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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 12 53 25 0.81 it is the complementary color RGBA 243 202 230 0.81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 12 53 25 0.81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 12 53 25 0.81 shade: RGBA 17 53 20 0.81, RGBA 34 71 39 0.81, RGBA 51 89 58 0.81, RGBA 68 107 77 0.81 and RGBA 85 125 96 0.81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 12 53 25 0.81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 12 53 25 0.81 shade: RGBA 12 53 25 0.81, RGBA 0 35 6 0.81, RGBA 0 17 0 0.81 and RGBA 0 0 0 0.81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 12 53 25 0.81 shade: RGB 12 54 26, RGB 12 54 14, RGB 22 54 12, RGB 33 54 12 and RGB 44 54 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 12 53 25 0.81 shade: RGB 12 54 26, RGB 12 54 37, RGB 12 54 48, RGB 12 49 54 and RGB 12 38 54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 12 53 25 0.81 shade matches the following richer shades: RGB 12 54 26, RGB 7 59 24 and RGB 2 65 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 12 53 25 0.81 shade: RGB 12 54 26, RGB 18 49 27, RGB 23 43 29, RGB 28 38 31 and RGB 34 33 33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 12 53 25 0.81 shade: RGB 21 54 12, RGB 12 54 14, RGB 12 54 25, RGB 12 54 37 and RGB 12 54 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 12 53 25 0.81 shade: RGB 0 0 0, RGB 5 20 10, RGB 12 54 26, RGB 20 88 41 and RGB 28 121 57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 12 53 25 0.81 shade: RGB 12 53 25, RGB 12 32 54 and RGB 54 12 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 12 53 25 0.81 shade: RGB 12 53 25, RGB 25 12 54 and RGB 54 25 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 12 53 25 0.81 shade: RGB 12 53 25, RGB 12 32 54, RGB 54 12 41 and RGB 54 34 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 12 53 25 0.81 shade: RGB 12 53 25, RGB 12 20 54, RGB 54 12 41 and RGB 54 46 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 43 / 64

HEX #0C3519CE

RGBA 12 53 25 0.81

HSLA 139.02, 0.63%, 0.13%, 0.81

LABA 18.78, -21.75, 13.61, 0.81

 

Complementary color

CMYK 0 / 14 / 4 / 4

HEX #F3CAE6CE

RGBA 243 202 230 0.81

HSLA 319.02, 0.63%, 0.87%, 0.81

LABA 85.51, 19.03, -8.4, 0.81

 

CMYK 55 / 0 / 50 / 64

HEX #113514CE

RGBA 17 53 20 0.81

HSLA 125, 0.51%, 0.14%, 0.81

LABA 18.87, -21.34, 16.88, 0.81

 

CMYK 42 / 0 / 37 / 58

HEX #224727CE

RGBA 34 71 39 0.81

HSLA 128.11, 0.35%, 0.21%, 0.81

LABA 26.71, -21.35, 15.25, 0.81

 

CMYK 35 / 0 / 28 / 53

HEX #33593ACE

RGBA 51 89 58 0.81

HSLA 131.05, 0.27%, 0.27%, 0.81

LABA 34.3, -21.09, 13.81, 0.81

 

CMYK 30 / 0 / 23 / 47

HEX #446B4DCE

RGBA 68 107 77 0.81

HSLA 133.85, 0.22%, 0.34%, 0.81

LABA 41.66, -20.79, 12.55, 0.81

 

CMYK 26 / 0 / 19 / 41

HEX #557D60CE

RGBA 85 125 96 0.81

HSLA 136.5, 0.19%, 0.41%, 0.81

LABA 48.81, -20.5, 11.44, 0.81

 

CMYK 63 / 0 / 43 / 64

HEX #0C3519CE

RGBA 12 53 25 0.81

HSLA 139.02, 0.63%, 0.13%, 0.81

LABA 18.78, -21.75, 13.61, 0.81

 

CMYK 81 / 0 / 67 / 70

HEX #002306CE

RGBA 0 35 6 0.81

HSLA 130.29, 1%, 0.07%, 0.81

LABA 10.67, -20.02, 13.05, 0.81

 

CMYK 81 / 0 / 81 / 76

HEX #001100CE

RGBA 0 17 0 0.81

HSLA 120, 1%, 0.03%, 0.81

LABA 3.62, -7.4, 5.29, 0.81

 

CMYK 0 / 0 / 0 / 100

HEX #000000CE

RGBA 0 0 0 0.81

HSLA 0, 0%, 0%, 0.81

LABA 0, 0, 0, 0.81

 

CMYK 78 / 0 / 52 / 79

HEX #0C361A

RGB 12 54 26

HSL 140, 0.64%, 0.13%

LAB 19.19, -22.01, 13.49

 

CMYK 78 / 0 / 74 / 79

HEX #0C360E

RGB 12 54 14

HSL 122.86, 0.64%, 0.13%

LAB 19.01, -24.09, 20.41

 

CMYK 59 / 0 / 78 / 79

HEX #16360C

RGB 22 54 12

HSL 105.71, 0.64%, 0.13%

LAB 19.37, -21.29, 21.89

 

CMYK 39 / 0 / 78 / 79

HEX #21360C

RGB 33 54 12

HSL 90, 0.64%, 0.13%

LAB 20, -16.83, 22.77

 

CMYK 19 / 0 / 78 / 79

HEX #2C360C

RGB 44 54 12

HSL 74.29, 0.64%, 0.13%

LAB 20.83, -11.57, 23.93

 

CMYK 78 / 0 / 52 / 79

HEX #0C361A

RGB 12 54 26

HSL 140, 0.64%, 0.13%

LAB 19.19, -22.01, 13.49

 

CMYK 78 / 0 / 31 / 79

HEX #0C3625

RGB 12 54 37

HSL 155.71, 0.64%, 0.13%

LAB 19.43, -19.34, 6.57

 

CMYK 78 / 0 / 11 / 79

HEX #0C3630

RGB 12 54 48

HSL 171.43, 0.64%, 0.13%

LAB 19.76, -16, -0.42

 

CMYK 78 / 9 / 0 / 79

HEX #0C3136

RGB 12 49 54

HSL 187.14, 0.64%, 0.13%

LAB 18.1, -10.92, -7.01

 

CMYK 78 / 30 / 0 / 79

HEX #0C2636

RGB 12 38 54

HSL 202.86, 0.64%, 0.13%

LAB 14.01, -3.62, -13.31

 

CMYK 78 / 0 / 52 / 79

HEX #0C361A

RGB 12 54 26

HSL 140, 0.64%, 0.13%

LAB 19.19, -22.01, 13.49

 

CMYK 88 / 0 / 59 / 77

HEX #073B18

RGB 7 59 24

HSL 139.62, 0.79%, 0.13%

LAB 20.98, -25.7, 16.97

 

CMYK 97 / 0 / 66 / 75

HEX #024116

RGB 2 65 22

HSL 139.05, 0.94%, 0.13%

LAB 23.17, -29.44, 20.76

 

CMYK 78 / 0 / 52 / 79

HEX #0C361A

RGB 12 54 26

HSL 140, 0.64%, 0.13%

LAB 19.19, -22.01, 13.49

 

CMYK 63 / 0 / 45 / 81

HEX #12311B

RGB 18 49 27

HSL 137.42, 0.46%, 0.13%

LAB 17.48, -17.64, 10.65

 

CMYK 47 / 0 / 33 / 83

HEX #172B1D

RGB 23 43 29

HSL 138, 0.3%, 0.13%

LAB 15.48, -12, 6.63

 

CMYK 26 / 0 / 18 / 85

HEX #1C261F

RGB 28 38 31

HSL 138, 0.15%, 0.13%

LAB 14.01, -6.24, 3.21

 

CMYK 0 / 3 / 3 / 87

HEX #222121

RGB 34 33 33

HSL 0, 0.01%, 0.13%

LAB 12.85, 0.47, 0.16

 

CMYK 61 / 0 / 78 / 79

HEX #15360C

RGB 21 54 12

HSL 107.14, 0.64%, 0.13%

LAB 19.33, -21.64, 21.83

 

CMYK 78 / 0 / 74 / 79

HEX #0C360E

RGB 12 54 14

HSL 122.86, 0.64%, 0.13%

LAB 19.01, -24.09, 20.41

 

CMYK 78 / 0 / 54 / 79

HEX #0C3619

RGB 12 54 25

HSL 138.57, 0.64%, 0.13%

LAB 19.17, -22.22, 14.11

 

CMYK 78 / 0 / 31 / 79

HEX #0C3625

RGB 12 54 37

HSL 155.71, 0.64%, 0.13%

LAB 19.43, -19.34, 6.57

 

CMYK 78 / 0 / 11 / 79

HEX #0C3630

RGB 12 54 48

HSL 171.43, 0.64%, 0.13%

LAB 19.76, -16, -0.42

 

CMYK 75 / 0 / 50 / 92

HEX #05140A

RGB 5 20 10

HSL 140, 0.6%, 0.05%

LAB 5.01, -6.53, 3.27

 

CMYK 78 / 0 / 52 / 79

HEX #0C361A

RGB 12 54 26

HSL 140, 0.64%, 0.13%

LAB 19.19, -22.01, 13.49

 

CMYK 77 / 0 / 53 / 65

HEX #145829

RGB 20 88 41

HSL 138.53, 0.63%, 0.21%

LAB 32.45, -32.39, 21.28

 

CMYK 77 / 0 / 53 / 53

HEX #1C7939

RGB 28 121 57

HSL 138.71, 0.62%, 0.29%

LAB 44.54, -41.34, 27.48

 

CMYK 77 / 0 / 53 / 79

HEX #0C3519

RGB 12 53 25

HSL 139.02, 0.63%, 0.13%

LAB 18.78, -21.75, 13.61

 

CMYK 78 / 41 / 0 / 79

HEX #0C2036

RGB 12 32 54

HSL 211.43, 0.64%, 0.13%

LAB 11.81, 0.75, -16.75

 

CMYK 0 / 78 / 70 / 79

HEX #360C10

RGB 54 12 16

HSL 354.29, 0.64%, 0.13%

LAB 9.68, 21.26, 8

 

CMYK 77 / 0 / 53 / 79

HEX #0C3519

RGB 12 53 25

HSL 139.02, 0.63%, 0.13%

LAB 18.78, -21.75, 13.61

 

CMYK 54 / 78 / 0 / 79

HEX #190C36

RGB 25 12 54

HSL 258.57, 0.64%, 0.13%

LAB 6.65, 18.75, -24.96

 

CMYK 0 / 54 / 78 / 79

HEX #36190C

RGB 54 25 12

HSL 18.57, 0.64%, 0.13%

LAB 12.65, 13.06, 14.13

 

CMYK 77 / 0 / 53 / 79

HEX #0C3519

RGB 12 53 25

HSL 139.02, 0.63%, 0.13%

LAB 18.78, -21.75, 13.61

 

CMYK 78 / 41 / 0 / 79

HEX #0C2036

RGB 12 32 54

HSL 211.43, 0.64%, 0.13%

LAB 11.81, 0.75, -16.75

 

CMYK 0 / 78 / 24 / 79

HEX #360C29

RGB 54 12 41

HSL 318.57, 0.64%, 0.13%

LAB 10.61, 24.54, -8.78

 

CMYK 0 / 37 / 78 / 79

HEX #36220C

RGB 54 34 12

HSL 31.43, 0.64%, 0.13%

LAB 15.25, 6.93, 17.55

 

CMYK 77 / 0 / 53 / 79

HEX #0C3519

RGB 12 53 25

HSL 139.02, 0.63%, 0.13%

LAB 18.78, -21.75, 13.61

 

CMYK 78 / 63 / 0 / 79

HEX #0C1436

RGB 12 20 54

HSL 228.57, 0.64%, 0.13%

LAB 7.63, 10.12, -23.43

 

CMYK 0 / 78 / 24 / 79

HEX #360C29

RGB 54 12 41

HSL 318.57, 0.64%, 0.13%

LAB 10.61, 24.54, -8.78

 

CMYK 0 / 15 / 78 / 79

HEX #362E0C

RGB 54 46 12

HSL 48.57, 0.64%, 0.13%

LAB 19.08, -1.22, 22.22

 

Description

Color code: RGBA 12 53 25 0.81 | qconv.com Color code: RGBA 12 53 25 0.81 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 53 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 53 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 43 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 43% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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