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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 130 142 53 0 it is the complementary color RGBA 125 113 202 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 130 142 53 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 130 142 53 0 shade: RGBA 135 142 48 0, RGBA 152 160 67 0, RGBA 169 178 86 0, RGBA 186 196 105 0 and RGBA 203 214 124 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 130 142 53 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 130 142 53 0 shade: RGBA 130 142 53 0, RGBA 113 124 34 0, RGBA 96 106 15 0, RGBA 79 88 0 0 and RGBA 62 70 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 130 142 53 0 shade: RGB 129 141 52, RGB 141 129 52, RGB 141 105 52, RGB 141 81 52 and RGB 141 57 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 130 142 53 0 shade: RGB 129 141 52, RGB 105 141 52, RGB 81 141 52, RGB 57 141 52 and RGB 52 141 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 130 142 53 0 shade matches the following richer shades: RGB 129 141 52, RGB 141 157 37, RGB 152 173 21 and RGB 164 189 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 130 142 53 0 shade: RGB 129 141 52, RGB 118 126 68, RGB 107 110 84, RGB 95 94 99 and RGB 84 79 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 130 142 53 0 shade: RGB 141 106 52, RGB 141 130 52, RGB 130 141 52, RGB 106 141 52 and RGB 82 141 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 130 142 53 0 shade: RGB 74 81 30, RGB 102 111 41, RGB 129 141 52, RGB 157 172 63 and RGB 177 192 84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 130 142 53 0 shade: RGB 130 142 53, RGB 52 141 82 and RGB 118 52 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 130 142 53 0 shade: RGB 130 142 53, RGB 52 130 141 and RGB 141 52 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 130 142 53 0 shade: RGB 130 142 53, RGB 52 141 82, RGB 64 52 141 and RGB 141 52 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 130 142 53 0 shade: RGB 130 142 53, RGB 52 141 109, RGB 64 52 141 and RGB 141 52 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #828E3500

RGBA 130 142 53 0

HSLA 68.09, 0.46%, 0.38%, 0

LABA 56.44, -17.22, 44.62, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #7D71CA00

RGBA 125 113 202 0

HSLA 248.09, 0.46%, 0.62%, 0

LABA 52.32, 25.95, -44.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #878E3000

RGBA 135 142 48 0

HSLA 64.47, 0.49%, 0.37%, 0

LABA 56.79, -15.38, 47.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #98A04300

RGBA 152 160 67 0

HSLA 65.16, 0.41%, 0.45%, 0

LABA 63.53, -16.01, 46.49, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A9B25600

RGBA 169 178 86 0

HSLA 65.87, 0.37%, 0.52%, 0

LABA 70.14, -16.49, 45.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BAC46900

RGBA 186 196 105 0

HSLA 66.59, 0.44%, 0.59%, 0

LABA 76.64, -16.86, 44.26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CBD67C00

RGBA 203 214 124 0

HSLA 67.33, 0.52%, 0.66%, 0

LABA 83.04, -17.15, 43.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #828E3500

RGBA 130 142 53 0

HSLA 68.09, 0.46%, 0.38%, 0

LABA 56.44, -17.22, 44.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #717C2200

RGBA 113 124 34 0

HSLA 67.33, 0.57%, 0.31%, 0

LABA 49.55, -16.56, 45.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #606A0F00

RGBA 96 106 15 0

HSLA 66.59, 0.75%, 0.24%, 0

LABA 42.5, -15.63, 44.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4F580000

RGBA 79 88 0 0

HSLA 66.14, 1%, 0.17%, 0

LABA 35.29, -14.37, 42.55, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3E460000

RGBA 62 70 0 0

HSLA 66.86, 1%, 0.14%, 0

LABA 27.86, -12.6, 36.26, 0

 

CMYK 9 / 0 / 63 / 45

HEX #818D34

RGB 129 141 52

HSL 68.09, 0.46%, 0.38%

LAB 56.05, -17.21, 44.64

 

CMYK 0 / 9 / 63 / 45

HEX #8D8134

RGB 141 129 52

HSL 51.91, 0.46%, 0.38%

LAB 53.61, -5.38, 42.28

 

CMYK 0 / 26 / 63 / 45

HEX #8D6934

RGB 141 105 52

HSL 35.73, 0.46%, 0.38%

LAB 46.99, 8.28, 34.85

 

CMYK 0 / 43 / 63 / 45

HEX #8D5134

RGB 141 81 52

HSL 19.55, 0.46%, 0.38%

LAB 40.89, 22.24, 27.64

 

CMYK 0 / 60 / 63 / 45

HEX #8D3934

RGB 141 57 52

HSL 3.37, 0.46%, 0.38%

LAB 35.67, 35.35, 21.16

 

CMYK 9 / 0 / 63 / 45

HEX #818D34

RGB 129 141 52

HSL 68.09, 0.46%, 0.38%

LAB 56.05, -17.21, 44.64

 

CMYK 26 / 0 / 63 / 45

HEX #698D34

RGB 105 141 52

HSL 84.27, 0.46%, 0.38%

LAB 54.34, -27.3, 42.28

 

CMYK 43 / 0 / 63 / 45

HEX #518D34

RGB 81 141 52

HSL 100.45, 0.46%, 0.38%

LAB 53, -36.3, 40.41

 

CMYK 60 / 0 / 63 / 45

HEX #398D34

RGB 57 141 52

HSL 116.63, 0.46%, 0.38%

LAB 52.03, -43.56, 39.05

 

CMYK 63 / 0 / 50 / 45

HEX #348D47

RGB 52 141 71

HSL 132.81, 0.46%, 0.38%

LAB 52.1, -42.16, 29.56

 

CMYK 9 / 0 / 63 / 45

HEX #818D34

RGB 129 141 52

HSL 68.09, 0.46%, 0.38%

LAB 56.05, -17.21, 44.64

 

CMYK 10 / 0 / 76 / 38

HEX #8D9D25

RGB 141 157 37

HSL 68, 0.62%, 0.38%

LAB 61.58, -21.12, 56.43

 

CMYK 12 / 0 / 88 / 32

HEX #98AD15

RGB 152 173 21

HSL 68.29, 0.78%, 0.38%

LAB 66.99, -24.91, 65.73

 

CMYK 13 / 0 / 97 / 26

HEX #A4BD05

RGB 164 189 5

HSL 68.15, 0.95%, 0.38%

LAB 72.43, -27.84, 72.62

 

CMYK 9 / 0 / 63 / 45

HEX #818D34

RGB 129 141 52

HSL 68.09, 0.46%, 0.38%

LAB 56.05, -17.21, 44.64

 

CMYK 6 / 0 / 46 / 51

HEX #767E44

RGB 118 126 68

HSL 68.28, 0.3%, 0.38%

LAB 50.91, -12.47, 30.45

 

CMYK 3 / 0 / 24 / 57

HEX #6B6E54

RGB 107 110 84

HSL 66.92, 0.13%, 0.38%

LAB 45.52, -5.99, 14.16

 

CMYK 4 / 5 / 0 / 61

HEX #5F5E63

RGB 95 94 99

HSL 252, 0.03%, 0.38%

LAB 40.15, 1.46, -2.72

 

CMYK 27 / 31 / 0 / 55

HEX #544F73

RGB 84 79 115

HSL 248.33, 0.19%, 0.38%

LAB 35.43, 10.74, -19.86

 

CMYK 0 / 25 / 63 / 45

HEX #8D6A34

RGB 141 106 52

HSL 36.4, 0.46%, 0.38%

LAB 47.26, 7.7, 35.16

 

CMYK 0 / 8 / 63 / 45

HEX #8D8234

RGB 141 130 52

HSL 52.58, 0.46%, 0.38%

LAB 53.9, -5.94, 42.59

 

CMYK 8 / 0 / 63 / 45

HEX #828D34

RGB 130 141 52

HSL 67.42, 0.46%, 0.38%

LAB 56.13, -16.77, 44.74

 

CMYK 25 / 0 / 63 / 45

HEX #6A8D34

RGB 106 141 52

HSL 83.6, 0.46%, 0.38%

LAB 54.41, -26.9, 42.37

 

CMYK 42 / 0 / 63 / 45

HEX #528D34

RGB 82 141 52

HSL 99.78, 0.46%, 0.38%

LAB 53.05, -35.95, 40.48

 

CMYK 9 / 0 / 63 / 68

HEX #4A511E

RGB 74 81 30

HSL 68.24, 0.46%, 0.22%

LAB 32.78, -11.15, 28.44

 

CMYK 8 / 0 / 63 / 56

HEX #666F29

RGB 102 111 41

HSL 67.71, 0.46%, 0.3%

LAB 44.74, -14.03, 36.83

 

CMYK 9 / 0 / 63 / 45

HEX #818D34

RGB 129 141 52

HSL 68.09, 0.46%, 0.38%

LAB 56.05, -17.21, 44.64

 

CMYK 9 / 0 / 63 / 33

HEX #9DAC3F

RGB 157 172 63

HSL 68.26, 0.46%, 0.46%

LAB 67.3, -20.32, 52.51

 

CMYK 8 / 0 / 56 / 25

HEX #B1C054

RGB 177 192 84

HSL 68.33, 0.46%, 0.54%

LAB 74.63, -20.42, 51.69

 

CMYK 8 / 0 / 63 / 44

HEX #828E35

RGB 130 142 53

HSL 68.09, 0.46%, 0.38%

LAB 56.44, -17.22, 44.62

 

CMYK 63 / 0 / 42 / 45

HEX #348D52

RGB 52 141 82

HSL 140.22, 0.46%, 0.38%

LAB 52.27, -40.26, 23.83

 

CMYK 16 / 63 / 0 / 45

HEX #76348D

RGB 118 52 141

HSL 284.49, 0.46%, 0.38%

LAB 34.46, 43.43, -37.2

 

CMYK 8 / 0 / 63 / 44

HEX #828E35

RGB 130 142 53

HSL 68.09, 0.46%, 0.38%

LAB 56.44, -17.22, 44.62

 

CMYK 63 / 8 / 0 / 45

HEX #34828D

RGB 52 130 141

HSL 187.42, 0.46%, 0.38%

LAB 50.24, -20.16, -13.05

 

CMYK 0 / 63 / 8 / 45

HEX #8D3482

RGB 141 52 130

HSL 307.42, 0.46%, 0.38%

LAB 37.35, 47.49, -25.62

 

CMYK 8 / 0 / 63 / 44

HEX #828E35

RGB 130 142 53

HSL 68.09, 0.46%, 0.38%

LAB 56.44, -17.22, 44.62

 

CMYK 63 / 0 / 42 / 45

HEX #348D52

RGB 52 141 82

HSL 140.22, 0.46%, 0.38%

LAB 52.27, -40.26, 23.83

 

CMYK 55 / 63 / 0 / 45

HEX #40348D

RGB 64 52 141

HSL 248.09, 0.46%, 0.38%

LAB 28.03, 30.69, -47.89

 

CMYK 0 / 63 / 21 / 45

HEX #8D3470

RGB 141 52 112

HSL 319.55, 0.46%, 0.38%

LAB 36.53, 44.58, -15.67

 

CMYK 8 / 0 / 63 / 44

HEX #828E35

RGB 130 142 53

HSL 68.09, 0.46%, 0.38%

LAB 56.44, -17.22, 44.62

 

CMYK 63 / 0 / 23 / 45

HEX #348D6D

RGB 52 141 109

HSL 158.43, 0.46%, 0.38%

LAB 52.82, -34.48, 9.35

 

CMYK 55 / 63 / 0 / 45

HEX #40348D

RGB 64 52 141

HSL 248.09, 0.46%, 0.38%

LAB 28.03, 30.69, -47.89

 

CMYK 0 / 63 / 40 / 45

HEX #8D3455

RGB 141 52 85

HSL 337.75, 0.46%, 0.38%

LAB 35.55, 40.94, -0.01

 

Description

Color code: RGBA 130 142 53 0 | qconv.com Color code: RGBA 130 142 53 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 142 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 142 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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