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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 128 201 78 0.75 it is the complementary color RGBA 127 54 177 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 128 201 78 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 128 201 78 0.75 shade: RGBA 133 201 73 0.75, RGBA 150 219 92 0.75, RGBA 167 237 111 0.75, RGBA 184 255 130 0.75 and RGBA 201 255 149 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 128 201 78 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 128 201 78 0.75 shade: RGBA 128 201 78 0.75, RGBA 111 183 59 0.75, RGBA 94 165 40 0.75, RGBA 77 147 21 0.75 and RGBA 60 129 2 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 128 201 78 0.75 shade: RGB 129 201 79, RGB 162 201 79, RGB 194 201 79, RGB 201 175 79 and RGB 201 142 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 128 201 78 0.75 shade: RGB 129 201 79, RGB 96 201 79, RGB 79 201 96, RGB 79 201 128 and RGB 79 201 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 128 201 78 0.75 shade matches the following richer shades: RGB 129 201 79, RGB 125 220 61 and RGB 122 238 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 128 201 78 0.75 shade: RGB 129 201 79, RGB 132 183 98, RGB 136 164 117, RGB 139 145 135 and RGB 143 127 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 128 201 78 0.75 shade: RGB 195 201 79, RGB 163 201 79, RGB 130 201 79, RGB 98 201 79 and RGB 79 201 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 128 201 78 0.75 shade: RGB 89 151 47, RGB 108 183 56, RGB 129 201 79, RGB 152 211 111 and RGB 174 220 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 128 201 78 0.75 shade: RGB 128 201 78, RGB 79 201 175 and RGB 201 79 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 128 201 78 0.75 shade: RGB 128 201 78, RGB 79 130 201 and RGB 201 79 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 128 201 78 0.75 shade: RGB 128 201 78, RGB 79 201 175, RGB 150 79 201 and RGB 201 79 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 128 201 78 0.75 shade: RGB 128 201 78, RGB 79 191 201, RGB 150 79 201 and RGB 201 90 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 46 / 16

HEX #80C94EBF

RGBA 128 201 78 0.75

HSLA 95.61, 0.53%, 0.55%, 0.75

LABA 74.13, -43.73, 52.99, 0.75

 

Complementary color

CMYK 21 / 52 / 0 / 23

HEX #7F36B1BF

RGBA 127 54 177 0.75

HSLA 275.61, 0.53%, 0.45%, 0.75

LABA 38.42, 52.61, -52.5, 0.75

 

CMYK 25 / 0 / 48 / 16

HEX #85C949BF

RGBA 133 201 73 0.75

HSLA 91.88, 0.54%, 0.54%, 0.75

LABA 74.34, -42.44, 55.43, 0.75

 

CMYK 24 / 0 / 43 / 11

HEX #96DB5CBF

RGBA 150 219 92 0.75

HSLA 92.6, 0.64%, 0.61%, 0.75

LABA 80.69, -42.59, 54.55, 0.75

 

CMYK 22 / 0 / 40 / 5

HEX #A7ED6FBF

RGBA 167 237 111 0.75

HSLA 93.33, 0.78%, 0.68%, 0.75

LABA 86.96, -42.64, 53.52, 0.75

 

CMYK 21 / 0 / 37 / 0

HEX #B8FF82BF

RGBA 184 255 130 0.75

HSLA 94.08, 1%, 0.75%, 0.75

LABA 93.16, -42.64, 52.43, 0.75

 

CMYK 16 / 0 / 31 / 0

HEX #C9FF95BF

RGBA 201 255 149 0.75

HSLA 90.57, 1%, 0.79%, 0.75

LABA 94.36, -34.55, 45.13, 0.75

 

CMYK 27 / 0 / 46 / 16

HEX #80C94EBF

RGBA 128 201 78 0.75

HSLA 95.61, 0.53%, 0.55%, 0.75

LABA 74.13, -43.73, 52.99, 0.75

 

CMYK 30 / 0 / 51 / 21

HEX #6FB73BBF

RGBA 111 183 59 0.75

HSLA 94.84, 0.51%, 0.47%, 0.75

LABA 67.7, -43.51, 53.74, 0.75

 

CMYK 32 / 0 / 57 / 26

HEX #5EA528BF

RGBA 94 165 40 0.75

HSLA 94.08, 0.61%, 0.4%, 0.75

LABA 61.17, -43.11, 54.02, 0.75

 

CMYK 36 / 0 / 64 / 32

HEX #4D9315BF

RGBA 77 147 21 0.75

HSLA 93.33, 0.75%, 0.33%, 0.75

LABA 54.55, -42.4, 53.36, 0.75

 

CMYK 40 / 0 / 74 / 37

HEX #3C8102BF

RGBA 60 129 2 0.75

HSLA 92.6, 0.97%, 0.26%, 0.75

LABA 47.84, -41.3, 51.3, 0.75

 

CMYK 36 / 0 / 61 / 21

HEX #81C94F

RGB 129 201 79

HSL 95.41, 0.53%, 0.55%

LAB 74.19, -43.29, 52.63

 

CMYK 19 / 0 / 61 / 21

HEX #A2C94F

RGB 162 201 79

HSL 79.18, 0.53%, 0.55%

LAB 76.08, -31.17, 55.26

 

CMYK 3 / 0 / 61 / 21

HEX #C2C94F

RGB 194 201 79

HSL 63.44, 0.53%, 0.55%

LAB 78.35, -18.29, 58.39

 

CMYK 0 / 13 / 61 / 21

HEX #C9AF4F

RGB 201 175 79

HSL 47.21, 0.53%, 0.55%

LAB 71.99, -2, 51.56

 

CMYK 0 / 29 / 61 / 21

HEX #C98E4F

RGB 201 142 79

HSL 30.98, 0.53%, 0.55%

LAB 63.61, 15.81, 41.96

 

CMYK 36 / 0 / 61 / 21

HEX #81C94F

RGB 129 201 79

HSL 95.41, 0.53%, 0.55%

LAB 74.19, -43.29, 52.63

 

CMYK 52 / 0 / 61 / 21

HEX #60C94F

RGB 96 201 79

HSL 111.64, 0.53%, 0.55%

LAB 72.78, -53.48, 50.65

 

CMYK 61 / 0 / 52 / 21

HEX #4FC960

RGB 79 201 96

HSL 128.36, 0.53%, 0.55%

LAB 72.42, -55.6, 42.21

 

CMYK 61 / 0 / 36 / 21

HEX #4FC980

RGB 79 201 128

HSL 144.1, 0.53%, 0.55%

LAB 72.89, -50.42, 26.63

 

CMYK 61 / 0 / 20 / 21

HEX #4FC9A1

RGB 79 201 161

HSL 160.33, 0.53%, 0.55%

LAB 73.55, -43.52, 9.99

 

CMYK 36 / 0 / 61 / 21

HEX #81C94F

RGB 129 201 79

HSL 95.41, 0.53%, 0.55%

LAB 74.19, -43.29, 52.63

 

CMYK 43 / 0 / 72 / 14

HEX #7DDC3D

RGB 125 220 61

HSL 95.85, 0.69%, 0.55%

LAB 79.55, -53.83, 65.35

 

CMYK 49 / 0 / 82 / 7

HEX #7AEE2A

RGB 122 238 42

HSL 95.51, 0.85%, 0.55%

LAB 84.72, -62.52, 75.76

 

CMYK 36 / 0 / 61 / 21

HEX #81C94F

RGB 129 201 79

HSL 95.41, 0.53%, 0.55%

LAB 74.19, -43.29, 52.63

 

CMYK 28 / 0 / 46 / 28

HEX #84B762

RGB 132 183 98

HSL 96, 0.37%, 0.55%

LAB 69.22, -32.08, 37.78

 

CMYK 17 / 0 / 29 / 36

HEX #88A475

RGB 136 164 117

HSL 95.74, 0.21%, 0.55%

LAB 64.22, -18.55, 21.29

 

CMYK 4 / 0 / 7 / 43

HEX #8B9187

RGB 139 145 135

HSL 96, 0.04%, 0.55%

LAB 59.42, -4.12, 4.54

 

CMYK 7 / 18 / 0 / 40

HEX #8F7F9A

RGB 143 127 154

HSL 275.56, 0.12%, 0.55%

LAB 55.43, 11.39, -12.23

 

CMYK 3 / 0 / 61 / 21

HEX #C3C94F

RGB 195 201 79

HSL 62.95, 0.53%, 0.55%

LAB 78.43, -17.88, 58.49

 

CMYK 19 / 0 / 61 / 21

HEX #A3C94F

RGB 163 201 79

HSL 78.69, 0.53%, 0.55%

LAB 76.15, -30.78, 55.35

 

CMYK 35 / 0 / 61 / 21

HEX #82C94F

RGB 130 201 79

HSL 94.92, 0.53%, 0.55%

LAB 74.24, -42.95, 52.7

 

CMYK 51 / 0 / 61 / 21

HEX #62C94F

RGB 98 201 79

HSL 110.66, 0.53%, 0.55%

LAB 72.85, -52.93, 50.75

 

CMYK 61 / 0 / 53 / 21

HEX #4FC95E

RGB 79 201 94

HSL 127.38, 0.53%, 0.55%

LAB 72.39, -55.87, 43.14

 

CMYK 41 / 0 / 69 / 41

HEX #59972F

RGB 89 151 47

HSL 95.77, 0.53%, 0.39%

LAB 56.55, -38.37, 46.58

 

CMYK 41 / 0 / 69 / 28

HEX #6CB738

RGB 108 183 56

HSL 95.43, 0.53%, 0.47%

LAB 67.53, -44.76, 54.72

 

CMYK 36 / 0 / 61 / 21

HEX #81C94F

RGB 129 201 79

HSL 95.41, 0.53%, 0.55%

LAB 74.19, -43.29, 52.63

 

CMYK 28 / 0 / 47 / 17

HEX #98D36F

RGB 152 211 111

HSL 95.4, 0.53%, 0.63%

LAB 78.7, -36.29, 43.34

 

CMYK 21 / 0 / 35 / 14

HEX #AEDC8F

RGB 174 220 143

HSL 95.84, 0.52%, 0.71%

LAB 83, -28.55, 33.1

 

CMYK 36 / 0 / 61 / 21

HEX #80C94E

RGB 128 201 78

HSL 95.61, 0.53%, 0.55%

LAB 74.13, -43.73, 52.99

 

CMYK 61 / 0 / 13 / 21

HEX #4FC9AF

RGB 79 201 175

HSL 167.21, 0.53%, 0.55%

LAB 73.89, -40.16, 2.91

 

CMYK 0 / 61 / 11 / 21

HEX #C94FB3

RGB 201 79 179

HSL 310.82, 0.53%, 0.55%

LAB 53.24, 60.01, -29.5

 

CMYK 36 / 0 / 61 / 21

HEX #80C94E

RGB 128 201 78

HSL 95.61, 0.53%, 0.55%

LAB 74.13, -43.73, 52.99

 

CMYK 61 / 35 / 0 / 21

HEX #4F82C9

RGB 79 130 201

HSL 214.92, 0.53%, 0.55%

LAB 53.86, 4.7, -41.98

 

CMYK 0 / 61 / 35 / 21

HEX #C94F82

RGB 201 79 130

HSL 334.92, 0.53%, 0.55%

LAB 51.41, 53.31, -3.37

 

CMYK 36 / 0 / 61 / 21

HEX #80C94E

RGB 128 201 78

HSL 95.61, 0.53%, 0.55%

LAB 74.13, -43.73, 52.99

 

CMYK 61 / 0 / 13 / 21

HEX #4FC9AF

RGB 79 201 175

HSL 167.21, 0.53%, 0.55%

LAB 73.89, -40.16, 2.91

 

CMYK 25 / 61 / 0 / 21

HEX #964FC9

RGB 150 79 201

HSL 274.92, 0.53%, 0.55%

LAB 47.36, 51.14, -51.99

 

CMYK 0 / 61 / 47 / 21

HEX #C94F6A

RGB 201 79 106

HSL 346.72, 0.53%, 0.55%

LAB 50.75, 50.78, 10.07

 

CMYK 36 / 0 / 61 / 21

HEX #80C94E

RGB 128 201 78

HSL 95.61, 0.53%, 0.55%

LAB 74.13, -43.73, 52.99

 

CMYK 61 / 5 / 0 / 21

HEX #4FBFC9

RGB 79 191 201

HSL 184.92, 0.53%, 0.55%

LAB 71.65, -28.53, -14.54

 

CMYK 25 / 61 / 0 / 21

HEX #964FC9

RGB 150 79 201

HSL 274.92, 0.53%, 0.55%

LAB 47.36, 51.14, -51.99

 

CMYK 0 / 55 / 61 / 21

HEX #C95A4F

RGB 201 90 79

HSL 5.41, 0.53%, 0.55%

LAB 52.17, 43.38, 27.97

 

Description

Color code: RGBA 128 201 78 0.75 | qconv.com Color code: RGBA 128 201 78 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 201 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 201 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 46 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 46% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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