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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 128 149 122 0.75 it is the complementary color RGBA 127 106 133 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 128 149 122 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 128 149 122 0.75 shade: RGBA 133 149 117 0.75, RGBA 150 167 136 0.75, RGBA 167 185 155 0.75, RGBA 184 203 174 0.75 and RGBA 201 221 193 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 128 149 122 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 128 149 122 0.75 shade: RGBA 128 149 122 0.75, RGBA 111 131 103 0.75, RGBA 94 113 84 0.75, RGBA 77 95 65 0.75 and RGBA 60 77 46 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 128 149 122 0.75 shade: RGB 128 148 122, RGB 135 148 122, RGB 142 148 122, RGB 148 148 122 and RGB 148 140 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 128 149 122 0.75 shade: RGB 128 148 122, RGB 122 148 123, RGB 122 148 130, RGB 122 148 137 and RGB 122 148 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 128 149 122 0.75 shade matches the following richer shades: RGB 128 148 122, RGB 117 168 103, RGB 106 187 83, RGB 95 207 64 and RGB 85 226 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 128 149 122 0.75 shade: RGB 128 148 122, RGB 139 129 141, RGB 149 110 161, RGB 160 90 180 and RGB 171 71 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 128 149 122 0.75 shade: RGB 142 148 122, RGB 135 148 122, RGB 128 148 122, RGB 122 148 123 and RGB 122 148 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 128 149 122 0.75 shade: RGB 88 104 84, RGB 108 127 102, RGB 128 148 122, RGB 150 167 145 and RGB 172 185 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 128 149 122 0.75 shade: RGB 128 149 122, RGB 122 148 147 and RGB 148 122 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 128 149 122 0.75 shade: RGB 128 149 122, RGB 122 128 148 and RGB 148 122 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 128 149 122 0.75 shade: RGB 128 149 122, RGB 122 148 147, RGB 142 122 148 and RGB 148 122 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 128 149 122 0.75 shade: RGB 128 149 122, RGB 122 141 148, RGB 142 122 148 and RGB 148 129 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 14 / 31

HEX #80957ABF

RGBA 128 149 122 0.75

HSLA 106.67, 0.11%, 0.53%, 0.75

LABA 59.42, -12.8, 11.8, 0.75

 

Complementary color

CMYK 3 / 15 / 0 / 36

HEX #7F6A85BF

RGBA 127 106 133 0.75

HSLA 286.67, 0.11%, 0.47%, 0.75

LABA 47.64, 13.56, -11.79, 0.75

 

CMYK 8 / 0 / 16 / 31

HEX #859575BF

RGBA 133 149 117 0.75

HSLA 90, 0.13%, 0.52%, 0.75

LABA 59.68, -11.79, 15.03, 0.75

 

CMYK 8 / 0 / 14 / 26

HEX #96A788BF

RGBA 150 167 136 0.75

HSLA 92.9, 0.15%, 0.59%, 0.75

LABA 66.44, -11.77, 14.06, 0.75

 

CMYK 7 / 0 / 12 / 21

HEX #A7B99BBF

RGBA 167 185 155 0.75

HSLA 96, 0.18%, 0.67%, 0.75

LABA 73.08, -11.76, 13.16, 0.75

 

CMYK 7 / 0 / 11 / 15

HEX #B8CBAEBF

RGBA 184 203 174 0.75

HSLA 99.31, 0.22%, 0.74%, 0.75

LABA 79.59, -11.75, 12.31, 0.75

 

CMYK 7 / 0 / 10 / 10

HEX #C9DDC1BF

RGBA 201 221 193 0.75

HSLA 102.86, 0.29%, 0.81%, 0.75

LABA 86, -11.75, 11.49, 0.75

 

CMYK 11 / 0 / 14 / 31

HEX #80957ABF

RGBA 128 149 122 0.75

HSLA 106.67, 0.11%, 0.53%, 0.75

LABA 59.42, -12.8, 11.8, 0.75

 

CMYK 11 / 0 / 16 / 36

HEX #6F8367BF

RGBA 111 131 103 0.75

HSLA 102.86, 0.12%, 0.46%, 0.75

LABA 52.5, -12.88, 12.77, 0.75

 

CMYK 13 / 0 / 19 / 42

HEX #5E7154BF

RGBA 94 113 84 0.75

HSLA 99.31, 0.15%, 0.39%, 0.75

LABA 45.4, -12.98, 13.83, 0.75

 

CMYK 14 / 0 / 24 / 47

HEX #4D5F41BF

RGBA 77 95 65 0.75

HSLA 96, 0.19%, 0.31%, 0.75

LABA 38.1, -13.09, 14.98, 0.75

 

CMYK 17 / 0 / 30 / 52

HEX #3C4D2EBF

RGBA 60 77 46 0.75

HSLA 92.9, 0.25%, 0.24%, 0.75

LABA 30.56, -13.2, 16.27, 0.75

 

CMYK 14 / 0 / 18 / 42

HEX #80947A

RGB 128 148 122

HSL 106.15, 0.11%, 0.53%

LAB 59.14, -12.26, 11.4

 

CMYK 9 / 0 / 18 / 42

HEX #87947A

RGB 135 148 122

HSL 90, 0.11%, 0.53%

LAB 59.65, -9.63, 12.2

 

CMYK 4 / 0 / 18 / 42

HEX #8E947A

RGB 142 148 122

HSL 73.85, 0.11%, 0.53%

LAB 60.19, -6.95, 13.03

 

CMYK 0 / 0 / 18 / 42

HEX #94947A

RGB 148 148 122

HSL 60, 0.11%, 0.53%

LAB 60.68, -4.62, 13.78

 

CMYK 0 / 5 / 18 / 42

HEX #948C7A

RGB 148 140 122

HSL 41.54, 0.11%, 0.53%

LAB 58.47, -0.18, 10.69

 

CMYK 14 / 0 / 18 / 42

HEX #80947A

RGB 128 148 122

HSL 106.15, 0.11%, 0.53%

LAB 59.14, -12.26, 11.4

 

CMYK 18 / 0 / 17 / 42

HEX #7A947B

RGB 122 148 123

HSL 122.31, 0.11%, 0.53%

LAB 58.74, -14.27, 10.21

 

CMYK 18 / 0 / 12 / 42

HEX #7A9482

RGB 122 148 130

HSL 138.46, 0.11%, 0.53%

LAB 58.91, -12.91, 6.48

 

CMYK 18 / 0 / 7 / 42

HEX #7A9489

RGB 122 148 137

HSL 154.62, 0.11%, 0.53%

LAB 59.09, -11.49, 2.76

 

CMYK 18 / 0 / 2 / 42

HEX #7A9491

RGB 122 148 145

HSL 173.08, 0.11%, 0.53%

LAB 59.31, -9.78, -1.47

 

CMYK 14 / 0 / 18 / 42

HEX #80947A

RGB 128 148 122

HSL 106.15, 0.11%, 0.53%

LAB 59.14, -12.26, 11.4

 

CMYK 30 / 0 / 39 / 34

HEX #75A867

RGB 117 168 103

HSL 107.08, 0.27%, 0.53%

LAB 63.97, -29.61, 28.31

 

CMYK 43 / 0 / 56 / 27

HEX #6ABB53

RGB 106 187 83

HSL 106.73, 0.43%, 0.53%

LAB 68.92, -44.49, 44.46

 

CMYK 54 / 0 / 69 / 19

HEX #5FCF40

RGB 95 207 64

HSL 106.99, 0.6%, 0.53%

LAB 74.46, -57.4, 58.69

 

CMYK 62 / 0 / 81 / 11

HEX #55E22C

RGB 85 226 44

HSL 106.48, 0.76%, 0.53%

LAB 79.9, -67.73, 70.44

 

CMYK 14 / 0 / 18 / 42

HEX #80947A

RGB 128 148 122

HSL 106.15, 0.11%, 0.53%

LAB 59.14, -12.26, 11.4

 

CMYK 1 / 9 / 0 / 45

HEX #8B818D

RGB 139 129 141

HSL 290, 0.05%, 0.53%

LAB 55.19, 6.11, -5.1

 

CMYK 7 / 32 / 0 / 37

HEX #956EA1

RGB 149 110 161

HSL 285.88, 0.21%, 0.53%

LAB 51.97, 24.83, -21.51

 

CMYK 11 / 50 / 0 / 29

HEX #A05AB4

RGB 160 90 180

HSL 286.67, 0.38%, 0.53%

LAB 49.59, 43.46, -36.19

 

CMYK 15 / 65 / 0 / 22

HEX #AB47C8

RGB 171 71 200

HSL 286.51, 0.54%, 0.53%

LAB 48.68, 59.64, -49.14

 

CMYK 4 / 0 / 18 / 42

HEX #8E947A

RGB 142 148 122

HSL 73.85, 0.11%, 0.53%

LAB 60.19, -6.95, 13.03

 

CMYK 9 / 0 / 18 / 42

HEX #87947A

RGB 135 148 122

HSL 90, 0.11%, 0.53%

LAB 59.65, -9.63, 12.2

 

CMYK 14 / 0 / 18 / 42

HEX #80947A

RGB 128 148 122

HSL 106.15, 0.11%, 0.53%

LAB 59.14, -12.26, 11.4

 

CMYK 18 / 0 / 17 / 42

HEX #7A947B

RGB 122 148 123

HSL 122.31, 0.11%, 0.53%

LAB 58.74, -14.27, 10.21

 

CMYK 18 / 0 / 12 / 42

HEX #7A9482

RGB 122 148 130

HSL 138.46, 0.11%, 0.53%

LAB 58.91, -12.91, 6.48

 

CMYK 15 / 0 / 19 / 59

HEX #586854

RGB 88 104 84

HSL 108, 0.11%, 0.37%

LAB 42.18, -10.28, 9.28

 

CMYK 15 / 0 / 20 / 50

HEX #6C7F66

RGB 108 127 102

HSL 105.6, 0.11%, 0.45%

LAB 51.07, -12.02, 11.32

 

CMYK 14 / 0 / 18 / 42

HEX #80947A

RGB 128 148 122

HSL 106.15, 0.11%, 0.53%

LAB 59.14, -12.26, 11.4

 

CMYK 10 / 0 / 13 / 35

HEX #96A791

RGB 150 167 145

HSL 106.36, 0.11%, 0.61%

LAB 66.65, -10.19, 9.37

 

CMYK 7 / 0 / 9 / 27

HEX #ACB9A8

RGB 172 185 168

HSL 105.88, 0.11%, 0.69%

LAB 73.74, -7.69, 7.08

 

CMYK 14 / 0 / 18 / 42

HEX #80957A

RGB 128 149 122

HSL 106.67, 0.11%, 0.53%

LAB 59.42, -12.8, 11.8

 

CMYK 18 / 0 / 1 / 42

HEX #7A9493

RGB 122 148 147

HSL 177.69, 0.11%, 0.53%

LAB 59.36, -9.34, -2.53

 

CMYK 0 / 18 / 6 / 42

HEX #947A8B

RGB 148 122 139

HSL 320.77, 0.11%, 0.53%

LAB 54.11, 13.09, -5.44

 

CMYK 14 / 0 / 18 / 42

HEX #80957A

RGB 128 149 122

HSL 106.67, 0.11%, 0.53%

LAB 59.42, -12.8, 11.8

 

CMYK 18 / 14 / 0 / 42

HEX #7A8094

RGB 122 128 148

HSL 226.15, 0.11%, 0.53%

LAB 53.72, 2.18, -11.5

 

CMYK 0 / 18 / 14 / 42

HEX #947A80

RGB 148 122 128

HSL 346.15, 0.11%, 0.53%

LAB 53.79, 11.09, 0.51

 

CMYK 14 / 0 / 18 / 42

HEX #80957A

RGB 128 149 122

HSL 106.67, 0.11%, 0.53%

LAB 59.42, -12.8, 11.8

 

CMYK 18 / 0 / 1 / 42

HEX #7A9493

RGB 122 148 147

HSL 177.69, 0.11%, 0.53%

LAB 59.36, -9.34, -2.53

 

CMYK 4 / 18 / 0 / 42

HEX #8E7A94

RGB 142 122 148

HSL 286.15, 0.11%, 0.53%

LAB 53.82, 12.68, -11.17

 

CMYK 0 / 18 / 17 / 42

HEX #947A7B

RGB 148 122 123

HSL 357.69, 0.11%, 0.53%

LAB 53.65, 10.22, 3.23

 

CMYK 14 / 0 / 18 / 42

HEX #80957A

RGB 128 149 122

HSL 106.67, 0.11%, 0.53%

LAB 59.42, -12.8, 11.8

 

CMYK 18 / 5 / 0 / 42

HEX #7A8D94

RGB 122 141 148

HSL 196.15, 0.11%, 0.53%

LAB 57.39, -5.23, -6.02

 

CMYK 4 / 18 / 0 / 42

HEX #8E7A94

RGB 142 122 148

HSL 286.15, 0.11%, 0.53%

LAB 53.82, 12.68, -11.17

 

CMYK 0 / 13 / 18 / 42

HEX #94817A

RGB 148 129 122

HSL 16.15, 0.11%, 0.53%

LAB 55.48, 6.04, 6.45

 

Description

Color code: RGBA 128 149 122 0.75 | qconv.com Color code: RGBA 128 149 122 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 149 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 149 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 14 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 14% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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