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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 128 232 155 0.75 it is the complementary color RGBA 127 23 100 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 128 232 155 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 128 232 155 0.75 shade: RGBA 133 232 150 0.75, RGBA 150 250 169 0.75, RGBA 167 255 188 0.75, RGBA 184 255 207 0.75 and RGBA 201 255 226 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 128 232 155 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 128 232 155 0.75 shade: RGBA 128 232 155 0.75, RGBA 111 214 136 0.75, RGBA 94 196 117 0.75, RGBA 77 178 98 0.75 and RGBA 60 160 79 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 128 232 155 0.75 shade: RGB 130 232 157, RGB 131 232 130, RGB 159 232 130, RGB 186 232 130 and RGB 214 232 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 128 232 155 0.75 shade: RGB 130 232 157, RGB 130 232 184, RGB 130 232 212, RGB 130 225 232 and RGB 130 198 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 128 232 155 0.75 shade matches the following richer shades: RGB 130 232 157 and RGB 118 244 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 128 232 155 0.75 shade: RGB 130 232 157, RGB 142 220 162, RGB 154 208 168, RGB 166 196 174 and RGB 178 184 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 128 232 155 0.75 shade: RGB 159 232 130, RGB 132 232 130, RGB 130 232 156, RGB 130 232 183 and RGB 130 232 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 128 232 155 0.75 shade: RGB 60 219 102, RGB 95 226 129, RGB 130 232 157, RGB 165 238 184 and RGB 200 245 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 128 232 155 0.75 shade: RGB 128 232 155, RGB 130 186 232 and RGB 232 130 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 128 232 155 0.75 shade: RGB 128 232 155, RGB 156 130 232 and RGB 232 156 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 128 232 155 0.75 shade: RGB 128 232 155, RGB 130 186 232, RGB 232 130 207 and RGB 232 176 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 128 232 155 0.75 shade: RGB 128 232 155, RGB 130 156 232, RGB 232 130 207 and RGB 232 207 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 25 / 7

HEX #80E89BBF

RGBA 128 232 155 0.75

HSLA 135.58, 0.69%, 0.71%, 0.75

LABA 84.31, -46.55, 28.31, 0.75

 

Complementary color

CMYK 0 / 61 / 16 / 38

HEX #7F1764BF

RGBA 127 23 100 0.75

HSLA 315.58, 0.69%, 0.29%, 0.75

LABA 29.53, 50.05, -19.03, 0.75

 

CMYK 32 / 0 / 27 / 7

HEX #85E896BF

RGBA 133 232 150 0.75

HSLA 130.3, 0.68%, 0.72%, 0.75

LABA 84.43, -46.01, 31.05, 0.75

 

CMYK 30 / 0 / 24 / 1

HEX #96FAA9BF

RGBA 150 250 169 0.75

HSLA 131.4, 0.91%, 0.78%, 0.75

LABA 90.65, -45.78, 29.9, 0.75

 

CMYK 26 / 0 / 20 / 0

HEX #A7FFBCBF

RGBA 167 255 188 0.75

HSLA 134.32, 1%, 0.83%, 0.75

LABA 93.17, -39.83, 23.84, 0.75

 

CMYK 21 / 0 / 14 / 0

HEX #B8FFCFBF

RGBA 184 255 207 0.75

HSLA 139.44, 1%, 0.86%, 0.75

LABA 94.4, -31.36, 15.99, 0.75

 

CMYK 16 / 0 / 9 / 0

HEX #C9FFE2BF

RGBA 201 255 226 0.75

HSLA 147.78, 1%, 0.89%, 0.75

LABA 95.76, -22.63, 8.29, 0.75

 

CMYK 34 / 0 / 25 / 7

HEX #80E89BBF

RGBA 128 232 155 0.75

HSLA 135.58, 0.69%, 0.71%, 0.75

LABA 84.31, -46.55, 28.31, 0.75

 

CMYK 36 / 0 / 27 / 12

HEX #6FD688BF

RGBA 111 214 136 0.75

HSLA 134.56, 0.56%, 0.64%, 0.75

LABA 78.02, -46.73, 29.52, 0.75

 

CMYK 39 / 0 / 30 / 17

HEX #5EC475BF

RGBA 94 196 117 0.75

HSLA 133.53, 0.46%, 0.57%, 0.75

LABA 71.65, -46.84, 30.81, 0.75

 

CMYK 43 / 0 / 34 / 23

HEX #4DB262BF

RGBA 77 178 98 0.75

HSLA 132.48, 0.4%, 0.5%, 0.75

LABA 65.2, -46.84, 32.18, 0.75

 

CMYK 47 / 0 / 38 / 28

HEX #3CA04FBF

RGBA 60 160 79 0.75

HSLA 131.4, 0.45%, 0.43%, 0.75

LABA 58.66, -46.64, 33.62, 0.75

 

CMYK 44 / 0 / 32 / 9

HEX #82E89D

RGB 130 232 157

HSL 135.88, 0.69%, 0.71%

LAB 84.43, -45.66, 27.45

 

CMYK 44 / 0 / 44 / 9

HEX #83E882

RGB 131 232 130

HSL 119.41, 0.69%, 0.71%

LAB 84.04, -49.64, 40.53

 

CMYK 31 / 0 / 44 / 9

HEX #9FE882

RGB 159 232 130

HSL 102.94, 0.69%, 0.71%

LAB 85.35, -40.95, 42.46

 

CMYK 20 / 0 / 44 / 9

HEX #BAE882

RGB 186 232 130

HSL 87.06, 0.69%, 0.71%

LAB 86.88, -31.56, 44.71

 

CMYK 8 / 0 / 44 / 9

HEX #D6E882

RGB 214 232 130

HSL 70.59, 0.69%, 0.71%

LAB 88.74, -21.09, 47.43

 

CMYK 44 / 0 / 32 / 9

HEX #82E89D

RGB 130 232 157

HSL 135.88, 0.69%, 0.71%

LAB 84.43, -45.66, 27.45

 

CMYK 44 / 0 / 21 / 9

HEX #82E8B8

RGB 130 232 184

HSL 151.76, 0.69%, 0.71%

LAB 84.96, -40.57, 14.19

 

CMYK 44 / 0 / 9 / 9

HEX #82E8D4

RGB 130 232 212

HSL 168.24, 0.69%, 0.71%

LAB 85.61, -34.5, 0.44

 

CMYK 44 / 3 / 0 / 9

HEX #82E1E8

RGB 130 225 232

HSL 184.12, 0.69%, 0.71%

LAB 84.19, -26.34, -12.22

 

CMYK 44 / 15 / 0 / 9

HEX #82C6E8

RGB 130 198 232

HSL 200, 0.69%, 0.71%

LAB 76.65, -12.69, -23.58

 

CMYK 44 / 0 / 32 / 9

HEX #82E89D

RGB 130 232 157

HSL 135.88, 0.69%, 0.71%

LAB 84.43, -45.66, 27.45

 

CMYK 52 / 0 / 38 / 4

HEX #76F497

RGB 118 244 151

HSL 135.71, 0.85%, 0.71%

LAB 87.38, -54.74, 34.35

 

CMYK 44 / 0 / 32 / 9

HEX #82E89D

RGB 130 232 157

HSL 135.88, 0.69%, 0.71%

LAB 84.43, -45.66, 27.45

 

CMYK 35 / 0 / 26 / 14

HEX #8EDCA2

RGB 142 220 162

HSL 135.38, 0.53%, 0.71%

LAB 81.59, -36.01, 21.08

 

CMYK 26 / 0 / 19 / 18

HEX #9AD0A8

RGB 154 208 168

HSL 135.56, 0.36%, 0.71%

LAB 78.93, -25.5, 14.3

 

CMYK 15 / 0 / 11 / 23

HEX #A6C4AE

RGB 166 196 174

HSL 136, 0.2%, 0.71%

LAB 76.46, -14.39, 7.68

 

CMYK 3 / 0 / 2 / 28

HEX #B2B8B4

RGB 178 184 180

HSL 140, 0.04%, 0.71%

LAB 74.22, -2.84, 1.29

 

CMYK 31 / 0 / 44 / 9

HEX #9FE882

RGB 159 232 130

HSL 102.94, 0.69%, 0.71%

LAB 85.35, -40.95, 42.46

 

CMYK 43 / 0 / 44 / 9

HEX #84E882

RGB 132 232 130

HSL 118.82, 0.69%, 0.71%

LAB 84.09, -49.36, 40.59

 

CMYK 44 / 0 / 33 / 9

HEX #82E89C

RGB 130 232 156

HSL 135.29, 0.69%, 0.71%

LAB 84.41, -45.83, 27.94

 

CMYK 44 / 0 / 21 / 9

HEX #82E8B7

RGB 130 232 183

HSL 151.18, 0.69%, 0.71%

LAB 84.93, -40.77, 14.69

 

CMYK 44 / 0 / 9 / 9

HEX #82E8D2

RGB 130 232 210

HSL 167.06, 0.69%, 0.71%

LAB 85.56, -34.96, 1.42

 

CMYK 73 / 0 / 53 / 14

HEX #3CDB66

RGB 60 219 102

HSL 135.85, 0.69%, 0.55%

LAB 77.63, -64.68, 45.58

 

CMYK 58 / 0 / 43 / 11

HEX #5FE281

RGB 95 226 129

HSL 135.57, 0.69%, 0.63%

LAB 80.97, -56.6, 36.82

 

CMYK 44 / 0 / 32 / 9

HEX #82E89D

RGB 130 232 157

HSL 135.88, 0.69%, 0.71%

LAB 84.43, -45.66, 27.45

 

CMYK 31 / 0 / 23 / 7

HEX #A5EEB8

RGB 165 238 184

HSL 135.62, 0.68%, 0.79%

LAB 88.26, -33.39, 19.07

 

CMYK 18 / 0 / 14 / 4

HEX #C8F5D3

RGB 200 245 211

HSL 134.67, 0.69%, 0.87%

LAB 92.7, -20.85, 11.64

 

CMYK 45 / 0 / 33 / 9

HEX #80E89B

RGB 128 232 155

HSL 135.58, 0.69%, 0.71%

LAB 84.31, -46.55, 28.31

 

CMYK 44 / 20 / 0 / 9

HEX #82BAE8

RGB 130 186 232

HSL 207.06, 0.69%, 0.71%

LAB 73.34, -6.3, -28.65

 

CMYK 0 / 44 / 38 / 9

HEX #E88291

RGB 232 130 145

HSL 351.18, 0.69%, 0.71%

LAB 65.88, 40.7, 9.41

 

CMYK 45 / 0 / 33 / 9

HEX #80E89B

RGB 128 232 155

HSL 135.58, 0.69%, 0.71%

LAB 84.31, -46.55, 28.31

 

CMYK 33 / 44 / 0 / 9

HEX #9C82E8

RGB 156 130 232

HSL 255.29, 0.69%, 0.71%

LAB 60.66, 32.21, -48.31

 

CMYK 0 / 33 / 44 / 9

HEX #E89C82

RGB 232 156 130

HSL 15.29, 0.69%, 0.71%

LAB 71.24, 25.4, 25.18

 

CMYK 45 / 0 / 33 / 9

HEX #80E89B

RGB 128 232 155

HSL 135.58, 0.69%, 0.71%

LAB 84.31, -46.55, 28.31

 

CMYK 44 / 20 / 0 / 9

HEX #82BAE8

RGB 130 186 232

HSL 207.06, 0.69%, 0.71%

LAB 73.34, -6.3, -28.65

 

CMYK 0 / 44 / 11 / 9

HEX #E882CF

RGB 232 130 207

HSL 314.71, 0.69%, 0.71%

LAB 67.74, 49.34, -22.73

 

CMYK 0 / 24 / 44 / 9

HEX #E8B082

RGB 232 176 130

HSL 27.06, 0.69%, 0.71%

LAB 75.96, 14.74, 31.44

 

CMYK 45 / 0 / 33 / 9

HEX #80E89B

RGB 128 232 155

HSL 135.58, 0.69%, 0.71%

LAB 84.31, -46.55, 28.31

 

CMYK 44 / 33 / 0 / 9

HEX #829CE8

RGB 130 156 232

HSL 224.71, 0.69%, 0.71%

LAB 65.24, 10.45, -41.22

 

CMYK 0 / 44 / 11 / 9

HEX #E882CF

RGB 232 130 207

HSL 314.71, 0.69%, 0.71%

LAB 67.74, 49.34, -22.73

 

CMYK 0 / 11 / 44 / 9

HEX #E8CF82

RGB 232 207 130

HSL 45.29, 0.69%, 0.71%

LAB 83.65, -1.51, 41.36

 

Description

Color code: RGBA 128 232 155 0.75 | qconv.com Color code: RGBA 128 232 155 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 232 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 232 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 25 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 25% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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