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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 12 178 252 0.75 it is the complementary color RGBA 243 77 3 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 12 178 252 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 12 178 252 0.75 shade: RGBA 17 178 247 0.75, RGBA 34 196 255 0.75, RGBA 51 214 255 0.75, RGBA 68 232 255 0.75 and RGBA 85 250 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 12 178 252 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 12 178 252 0.75 shade: RGBA 12 178 252 0.75, RGBA 0 160 233 0.75, RGBA 0 142 214 0.75, RGBA 0 124 195 0.75 and RGBA 0 106 176 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 12 178 252 0.75 shade: RGB 13 179 253, RGB 13 114 253, RGB 13 49 253, RGB 41 13 253 and RGB 105 13 253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 12 178 252 0.75 shade: RGB 13 179 253, RGB 13 114 253, RGB 13 49 253 and RGB 13 13 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 12 178 252 0.75 shade matches the following richer shades: RGB 13 179 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 12 178 252 0.75 shade: RGB 13 179 253, RGB 32 171 233, RGB 52 163 213, RGB 72 156 193 and RGB 92 148 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 12 178 252 0.75 shade: RGB 13 253 197, RGB 13 245 253, RGB 13 181 253, RGB 13 117 253 and RGB 13 53 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 12 178 252 0.75 shade: RGB 2 126 181, RGB 2 154 222, RGB 13 179 253, RGB 53 191 253 and RGB 94 204 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 12 178 252 0.75 shade: RGB 12 178 252, RGB 133 13 253 and RGB 253 229 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 12 178 252 0.75 shade: RGB 12 178 252, RGB 253 13 181 and RGB 181 253 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 12 178 252 0.75 shade: RGB 12 178 252, RGB 133 13 253, RGB 253 85 13 and RGB 133 253 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 12 178 252 0.75 shade: RGB 12 178 252, RGB 205 13 253, RGB 253 85 13 and RGB 61 253 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 22 / 0 / 1

HEX #0CB2FCBF

RGBA 12 178 252 0.75

HSLA 198.5, 0.98%, 0.52%, 0.75

LABA 68.71, -11.45, -46.94, 0.75

 

Complementary color

CMYK 0 / 51 / 74 / 4

HEX #F34D03BF

RGBA 243 77 3 0.75

HSLA 18.5, 0.98%, 0.48%, 0.75

LABA 56.46, 61.24, 66.59, 0.75

 

CMYK 70 / 21 / 0 / 2

HEX #11B2F7BF

RGBA 17 178 247 0.75

HSLA 198, 0.93%, 0.52%, 0.75

LABA 68.52, -13.08, -44.54, 0.75

 

CMYK 65 / 17 / 0 / 0

HEX #22C4FFBF

RGBA 34 196 255 0.75

HSLA 196.02, 1%, 0.57%, 0.75

LABA 74.22, -19.07, -39.93, 0.75

 

CMYK 60 / 12 / 0 / 0

HEX #33D6FFBF

RGBA 51 214 255 0.75

HSLA 192.06, 1%, 0.6%, 0.75

LABA 79.62, -26.96, -31.55, 0.75

 

CMYK 55 / 7 / 0 / 0

HEX #44E8FFBF

RGBA 68 232 255 0.75

HSLA 187.38, 1%, 0.63%, 0.75

LABA 85.08, -33.98, -23.18, 0.75

 

CMYK 50 / 1 / 0 / 0

HEX #55FAFFBF

RGBA 85 250 255 0.75

HSLA 181.76, 1%, 0.67%, 0.75

LABA 90.56, -40.2, -14.88, 0.75

 

CMYK 71 / 22 / 0 / 1

HEX #0CB2FCBF

RGBA 12 178 252 0.75

HSLA 198.5, 0.98%, 0.52%, 0.75

LABA 68.71, -11.45, -46.94, 0.75

 

CMYK 75 / 23 / 0 / 6

HEX #00A0E9BF

RGBA 0 160 233 0.75

HSLA 198.8, 1%, 0.46%, 0.75

LABA 62.53, -8.67, -46.3, 0.75

 

CMYK 75 / 25 / 0 / 12

HEX #008ED6BF

RGBA 0 142 214 0.75

HSLA 200.19, 1%, 0.42%, 0.75

LABA 56.29, -5.48, -45.6, 0.75

 

CMYK 75 / 27 / 0 / 18

HEX #007CC3BF

RGBA 0 124 195 0.75

HSLA 201.85, 1%, 0.38%, 0.75

LABA 49.92, -2.12, -44.91, 0.75

 

CMYK 75 / 30 / 0 / 23

HEX #006AB0BF

RGBA 0 106 176 0.75

HSLA 203.86, 1%, 0.35%, 0.75

LABA 43.42, 1.42, -44.26, 0.75

 

CMYK 95 / 29 / 0 / 1

HEX #0DB3FD

RGB 13 179 253

HSL 198.5, 0.98%, 0.52%

LAB 69.05, -11.62, -46.95

 

CMYK 95 / 55 / 0 / 1

HEX #0D72FD

RGB 13 114 253

HSL 214.75, 0.98%, 0.52%

LAB 50.93, 27.14, -75.96

 

CMYK 95 / 81 / 0 / 1

HEX #0D31FD

RGB 13 49 253

HSL 231, 0.98%, 0.52%

LAB 36.69, 65.19, -99.41

 

CMYK 84 / 95 / 0 / 1

HEX #290DFD

RGB 41 13 253

HSL 247, 0.98%, 0.52%

LAB 33.67, 77.16, -104.43

 

CMYK 58 / 95 / 0 / 1

HEX #690DFD

RGB 105 13 253

HSL 263, 0.98%, 0.52%

LAB 38.52, 79.7, -96.22

 

CMYK 95 / 29 / 0 / 1

HEX #0DB3FD

RGB 13 179 253

HSL 198.5, 0.98%, 0.52%

LAB 69.05, -11.62, -46.95

 

CMYK 95 / 55 / 0 / 1

HEX #0D72FD

RGB 13 114 253

HSL 214.75, 0.98%, 0.52%

LAB 50.93, 27.14, -75.96

 

CMYK 95 / 81 / 0 / 1

HEX #0D31FD

RGB 13 49 253

HSL 231, 0.98%, 0.52%

LAB 36.69, 65.19, -99.41

 

CMYK 95 / 95 / 0 / 1

HEX #0D0DFD

RGB 13 13 253

HSL 240, 0.98%, 0.52%

LAB 32.84, 76.81, -105.83

 

CMYK 95 / 29 / 0 / 1

HEX #0DB3FD

RGB 13 179 253

HSL 198.5, 0.98%, 0.52%

LAB 69.05, -11.62, -46.95

 

CMYK 95 / 29 / 0 / 1

HEX #0DB3FD

RGB 13 179 253

HSL 198.5, 0.98%, 0.52%

LAB 69.05, -11.62, -46.95

 

CMYK 86 / 27 / 0 / 9

HEX #20ABE9

RGB 32 171 233

HSL 198.51, 0.82%, 0.52%

LAB 65.99, -13.5, -40.84

 

CMYK 76 / 23 / 0 / 16

HEX #34A3D5

RGB 52 163 213

HSL 198.63, 0.66%, 0.52%

LAB 63.12, -14.29, -34.27

 

CMYK 63 / 19 / 0 / 24

HEX #489CC1

RGB 72 156 193

HSL 198.35, 0.49%, 0.52%

LAB 60.79, -14.13, -26.67

 

CMYK 47 / 14 / 0 / 32

HEX #5C94AD

RGB 92 148 173

HSL 198.52, 0.33%, 0.52%

LAB 58.48, -11.53, -18.83

 

CMYK 95 / 0 / 22 / 1

HEX #0DFDC5

RGB 13 253 197

HSL 166, 0.98%, 0.52%

LAB 89.1, -62.24, 12.98

 

CMYK 95 / 3 / 0 / 1

HEX #0DF5FD

RGB 13 245 253

HSL 182, 0.98%, 0.52%

LAB 88.2, -44.04, -17.47

 

CMYK 95 / 28 / 0 / 1

HEX #0DB5FD

RGB 13 181 253

HSL 198, 0.98%, 0.52%

LAB 69.63, -12.7, -46.04

 

CMYK 95 / 54 / 0 / 1

HEX #0D75FD

RGB 13 117 253

HSL 214, 0.98%, 0.52%

LAB 51.72, 25.24, -74.67

 

CMYK 95 / 79 / 0 / 1

HEX #0D35FD

RGB 13 53 253

HSL 230, 0.98%, 0.52%

LAB 37.34, 63.29, -98.33

 

CMYK 99 / 30 / 0 / 29

HEX #027EB5

RGB 2 126 181

HSL 198.44, 0.98%, 0.36%

LAB 49.82, -8.64, -37.03

 

CMYK 99 / 31 / 0 / 13

HEX #029ADE

RGB 2 154 222

HSL 198.55, 0.98%, 0.44%

LAB 60.25, -9.3, -43.81

 

CMYK 95 / 29 / 0 / 1

HEX #0DB3FD

RGB 13 179 253

HSL 198.5, 0.98%, 0.52%

LAB 69.05, -11.62, -46.95

 

CMYK 79 / 25 / 0 / 1

HEX #35BFFD

RGB 53 191 253

HSL 198.6, 0.98%, 0.6%

LAB 72.96, -15.68, -40.79

 

CMYK 63 / 19 / 0 / 1

HEX #5ECCFD

RGB 94 204 253

HSL 198.49, 0.98%, 0.68%

LAB 77.67, -17.15, -33.4

 

CMYK 95 / 29 / 0 / 1

HEX #0CB2FC

RGB 12 178 252

HSL 198.5, 0.98%, 0.52%

LAB 68.71, -11.45, -46.94

 

CMYK 47 / 95 / 0 / 1

HEX #850DFD

RGB 133 13 253

HSL 270, 0.98%, 0.52%

LAB 41.79, 81.78, -90.7

 

CMYK 0 / 9 / 95 / 1

HEX #FDE50D

RGB 253 229 13

HSL 54, 0.98%, 0.52%

LAB 90.3, -9.68, 88.41

 

CMYK 95 / 29 / 0 / 1

HEX #0CB2FC

RGB 12 178 252

HSL 198.5, 0.98%, 0.52%

LAB 68.71, -11.45, -46.94

 

CMYK 0 / 95 / 28 / 1

HEX #FD0DB5

RGB 253 13 181

HSL 318, 0.98%, 0.52%

LAB 56.59, 88, -24.76

 

CMYK 28 / 0 / 95 / 1

HEX #B5FD0D

RGB 181 253 13

HSL 78, 0.98%, 0.52%

LAB 91.73, -49.59, 87.3

 

CMYK 95 / 29 / 0 / 1

HEX #0CB2FC

RGB 12 178 252

HSL 198.5, 0.98%, 0.52%

LAB 68.71, -11.45, -46.94

 

CMYK 47 / 95 / 0 / 1

HEX #850DFD

RGB 133 13 253

HSL 270, 0.98%, 0.52%

LAB 41.79, 81.78, -90.7

 

CMYK 0 / 66 / 95 / 1

HEX #FD550D

RGB 253 85 13

HSL 18, 0.98%, 0.52%

LAB 59.35, 61.5, 67.18

 

CMYK 47 / 0 / 95 / 1

HEX #85FD0D

RGB 133 253 13

HSL 90, 0.98%, 0.52%

LAB 89.52, -65.49, 84.61

 

CMYK 95 / 29 / 0 / 1

HEX #0CB2FC

RGB 12 178 252

HSL 198.5, 0.98%, 0.52%

LAB 68.71, -11.45, -46.94

 

CMYK 19 / 95 / 0 / 1

HEX #CD0DFD

RGB 205 13 253

HSL 288, 0.98%, 0.52%

LAB 52.24, 89.85, -73.18

 

CMYK 0 / 66 / 95 / 1

HEX #FD550D

RGB 253 85 13

HSL 18, 0.98%, 0.52%

LAB 59.35, 61.5, 67.18

 

CMYK 76 / 0 / 95 / 1

HEX #3DFD0D

RGB 61 253 13

HSL 108, 0.98%, 0.52%

LAB 87.62, -81.14, 82.28

 

Description

Color code: RGBA 12 178 252 0.75 | qconv.com Color code: RGBA 12 178 252 0.75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 178 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 178 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 22 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 22% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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