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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 128 108 240 0.75 it is the complementary color RGBA 127 147 15 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 128 108 240 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 128 108 240 0.75 shade: RGBA 133 108 235 0.75, RGBA 150 126 254 0.75, RGBA 167 144 255 0.75, RGBA 184 162 255 0.75 and RGBA 201 180 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 128 108 240 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 128 108 240 0.75 shade: RGBA 128 108 240 0.75, RGBA 111 90 221 0.75, RGBA 94 72 202 0.75, RGBA 77 54 183 0.75 and RGBA 60 36 164 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 128 108 240 0.75 shade: RGB 127 107 239, RGB 163 107 239, RGB 199 107 239, RGB 234 107 239 and RGB 239 107 209

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 128 108 240 0.75 shade: RGB 127 107 239 and RGB 107 107 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 128 108 240 0.75 shade matches the following richer shades: RGB 127 107 239 and RGB 118 94 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 128 108 240 0.75 shade: RGB 127 107 239, RGB 137 121 226, RGB 146 134 213, RGB 155 147 200 and RGB 164 160 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 128 108 240 0.75 shade: RGB 107 158 239, RGB 107 123 239, RGB 127 107 239, RGB 162 107 239 and RGB 198 107 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 128 108 240 0.75 shade: RGB 63 33 232, RGB 95 70 236, RGB 127 107 239, RGB 160 145 243 and RGB 192 182 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 128 108 240 0.75 shade: RGB 128 108 240, RGB 239 107 193 and RGB 140 239 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 128 108 240 0.75 shade: RGB 128 108 240, RGB 239 127 107 and RGB 107 239 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 128 108 240 0.75 shade: RGB 128 108 240, RGB 239 107 193, RGB 220 239 107 and RGB 107 239 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 128 108 240 0.75 shade: RGB 128 108 240, RGB 239 107 154, RGB 220 239 107 and RGB 107 239 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 41 / 0 / 4

HEX #806CF0BF

RGBA 128 108 240 0.75

HSLA 249.09, 0.81%, 0.68%, 0.75

LABA 53.61, 40.38, -64.16, 0.75

 

Complementary color

CMYK 10 / 0 / 67 / 32

HEX #7F930FBF

RGBA 127 147 15 0.75

HSLA 69.09, 0.81%, 0.32%, 0.75

LABA 57.48, -22.97, 58.36, 0.75

 

CMYK 33 / 41 / 0 / 6

HEX #856CEBBF

RGBA 133 108 235 0.75

HSLA 251.81, 0.76%, 0.67%, 0.75

LABA 53.72, 40.04, -61.17, 0.75

 

CMYK 31 / 38 / 0 / 0

HEX #967EFEBF

RGBA 150 126 254 0.75

HSLA 251.25, 0.98%, 0.75%, 0.75

LABA 60.39, 38.83, -60.92, 0.75

 

CMYK 26 / 33 / 0 / 0

HEX #A790FFBF

RGBA 167 144 255 0.75

HSLA 252.43, 1%, 0.78%, 0.75

LABA 66.05, 33.03, -52.38, 0.75

 

CMYK 21 / 27 / 0 / 0

HEX #B8A2FFBF

RGBA 184 162 255 0.75

HSLA 254.19, 1%, 0.82%, 0.75

LABA 71.73, 27.48, -43.34, 0.75

 

CMYK 16 / 22 / 0 / 0

HEX #C9B4FFBF

RGBA 201 180 255 0.75

HSLA 256.8, 1%, 0.85%, 0.75

LABA 77.45, 22.42, -34.33, 0.75

 

CMYK 35 / 41 / 0 / 4

HEX #806CF0BF

RGBA 128 108 240 0.75

HSLA 249.09, 0.81%, 0.68%, 0.75

LABA 53.61, 40.38, -64.16, 0.75

 

CMYK 37 / 44 / 0 / 10

HEX #6F5ADDBF

RGBA 111 90 221 0.75

HSLA 249.62, 0.66%, 0.61%, 0.75

LABA 46.86, 41.82, -64.44, 0.75

 

CMYK 40 / 48 / 0 / 16

HEX #5E48CABF

RGBA 94 72 202 0.75

HSLA 250.15, 0.55%, 0.54%, 0.75

LABA 40.05, 43.38, -64.68, 0.75

 

CMYK 43 / 53 / 0 / 21

HEX #4D36B7BF

RGBA 77 54 183 0.75

HSLA 250.7, 0.54%, 0.46%, 0.75

LABA 33.21, 45.02, -64.78, 0.75

 

CMYK 48 / 59 / 0 / 27

HEX #3C24A4BF

RGBA 60 36 164 0.75

HSLA 251.25, 0.64%, 0.39%, 0.75

LABA 26.46, 46.53, -64.56, 0.75

 

CMYK 47 / 55 / 0 / 6

HEX #7F6BEF

RGB 127 107 239

HSL 249.09, 0.8%, 0.68%

LAB 53.23, 40.46, -64.21

 

CMYK 32 / 55 / 0 / 6

HEX #A36BEF

RGB 163 107 239

HSL 265.45, 0.8%, 0.68%

LAB 56.62, 48.56, -58.59

 

CMYK 17 / 55 / 0 / 6

HEX #C76BEF

RGB 199 107 239

HSL 281.82, 0.8%, 0.68%

LAB 60.68, 57.4, -51.87

 

CMYK 2 / 55 / 0 / 6

HEX #EA6BEF

RGB 234 107 239

HSL 297.73, 0.8%, 0.68%

LAB 65.15, 66.28, -44.51

 

CMYK 0 / 55 / 13 / 6

HEX #EF6BD1

RGB 239 107 209

HSL 313.64, 0.8%, 0.68%

LAB 64.54, 62.74, -28.69

 

CMYK 47 / 55 / 0 / 6

HEX #7F6BEF

RGB 127 107 239

HSL 249.09, 0.8%, 0.68%

LAB 53.23, 40.46, -64.21

 

CMYK 55 / 55 / 0 / 6

HEX #6B6BEF

RGB 107 107 239

HSL 240, 0.8%, 0.68%

LAB 51.69, 36.5, -66.77

 

CMYK 47 / 55 / 0 / 6

HEX #7F6BEF

RGB 127 107 239

HSL 249.09, 0.8%, 0.68%

LAB 53.23, 40.46, -64.21

 

CMYK 53 / 63 / 0 / 1

HEX #765EFD

RGB 118 94 253

HSL 249.06, 0.98%, 0.68%

LAB 50.63, 50.21, -76.27

 

CMYK 47 / 55 / 0 / 6

HEX #7F6BEF

RGB 127 107 239

HSL 249.09, 0.8%, 0.68%

LAB 53.23, 40.46, -64.21

 

CMYK 39 / 46 / 0 / 11

HEX #8979E2

RGB 137 121 226

HSL 249.14, 0.64%, 0.68%

LAB 56.57, 30.94, -51.55

 

CMYK 31 / 37 / 0 / 16

HEX #9286D5

RGB 146 134 213

HSL 249.11, 0.48%, 0.68%

LAB 59.86, 22.27, -39.02

 

CMYK 23 / 27 / 0 / 22

HEX #9B93C8

RGB 155 147 200

HSL 249.06, 0.33%, 0.68%

LAB 63.35, 14.22, -26.25

 

CMYK 12 / 14 / 0 / 27

HEX #A4A0BB

RGB 164 160 187

HSL 248.89, 0.17%, 0.68%

LAB 66.99, 6.86, -13.38

 

CMYK 55 / 34 / 0 / 6

HEX #6B9EEF

RGB 107 158 239

HSL 216.82, 0.8%, 0.68%

LAB 64.81, 6.15, -45.83

 

CMYK 55 / 49 / 0 / 6

HEX #6B7BEF

RGB 107 123 239

HSL 232.73, 0.8%, 0.68%

LAB 55.61, 26.89, -60.47

 

CMYK 47 / 55 / 0 / 6

HEX #7F6BEF

RGB 127 107 239

HSL 249.09, 0.8%, 0.68%

LAB 53.23, 40.46, -64.21

 

CMYK 32 / 55 / 0 / 6

HEX #A26BEF

RGB 162 107 239

HSL 265, 0.8%, 0.68%

LAB 56.51, 48.32, -58.76

 

CMYK 17 / 55 / 0 / 6

HEX #C66BEF

RGB 198 107 239

HSL 281.36, 0.8%, 0.68%

LAB 60.56, 57.15, -52.07

 

CMYK 73 / 86 / 0 / 9

HEX #3F21E8

RGB 63 33 232

HSL 249.05, 0.81%, 0.52%

LAB 33.92, 67.41, -92.1

 

CMYK 60 / 70 / 0 / 7

HEX #5F46EC

RGB 95 70 236

HSL 249.04, 0.81%, 0.6%

LAB 42.57, 54.79, -80

 

CMYK 47 / 55 / 0 / 6

HEX #7F6BEF

RGB 127 107 239

HSL 249.09, 0.8%, 0.68%

LAB 53.23, 40.46, -64.21

 

CMYK 34 / 40 / 0 / 5

HEX #A091F3

RGB 160 145 243

HSL 249.18, 0.8%, 0.76%

LAB 65.12, 27.53, -47.31

 

CMYK 22 / 26 / 0 / 3

HEX #C0B6F7

RGB 192 182 247

HSL 249.23, 0.8%, 0.84%

LAB 76.91, 16.84, -30.93

 

CMYK 47 / 55 / 0 / 6

HEX #806CF0

RGB 128 108 240

HSL 249.09, 0.81%, 0.68%

LAB 53.61, 40.38, -64.16

 

CMYK 0 / 55 / 19 / 6

HEX #EF6BC1

RGB 239 107 193

HSL 320.91, 0.8%, 0.68%

LAB 63.93, 60.39, -20.6

 

CMYK 41 / 0 / 55 / 6

HEX #8CEF6B

RGB 140 239 107

HSL 105, 0.8%, 0.68%

LAB 86.19, -52.71, 54.1

 

CMYK 47 / 55 / 0 / 6

HEX #806CF0

RGB 128 108 240

HSL 249.09, 0.81%, 0.68%

LAB 53.61, 40.38, -64.16

 

CMYK 0 / 47 / 55 / 6

HEX #EF7F6B

RGB 239 127 107

HSL 9.09, 0.8%, 0.68%

LAB 65.43, 41.12, 30.28

 

CMYK 55 / 0 / 47 / 6

HEX #6BEF7F

RGB 107 239 127

HSL 129.09, 0.8%, 0.68%

LAB 85.2, -59.13, 43.26

 

CMYK 47 / 55 / 0 / 6

HEX #806CF0

RGB 128 108 240

HSL 249.09, 0.81%, 0.68%

LAB 53.61, 40.38, -64.16

 

CMYK 0 / 55 / 19 / 6

HEX #EF6BC1

RGB 239 107 193

HSL 320.91, 0.8%, 0.68%

LAB 63.93, 60.39, -20.6

 

CMYK 8 / 0 / 55 / 6

HEX #DCEF6B

RGB 220 239 107

HSL 68.64, 0.8%, 0.68%

LAB 90.78, -24.25, 60.6

 

CMYK 55 / 0 / 36 / 6

HEX #6BEF9A

RGB 107 239 154

HSL 141.36, 0.8%, 0.68%

LAB 85.6, -54.81, 30.41

 

CMYK 47 / 55 / 0 / 6

HEX #806CF0

RGB 128 108 240

HSL 249.09, 0.81%, 0.68%

LAB 53.61, 40.38, -64.16

 

CMYK 0 / 55 / 36 / 6

HEX #EF6B9A

RGB 239 107 154

HSL 338.64, 0.8%, 0.68%

LAB 62.68, 55.39, -0.22

 

CMYK 8 / 0 / 55 / 6

HEX #DCEF6B

RGB 220 239 107

HSL 68.64, 0.8%, 0.68%

LAB 90.78, -24.25, 60.6

 

CMYK 55 / 0 / 19 / 6

HEX #6BEFC1

RGB 107 239 193

HSL 159.09, 0.8%, 0.68%

LAB 86.36, -47.07, 11.37

 

Description

Color code: RGBA 128 108 240 0.75 | qconv.com Color code: RGBA 128 108 240 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 108 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 108 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 41 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 41% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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