 25

HEX #9DB8BE

RGB 157 184 190

HSL 190.91, 0.2%, 0.68%

LAB 73, -7.88, -6.13

 

CMYK 4 / 1 / 0 / 31

HEX #AAB0B1

RGB 170 176 177

HSL 188.57, 0.04%, 0.68%

LAB 71.4, -1.91, -1.25

 

CMYK 0 / 9 / 10 / 28

HEX #B7A7A4

RGB 183 167 164

HSL 9.47, 0.12%, 0.68%

LAB 69.74, 5.26, 3.64

 

CMYK 40 / 0 / 14 / 15

HEX #82D9BA

RGB 130 217 186

HSL 158.62, 0.53%, 0.68%

LAB 80.69, -33.29, 7.07

 

CMYK 40 / 0 / 4 / 15

HEX #82D9D1

RGB 130 217 209

HSL 174.48, 0.53%, 0.68%

LAB 81.28, -28.09, -4.32

 

CMYK 40 / 7 / 0 / 15

HEX #82C9D9

RGB 130 201 217

HSL 191.03, 0.53%, 0.68%

LAB 77, -18.16, -14.98

 

CMYK 40 / 18 / 0 / 15

HEX #82B2D9

RGB 130 178 217

HSL 206.9, 0.53%, 0.68%

LAB 70.59, -6.03, -24.7

 

CMYK 40 / 29 / 0 / 15

HEX #829BD9

RGB 130 155 217

HSL 222.76, 0.53%, 0.68%

LAB 64.32, 6.81, -34.37

 

CMYK 66 / 12 / 0 / 23

HEX #43ADC5

RGB 67 173 197

HSL 191.08, 0.53%, 0.52%

LAB 65.84, -22.7, -21.18

 

CMYK 52 / 10 / 0 / 19

HEX #63BBCF

RGB 99 187 207

HSL 191.11, 0.53%, 0.6%

LAB 71.35, -20.95, -18.21

 

CMYK 40 / 7 / 0 / 15

HEX #82C9D9

RGB 130 201 217

HSL 191.03, 0.53%, 0.68%

LAB 77, -18.16, -14.98

 

CMYK 28 / 5 / 0 / 11

HEX #A2D6E2

RGB 162 214 226

HSL 191.25, 0.52%, 0.76%

LAB 82.52, -13.96, -11.36

 

CMYK 18 / 3 / 0 / 7

HEX #C1E4EC

RGB 193 228 236

HSL 191.16, 0.53%, 0.84%

LAB 88.39, -9.72, -7.72

 

CMYK 40 / 7 / 0 / 15

HEX #82C9D9

RGB 130 201 217

HSL 191.03, 0.53%, 0.68%

LAB 77, -18.16, -14.98

 

CMYK 25 / 40 / 0 / 15

HEX #A382D9

RGB 163 130 217

HSL 262.76, 0.53%, 0.68%

LAB 60.57, 30.41, -40.04

 

CMYK 0 / 9 / 40 / 15

HEX #D9C682

RGB 217 198 130

HSL 46.9, 0.53%, 0.68%

LAB 80.04, -2.84, 36.48

 

CMYK 40 / 7 / 0 / 15

HEX #82C9D9

RGB 130 201 217

HSL 191.03, 0.53%, 0.68%

LAB 77, -18.16, -14.98

 

CMYK 0 / 40 / 7 / 15

HEX #D982C9

RGB 217 130 201

HSL 311.03, 0.53%, 0.68%

LAB 65.7, 43.64, -22.67

 

CMYK 7 / 0 / 40 / 15

HEX #C9D982

RGB 201 217 130

HSL 71.03, 0.53%, 0.68%

LAB 83.79, -18.75, 41.02

 

CMYK 40 / 7 / 0 / 15

HEX #82C9D9

RGB 130 201 217

HSL 191.03, 0.53%, 0.68%

LAB 77, -18.16, -14.98

 

CMYK 25 / 40 / 0 / 15

HEX #A382D9

RGB 163 130 217

HSL 262.76, 0.53%, 0.68%

LAB 60.57, 30.41, -40.04

 

CMYK 0 / 33 / 40 / 15

HEX #D99282

RGB 217 146 130

HSL 11.03, 0.53%, 0.68%

LAB 67.22, 24.91, 19.43

 

CMYK 16 / 0 / 40 / 15

HEX #B7D982

RGB 183 217 130

HSL 83.45, 0.53%, 0.68%

LAB 82.54, -25.56, 39.18

 

CMYK 40 / 7 / 0 / 15

HEX #82C9D9

RGB 130 201 217

HSL 191.03, 0.53%, 0.68%

LAB 77, -18.16, -14.98

 

CMYK 13 / 40 / 0 / 15

HEX #BD82D9

RGB 189 130 217

HSL 280.69, 0.53%, 0.68%

LAB 63.17, 38.04, -35.78

 

CMYK 0 / 33 / 40 / 15

HEX #D99282

RGB 217 146 130

HSL 11.03, 0.53%, 0.68%

LAB 67.22, 24.91, 19.43

 

CMYK 27 / 0 / 40 / 15

HEX #9ED982

RGB 158 217 130

HSL 100.69, 0.53%, 0.68%

LAB 81.02, -34.52, 36.92

 

Description

Color code: RGBA 130 201 217 0.3 | qconv.com Color code: RGBA 130 201 217 0.3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 201 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 201 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 2 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 2% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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