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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 128 178 158 0.75 it is the complementary color RGBA 127 77 97 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 128 178 158 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 128 178 158 0.75 shade: RGBA 133 178 153 0.75, RGBA 150 196 172 0.75, RGBA 167 214 191 0.75, RGBA 184 232 210 0.75 and RGBA 201 250 229 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 128 178 158 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 128 178 158 0.75 shade: RGBA 128 178 158 0.75, RGBA 111 160 139 0.75, RGBA 94 142 120 0.75, RGBA 77 124 101 0.75 and RGBA 60 106 82 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 128 178 158 0.75 shade: RGB 128 179 158, RGB 128 179 144, RGB 128 179 131, RGB 138 179 128 and RGB 152 179 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 128 178 158 0.75 shade: RGB 128 179 158, RGB 128 179 172, RGB 128 171 179, RGB 128 158 179 and RGB 128 144 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 128 178 158 0.75 shade matches the following richer shades: RGB 128 179 158, RGB 111 195 161, RGB 94 212 165, RGB 78 228 168 and RGB 61 245 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 128 178 158 0.75 shade: RGB 128 179 158, RGB 144 162 155, RGB 161 145 151, RGB 177 129 148 and RGB 194 112 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 128 178 158 0.75 shade: RGB 128 179 131, RGB 128 179 145, RGB 128 179 158, RGB 128 179 172 and RGB 128 172 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 128 178 158 0.75 shade: RGB 84 140 117, RGB 102 163 139, RGB 128 179 158, RGB 153 194 178 and RGB 179 209 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 128 178 158 0.75 shade: RGB 128 178 158, RGB 128 138 179 and RGB 179 138 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 128 178 158 0.75 shade: RGB 128 178 158, RGB 158 128 179 and RGB 179 158 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 128 178 158 0.75 shade: RGB 128 178 158, RGB 128 138 179, RGB 179 128 148 and RGB 179 168 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 128 178 158 0.75 shade: RGB 128 178 158, RGB 133 128 179, RGB 179 128 148 and RGB 173 179 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 8 / 23

HEX #80B29EBF

RGBA 128 178 158 0.75

HSLA 156, 0.25%, 0.6%, 0.75

LABA 68.68, -20.84, 4.91, 0.75

 

Complementary color

CMYK 0 / 30 / 18 / 38

HEX #7F4D61BF

RGBA 127 77 97 0.75

HSLA 336, 0.25%, 0.4%, 0.75

LABA 39.04, 24.04, -2.71, 0.75

 

CMYK 19 / 0 / 11 / 23

HEX #85B299BF

RGBA 133 178 153 0.75

HSLA 146.67, 0.23%, 0.61%, 0.75

LABA 68.84, -20.27, 7.94, 0.75

 

CMYK 18 / 0 / 9 / 17

HEX #96C4ACBF

RGBA 150 196 172 0.75

HSLA 148.7, 0.28%, 0.68%, 0.75

LABA 75.42, -20.08, 7.13, 0.75

 

CMYK 16 / 0 / 8 / 12

HEX #A7D6BFBF

RGBA 167 214 191 0.75

HSLA 150.64, 0.36%, 0.75%, 0.75

LABA 81.88, -19.91, 6.36, 0.75

 

CMYK 16 / 0 / 7 / 7

HEX #B8E8D2BF

RGBA 184 232 210 0.75

HSLA 152.5, 0.51%, 0.82%, 0.75

LABA 88.24, -19.76, 5.63, 0.75

 

CMYK 15 / 0 / 6 / 1

HEX #C9FAE5BF

RGBA 201 250 229 0.75

HSLA 154.29, 0.83%, 0.88%, 0.75

LABA 94.5, -19.64, 4.94, 0.75

 

CMYK 21 / 0 / 8 / 23

HEX #80B29EBF

RGBA 128 178 158 0.75

HSLA 156, 0.25%, 0.6%, 0.75

LABA 68.68, -20.84, 4.91, 0.75

 

CMYK 23 / 0 / 10 / 28

HEX #6FA08BBF

RGBA 111 160 139 0.75

HSLA 154.29, 0.21%, 0.53%, 0.75

LABA 61.99, -21.05, 5.72, 0.75

 

CMYK 25 / 0 / 12 / 33

HEX #5E8E78BF

RGBA 94 142 120 0.75

HSLA 152.5, 0.2%, 0.46%, 0.75

LABA 55.16, -21.29, 6.6, 0.75

 

CMYK 28 / 0 / 14 / 39

HEX #4D7C65BF

RGBA 77 124 101 0.75

HSLA 150.64, 0.23%, 0.39%, 0.75

LABA 48.18, -21.56, 7.55, 0.75

 

CMYK 33 / 0 / 17 / 44

HEX #3C6A52BF

RGBA 60 106 82 0.75

HSLA 148.7, 0.28%, 0.33%, 0.75

LABA 41.02, -21.83, 8.61, 0.75

 

CMYK 28 / 0 / 12 / 30

HEX #80B39E

RGB 128 179 158

HSL 155.29, 0.25%, 0.6%

LAB 68.97, -21.35, 5.33

 

CMYK 28 / 0 / 20 / 30

HEX #80B390

RGB 128 179 144

HSL 138.82, 0.25%, 0.6%

LAB 68.64, -24.17, 12.54

 

CMYK 28 / 0 / 27 / 30

HEX #80B383

RGB 128 179 131

HSL 123.53, 0.25%, 0.6%

LAB 68.36, -26.57, 19.24

 

CMYK 23 / 0 / 28 / 30

HEX #8AB380

RGB 138 179 128

HSL 108.24, 0.25%, 0.6%

LAB 68.9, -23.63, 21.69

 

CMYK 15 / 0 / 28 / 30

HEX #98B380

RGB 152 179 128

HSL 91.76, 0.25%, 0.6%

LAB 69.81, -18.55, 23.08

 

CMYK 28 / 0 / 12 / 30

HEX #80B39E

RGB 128 179 158

HSL 155.29, 0.25%, 0.6%

LAB 68.97, -21.35, 5.33

 

CMYK 28 / 0 / 4 / 30

HEX #80B3AC

RGB 128 179 172

HSL 171.76, 0.25%, 0.6%

LAB 69.33, -18.29, -1.85

 

CMYK 28 / 4 / 0 / 30

HEX #80ABB3

RGB 128 171 179

HSL 189.41, 0.25%, 0.6%

LAB 67.25, -12.47, -8.8

 

CMYK 28 / 12 / 0 / 30

HEX #809EB3

RGB 128 158 179

HSL 204.71, 0.25%, 0.6%

LAB 63.59, -5.42, -14.29

 

CMYK 28 / 20 / 0 / 30

HEX #8090B3

RGB 128 144 179

HSL 221.18, 0.25%, 0.6%

LAB 59.7, 2.44, -20.19

 

CMYK 28 / 0 / 12 / 30

HEX #80B39E

RGB 128 179 158

HSL 155.29, 0.25%, 0.6%

LAB 68.97, -21.35, 5.33

 

CMYK 43 / 0 / 17 / 24

HEX #6FC3A1

RGB 111 195 161

HSL 155.71, 0.41%, 0.6%

LAB 72.88, -33.46, 9.19

 

CMYK 56 / 0 / 22 / 17

HEX #5ED4A5

RGB 94 212 165

HSL 156.1, 0.58%, 0.6%

LAB 77.39, -44.33, 13.35

 

CMYK 66 / 0 / 26 / 11

HEX #4EE4A8

RGB 78 228 168

HSL 156, 0.74%, 0.6%

LAB 81.8, -53.37, 17.89

 

CMYK 75 / 0 / 30 / 4

HEX #3DF5AB

RGB 61 245 171

HSL 155.87, 0.9%, 0.6%

LAB 86.62, -61.71, 22.96

 

CMYK 28 / 0 / 12 / 30

HEX #80B39E

RGB 128 179 158

HSL 155.29, 0.25%, 0.6%

LAB 68.97, -21.35, 5.33

 

CMYK 11 / 0 / 4 / 36

HEX #90A29B

RGB 144 162 155

HSL 156.67, 0.09%, 0.6%

LAB 65.07, -7.74, 1.48

 

CMYK 0 / 10 / 6 / 37

HEX #A19197

RGB 161 145 151

HSL 337.5, 0.08%, 0.6%

LAB 61.71, 7.03, -1.01

 

CMYK 0 / 27 / 16 / 31

HEX #B18194

RGB 177 129 148

HSL 336.25, 0.24%, 0.6%

LAB 59.15, 21.48, -2.87

 

CMYK 0 / 42 / 25 / 24

HEX #C27091

RGB 194 112 145

HSL 335.85, 0.4%, 0.6%

LAB 57.17, 36.56, -3.81

 

CMYK 28 / 0 / 27 / 30

HEX #80B383

RGB 128 179 131

HSL 123.53, 0.25%, 0.6%

LAB 68.36, -26.57, 19.24

 

CMYK 28 / 0 / 19 / 30

HEX #80B391

RGB 128 179 145

HSL 140, 0.25%, 0.6%

LAB 68.66, -23.98, 12.03

 

CMYK 28 / 0 / 12 / 30

HEX #80B39E

RGB 128 179 158

HSL 155.29, 0.25%, 0.6%

LAB 68.97, -21.35, 5.33

 

CMYK 28 / 0 / 4 / 30

HEX #80B3AC

RGB 128 179 172

HSL 171.76, 0.25%, 0.6%

LAB 69.33, -18.29, -1.85

 

CMYK 28 / 4 / 0 / 30

HEX #80ACB3

RGB 128 172 179

HSL 188.24, 0.25%, 0.6%

LAB 67.54, -13, -8.38

 

CMYK 40 / 0 / 16 / 45

HEX #548C75

RGB 84 140 117

HSL 155.36, 0.25%, 0.44%

LAB 53.95, -24.02, 6.52

 

CMYK 37 / 0 / 15 / 36

HEX #66A38B

RGB 102 163 139

HSL 156.39, 0.25%, 0.52%

LAB 62.41, -25.33, 6.27

 

CMYK 28 / 0 / 12 / 30

HEX #80B39E

RGB 128 179 158

HSL 155.29, 0.25%, 0.6%

LAB 68.97, -21.35, 5.33

 

CMYK 21 / 0 / 8 / 24

HEX #99C2B2

RGB 153 194 178

HSL 156.59, 0.25%, 0.68%

LAB 75.18, -16.89, 3.57

 

CMYK 14 / 0 / 6 / 18

HEX #B3D1C5

RGB 179 209 197

HSL 156, 0.25%, 0.76%

LAB 81.41, -12.33, 2.59

 

CMYK 28 / 0 / 11 / 30

HEX #80B29E

RGB 128 178 158

HSL 156, 0.25%, 0.6%

LAB 68.68, -20.84, 4.91

 

CMYK 28 / 23 / 0 / 30

HEX #808AB3

RGB 128 138 179

HSL 228.24, 0.25%, 0.6%

LAB 58.06, 5.89, -22.7

 

CMYK 0 / 23 / 28 / 30

HEX #B38A80

RGB 179 138 128

HSL 11.76, 0.25%, 0.6%

LAB 61.06, 14.12, 11.36

 

CMYK 28 / 0 / 11 / 30

HEX #80B29E

RGB 128 178 158

HSL 156, 0.25%, 0.6%

LAB 68.68, -20.84, 4.91

 

CMYK 12 / 28 / 0 / 30

HEX #9E80B3

RGB 158 128 179

HSL 275.29, 0.25%, 0.6%

LAB 58, 21.3, -22.57

 

CMYK 0 / 12 / 28 / 30

HEX #B39E80

RGB 179 158 128

HSL 35.29, 0.25%, 0.6%

LAB 66.21, 3.05, 18.52

 

CMYK 28 / 0 / 11 / 30

HEX #80B29E

RGB 128 178 158

HSL 156, 0.25%, 0.6%

LAB 68.68, -20.84, 4.91

 

CMYK 28 / 23 / 0 / 30

HEX #808AB3

RGB 128 138 179

HSL 228.24, 0.25%, 0.6%

LAB 58.06, 5.89, -22.7

 

CMYK 0 / 28 / 17 / 30

HEX #B38094

RGB 179 128 148

HSL 336.47, 0.25%, 0.6%

LAB 59.12, 22.78, -2.88

 

CMYK 0 / 6 / 28 / 30

HEX #B3A880

RGB 179 168 128

HSL 47.06, 0.25%, 0.6%

LAB 68.86, -2.37, 22.14

 

CMYK 28 / 0 / 11 / 30

HEX #80B29E

RGB 128 178 158

HSL 156, 0.25%, 0.6%

LAB 68.68, -20.84, 4.91

 

CMYK 26 / 28 / 0 / 30

HEX #8580B3

RGB 133 128 179

HSL 245.88, 0.25%, 0.6%

LAB 55.77, 13.27, -26.2

 

CMYK 0 / 28 / 17 / 30

HEX #B38094

RGB 179 128 148

HSL 336.47, 0.25%, 0.6%

LAB 59.12, 22.78, -2.88

 

CMYK 3 / 0 / 28 / 30

HEX #ADB380

RGB 173 179 128

HSL 67.06, 0.25%, 0.6%

LAB 71.34, -10.56, 25.41

 

Description

Color code: RGBA 128 178 158 0.75 | qconv.com Color code: RGBA 128 178 158 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 178 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 178 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 8 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 8% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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