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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 127 53 142 0.81 it is the complementary color RGBA 128 202 113 0.81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 127 53 142 0.81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 127 53 142 0.81 shade: RGBA 132 53 137 0.81, RGBA 149 71 156 0.81, RGBA 166 89 175 0.81, RGBA 183 107 194 0.81 and RGBA 200 125 213 0.81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 127 53 142 0.81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 127 53 142 0.81 shade: RGBA 127 53 142 0.81, RGBA 110 35 123 0.81, RGBA 93 17 104 0.81, RGBA 76 0 85 0.81 and RGBA 59 0 66 0.81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 127 53 142 0.81 shade: RGB 126 52 141, RGB 141 52 132, RGB 141 52 108, RGB 141 52 84 and RGB 141 52 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 127 53 142 0.81 shade: RGB 126 52 141, RGB 102 52 141, RGB 78 52 141, RGB 54 52 141 and RGB 52 52 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 127 53 142 0.81 shade matches the following richer shades: RGB 126 52 141, RGB 137 37 157, RGB 147 21 173 and RGB 158 5 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 127 53 142 0.81 shade: RGB 126 52 141, RGB 116 68 126, RGB 106 84 110, RGB 95 99 94 and RGB 85 115 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 127 53 142 0.81 shade: RGB 78 52 141, RGB 101 52 141, RGB 125 52 141, RGB 141 52 134 and RGB 141 52 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 127 53 142 0.81 shade: RGB 73 30 81, RGB 100 41 111, RGB 126 52 141, RGB 153 63 172 and RGB 174 84 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 127 53 142 0.81 shade: RGB 127 53 142, RGB 141 54 52 and RGB 52 141 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 127 53 142 0.81 shade: RGB 127 53 142, RGB 141 125 52 and RGB 52 141 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 127 53 142 0.81 shade: RGB 127 53 142, RGB 141 54 52, RGB 69 141 52 and RGB 52 140 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 127 53 142 0.81 shade: RGB 127 53 142, RGB 141 81 52, RGB 69 141 52 and RGB 52 113 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 51 / 0 / 36

HEX #7F358ECE

RGBA 127 53 142 0.81

HSLA 289.89, 0.46%, 0.38%, 0.81

LABA 36.01, 45.48, -35.28, 0.81

 

Complementary color

CMYK 30 / 0 / 36 / 17

HEX #80CA71CE

RGBA 128 202 113 0.81

HSLA 109.89, 0.46%, 0.62%, 0.81

LABA 74.84, -40.11, 37.25, 0.81

 

CMYK 3 / 50 / 0 / 37

HEX #843589CE

RGBA 132 53 137 0.81

HSLA 296.43, 0.44%, 0.37%, 0.81

LABA 36.48, 45.83, -31.41, 0.81

 

CMYK 4 / 44 / 0 / 31

HEX #95479CCE

RGBA 149 71 156 0.81

HSLA 295.06, 0.37%, 0.45%, 0.81

LABA 43.21, 45.37, -32.17, 0.81

 

CMYK 4 / 40 / 0 / 25

HEX #A659AFCE

RGBA 166 89 175 0.81

HSLA 293.72, 0.35%, 0.52%, 0.81

LABA 49.91, 44.72, -32.72, 0.81

 

CMYK 5 / 36 / 0 / 19

HEX #B76BC2CE

RGBA 183 107 194 0.81

HSLA 292.41, 0.42%, 0.59%, 0.81

LABA 56.56, 43.98, -33.15, 0.81

 

CMYK 5 / 33 / 0 / 13

HEX #C87DD5CE

RGBA 200 125 213 0.81

HSLA 291.14, 0.51%, 0.66%, 0.81

LABA 63.14, 43.22, -33.5, 0.81

 

CMYK 9 / 51 / 0 / 36

HEX #7F358ECE

RGBA 127 53 142 0.81

HSLA 289.89, 0.46%, 0.38%, 0.81

LABA 36.01, 45.48, -35.28, 0.81

 

CMYK 9 / 58 / 0 / 42

HEX #6E237BCE

RGBA 110 35 123 0.81

HSLA 291.14, 0.56%, 0.31%, 0.81

LABA 29.28, 45.56, -34.33, 0.81

 

CMYK 9 / 68 / 0 / 48

HEX #5D1168CE

RGBA 93 17 104 0.81

HSLA 292.41, 0.72%, 0.24%, 0.81

LABA 22.75, 44.67, -32.76, 0.81

 

CMYK 9 / 81 / 0 / 54

HEX #4C0055CE

RGBA 76 0 85 0.81

HSLA 293.65, 1%, 0.17%, 0.81

LABA 16.47, 42.54, -30.41, 0.81

 

CMYK 9 / 81 / 0 / 60

HEX #3B0042CE

RGBA 59 0 66 0.81

HSLA 293.64, 1%, 0.13%, 0.81

LABA 11.44, 35.92, -25.55, 0.81

 

CMYK 11 / 63 / 0 / 45

HEX #7E348D

RGB 126 52 141

HSL 289.89, 0.46%, 0.38%

LAB 35.63, 45.5, -35.28

 

CMYK 0 / 63 / 6 / 45

HEX #8D3484

RGB 141 52 132

HSL 306.07, 0.46%, 0.38%

LAB 37.45, 47.83, -26.7

 

CMYK 0 / 63 / 23 / 45

HEX #8D346C

RGB 141 52 108

HSL 322.25, 0.46%, 0.38%

LAB 36.37, 43.99, -13.41

 

CMYK 0 / 63 / 40 / 45

HEX #8D3454

RGB 141 52 84

HSL 338.43, 0.46%, 0.38%

LAB 35.52, 40.83, 0.58

 

CMYK 0 / 63 / 57 / 45

HEX #8D343C

RGB 141 52 60

HSL 354.61, 0.46%, 0.38%

LAB 34.89, 38.43, 15.1

 

CMYK 11 / 63 / 0 / 45

HEX #7E348D

RGB 126 52 141

HSL 289.89, 0.46%, 0.38%

LAB 35.63, 45.5, -35.28

 

CMYK 28 / 63 / 0 / 45

HEX #66348D

RGB 102 52 141

HSL 273.71, 0.46%, 0.38%

LAB 32.27, 39.36, -40.83

 

CMYK 45 / 63 / 0 / 45

HEX #4E348D

RGB 78 52 141

HSL 257.53, 0.46%, 0.38%

LAB 29.41, 33.66, -45.59

 

CMYK 62 / 63 / 0 / 45

HEX #36348D

RGB 54 52 141

HSL 241.35, 0.46%, 0.38%

LAB 27.2, 28.82, -49.28

 

CMYK 63 / 63 / 0 / 45

HEX #34348D

RGB 52 52 141

HSL 240, 0.46%, 0.38%

LAB 27.04, 28.47, -49.54

 

CMYK 11 / 63 / 0 / 45

HEX #7E348D

RGB 126 52 141

HSL 289.89, 0.46%, 0.38%

LAB 35.63, 45.5, -35.28

 

CMYK 13 / 76 / 0 / 38

HEX #89259D

RGB 137 37 157

HSL 290, 0.62%, 0.38%

LAB 36.13, 57.37, -44.12

 

CMYK 15 / 88 / 0 / 32

HEX #9315AD

RGB 147 21 173

HSL 289.74, 0.78%, 0.38%

LAB 37.4, 66.44, -51.61

 

CMYK 16 / 97 / 0 / 26

HEX #9E05BD

RGB 158 5 189

HSL 289.89, 0.95%, 0.38%

LAB 39.67, 73.16, -57.34

 

CMYK 11 / 63 / 0 / 45

HEX #7E348D

RGB 126 52 141

HSL 289.89, 0.46%, 0.38%

LAB 35.63, 45.5, -35.28

 

CMYK 8 / 46 / 0 / 51

HEX #74447E

RGB 116 68 126

HSL 289.66, 0.3%, 0.38%

LAB 36.66, 30.88, -24.5

 

CMYK 4 / 24 / 0 / 57

HEX #6A546E

RGB 106 84 110

HSL 290.77, 0.13%, 0.38%

LAB 38.78, 14.22, -11.44

 

CMYK 4 / 0 / 5 / 61

HEX #5F635E

RGB 95 99 94

HSL 108, 0.03%, 0.38%

LAB 41.48, -2.6, 2.29

 

CMYK 26 / 0 / 31 / 55

HEX #55734F

RGB 85 115 79

HSL 110, 0.19%, 0.38%

LAB 45.3, -18.45, 16.52

 

CMYK 45 / 63 / 0 / 45

HEX #4E348D

RGB 78 52 141

HSL 257.53, 0.46%, 0.38%

LAB 29.41, 33.66, -45.59

 

CMYK 28 / 63 / 0 / 45

HEX #65348D

RGB 101 52 141

HSL 273.03, 0.46%, 0.38%

LAB 32.14, 39.11, -41.05

 

CMYK 11 / 63 / 0 / 45

HEX #7D348D

RGB 125 52 141

HSL 289.21, 0.46%, 0.38%

LAB 35.48, 45.24, -35.52

 

CMYK 0 / 63 / 5 / 45

HEX #8D3486

RGB 141 52 134

HSL 304.72, 0.46%, 0.38%

LAB 37.55, 48.18, -27.78

 

CMYK 0 / 63 / 22 / 45

HEX #8D346E

RGB 141 52 110

HSL 320.9, 0.46%, 0.38%

LAB 36.45, 44.28, -14.54

 

CMYK 10 / 63 / 0 / 68

HEX #491E51

RGB 73 30 81

HSL 290.59, 0.46%, 0.22%

LAB 19.8, 29.18, -22.41

 

CMYK 10 / 63 / 0 / 56

HEX #64296F

RGB 100 41 111

HSL 290.57, 0.46%, 0.3%

LAB 27.96, 37.71, -28.9

 

CMYK 11 / 63 / 0 / 45

HEX #7E348D

RGB 126 52 141

HSL 289.89, 0.46%, 0.38%

LAB 35.63, 45.5, -35.28

 

CMYK 11 / 63 / 0 / 33

HEX #993FAC

RGB 153 63 172

HSL 289.54, 0.46%, 0.46%

LAB 43.22, 53.4, -41.63

 

CMYK 9 / 56 / 0 / 25

HEX #AE54C0

RGB 174 84 192

HSL 290, 0.46%, 0.54%

LAB 50.86, 52.79, -41.04

 

CMYK 11 / 63 / 0 / 44

HEX #7F358E

RGB 127 53 142

HSL 289.89, 0.46%, 0.38%

LAB 36.01, 45.48, -35.28

 

CMYK 0 / 62 / 63 / 45

HEX #8D3634

RGB 141 54 52

HSL 1.35, 0.46%, 0.38%

LAB 35.1, 36.85, 20.43

 

CMYK 63 / 0 / 37 / 45

HEX #348D59

RGB 52 141 89

HSL 144.94, 0.46%, 0.38%

LAB 52.4, -38.91, 20.12

 

CMYK 11 / 63 / 0 / 44

HEX #7F358E

RGB 127 53 142

HSL 289.89, 0.46%, 0.38%

LAB 36.01, 45.48, -35.28

 

CMYK 0 / 11 / 63 / 45

HEX #8D7D34

RGB 141 125 52

HSL 49.21, 0.46%, 0.38%

LAB 52.48, -3.16, 41.04

 

CMYK 63 / 0 / 11 / 45

HEX #348D7D

RGB 52 141 125

HSL 169.21, 0.46%, 0.38%

LAB 53.23, -30.38, 0.72

 

CMYK 11 / 63 / 0 / 44

HEX #7F358E

RGB 127 53 142

HSL 289.89, 0.46%, 0.38%

LAB 36.01, 45.48, -35.28

 

CMYK 0 / 62 / 63 / 45

HEX #8D3634

RGB 141 54 52

HSL 1.35, 0.46%, 0.38%

LAB 35.1, 36.85, 20.43

 

CMYK 51 / 0 / 63 / 45

HEX #458D34

RGB 69 141 52

HSL 108.54, 0.46%, 0.38%

LAB 52.47, -40.18, 39.67

 

CMYK 63 / 1 / 0 / 45

HEX #348C8D

RGB 52 140 141

HSL 180.67, 0.46%, 0.38%

LAB 53.39, -25.35, -8.3

 

CMYK 11 / 63 / 0 / 44

HEX #7F358E

RGB 127 53 142

HSL 289.89, 0.46%, 0.38%

LAB 36.01, 45.48, -35.28

 

CMYK 0 / 43 / 63 / 45

HEX #8D5134

RGB 141 81 52

HSL 19.55, 0.46%, 0.38%

LAB 40.89, 22.24, 27.64

 

CMYK 51 / 0 / 63 / 45

HEX #458D34

RGB 69 141 52

HSL 108.54, 0.46%, 0.38%

LAB 52.47, -40.18, 39.67

 

CMYK 63 / 20 / 0 / 45

HEX #34718D

RGB 52 113 141

HSL 198.88, 0.46%, 0.38%

LAB 44.89, -10.73, -21.21

 

Description

Color code: RGBA 127 53 142 0.81 | qconv.com Color code: RGBA 127 53 142 0.81 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 53 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 53 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 51 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 51% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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