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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 128 113 188 0.75 it is the complementary color RGBA 127 142 67 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 128 113 188 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 128 113 188 0.75 shade: RGBA 133 113 183 0.75, RGBA 150 131 202 0.75, RGBA 167 149 221 0.75, RGBA 184 167 240 0.75 and RGBA 201 185 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 128 113 188 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 128 113 188 0.75 shade: RGBA 128 113 188 0.75, RGBA 111 95 169 0.75, RGBA 94 77 150 0.75, RGBA 77 59 131 0.75 and RGBA 60 41 112 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 128 113 188 0.75 shade: RGB 128 113 188, RGB 148 113 188, RGB 168 113 188, RGB 188 113 187 and RGB 188 113 167

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 128 113 188 0.75 shade: RGB 128 113 188 and RGB 113 113 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 128 113 188 0.75 shade matches the following richer shades: RGB 128 113 188, RGB 118 96 205, RGB 108 79 222 and RGB 97 62 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 128 113 188 0.75 shade: RGB 128 113 188, RGB 138 130 171, RGB 148 147 154, RGB 158 164 137 and RGB 168 180 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 128 113 188 0.75 shade: RGB 113 138 188, RGB 113 118 188, RGB 128 113 188, RGB 148 113 188 and RGB 168 113 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 128 113 188 0.75 shade: RGB 86 70 148, RGB 103 85 175, RGB 128 113 188, RGB 153 141 201 and RGB 178 169 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 128 113 188 0.75 shade: RGB 128 113 188, RGB 188 113 158 and RGB 128 188 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 128 113 188 0.75 shade: RGB 128 113 188, RGB 188 128 113 and RGB 113 188 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 128 113 188 0.75 shade: RGB 128 113 188, RGB 188 113 158, RGB 173 188 113 and RGB 113 188 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 128 113 188 0.75 shade: RGB 128 113 188, RGB 188 113 135, RGB 173 188 113 and RGB 113 188 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 30 / 0 / 20

HEX #8071BCBF

RGBA 128 113 188 0.75

HSLA 252, 0.36%, 0.59%, 0.75

LABA 51.87, 22.97, -37.47, 0.75

 

Complementary color

CMYK 8 / 0 / 40 / 33

HEX #7F8E43BF

RGBA 127 142 67 0.75

HSLA 72, 0.36%, 0.41%, 0.75

LABA 56.35, -17.27, 37.72, 0.75

 

CMYK 20 / 29 / 0 / 21

HEX #8571B7BF

RGBA 133 113 183 0.75

HSLA 257.14, 0.33%, 0.58%, 0.75

LABA 52.08, 23.13, -34.23, 0.75

 

CMYK 19 / 26 / 0 / 16

HEX #9683CABF

RGBA 150 131 202 0.75

HSLA 256.06, 0.4%, 0.65%, 0.75

LABA 58.96, 22.39, -34.21, 0.75

 

CMYK 18 / 24 / 0 / 10

HEX #A795DDBF

RGBA 167 149 221 0.75

HSLA 255, 0.51%, 0.73%, 0.75

LABA 65.69, 21.73, -34.24, 0.75

 

CMYK 18 / 23 / 0 / 4

HEX #B8A7F0BF

RGBA 184 167 240 0.75

HSLA 253.97, 0.71%, 0.8%, 0.75

LABA 72.31, 21.14, -34.29, 0.75

 

CMYK 16 / 21 / 0 / 0

HEX #C9B9FFBF

RGBA 201 185 255 0.75

HSLA 253.71, 1%, 0.86%, 0.75

LABA 78.66, 19.69, -32.47, 0.75

 

CMYK 24 / 30 / 0 / 20

HEX #8071BCBF

RGBA 128 113 188 0.75

HSLA 252, 0.36%, 0.59%, 0.75

LABA 51.87, 22.97, -37.47, 0.75

 

CMYK 26 / 33 / 0 / 25

HEX #6F5FA9BF

RGBA 111 95 169 0.75

HSLA 252.97, 0.3%, 0.52%, 0.75

LABA 44.84, 23.87, -37.6, 0.75

 

CMYK 28 / 37 / 0 / 31

HEX #5E4D96BF

RGBA 94 77 150 0.75

HSLA 253.97, 0.32%, 0.45%, 0.75

LABA 37.64, 24.9, -37.78, 0.75

 

CMYK 31 / 41 / 0 / 36

HEX #4D3B83BF

RGBA 77 59 131 0.75

HSLA 255, 0.38%, 0.37%, 0.75

LABA 30.27, 26.1, -38.01, 0.75

 

CMYK 35 / 48 / 0 / 42

HEX #3C2970BF

RGBA 60 41 112 0.75

HSLA 256.06, 0.46%, 0.3%, 0.75

LABA 22.71, 27.48, -38.25, 0.75

 

CMYK 32 / 40 / 0 / 26

HEX #8071BC

RGB 128 113 188

HSL 252, 0.36%, 0.59%

LAB 51.87, 22.97, -37.47

 

CMYK 21 / 40 / 0 / 26

HEX #9471BC

RGB 148 113 188

HSL 268, 0.36%, 0.59%

LAB 53.75, 28.84, -34.4

 

CMYK 11 / 40 / 0 / 26

HEX #A871BC

RGB 168 113 188

HSL 284, 0.36%, 0.59%

LAB 55.85, 34.95, -30.95

 

CMYK 0 / 40 / 1 / 26

HEX #BC71BB

RGB 188 113 187

HSL 300.8, 0.36%, 0.59%

LAB 58.12, 40.97, -26.68

 

CMYK 0 / 40 / 11 / 26

HEX #BC71A7

RGB 188 113 167

HSL 316.8, 0.36%, 0.59%

LAB 57.36, 37.41, -16.36

 

CMYK 32 / 40 / 0 / 26

HEX #8071BC

RGB 128 113 188

HSL 252, 0.36%, 0.59%

LAB 51.87, 22.97, -37.47

 

CMYK 40 / 40 / 0 / 26

HEX #7171BC

RGB 113 113 188

HSL 240, 0.36%, 0.59%

LAB 50.63, 18.82, -39.51

 

CMYK 32 / 40 / 0 / 26

HEX #8071BC

RGB 128 113 188

HSL 252, 0.36%, 0.59%

LAB 51.87, 22.97, -37.47

 

CMYK 42 / 53 / 0 / 20

HEX #7660CD

RGB 118 96 205

HSL 252.11, 0.52%, 0.59%

LAB 47.78, 35.17, -53.79

 

CMYK 51 / 64 / 0 / 13

HEX #6C4FDE

RGB 108 79 222

HSL 252.17, 0.68%, 0.59%

LAB 44.31, 47.8, -69.16

 

CMYK 59 / 74 / 0 / 6

HEX #613EEF

RGB 97 62 239

HSL 251.86, 0.85%, 0.59%

LAB 41.56, 59.96, -83.34

 

CMYK 32 / 40 / 0 / 26

HEX #8071BC

RGB 128 113 188

HSL 252, 0.36%, 0.59%

LAB 51.87, 22.97, -37.47

 

CMYK 19 / 24 / 0 / 33

HEX #8A82AB

RGB 138 130 171

HSL 251.71, 0.2%, 0.59%

LAB 56.4, 11.75, -20.61

 

CMYK 4 / 5 / 0 / 40

HEX #94939A

RGB 148 147 154

HSL 248.57, 0.03%, 0.59%

LAB 61.22, 1.75, -3.56

 

CMYK 4 / 0 / 16 / 36

HEX #9EA489

RGB 158 164 137

HSL 73.33, 0.13%, 0.59%

LAB 66.23, -7.01, 13.31

 

CMYK 7 / 0 / 33 / 29

HEX #A8B478

RGB 168 180 120

HSL 72, 0.29%, 0.59%

LAB 71.09, -14.11, 29.27

 

CMYK 40 / 27 / 0 / 26

HEX #718ABC

RGB 113 138 188

HSL 220, 0.36%, 0.59%

LAB 57.38, 3.94, -28.95

 

CMYK 40 / 37 / 0 / 26

HEX #7176BC

RGB 113 118 188

HSL 236, 0.36%, 0.59%

LAB 51.95, 15.81, -37.43

 

CMYK 32 / 40 / 0 / 26

HEX #8071BC

RGB 128 113 188

HSL 252, 0.36%, 0.59%

LAB 51.87, 22.97, -37.47

 

CMYK 21 / 40 / 0 / 26

HEX #9471BC

RGB 148 113 188

HSL 268, 0.36%, 0.59%

LAB 53.75, 28.84, -34.4

 

CMYK 11 / 40 / 0 / 26

HEX #A871BC

RGB 168 113 188

HSL 284, 0.36%, 0.59%

LAB 55.85, 34.95, -30.95

 

CMYK 42 / 53 / 0 / 42

HEX #564694

RGB 86 70 148

HSL 252.31, 0.36%, 0.43%

LAB 35, 26.57, -40.84

 

CMYK 41 / 51 / 0 / 31

HEX #6755AF

RGB 103 85 175

HSL 252, 0.36%, 0.51%

LAB 41.96, 29.53, -45.76

 

CMYK 32 / 40 / 0 / 26

HEX #8071BC

RGB 128 113 188

HSL 252, 0.36%, 0.59%

LAB 51.87, 22.97, -37.47

 

CMYK 24 / 30 / 0 / 21

HEX #998DC9

RGB 153 141 201

HSL 252, 0.36%, 0.67%

LAB 61.69, 17.28, -29.39

 

CMYK 17 / 21 / 0 / 16

HEX #B2A9D6

RGB 178 169 214

HSL 252, 0.35%, 0.75%

LAB 71.35, 12.29, -21.61

 

CMYK 32 / 40 / 0 / 26

HEX #8071BC

RGB 128 113 188

HSL 252, 0.36%, 0.59%

LAB 51.87, 22.97, -37.47

 

CMYK 0 / 40 / 16 / 26

HEX #BC719E

RGB 188 113 158

HSL 324, 0.36%, 0.59%

LAB 57.05, 35.91, -11.63

 

CMYK 32 / 0 / 40 / 26

HEX #80BC71

RGB 128 188 113

HSL 108, 0.36%, 0.59%

LAB 70.7, -33.77, 31.93

 

CMYK 32 / 40 / 0 / 26

HEX #8071BC

RGB 128 113 188

HSL 252, 0.36%, 0.59%

LAB 51.87, 22.97, -37.47

 

CMYK 0 / 32 / 40 / 26

HEX #BC8071

RGB 188 128 113

HSL 12, 0.36%, 0.59%

LAB 59.27, 21.35, 17.55

 

CMYK 40 / 0 / 32 / 26

HEX #71BC80

RGB 113 188 128

HSL 132, 0.36%, 0.59%

LAB 70.2, -36.15, 23.23

 

CMYK 32 / 40 / 0 / 26

HEX #8071BC

RGB 128 113 188

HSL 252, 0.36%, 0.59%

LAB 51.87, 22.97, -37.47

 

CMYK 0 / 40 / 16 / 26

HEX #BC719E

RGB 188 113 158

HSL 324, 0.36%, 0.59%

LAB 57.05, 35.91, -11.63

 

CMYK 8 / 0 / 40 / 26

HEX #ADBC71

RGB 173 188 113

HSL 72, 0.36%, 0.59%

LAB 73.57, -17.11, 36.2

 

CMYK 40 / 0 / 24 / 26

HEX #71BC8F

RGB 113 188 143

HSL 144, 0.36%, 0.59%

LAB 70.5, -33.34, 15.58

 

CMYK 32 / 40 / 0 / 26

HEX #8071BC

RGB 128 113 188

HSL 252, 0.36%, 0.59%

LAB 51.87, 22.97, -37.47

 

CMYK 0 / 40 / 28 / 26

HEX #BC7187

RGB 188 113 135

HSL 342.4, 0.36%, 0.59%

LAB 56.34, 32.44, 0.69

 

CMYK 8 / 0 / 40 / 26

HEX #ADBC71

RGB 173 188 113

HSL 72, 0.36%, 0.59%

LAB 73.57, -17.11, 36.2

 

CMYK 40 / 0 / 12 / 26

HEX #71BCA6

RGB 113 188 166

HSL 162.4, 0.36%, 0.59%

LAB 71.03, -28.47, 3.82

 

Description

Color code: RGBA 128 113 188 0.75 | qconv.com Color code: RGBA 128 113 188 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 113 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 113 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 30 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 30% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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