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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 128 108 231 0.75 it is the complementary color RGBA 127 147 24 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 128 108 231 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 128 108 231 0.75 shade: RGBA 133 108 226 0.75, RGBA 150 126 245 0.75, RGBA 167 144 255 0.75, RGBA 184 162 255 0.75 and RGBA 201 180 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 128 108 231 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 128 108 231 0.75 shade: RGBA 128 108 231 0.75, RGBA 111 90 212 0.75, RGBA 94 72 193 0.75, RGBA 77 54 174 0.75 and RGBA 60 36 155 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 128 108 231 0.75 shade: RGB 126 106 231, RGB 160 106 231, RGB 194 106 231, RGB 227 106 231 and RGB 231 106 201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 128 108 231 0.75 shade: RGB 126 106 231 and RGB 106 106 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 128 108 231 0.75 shade matches the following richer shades: RGB 126 106 231 and RGB 117 92 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 128 108 231 0.75 shade: RGB 126 106 231, RGB 136 120 217, RGB 145 134 203, RGB 155 148 189 and RGB 164 162 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 128 108 231 0.75 shade: RGB 106 154 231, RGB 106 120 231, RGB 125 106 231, RGB 158 106 231 and RGB 191 106 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 128 108 231 0.75 shade: RGB 65 36 219, RGB 96 70 225, RGB 126 106 231, RGB 157 141 237 and RGB 187 177 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 128 108 231 0.75 shade: RGB 128 108 231, RGB 231 106 187 and RGB 137 231 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 128 108 231 0.75 shade: RGB 128 108 231, RGB 231 125 106 and RGB 106 231 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 128 108 231 0.75 shade: RGB 128 108 231, RGB 231 106 187, RGB 212 231 106 and RGB 106 231 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 128 108 231 0.75 shade: RGB 128 108 231, RGB 231 106 150, RGB 212 231 106 and RGB 106 231 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 40 / 0 / 7

HEX #806CE7BF

RGBA 128 108 231 0.75

HSLA 249.76, 0.72%, 0.66%, 0.75

LABA 53.04, 37.81, -60.04, 0.75

 

Complementary color

CMYK 10 / 0 / 63 / 32

HEX #7F9318BF

RGBA 127 147 24 0.75

HSLA 69.76, 0.72%, 0.34%, 0.75

LABA 57.51, -22.7, 56.3, 0.75

 

CMYK 31 / 39 / 0 / 9

HEX #856CE2BF

RGBA 133 108 226 0.75

HSLA 252.71, 0.67%, 0.65%, 0.75

LABA 53.17, 37.54, -57, 0.75

 

CMYK 29 / 36 / 0 / 3

HEX #967EF5BF

RGBA 150 126 245 0.75

HSLA 252.1, 0.86%, 0.73%, 0.75

LABA 59.89, 36.4, -56.76, 0.75

 

CMYK 26 / 33 / 0 / 0

HEX #A790FFBF

RGBA 167 144 255 0.75

HSLA 252.43, 1%, 0.78%, 0.75

LABA 66.05, 33.03, -52.38, 0.75

 

CMYK 21 / 27 / 0 / 0

HEX #B8A2FFBF

RGBA 184 162 255 0.75

HSLA 254.19, 1%, 0.82%, 0.75

LABA 71.73, 27.48, -43.34, 0.75

 

CMYK 16 / 22 / 0 / 0

HEX #C9B4FFBF

RGBA 201 180 255 0.75

HSLA 256.8, 1%, 0.85%, 0.75

LABA 77.45, 22.42, -34.33, 0.75

 

CMYK 33 / 40 / 0 / 7

HEX #806CE7BF

RGBA 128 108 231 0.75

HSLA 249.76, 0.72%, 0.66%, 0.75

LABA 53.04, 37.81, -60.04, 0.75

 

CMYK 36 / 43 / 0 / 13

HEX #6F5AD4BF

RGBA 111 90 212 0.75

HSLA 250.33, 0.59%, 0.59%, 0.75

LABA 46.24, 39.17, -60.32, 0.75

 

CMYK 38 / 47 / 0 / 18

HEX #5E48C1BF

RGBA 94 72 193 0.75

HSLA 250.91, 0.49%, 0.52%, 0.75

LABA 39.35, 40.67, -60.57, 0.75

 

CMYK 42 / 52 / 0 / 24

HEX #4D36AEBF

RGBA 77 54 174 0.75

HSLA 251.5, 0.53%, 0.45%, 0.75

LABA 32.42, 42.27, -60.73, 0.75

 

CMYK 46 / 58 / 0 / 29

HEX #3C249BBF

RGBA 60 36 155 0.75

HSLA 252.1, 0.62%, 0.37%, 0.75

LABA 25.53, 43.8, -60.61, 0.75

 

CMYK 45 / 54 / 0 / 9

HEX #7E6AE7

RGB 126 106 231

HSL 249.6, 0.72%, 0.66%

LAB 52.41, 38.53, -61.06

 

CMYK 31 / 54 / 0 / 9

HEX #A06AE7

RGB 160 106 231

HSL 265.92, 0.72%, 0.66%

LAB 55.64, 46.42, -55.71

 

CMYK 16 / 54 / 0 / 9

HEX #C26AE7

RGB 194 106 231

HSL 282.24, 0.72%, 0.66%

LAB 59.48, 54.98, -49.37

 

CMYK 2 / 54 / 0 / 9

HEX #E36AE7

RGB 227 106 231

HSL 298.08, 0.72%, 0.66%

LAB 63.68, 63.54, -42.46

 

CMYK 0 / 54 / 13 / 9

HEX #E76AC9

RGB 231 106 201

HSL 314.4, 0.72%, 0.66%

LAB 62.94, 59.71, -26.74

 

CMYK 45 / 54 / 0 / 9

HEX #7E6AE7

RGB 126 106 231

HSL 249.6, 0.72%, 0.66%

LAB 52.41, 38.53, -61.06

 

CMYK 54 / 54 / 0 / 9

HEX #6A6AE7

RGB 106 106 231

HSL 240, 0.72%, 0.66%

LAB 50.85, 34.41, -63.65

 

CMYK 45 / 54 / 0 / 9

HEX #7E6AE7

RGB 126 106 231

HSL 249.6, 0.72%, 0.66%

LAB 52.41, 38.53, -61.06

 

CMYK 52 / 62 / 0 / 4

HEX #755CF5

RGB 117 92 245

HSL 249.8, 0.88%, 0.66%

LAB 49.53, 48.82, -73.6

 

CMYK 45 / 54 / 0 / 9

HEX #7E6AE7

RGB 126 106 231

HSL 249.6, 0.72%, 0.66%

LAB 52.41, 38.53, -61.06

 

CMYK 37 / 45 / 0 / 15

HEX #8878D9

RGB 136 120 217

HSL 249.9, 0.56%, 0.66%

LAB 55.76, 28.8, -47.78

 

CMYK 29 / 34 / 0 / 20

HEX #9186CB

RGB 145 134 203

HSL 249.57, 0.4%, 0.66%

LAB 59.33, 19.42, -34.23

 

CMYK 18 / 22 / 0 / 26

HEX #9B94BD

RGB 155 148 189

HSL 250.24, 0.24%, 0.66%

LAB 63.2, 11.1, -20.32

 

CMYK 6 / 7 / 0 / 31

HEX #A4A2AF

RGB 164 162 175

HSL 249.23, 0.08%, 0.66%

LAB 67.15, 3.26, -6.46

 

CMYK 54 / 33 / 0 / 9

HEX #6A9AE7

RGB 106 154 231

HSL 216.96, 0.72%, 0.66%

LAB 63.3, 5.76, -43.81

 

CMYK 54 / 48 / 0 / 9

HEX #6A78E7

RGB 106 120 231

HSL 233.28, 0.72%, 0.66%

LAB 54.31, 25.97, -58.09

 

CMYK 46 / 54 / 0 / 9

HEX #7D6AE7

RGB 125 106 231

HSL 249.12, 0.72%, 0.66%

LAB 52.33, 38.31, -61.2

 

CMYK 32 / 54 / 0 / 9

HEX #9E6AE7

RGB 158 106 231

HSL 264.96, 0.72%, 0.66%

LAB 55.43, 45.94, -56.06

 

CMYK 17 / 54 / 0 / 9

HEX #BF6AE7

RGB 191 106 231

HSL 280.8, 0.72%, 0.66%

LAB 59.12, 54.21, -49.96

 

CMYK 70 / 84 / 0 / 14

HEX #4124DB

RGB 65 36 219

HSL 249.51, 0.72%, 0.5%

LAB 32.92, 62.88, -86.31

 

CMYK 57 / 69 / 0 / 12

HEX #6046E1

RGB 96 70 225

HSL 250.06, 0.72%, 0.58%

LAB 41.69, 51.68, -75.19

 

CMYK 45 / 54 / 0 / 9

HEX #7E6AE7

RGB 126 106 231

HSL 249.6, 0.72%, 0.66%

LAB 52.41, 38.53, -61.06

 

CMYK 34 / 41 / 0 / 7

HEX #9D8DED

RGB 157 141 237

HSL 250, 0.73%, 0.74%

LAB 63.62, 27.47, -46.39

 

CMYK 23 / 27 / 0 / 5

HEX #BBB1F2

RGB 187 177 242

HSL 249.23, 0.71%, 0.82%

LAB 75.09, 16.95, -31.06

 

CMYK 45 / 53 / 0 / 9

HEX #806CE7

RGB 128 108 231

HSL 249.76, 0.72%, 0.66%

LAB 53.04, 37.81, -60.04

 

CMYK 0 / 54 / 19 / 9

HEX #E76ABB

RGB 231 106 187

HSL 321.12, 0.72%, 0.66%

LAB 62.41, 57.63, -19.62

 

CMYK 41 / 0 / 54 / 9

HEX #89E76A

RGB 137 231 106

HSL 105.12, 0.72%, 0.66%

LAB 83.71, -50.48, 51.59

 

CMYK 45 / 53 / 0 / 9

HEX #806CE7

RGB 128 108 231

HSL 249.76, 0.72%, 0.66%

LAB 53.04, 37.81, -60.04

 

CMYK 0 / 46 / 54 / 9

HEX #E77D6A

RGB 231 125 106

HSL 9.12, 0.72%, 0.66%

LAB 63.91, 39.05, 28.66

 

CMYK 54 / 0 / 46 / 9

HEX #6AE77D

RGB 106 231 125

HSL 129.12, 0.72%, 0.66%

LAB 82.75, -56.6, 41.15

 

CMYK 45 / 53 / 0 / 9

HEX #806CE7

RGB 128 108 231

HSL 249.76, 0.72%, 0.66%

LAB 53.04, 37.81, -60.04

 

CMYK 0 / 54 / 19 / 9

HEX #E76ABB

RGB 231 106 187

HSL 321.12, 0.72%, 0.66%

LAB 62.41, 57.63, -19.62

 

CMYK 8 / 0 / 54 / 9

HEX #D4E76A

RGB 212 231 106

HSL 69.12, 0.72%, 0.66%

LAB 88.06, -23.64, 57.77

 

CMYK 54 / 0 / 35 / 9

HEX #6AE796

RGB 106 231 150

HSL 141.12, 0.72%, 0.66%

LAB 83.14, -52.54, 29.14

 

CMYK 45 / 53 / 0 / 9

HEX #806CE7

RGB 128 108 231

HSL 249.76, 0.72%, 0.66%

LAB 53.04, 37.81, -60.04

 

CMYK 0 / 54 / 35 / 9

HEX #E76A96

RGB 231 106 150

HSL 338.88, 0.72%, 0.66%

LAB 61.22, 52.81, -0.18

 

CMYK 8 / 0 / 54 / 9

HEX #D4E76A

RGB 212 231 106

HSL 69.12, 0.72%, 0.66%

LAB 88.06, -23.64, 57.77

 

CMYK 54 / 0 / 19 / 9

HEX #6AE7BB

RGB 106 231 187

HSL 158.88, 0.72%, 0.66%

LAB 83.86, -45.16, 10.95

 

Description

Color code: RGBA 128 108 231 0.75 | qconv.com Color code: RGBA 128 108 231 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 108 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 108 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 40 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 40% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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