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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 12 20 38 0 it is the complementary color RGBA 243 235 217 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 12 20 38 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 12 20 38 0 shade: RGBA 17 20 33 0, RGBA 34 38 52 0, RGBA 51 56 71 0, RGBA 68 74 90 0 and RGBA 85 92 109 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 12 20 38 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 12 20 38 0 shade: RGBA 12 20 38 0, RGBA 0 2 19 0 and RGBA 0 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 12 20 38 0 shade: RGB 12 20 39, RGB 12 13 39, RGB 18 12 39, RGB 26 12 39 and RGB 33 12 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 12 20 38 0 shade: RGB 12 20 39, RGB 12 13 39 and RGB 12 12 39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 12 20 38 0 shade matches the following richer shades: RGB 12 20 39, RGB 8 19 43 and RGB 4 17 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 12 20 38 0 shade: RGB 12 20 39, RGB 16 22 35, RGB 20 24 31, RGB 25 25 26 and RGB 29 27 22

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 12 20 38 0 shade: RGB 12 35 39, RGB 12 28 39, RGB 12 21 39, RGB 12 14 39 and RGB 18 12 39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 12 20 38 0 shade: RGB 0 0 0, RGB 2 4 7, RGB 12 20 39, RGB 22 37 70 and RGB 32 53 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 12 20 38 0 shade: RGB 12 20 38, RGB 36 12 39 and RGB 31 39 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 12 20 38 0 shade: RGB 12 20 38, RGB 39 12 21 and RGB 21 39 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 12 20 38 0 shade: RGB 12 20 38, RGB 36 12 39, RGB 39 30 12 and RGB 15 39 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 12 20 38 0 shade: RGB 12 20 38, RGB 39 12 34, RGB 39 30 12 and RGB 12 39 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #0C142600

RGBA 12 20 38 0

HSLA 221.54, 0.52%, 0.1%, 0

LABA 6.49, 2.82, -13.4, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #F3EBD900

RGBA 243 235 217 0

HSLA 41.54, 0.52%, 0.9%, 0

LABA 93.22, -0.3, 9.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #11142100

RGBA 17 20 33 0

HSLA 228.75, 0.32%, 0.1%, 0

LABA 6.59, 2.57, -9.42, 0

 

CMYK 0 / 0 / 0 / 0

HEX #22263400

RGBA 34 38 52 0

HSLA 226.67, 0.21%, 0.17%, 0

LABA 15.35, 2.27, -9.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #33384700

RGBA 51 56 71 0

HSLA 225, 0.16%, 0.24%, 0

LABA 23.63, 1.89, -9.94, 0

 

CMYK 0 / 0 / 0 / 0

HEX #444A5A00

RGBA 68 74 90 0

HSLA 223.64, 0.14%, 0.31%, 0

LABA 31.5, 1.59, -10.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #555C6D00

RGBA 85 92 109 0

HSLA 222.5, 0.12%, 0.38%, 0

LABA 39.05, 1.34, -10.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0C142600

RGBA 12 20 38 0

HSLA 221.54, 0.52%, 0.1%, 0

LABA 6.49, 2.82, -13.4, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00021300

RGBA 0 2 19 0

HSLA 233.68, 1%, 0.04%, 0

LABA 0.82, 2.18, -7.55, 0

 

CMYK 0 / 0 / 0 / 100

HEX #00000000

RGBA 0 0 0 0

HSLA 0, 0%, 0%, 0

LABA 0, 0, 0, 0

 

CMYK 69 / 49 / 0 / 85

HEX #0C1427

RGB 12 20 39

HSL 222.22, 0.53%, 0.1%

LAB 6.55, 3.23, -14.06

 

CMYK 69 / 67 / 0 / 85

HEX #0C0D27

RGB 12 13 39

HSL 237.78, 0.53%, 0.1%

LAB 4.63, 7.15, -17.06

 

CMYK 54 / 69 / 0 / 85

HEX #120C27

RGB 18 12 39

HSL 253.33, 0.53%, 0.1%

LAB 4.86, 9.66, -16.66

 

CMYK 33 / 69 / 0 / 85

HEX #1A0C27

RGB 26 12 39

HSL 271.11, 0.53%, 0.1%

LAB 5.68, 13.24, -15.32

 

CMYK 15 / 69 / 0 / 85

HEX #210C27

RGB 33 12 39

HSL 286.67, 0.53%, 0.1%

LAB 6.62, 16.45, -13.79

 

CMYK 69 / 49 / 0 / 85

HEX #0C1427

RGB 12 20 39

HSL 222.22, 0.53%, 0.1%

LAB 6.55, 3.23, -14.06

 

CMYK 69 / 67 / 0 / 85

HEX #0C0D27

RGB 12 13 39

HSL 237.78, 0.53%, 0.1%

LAB 4.63, 7.15, -17.06

 

CMYK 69 / 69 / 0 / 85

HEX #0C0C27

RGB 12 12 39

HSL 240, 0.53%, 0.1%

LAB 4.4, 7.61, -17.41

 

CMYK 69 / 49 / 0 / 85

HEX #0C1427

RGB 12 20 39

HSL 222.22, 0.53%, 0.1%

LAB 6.55, 3.23, -14.06

 

CMYK 81 / 56 / 0 / 83

HEX #08132B

RGB 8 19 43

HSL 221.14, 0.69%, 0.1%

LAB 6.25, 4.57, -17.55

 

CMYK 91 / 64 / 0 / 82

HEX #04112F

RGB 4 17 47

HSL 221.86, 0.84%, 0.1%

LAB 5.71, 6.68, -21.4

 

CMYK 69 / 49 / 0 / 85

HEX #0C1427

RGB 12 20 39

HSL 222.22, 0.53%, 0.1%

LAB 6.55, 3.23, -14.06

 

CMYK 54 / 37 / 0 / 86

HEX #101623

RGB 16 22 35

HSL 221.05, 0.37%, 0.1%

LAB 7.27, 1.58, -9.89

 

CMYK 35 / 23 / 0 / 88

HEX #14181F

RGB 20 24 31

HSL 218.18, 0.22%, 0.1%

LAB 8.14, 0.25, -5.51

 

CMYK 4 / 4 / 0 / 90

HEX #19191A

RGB 25 25 26

HSL 240, 0.02%, 0.1%

LAB 8.79, 0.26, -0.7

 

CMYK 0 / 7 / 24 / 89

HEX #1D1B16

RGB 29 27 22

HSL 42.86, 0.14%, 0.1%

LAB 9.82, -0.17, 3.82

 

CMYK 69 / 10 / 0 / 85

HEX #0C2327

RGB 12 35 39

HSL 188.89, 0.53%, 0.1%

LAB 12.13, -7.53, -5.43

 

CMYK 69 / 28 / 0 / 85

HEX #0C1C27

RGB 12 28 39

HSL 204.44, 0.53%, 0.1%

LAB 9.44, -2.61, -9.55

 

CMYK 69 / 46 / 0 / 85

HEX #0C1527

RGB 12 21 39

HSL 220, 0.53%, 0.1%

LAB 6.87, 2.57, -13.55

 

CMYK 69 / 64 / 0 / 85

HEX #0C0E27

RGB 12 14 39

HSL 235.56, 0.53%, 0.1%

LAB 4.87, 6.67, -16.69

 

CMYK 54 / 69 / 0 / 85

HEX #120C27

RGB 18 12 39

HSL 253.33, 0.53%, 0.1%

LAB 4.86, 9.66, -16.66

 

CMYK 71 / 43 / 0 / 97

HEX #020407

RGB 2 4 7

HSL 216, 0.56%, 0.02%

LAB 1.04, -0.11, -1.32

 

CMYK 69 / 49 / 0 / 85

HEX #0C1427

RGB 12 20 39

HSL 222.22, 0.53%, 0.1%

LAB 6.55, 3.23, -14.06

 

CMYK 69 / 47 / 0 / 73

HEX #162546

RGB 22 37 70

HSL 221.25, 0.52%, 0.18%

LAB 15.15, 6, -22.65

 

CMYK 68 / 48 / 0 / 60

HEX #203565

RGB 32 53 101

HSL 221.74, 0.52%, 0.26%

LAB 22.97, 9.02, -30.83

 

CMYK 68 / 47 / 0 / 85

HEX #0C1426

RGB 12 20 38

HSL 221.54, 0.52%, 0.1%

LAB 6.49, 2.82, -13.4

 

CMYK 8 / 69 / 0 / 85

HEX #240C27

RGB 36 12 39

HSL 293.33, 0.53%, 0.1%

LAB 7.09, 17.73, -13.02

 

CMYK 21 / 0 / 69 / 85

HEX #1F270C

RGB 31 39 12

HSL 77.78, 0.53%, 0.1%

LAB 14.22, -8.98, 15.69

 

CMYK 68 / 47 / 0 / 85

HEX #0C1426

RGB 12 20 38

HSL 221.54, 0.52%, 0.1%

LAB 6.49, 2.82, -13.4

 

CMYK 0 / 69 / 46 / 85

HEX #270C15

RGB 39 12 21

HSL 340, 0.53%, 0.1%

LAB 6.76, 15.11, 0.27

 

CMYK 46 / 0 / 69 / 85

HEX #15270C

RGB 21 39 12

HSL 100, 0.53%, 0.1%

LAB 13.45, -13.82, 14.53

 

CMYK 68 / 47 / 0 / 85

HEX #0C1426

RGB 12 20 38

HSL 221.54, 0.52%, 0.1%

LAB 6.49, 2.82, -13.4

 

CMYK 8 / 69 / 0 / 85

HEX #240C27

RGB 36 12 39

HSL 293.33, 0.53%, 0.1%

LAB 7.09, 17.73, -13.02

 

CMYK 0 / 23 / 69 / 85

HEX #271E0C

RGB 39 30 12

HSL 40, 0.53%, 0.1%

LAB 11.87, 1.49, 12.69

 

CMYK 62 / 0 / 69 / 85

HEX #0F270C

RGB 15 39 12

HSL 113.33, 0.53%, 0.1%

LAB 13.1, -16.29, 14

 

CMYK 68 / 47 / 0 / 85

HEX #0C1426

RGB 12 20 38

HSL 221.54, 0.52%, 0.1%

LAB 6.49, 2.82, -13.4

 

CMYK 0 / 69 / 13 / 85

HEX #270C22

RGB 39 12 34

HSL 311.11, 0.53%, 0.1%

LAB 7.31, 17.74, -8.82

 

CMYK 0 / 23 / 69 / 85

HEX #271E0C

RGB 39 30 12

HSL 40, 0.53%, 0.1%

LAB 11.87, 1.49, 12.69

 

CMYK 69 / 0 / 56 / 85

HEX #0C2711

RGB 12 39 17

HSL 131.11, 0.53%, 0.1%

LAB 13.04, -16.43, 11.31

 

Description

Color code: RGBA 12 20 38 0 | qconv.com Color code: RGBA 12 20 38 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 20 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 20 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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