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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 130 162 239 0.75 it is the complementary color RGBA 125 93 16 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 130 162 239 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 130 162 239 0.75 shade: RGBA 135 162 234 0.75, RGBA 152 180 253 0.75, RGBA 169 198 255 0.75, RGBA 186 216 255 0.75 and RGBA 203 234 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 130 162 239 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 130 162 239 0.75 shade: RGBA 130 162 239 0.75, RGBA 113 144 220 0.75, RGBA 96 126 201 0.75, RGBA 79 108 182 0.75 and RGBA 62 90 163 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 130 162 239 0.75 shade: RGB 129 161 239, RGB 129 131 239, RGB 156 129 239, RGB 185 129 239 and RGB 215 129 239

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 130 162 239 0.75 shade: RGB 129 161 239, RGB 129 131 239 and RGB 129 129 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 130 162 239 0.75 shade matches the following richer shades: RGB 129 161 239 and RGB 117 156 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 130 162 239 0.75 shade: RGB 129 161 239, RGB 140 166 227, RGB 152 170 215, RGB 163 175 204 and RGB 175 180 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 130 162 239 0.75 shade: RGB 129 220 239, RGB 129 191 239, RGB 129 162 239, RGB 129 132 239 and RGB 154 129 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 130 162 239 0.75 shade: RGB 56 107 229, RGB 92 134 234, RGB 129 161 239, RGB 165 188 243 and RGB 202 215 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 130 162 239 0.75 shade: RGB 130 162 239, RGB 228 129 239 and RGB 206 239 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 130 162 239 0.75 shade: RGB 130 162 239, RGB 239 129 162 and RGB 162 239 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 130 162 239 0.75 shade: RGB 130 162 239, RGB 228 129 239, RGB 239 206 129 and RGB 140 239 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 130 162 239 0.75 shade: RGB 130 162 239, RGB 239 129 217, RGB 239 206 129 and RGB 129 239 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 24 / 0 / 5

HEX #82A2EFBF

RGBA 130 162 239 0.75

HSLA 222.39, 0.77%, 0.72%, 0.75

LABA 67.14, 9.03, -42.09, 0.75

 

Complementary color

CMYK 0 / 19 / 65 / 38

HEX #7D5D10BF

RGBA 125 93 16 0.75

HSLA 42.39, 0.77%, 0.28%, 0.75

LABA 41.57, 5.87, 44.85, 0.75

 

CMYK 32 / 23 / 0 / 6

HEX #87A2EABF

RGBA 135 162 234 0.75

HSLA 223.64, 0.7%, 0.72%, 0.75

LABA 67.23, 8.84, -39.19, 0.75

 

CMYK 30 / 22 / 0 / 1

HEX #98B4FDBF

RGBA 152 180 253 0.75

HSLA 223.37, 0.96%, 0.79%, 0.75

LABA 73.81, 8.27, -39.18, 0.75

 

CMYK 25 / 17 / 0 / 0

HEX #A9C6FFBF

RGBA 169 198 255 0.75

HSLA 219.77, 1%, 0.83%, 0.75

LABA 79.64, 3.43, -31.15, 0.75

 

CMYK 20 / 11 / 0 / 0

HEX #BAD8FFBF

RGBA 186 216 255 0.75

HSLA 213.91, 1%, 0.86%, 0.75

LABA 85.39, -1.4, -22.27, 0.75

 

CMYK 15 / 6 / 0 / 0

HEX #CBEAFFBF

RGBA 203 234 255 0.75

HSLA 204.23, 1%, 0.9%, 0.75

LABA 91.13, -5.75, -13.52, 0.75

 

CMYK 34 / 24 / 0 / 5

HEX #82A2EFBF

RGBA 130 162 239 0.75

HSLA 222.39, 0.77%, 0.72%, 0.75

LABA 67.14, 9.03, -42.09, 0.75

 

CMYK 36 / 26 / 0 / 10

HEX #7190DCBF

RGBA 113 144 220 0.75

HSLA 222.62, 0.6%, 0.65%, 0.75

LABA 60.45, 9.78, -42.17, 0.75

 

CMYK 39 / 28 / 0 / 16

HEX #607EC9BF

RGBA 96 126 201 0.75

HSLA 222.86, 0.49%, 0.58%, 0.75

LABA 53.63, 10.68, -42.29, 0.75

 

CMYK 42 / 30 / 0 / 21

HEX #4F6CB6BF

RGBA 79 108 182 0.75

HSLA 223.11, 0.41%, 0.51%, 0.75

LABA 46.66, 11.78, -42.46, 0.75

 

CMYK 46 / 34 / 0 / 27

HEX #3E5AA3BF

RGBA 62 90 163 0.75

HSLA 223.37, 0.45%, 0.44%, 0.75

LABA 39.55, 13.16, -42.68, 0.75

 

CMYK 46 / 33 / 0 / 6

HEX #81A1EF

RGB 129 161 239

HSL 222.55, 0.77%, 0.72%

LAB 66.82, 9.36, -42.6

 

CMYK 46 / 45 / 0 / 6

HEX #8183EF

RGB 129 131 239

HSL 238.91, 0.77%, 0.72%

LAB 59.1, 26.84, -54.8

 

CMYK 35 / 46 / 0 / 6

HEX #9C81EF

RGB 156 129 239

HSL 254.73, 0.77%, 0.72%

LAB 60.78, 34.59, -51.99

 

CMYK 23 / 46 / 0 / 6

HEX #B981EF

RGB 185 129 239

HSL 270.55, 0.77%, 0.72%

LAB 63.55, 42.26, -47.44

 

CMYK 10 / 46 / 0 / 6

HEX #D781EF

RGB 215 129 239

HSL 286.91, 0.77%, 0.72%

LAB 66.81, 50.57, -42.08

 

CMYK 46 / 33 / 0 / 6

HEX #81A1EF

RGB 129 161 239

HSL 222.55, 0.77%, 0.72%

LAB 66.82, 9.36, -42.6

 

CMYK 46 / 45 / 0 / 6

HEX #8183EF

RGB 129 131 239

HSL 238.91, 0.77%, 0.72%

LAB 59.1, 26.84, -54.8

 

CMYK 46 / 46 / 0 / 6

HEX #8181EF

RGB 129 129 239

HSL 240, 0.77%, 0.72%

LAB 58.6, 28.02, -55.59

 

CMYK 46 / 33 / 0 / 6

HEX #81A1EF

RGB 129 161 239

HSL 222.55, 0.77%, 0.72%

LAB 66.82, 9.36, -42.6

 

CMYK 53 / 38 / 0 / 2

HEX #759CFA

RGB 117 156 250

HSL 222.41, 0.93%, 0.72%

LAB 65.33, 12.82, -51.01

 

CMYK 46 / 33 / 0 / 6

HEX #81A1EF

RGB 129 161 239

HSL 222.55, 0.77%, 0.72%

LAB 66.82, 9.36, -42.6

 

CMYK 38 / 27 / 0 / 11

HEX #8CA6E3

RGB 140 166 227

HSL 222.07, 0.61%, 0.72%

LAB 68.31, 5.96, -33.64

 

CMYK 29 / 21 / 0 / 16

HEX #98AAD7

RGB 152 170 215

HSL 222.86, 0.44%, 0.72%

LAB 69.7, 3.99, -24.84

 

CMYK 20 / 14 / 0 / 20

HEX #A3AFCC

RGB 163 175 204

HSL 222.44, 0.29%, 0.72%

LAB 71.42, 1.99, -16.11

 

CMYK 9 / 6 / 0 / 25

HEX #AFB4C0

RGB 175 180 192

HSL 222.35, 0.12%, 0.72%

LAB 73.26, 0.62, -6.7

 

CMYK 46 / 8 / 0 / 6

HEX #81DCEF

RGB 129 220 239

HSL 190.36, 0.77%, 0.72%

LAB 82.96, -22.31, -17.77

 

CMYK 46 / 20 / 0 / 6

HEX #81BFEF

RGB 129 191 239

HSL 206.18, 0.77%, 0.72%

LAB 74.93, -7.3, -30

 

CMYK 46 / 32 / 0 / 6

HEX #81A2EF

RGB 129 162 239

HSL 222, 0.77%, 0.72%

LAB 67.08, 8.79, -42.18

 

CMYK 46 / 45 / 0 / 6

HEX #8184EF

RGB 129 132 239

HSL 238.36, 0.77%, 0.72%

LAB 59.34, 26.25, -54.41

 

CMYK 36 / 46 / 0 / 6

HEX #9A81EF

RGB 154 129 239

HSL 253.64, 0.77%, 0.72%

LAB 60.61, 34.08, -52.28

 

CMYK 76 / 53 / 0 / 10

HEX #386BE5

RGB 56 107 229

HSL 222.31, 0.77%, 0.56%

LAB 48.28, 25.37, -66.83

 

CMYK 61 / 43 / 0 / 8

HEX #5C86EA

RGB 92 134 234

HSL 222.25, 0.77%, 0.64%

LAB 57.33, 15.77, -54.97

 

CMYK 46 / 33 / 0 / 6

HEX #81A1EF

RGB 129 161 239

HSL 222.55, 0.77%, 0.72%

LAB 66.82, 9.36, -42.6

 

CMYK 32 / 23 / 0 / 5

HEX #A5BCF3

RGB 165 188 243

HSL 222.31, 0.76%, 0.8%

LAB 76.34, 4.76, -29.82

 

CMYK 19 / 13 / 0 / 3

HEX #CAD7F8

RGB 202 215 248

HSL 223.04, 0.77%, 0.88%

LAB 85.97, 2.33, -17.59

 

CMYK 46 / 32 / 0 / 6

HEX #82A2EF

RGB 130 162 239

HSL 222.39, 0.77%, 0.72%

LAB 67.14, 9.03, -42.09

 

CMYK 5 / 46 / 0 / 6

HEX #E481EF

RGB 228 129 239

HSL 294, 0.77%, 0.72%

LAB 68.33, 54.22, -39.58

 

CMYK 14 / 0 / 46 / 6

HEX #CEEF81

RGB 206 239 129

HSL 78, 0.77%, 0.72%

LAB 90.06, -27.58, 49.42

 

CMYK 46 / 32 / 0 / 6

HEX #82A2EF

RGB 130 162 239

HSL 222.39, 0.77%, 0.72%

LAB 67.14, 9.03, -42.09

 

CMYK 0 / 46 / 32 / 6

HEX #EF81A2

RGB 239 129 162

HSL 342, 0.77%, 0.72%

LAB 67.02, 45.69, 1.56

 

CMYK 32 / 0 / 46 / 6

HEX #A2EF81

RGB 162 239 129

HSL 102, 0.77%, 0.72%

LAB 87.48, -43.16, 45.66

 

CMYK 46 / 32 / 0 / 6

HEX #82A2EF

RGB 130 162 239

HSL 222.39, 0.77%, 0.72%

LAB 67.14, 9.03, -42.09

 

CMYK 5 / 46 / 0 / 6

HEX #E481EF

RGB 228 129 239

HSL 294, 0.77%, 0.72%

LAB 68.33, 54.22, -39.58

 

CMYK 0 / 14 / 46 / 6

HEX #EFCE81

RGB 239 206 129

HSL 42, 0.77%, 0.72%

LAB 84.01, 1.71, 42.44

 

CMYK 41 / 0 / 46 / 6

HEX #8CEF81

RGB 140 239 129

HSL 114, 0.77%, 0.72%

LAB 86.45, -50.05, 44.14

 

CMYK 46 / 32 / 0 / 6

HEX #82A2EF

RGB 130 162 239

HSL 222.39, 0.77%, 0.72%

LAB 67.14, 9.03, -42.09

 

CMYK 0 / 46 / 9 / 6

HEX #EF81D9

RGB 239 129 217

HSL 312, 0.77%, 0.72%

LAB 68.8, 53.6, -26.61

 

CMYK 0 / 14 / 46 / 6

HEX #EFCE81

RGB 239 206 129

HSL 42, 0.77%, 0.72%

LAB 84.01, 1.71, 42.44

 

CMYK 46 / 0 / 37 / 6

HEX #81EF97

RGB 129 239 151

HSL 132, 0.77%, 0.72%

LAB 86.32, -49.89, 33.03

 

Description

Color code: RGBA 130 162 239 0.75 | qconv.com Color code: RGBA 130 162 239 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 162 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 162 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 24 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 24% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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