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Color name
RGBA 128 103 67 0.5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 128 103 67 0.5 it is the complementary color RGBA 127 152 188 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 128 103 67 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 128 103 67 0.5 shade: RGBA 133 103 62 0.5, RGBA 150 121 81 0.5, RGBA 167 139 100 0.5, RGBA 184 157 119 0.5 and RGBA 201 175 138 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 128 103 67 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 128 103 67 0.5 shade: RGBA 128 103 67 0.5, RGBA 111 85 48 0.5, RGBA 94 67 29 0.5, RGBA 77 49 10 0.5 and RGBA 60 31 0 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 128 103 67 0.5 shade: RGB 127 102 67, RGB 127 86 67, RGB 127 70 67 and RGB 127 67 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 128 103 67 0.5 shade: RGB 127 102 67, RGB 127 119 67, RGB 119 127 67, RGB 103 127 67 and RGB 87 127 67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 128 103 67 0.5 shade matches the following richer shades: RGB 127 102 67, RGB 143 105 51, RGB 158 108 36, RGB 174 111 20 and RGB 190 114 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 128 103 67 0.5 shade: RGB 127 102 67, RGB 111 99 83, RGB 96 97 98, RGB 80 94 114 and RGB 64 91 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 128 103 67 0.5 shade: RGB 127 70 67, RGB 127 86 67, RGB 127 102 67, RGB 127 118 67 and RGB 120 127 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 128 103 67 0.5 shade: RGB 73 59 38, RGB 100 81 53, RGB 127 102 67, RGB 154 124 81 and RGB 174 145 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 128 103 67 0.5 shade: RGB 128 103 67, RGB 80 127 67 and RGB 78 67 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 128 103 67 0.5 shade: RGB 128 103 67, RGB 67 127 102 and RGB 102 67 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 128 103 67 0.5 shade: RGB 128 103 67, RGB 80 127 67, RGB 67 92 127 and RGB 114 67 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 128 103 67 0.5 shade: RGB 128 103 67, RGB 67 127 72, RGB 67 92 127 and RGB 127 67 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 24 / 25

HEX #8067437F

RGBA 128 103 67 0.5

HSLA 35.41, 0.31%, 0.38%, 0.5

LABA 45.21, 4.93, 24.04, 0.5

 

Complementary color

CMYK 16 / 10 / 0 / 13

HEX #7F98BC7F

RGBA 127 152 188 0.5

HSLA 215.41, 0.31%, 0.62%, 0.5

LABA 62.17, -0.1, -21.51, 0.5

 

CMYK 0 / 11 / 27 / 24

HEX #85673E7F

RGBA 133 103 62 0.5

HSLA 34.65, 0.36%, 0.38%, 0.5

LABA 45.68, 6.67, 27.59, 0.5

 

CMYK 0 / 10 / 23 / 21

HEX #9679517F

RGBA 150 121 81 0.5

HSLA 34.78, 0.3%, 0.45%, 0.5

LABA 52.68, 5.77, 26.15, 0.5

 

CMYK 0 / 8 / 20 / 17

HEX #A78B647F

RGBA 167 139 100 0.5

HSLA 34.93, 0.28%, 0.52%, 0.5

LABA 59.53, 5.03, 24.82, 0.5

 

CMYK 0 / 7 / 18 / 14

HEX #B89D777F

RGBA 184 157 119 0.5

HSLA 35.08, 0.31%, 0.59%, 0.5

LABA 66.24, 4.42, 23.59, 0.5

 

CMYK 0 / 6 / 16 / 11

HEX #C9AF8A7F

RGBA 201 175 138 0.5

HSLA 35.24, 0.37%, 0.66%, 0.5

LABA 72.83, 3.9, 22.45, 0.5

 

CMYK 0 / 10 / 24 / 25

HEX #8067437F

RGBA 128 103 67 0.5

HSLA 35.41, 0.31%, 0.38%, 0.5

LABA 45.21, 4.93, 24.04, 0.5

 

CMYK 0 / 12 / 28 / 28

HEX #6F55307F

RGBA 111 85 48 0.5

HSLA 35.24, 0.4%, 0.31%, 0.5

LABA 38, 5.9, 25.54, 0.5

 

CMYK 0 / 14 / 35 / 32

HEX #5E431D7F

RGBA 94 67 29 0.5

HSLA 35.08, 0.53%, 0.24%, 0.5

LABA 30.6, 7.17, 27.11, 0.5

 

CMYK 0 / 18 / 44 / 35

HEX #4D310A7F

RGBA 77 49 10 0.5

HSLA 34.93, 0.77%, 0.17%, 0.5

LABA 22.99, 8.92, 28.22, 0.5

 

CMYK 0 / 24 / 50 / 38

HEX #3C1F007F

RGBA 60 31 0 0.5

HSLA 31, 1%, 0.12%, 0.5

LABA 15.17, 11.37, 22.58, 0.5

 

CMYK 0 / 20 / 47 / 50

HEX #7F6643

RGB 127 102 67

HSL 35, 0.31%, 0.38%

LAB 44.83, 5.07, 23.52

 

CMYK 0 / 32 / 47 / 50

HEX #7F5643

RGB 127 86 67

HSL 19, 0.31%, 0.38%

LAB 40.53, 14.57, 17.9

 

CMYK 0 / 45 / 47 / 50

HEX #7F4643

RGB 127 70 67

HSL 3, 0.31%, 0.38%

LAB 36.55, 24.01, 12.54

 

CMYK 0 / 47 / 47 / 50

HEX #7F4343

RGB 127 67 67

HSL 0, 0.31%, 0.38%

LAB 35.85, 25.74, 11.58

 

CMYK 0 / 20 / 47 / 50

HEX #7F6643

RGB 127 102 67

HSL 35, 0.31%, 0.38%

LAB 44.83, 5.07, 23.52

 

CMYK 0 / 6 / 47 / 50

HEX #7F7743

RGB 127 119 67

HSL 52, 0.31%, 0.38%

LAB 49.63, -4.74, 29.59

 

CMYK 6 / 0 / 47 / 50

HEX #777F43

RGB 119 127 67

HSL 68, 0.31%, 0.38%

LAB 51.27, -12.69, 31.46

 

CMYK 19 / 0 / 47 / 50

HEX #677F43

RGB 103 127 67

HSL 84, 0.31%, 0.38%

LAB 50.06, -19.45, 29.69

 

CMYK 31 / 0 / 47 / 50

HEX #577F43

RGB 87 127 67

HSL 100, 0.31%, 0.38%

LAB 49.02, -25.77, 28.17

 

CMYK 0 / 20 / 47 / 50

HEX #7F6643

RGB 127 102 67

HSL 35, 0.31%, 0.38%

LAB 44.83, 5.07, 23.52

 

CMYK 0 / 27 / 64 / 44

HEX #8F6933

RGB 143 105 51

HSL 35.22, 0.47%, 0.38%

LAB 47.21, 9.12, 35.68

 

CMYK 0 / 32 / 77 / 38

HEX #9E6C24

RGB 158 108 36

HSL 35.41, 0.63%, 0.38%

LAB 49.64, 13.36, 46.01

 

CMYK 0 / 36 / 89 / 32

HEX #AE6F14

RGB 174 111 20

HSL 35.45, 0.79%, 0.38%

LAB 52.31, 18.35, 54.93

 

CMYK 0 / 40 / 98 / 25

HEX #BE7204

RGB 190 114 4

HSL 35.48, 0.96%, 0.38%

LAB 55.06, 23.49, 61.35

 

CMYK 0 / 20 / 47 / 50

HEX #7F6643

RGB 127 102 67

HSL 35, 0.31%, 0.38%

LAB 44.83, 5.07, 23.52

 

CMYK 0 / 11 / 25 / 56

HEX #6F6353

RGB 111 99 83

HSL 34.29, 0.14%, 0.38%

LAB 42.65, 1.98, 10.84

 

CMYK 2 / 1 / 0 / 62

HEX #606162

RGB 96 97 98

HSL 210, 0.01%, 0.38%

LAB 41.09, -0.18, -0.71

 

CMYK 30 / 18 / 0 / 55

HEX #505E72

RGB 80 94 114

HSL 215.29, 0.18%, 0.38%

LAB 39.46, -0.28, -13.09

 

CMYK 51 / 30 / 0 / 49

HEX #405B82

RGB 64 91 130

HSL 215.45, 0.34%, 0.38%

LAB 38.17, 1.64, -24.96

 

CMYK 0 / 45 / 47 / 50

HEX #7F4643

RGB 127 70 67

HSL 3, 0.31%, 0.38%

LAB 36.55, 24.01, 12.54

 

CMYK 0 / 32 / 47 / 50

HEX #7F5643

RGB 127 86 67

HSL 19, 0.31%, 0.38%

LAB 40.53, 14.57, 17.9

 

CMYK 0 / 20 / 47 / 50

HEX #7F6643

RGB 127 102 67

HSL 35, 0.31%, 0.38%

LAB 44.83, 5.07, 23.52

 

CMYK 0 / 7 / 47 / 50

HEX #7F7643

RGB 127 118 67

HSL 51, 0.31%, 0.38%

LAB 49.34, -4.18, 29.23

 

CMYK 6 / 0 / 47 / 50

HEX #787F43

RGB 120 127 67

HSL 67, 0.31%, 0.38%

LAB 51.36, -12.26, 31.58

 

CMYK 0 / 19 / 48 / 71

HEX #493B26

RGB 73 59 38

HSL 36, 0.32%, 0.22%

LAB 25.82, 2.78, 15.31

 

CMYK 0 / 19 / 47 / 61

HEX #645135

RGB 100 81 53

HSL 35.74, 0.31%, 0.3%

LAB 35.7, 3.71, 19.42

 

CMYK 0 / 20 / 47 / 50

HEX #7F6643

RGB 127 102 67

HSL 35, 0.31%, 0.38%

LAB 44.83, 5.07, 23.52

 

CMYK 0 / 19 / 47 / 40

HEX #9A7C51

RGB 154 124 81

HSL 35.34, 0.31%, 0.46%

LAB 53.9, 5.8, 27.8

 

CMYK 0 / 17 / 41 / 32

HEX #AE9166

RGB 174 145 102

HSL 35.83, 0.31%, 0.54%

LAB 61.83, 4.86, 26.88

 

CMYK 0 / 20 / 48 / 50

HEX #806743

RGB 128 103 67

HSL 35.41, 0.31%, 0.38%

LAB 45.21, 4.93, 24.04

 

CMYK 37 / 0 / 47 / 50

HEX #507F43

RGB 80 127 67

HSL 107, 0.31%, 0.38%

LAB 48.62, -28.34, 27.58

 

CMYK 39 / 47 / 0 / 50

HEX #4E437F

RGB 78 67 127

HSL 251, 0.31%, 0.38%

LAB 32.18, 20.04, -32.46

 

CMYK 0 / 20 / 48 / 50

HEX #806743

RGB 128 103 67

HSL 35.41, 0.31%, 0.38%

LAB 45.21, 4.93, 24.04

 

CMYK 47 / 0 / 20 / 50

HEX #437F66

RGB 67 127 102

HSL 155, 0.31%, 0.38%

LAB 48.67, -25.85, 7.6

 

CMYK 20 / 47 / 0 / 50

HEX #66437F

RGB 102 67 127

HSL 275, 0.31%, 0.38%

LAB 34.74, 27.26, -28.24

 

CMYK 0 / 20 / 48 / 50

HEX #806743

RGB 128 103 67

HSL 35.41, 0.31%, 0.38%

LAB 45.21, 4.93, 24.04

 

CMYK 37 / 0 / 47 / 50

HEX #507F43

RGB 80 127 67

HSL 107, 0.31%, 0.38%

LAB 48.62, -28.34, 27.58

 

CMYK 47 / 28 / 0 / 50

HEX #435C7F

RGB 67 92 127

HSL 215, 0.31%, 0.38%

LAB 38.52, 0.85, -22.57

 

CMYK 10 / 47 / 0 / 50

HEX #72437F

RGB 114 67 127

HSL 287, 0.31%, 0.38%

LAB 36.22, 31.04, -25.82

 

CMYK 0 / 20 / 48 / 50

HEX #806743

RGB 128 103 67

HSL 35.41, 0.31%, 0.38%

LAB 45.21, 4.93, 24.04

 

CMYK 47 / 0 / 43 / 50

HEX #437F48

RGB 67 127 72

HSL 125, 0.31%, 0.38%

LAB 48.06, -31.9, 23.98

 

CMYK 47 / 28 / 0 / 50

HEX #435C7F

RGB 67 92 127

HSL 215, 0.31%, 0.38%

LAB 38.52, 0.85, -22.57

 

CMYK 0 / 47 / 4 / 50

HEX #7F437A

RGB 127 67 122

HSL 305, 0.31%, 0.38%

LAB 37.72, 34.21, -20.26

 

Description

Color code: RGBA 128 103 67 0.5 | qconv.com Color code: RGBA 128 103 67 0.5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 103 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 103 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 24 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 24% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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