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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 250 83 it is the complementary color RGB 126 5 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 250 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 250 83 shade: RGB 134 250 78, RGB 151 255 97, RGB 168 255 116, RGB 185 255 135 and RGB 202 255 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 250 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 250 83 shade: RGB 129 250 83, RGB 112 232 64, RGB 95 214 45, RGB 78 196 26 and RGB 61 178 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 250 83 shade: RGB 128 250 82, RGB 173 250 82, RGB 219 250 82, RGB 250 235 82 and RGB 250 190 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 250 83 shade: RGB 128 250 82, RGB 83 250 82, RGB 82 250 126, RGB 82 250 171 and RGB 82 250 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 250 83 shade matches the following richer shades: RGB 128 250 82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 250 83 shade: RGB 128 250 82, RGB 135 235 96, RGB 141 221 111, RGB 148 206 125 and RGB 154 192 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 250 83 shade: RGB 219 250 82, RGB 174 250 82, RGB 129 250 82, RGB 85 250 82 and RGB 82 250 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 250 83 shade: RGB 72 242 7, RGB 99 248 42, RGB 128 250 82, RGB 157 251 122 and RGB 187 252 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 250 83 shade: RGB 129 250 83, RGB 82 250 236 and RGB 250 82 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 250 83 shade: RGB 129 250 83, RGB 82 129 250 and RGB 250 82 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 250 83 shade: RGB 129 250 83, RGB 82 250 236, RGB 202 82 250 and RGB 250 82 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 250 83 shade: RGB 129 250 83, RGB 82 213 250, RGB 202 82 250 and RGB 250 118 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 67 / 2

HEX #81FA53

RGB 129 250 83

HSL 103.47, 0.94%, 0.65%

LAB 88.76, -62.44, 66.86

 

Complementary color

CMYK 27 / 97 / 0 / 33

HEX #7E05AC

RGB 126 5 172

HSL 283.47, 0.94%, 0.35%

LAB 32.97, 65.61, -58.37

 

CMYK 46 / 0 / 69 / 2

HEX #86FA4E

RGB 134 250 78

HSL 100.47, 0.95%, 0.64%

LAB 88.92, -61.4, 68.94

 

CMYK 41 / 0 / 62 / 0

HEX #97FF61

RGB 151 255 97

HSL 99.49, 1%, 0.69%

LAB 91.22, -56.69, 64.25

 

CMYK 34 / 0 / 55 / 0

HEX #A8FF74

RGB 168 255 116

HSL 97.55, 1%, 0.73%

LAB 92.18, -49.48, 57.43

 

CMYK 27 / 0 / 47 / 0

HEX #B9FF87

RGB 185 255 135

HSL 95, 1%, 0.76%

LAB 93.27, -41.74, 50.25

 

CMYK 21 / 0 / 40 / 0

HEX #CAFF9A

RGB 202 255 154

HSL 91.49, 1%, 0.8%

LAB 94.49, -33.59, 42.88

 

CMYK 48 / 0 / 67 / 2

HEX #81FA53

RGB 129 250 83

HSL 103.47, 0.94%, 0.65%

LAB 88.76, -62.44, 66.86

 

CMYK 52 / 0 / 72 / 9

HEX #70E840

RGB 112 232 64

HSL 102.86, 0.79%, 0.58%

LAB 82.66, -61.96, 67.26

 

CMYK 56 / 0 / 79 / 16

HEX #5FD62D

RGB 95 214 45

HSL 102.25, 0.67%, 0.51%

LAB 76.51, -61.2, 67.11

 

CMYK 60 / 0 / 87 / 23

HEX #4EC41A

RGB 78 196 26

HSL 101.65, 0.77%, 0.44%

LAB 70.3, -60.09, 66.05

 

CMYK 66 / 0 / 96 / 30

HEX #3DB207

RGB 61 178 7

HSL 101.05, 0.92%, 0.36%

LAB 64.04, -58.48, 63.62

 

CMYK 49 / 0 / 67 / 2

HEX #80FA52

RGB 128 250 82

HSL 103.57, 0.94%, 0.65%

LAB 88.72, -62.8, 67.18

 

CMYK 31 / 0 / 67 / 2

HEX #ADFA52

RGB 173 250 82

HSL 87.5, 0.94%, 0.65%

LAB 90.72, -48.6, 69.89

 

CMYK 12 / 0 / 67 / 2

HEX #DBFA52

RGB 219 250 82

HSL 71.07, 0.94%, 0.65%

LAB 93.47, -31.51, 73.59

 

CMYK 0 / 6 / 67 / 2

HEX #FAEB52

RGB 250 235 82

HSL 54.64, 0.94%, 0.65%

LAB 91.84, -11.9, 72.69

 

CMYK 0 / 24 / 67 / 2

HEX #FABE52

RGB 250 190 82

HSL 38.57, 0.94%, 0.65%

LAB 80.61, 10.99, 61.01

 

CMYK 49 / 0 / 67 / 2

HEX #80FA52

RGB 128 250 82

HSL 103.57, 0.94%, 0.65%

LAB 88.72, -62.8, 67.18

 

CMYK 67 / 0 / 67 / 2

HEX #53FA52

RGB 83 250 82

HSL 119.64, 0.94%, 0.65%

LAB 87.4, -73.26, 65.38

 

CMYK 67 / 0 / 50 / 2

HEX #52FA7E

RGB 82 250 126

HSL 135.71, 0.94%, 0.65%

LAB 87.81, -68.35, 46.86

 

CMYK 67 / 0 / 32 / 2

HEX #52FAAB

RGB 82 250 171

HSL 151.79, 0.94%, 0.65%

LAB 88.5, -60.68, 25.6

 

CMYK 67 / 0 / 13 / 2

HEX #52FAD9

RGB 82 250 217

HSL 168.21, 0.94%, 0.65%

LAB 89.47, -50.5, 3.27

 

CMYK 49 / 0 / 67 / 2

HEX #80FA52

RGB 128 250 82

HSL 103.57, 0.94%, 0.65%

LAB 88.72, -62.8, 67.18

 

CMYK 49 / 0 / 67 / 2

HEX #80FA52

RGB 128 250 82

HSL 103.57, 0.94%, 0.65%

LAB 88.72, -62.8, 67.18

 

CMYK 43 / 0 / 59 / 8

HEX #87EB60

RGB 135 235 96

HSL 103.17, 0.78%, 0.65%

LAB 84.7, -53.77, 57.17

 

CMYK 36 / 0 / 50 / 13

HEX #8DDD6F

RGB 141 221 111

HSL 103.64, 0.62%, 0.65%

LAB 81.03, -44.44, 46.07

 

CMYK 28 / 0 / 39 / 19

HEX #94CE7D

RGB 148 206 125

HSL 102.96, 0.45%, 0.65%

LAB 77.23, -33.57, 34.44

 

CMYK 20 / 0 / 27 / 25

HEX #9AC08C

RGB 154 192 140

HSL 103.85, 0.29%, 0.65%

LAB 73.84, -22.48, 22.16

 

CMYK 12 / 0 / 67 / 2

HEX #DBFA52

RGB 219 250 82

HSL 71.07, 0.94%, 0.65%

LAB 93.47, -31.51, 73.59

 

CMYK 30 / 0 / 67 / 2

HEX #AEFA52

RGB 174 250 82

HSL 87.14, 0.94%, 0.65%

LAB 90.77, -48.25, 69.96

 

CMYK 48 / 0 / 67 / 2

HEX #81FA52

RGB 129 250 82

HSL 103.21, 0.94%, 0.65%

LAB 88.76, -62.52, 67.23

 

CMYK 66 / 0 / 67 / 2

HEX #55FA52

RGB 85 250 82

HSL 118.93, 0.94%, 0.65%

LAB 87.44, -72.89, 65.44

 

CMYK 67 / 0 / 50 / 2

HEX #52FA7C

RGB 82 250 124

HSL 135, 0.94%, 0.65%

LAB 87.79, -68.63, 47.77

 

CMYK 70 / 0 / 97 / 5

HEX #48F207

RGB 72 242 7

HSL 103.4, 0.94%, 0.49%

LAB 84.43, -76.35, 80.26

 

CMYK 60 / 0 / 83 / 3

HEX #63F82A

RGB 99 248 42

HSL 103.4, 0.94%, 0.57%

LAB 86.97, -71.9, 77.49

 

CMYK 49 / 0 / 67 / 2

HEX #80FA52

RGB 128 250 82

HSL 103.57, 0.94%, 0.65%

LAB 88.72, -62.8, 67.18

 

CMYK 37 / 0 / 51 / 2

HEX #9DFB7A

RGB 157 251 122

HSL 103.72, 0.94%, 0.73%

LAB 90.58, -50.69, 52.69

 

CMYK 26 / 0 / 36 / 1

HEX #BBFCA2

RGB 187 252 162

HSL 103.33, 0.94%, 0.81%

LAB 92.92, -36.28, 36.75

 

CMYK 48 / 0 / 67 / 2

HEX #81FA53

RGB 129 250 83

HSL 103.47, 0.94%, 0.65%

LAB 88.76, -62.44, 66.86

 

CMYK 67 / 0 / 6 / 2

HEX #52FAEC

RGB 82 250 236

HSL 175, 0.94%, 0.65%

LAB 89.96, -45.69, -5.89

 

CMYK 0 / 67 / 21 / 2

HEX #FA52C5

RGB 250 82 197

HSL 318.93, 0.94%, 0.65%

LAB 61.99, 74.14, -25.7

 

CMYK 48 / 0 / 67 / 2

HEX #81FA53

RGB 129 250 83

HSL 103.47, 0.94%, 0.65%

LAB 88.76, -62.44, 66.86

 

CMYK 67 / 48 / 0 / 2

HEX #5281FA

RGB 82 129 250

HSL 223.21, 0.94%, 0.65%

LAB 56.48, 22.57, -65.23

 

CMYK 0 / 67 / 48 / 2

HEX #FA5281

RGB 250 82 129

HSL 343.21, 0.94%, 0.65%

LAB 59.84, 66.82, 10.42

 

CMYK 48 / 0 / 67 / 2

HEX #81FA53

RGB 129 250 83

HSL 103.47, 0.94%, 0.65%

LAB 88.76, -62.44, 66.86

 

CMYK 67 / 0 / 6 / 2

HEX #52FAEC

RGB 82 250 236

HSL 175, 0.94%, 0.65%

LAB 89.96, -45.69, -5.89

 

CMYK 19 / 67 / 0 / 2

HEX #CA52FA

RGB 202 82 250

HSL 282.86, 0.94%, 0.65%

LAB 57.55, 71.59, -62.95

 

CMYK 0 / 67 / 62 / 2

HEX #FA5260

RGB 250 82 96

HSL 355, 0.94%, 0.65%

LAB 59.16, 64.43, 28.72

 

CMYK 48 / 0 / 67 / 2

HEX #81FA53

RGB 129 250 83

HSL 103.47, 0.94%, 0.65%

LAB 88.76, -62.44, 66.86

 

CMYK 67 / 15 / 0 / 2

HEX #52D5FA

RGB 82 213 250

HSL 193.21, 0.94%, 0.65%

LAB 79.78, -24.49, -28.6

 

CMYK 19 / 67 / 0 / 2

HEX #CA52FA

RGB 202 82 250

HSL 282.86, 0.94%, 0.65%

LAB 57.55, 71.59, -62.95

 

CMYK 0 / 53 / 67 / 2

HEX #FA7652

RGB 250 118 82

HSL 12.86, 0.94%, 0.65%

LAB 64.88, 47.98, 43.49

 

Description

Color code: RGBA 129 250 83 1 | qconv.com Color code: RGBA 129 250 83 1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 250 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 250 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 67 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 67% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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