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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 128 131 182 0.75 it is the complementary color RGBA 127 124 73 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 128 131 182 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 128 131 182 0.75 shade: RGBA 133 131 177 0.75, RGBA 150 149 196 0.75, RGBA 167 167 215 0.75, RGBA 184 185 234 0.75 and RGBA 201 203 253 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 128 131 182 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 128 131 182 0.75 shade: RGBA 128 131 182 0.75, RGBA 111 113 163 0.75, RGBA 94 95 144 0.75, RGBA 77 77 125 0.75 and RGBA 60 59 106 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 128 131 182 0.75 shade: RGB 129 132 182, RGB 140 129 182, RGB 155 129 182, RGB 169 129 182 and RGB 182 129 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 128 131 182 0.75 shade: RGB 129 132 182 and RGB 129 129 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 128 131 182 0.75 shade matches the following richer shades: RGB 129 132 182, RGB 113 117 198, RGB 97 103 215, RGB 80 89 231 and RGB 64 74 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 128 131 182 0.75 shade: RGB 129 132 182, RGB 145 146 166, RGB 161 160 150, RGB 177 175 134 and RGB 193 189 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 128 131 182 0.75 shade: RGB 129 161 182, RGB 129 147 182, RGB 129 132 182, RGB 139 129 182 and RGB 154 129 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 128 131 182 0.75 shade: RGB 83 87 145, RGB 102 106 167, RGB 129 132 182, RGB 155 157 197 and RGB 181 183 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 128 131 182 0.75 shade: RGB 128 131 182, RGB 182 129 175 and RGB 154 182 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 128 131 182 0.75 shade: RGB 128 131 182, RGB 182 129 132 and RGB 132 182 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 128 131 182 0.75 shade: RGB 128 131 182, RGB 182 129 175, RGB 182 179 129 and RGB 129 182 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 128 131 182 0.75 shade: RGB 128 131 182, RGB 182 129 159, RGB 182 179 129 and RGB 129 182 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 21 / 0 / 21

HEX #8083B6BF

RGBA 128 131 182 0.75

HSLA 236.67, 0.27%, 0.61%, 0.75

LABA 56.29, 10.74, -27.14, 0.75

 

Complementary color

CMYK 0 / 2 / 32 / 38

HEX #7F7C49BF

RGBA 127 124 73 0.75

HSLA 56.67, 0.27%, 0.39%, 0.75

LABA 51.16, -6.88, 28.21, 0.75

 

CMYK 19 / 19 / 0 / 23

HEX #8583B1BF

RGBA 133 131 177 0.75

HSLA 242.61, 0.23%, 0.6%, 0.75

LABA 56.48, 11.01, -23.95, 0.75

 

CMYK 18 / 18 / 0 / 17

HEX #9695C4BF

RGBA 150 149 196 0.75

HSLA 241.28, 0.28%, 0.68%, 0.75

LABA 63.31, 10.58, -24.1, 0.75

 

CMYK 17 / 17 / 0 / 12

HEX #A7A7D7BF

RGBA 167 167 215 0.75

HSLA 240, 0.38%, 0.75%, 0.75

LABA 70.01, 10.18, -24.28, 0.75

 

CMYK 16 / 16 / 0 / 6

HEX #B8B9EABF

RGBA 184 185 234 0.75

HSLA 238.8, 0.54%, 0.82%, 0.75

LABA 76.58, 9.82, -24.48, 0.75

 

CMYK 15 / 15 / 0 / 1

HEX #C9CBFDBF

RGBA 201 203 253 0.75

HSLA 237.69, 0.93%, 0.89%, 0.75

LABA 83.03, 9.49, -24.7, 0.75

 

CMYK 22 / 21 / 0 / 21

HEX #8083B6BF

RGBA 128 131 182 0.75

HSLA 236.67, 0.27%, 0.61%, 0.75

LABA 56.29, 10.74, -27.14, 0.75

 

CMYK 24 / 23 / 0 / 27

HEX #6F71A3BF

RGBA 111 113 163 0.75

HSLA 237.69, 0.22%, 0.54%, 0.75

LABA 49.29, 11.28, -27.1, 0.75

 

CMYK 26 / 26 / 0 / 33

HEX #5E5F90BF

RGBA 94 95 144 0.75

HSLA 238.8, 0.21%, 0.47%, 0.75

LABA 42.12, 11.91, -27.11, 0.75

 

CMYK 29 / 29 / 0 / 38

HEX #4D4D7DBF

RGBA 77 77 125 0.75

HSLA 240, 0.24%, 0.4%, 0.75

LABA 34.73, 12.67, -27.19, 0.75

 

CMYK 33 / 33 / 0 / 44

HEX #3C3B6ABF

RGBA 60 59 106 0.75

HSLA 241.28, 0.28%, 0.32%, 0.75

LABA 27.1, 13.63, -27.37, 0.75

 

CMYK 29 / 27 / 0 / 29

HEX #8184B6

RGB 129 132 182

HSL 236.6, 0.27%, 0.61%

LAB 56.63, 10.46, -26.6

 

CMYK 23 / 29 / 0 / 29

HEX #8C81B6

RGB 140 129 182

HSL 252.45, 0.27%, 0.61%

LAB 56.74, 15.61, -26.37

 

CMYK 15 / 29 / 0 / 29

HEX #9B81B6

RGB 155 129 182

HSL 269.43, 0.27%, 0.61%

LAB 58.08, 20.4, -24.18

 

CMYK 7 / 29 / 0 / 29

HEX #A981B6

RGB 169 129 182

HSL 285.28, 0.27%, 0.61%

LAB 59.45, 25, -21.97

 

CMYK 0 / 29 / 1 / 29

HEX #B681B5

RGB 182 129 181

HSL 301.13, 0.27%, 0.61%

LAB 60.77, 29.13, -19.27

 

CMYK 29 / 27 / 0 / 29

HEX #8184B6

RGB 129 132 182

HSL 236.6, 0.27%, 0.61%

LAB 56.63, 10.46, -26.6

 

CMYK 29 / 29 / 0 / 29

HEX #8181B6

RGB 129 129 182

HSL 240, 0.27%, 0.61%

LAB 55.83, 12.22, -27.84

 

CMYK 29 / 27 / 0 / 29

HEX #8184B6

RGB 129 132 182

HSL 236.6, 0.27%, 0.61%

LAB 56.63, 10.46, -26.6

 

CMYK 43 / 41 / 0 / 22

HEX #7175C6

RGB 113 117 198

HSL 237.18, 0.43%, 0.61%

LAB 52.19, 19.31, -42.79

 

CMYK 55 / 52 / 0 / 16

HEX #6167D7

RGB 97 103 215

HSL 236.95, 0.6%, 0.61%

LAB 48.45, 29.42, -58.52

 

CMYK 65 / 61 / 0 / 9

HEX #5059E7

RGB 80 89 231

HSL 236.42, 0.76%, 0.61%

LAB 45.11, 40.32, -73.06

 

CMYK 74 / 70 / 0 / 3

HEX #404AF7

RGB 64 74 247

HSL 236.72, 0.92%, 0.61%

LAB 42.31, 52.6, -86.69

 

CMYK 29 / 27 / 0 / 29

HEX #8184B6

RGB 129 132 182

HSL 236.6, 0.27%, 0.61%

LAB 56.63, 10.46, -26.6

 

CMYK 13 / 12 / 0 / 35

HEX #9192A6

RGB 145 146 166

HSL 237.14, 0.11%, 0.61%

LAB 61.07, 3.77, -10.62

 

CMYK 0 / 1 / 7 / 37

HEX #A1A096

RGB 161 160 150

HSL 54.55, 0.06%, 0.61%

LAB 65.69, -1.48, 5.33

 

CMYK 0 / 1 / 24 / 31

HEX #B1AF86

RGB 177 175 134

HSL 57.21, 0.22%, 0.61%

LAB 70.68, -6.05, 21.34

 

CMYK 0 / 2 / 39 / 24

HEX #C1BD76

RGB 193 189 118

HSL 56.8, 0.38%, 0.61%

LAB 75.48, -9.1, 36.38

 

CMYK 29 / 12 / 0 / 29

HEX #81A1B6

RGB 129 161 182

HSL 203.77, 0.27%, 0.61%

LAB 64.59, -6.03, -14.45

 

CMYK 29 / 19 / 0 / 29

HEX #8193B6

RGB 129 147 182

HSL 219.62, 0.27%, 0.61%

LAB 60.7, 1.8, -20.35

 

CMYK 29 / 27 / 0 / 29

HEX #8184B6

RGB 129 132 182

HSL 236.6, 0.27%, 0.61%

LAB 56.63, 10.46, -26.6

 

CMYK 24 / 29 / 0 / 29

HEX #8B81B6

RGB 139 129 182

HSL 251.32, 0.27%, 0.61%

LAB 56.65, 15.29, -26.51

 

CMYK 15 / 29 / 0 / 29

HEX #9A81B6

RGB 154 129 182

HSL 268.3, 0.27%, 0.61%

LAB 57.99, 20.08, -24.34

 

CMYK 43 / 40 / 0 / 43

HEX #535791

RGB 83 87 145

HSL 236.13, 0.27%, 0.45%

LAB 39.07, 14.06, -32.56

 

CMYK 39 / 37 / 0 / 35

HEX #666AA7

RGB 102 106 167

HSL 236.31, 0.27%, 0.53%

LAB 46.87, 14.03, -33.27

 

CMYK 29 / 27 / 0 / 29

HEX #8184B6

RGB 129 132 182

HSL 236.6, 0.27%, 0.61%

LAB 56.63, 10.46, -26.6

 

CMYK 21 / 20 / 0 / 23

HEX #9B9DC5

RGB 155 157 197

HSL 237.14, 0.27%, 0.69%

LAB 65.84, 7.85, -20.77

 

CMYK 15 / 14 / 0 / 16

HEX #B5B7D5

RGB 181 183 213

HSL 236.25, 0.28%, 0.77%

LAB 75.14, 5.34, -15.3

 

CMYK 30 / 28 / 0 / 29

HEX #8083B6

RGB 128 131 182

HSL 236.67, 0.27%, 0.61%

LAB 56.29, 10.74, -27.14

 

CMYK 0 / 29 / 4 / 29

HEX #B681AF

RGB 182 129 175

HSL 307.92, 0.27%, 0.61%

LAB 60.55, 28, -16.18

 

CMYK 15 / 0 / 29 / 29

HEX #9AB681

RGB 154 182 129

HSL 91.7, 0.27%, 0.61%

LAB 70.81, -19.18, 23.92

 

CMYK 30 / 28 / 0 / 29

HEX #8083B6

RGB 128 131 182

HSL 236.67, 0.27%, 0.61%

LAB 56.29, 10.74, -27.14

 

CMYK 0 / 29 / 27 / 29

HEX #B68184

RGB 182 129 132

HSL 356.6, 0.27%, 0.61%

LAB 59.26, 20.9, 6.56

 

CMYK 27 / 0 / 29 / 29

HEX #84B681

RGB 132 182 129

HSL 116.6, 0.27%, 0.61%

LAB 69.43, -27.03, 21.82

 

CMYK 30 / 28 / 0 / 29

HEX #8083B6

RGB 128 131 182

HSL 236.67, 0.27%, 0.61%

LAB 56.29, 10.74, -27.14

 

CMYK 0 / 29 / 4 / 29

HEX #B681AF

RGB 182 129 175

HSL 307.92, 0.27%, 0.61%

LAB 60.55, 28, -16.18

 

CMYK 0 / 2 / 29 / 29

HEX #B6B381

RGB 182 179 129

HSL 56.6, 0.27%, 0.61%

LAB 72.07, -6.9, 25.98

 

CMYK 29 / 0 / 25 / 29

HEX #81B688

RGB 129 182 136

HSL 127.92, 0.27%, 0.61%

LAB 69.4, -26.82, 17.97

 

CMYK 30 / 28 / 0 / 29

HEX #8083B6

RGB 128 131 182

HSL 236.67, 0.27%, 0.61%

LAB 56.29, 10.74, -27.14

 

CMYK 0 / 29 / 13 / 29

HEX #B6819F

RGB 182 129 159

HSL 326.04, 0.27%, 0.61%

LAB 60.02, 25.15, -7.83

 

CMYK 0 / 2 / 29 / 29

HEX #B6B381

RGB 182 179 129

HSL 56.6, 0.27%, 0.61%

LAB 72.07, -6.9, 25.98

 

CMYK 29 / 0 / 16 / 29

HEX #81B698

RGB 129 182 152

HSL 146.04, 0.27%, 0.61%

LAB 69.75, -23.77, 9.74

 

Description

Color code: RGBA 128 131 182 0.75 | qconv.com Color code: RGBA 128 131 182 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 131 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 131 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 21 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 21% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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